Here are 100 books that The Metamorphosis fans have personally recommended if you like
The Metamorphosis.
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I am a philosophy post-doc at Unesp and a poet who has always felt that politics is not the exclusive business of politicians; that violence is not the exclusive business of warfare or of “vulgar” people, say, drunkards in bars. Violence, I have felt while doing philosophy in the USA, Brazil, Germany, and France, is likewise expressed by well-educated and apparently “peaceful” philosophers who are engaged in implicit politics and practice “subtle” violence. To handle the relation between politics and metaphysics is to do justice to this feeling. The Politics of Metaphysics, I hope, does that. I believe that though more tacitly, the same is done by this list’s books.
What I love about this book is the fact that it indicates that an apparently apolitical metaphilosophical assumption agrees with an upfront right-wing policy.
The assumption is that when tackling disputes in metaphysics, philosophers should aim to achieve consensus. The policy is that of pressing one to respect the allegedly rationally undeniable standards of a “herd,” as Nietzsche puts it. While problematizing this view, Nietzsche argues that libertarian tendencies of expressing one’s uniqueness are more valuable than more egalitarian tendencies of following herds; to provoke dissensus would then be more valuable than to reach consensus.
This stance has influenced me, even though while problematizing Nietzsche’s works through Carnap’s (and vice-versa), I claim that libertarian and egalitarian tendencies are equally valuable so that one should aim for a balance between them.
Unabridged English value reproduction of Beyond Good And Evilby Friedrich Nietzsche and translated by Helen Zimmern. This philosophical classic is a must read because of its fearless approach to how knowledge is formed.
Beyond Good And Evil asks, is truth absolute? Do humans invent ways to fortify already held views or truly seek the truth? Are the powerful more ‘right’ than the weak? Or is Nietzsche writing down page after page to hear himself talk?
Let the reader decide in this slim volume with full text and footnotes, produced at an affordable price.
I have been interested in purpose and meaning since I snuck into a high school philosophy class when I was 10 years old. Since then, I have not only worked on my own quest for meaning in my life but also helped dozens of others through these types of questions as an executive coach and business leader. I believe that having an answer to the question “why am I here?” is the crucial ingredient to living a happy and fulfilled life, and I’ve been working for years to distill all that I have learned on the subject into a useable and accessible collection of insights.
This is an amazing and brief explanation of what existentialism is and why it should matter to anyone looking for meaning in their life.
I love that Satre demystifies his philosophy, making it accessible and understandable to anyone. The book is actually the transcription of a lecture he gave, so it is wonderfully readable and full of examples and situations that I learned a lot from.
He also defends existentialism from some of its common critiques, which makes the book even more useful as an introduction. Many of my questions were answered here!
It was to correct common misconceptions about his thought that Jean-Paul Sartre, the most dominent European intellectual of the post-World War II decades, accepted an invitation to speak on October 29, 1945, at the Club Maintenant in Paris. The unstated objective of his lecture ("Existentialism Is a Humanism") was to expound his philosophy as a form of "existentialism," a term much bandied about at the time. Sartre asserted that existentialism was essentially a doctrine for philosophers, though, ironically, he was about to make it accessible to a general audience. The published text of his lecture quickly became one of the…
I grew up in a culture that both fears and embraces spirits or outrightly rejects the idea that spirits live on beyond death. I grew up on stories of rolling calves and duppies that caused havoc among the living. Since then, I’ve been fascinated by what haunts us—whether it be our familial spirits that float among the living and continue to play a role in our lives, our memories, or our past actions. I’ve written three books that play with this idea of past actions lingering long into the characters’ lives and returning in unexpected ways.
This book is a longtime favorite of mine. Toni Morrison was a master at blending the personal story and the political, and in this book, she blends the true story of a mother who kills her child to prevent slave catchers from returning the baby to life as a slave.
Morrison’s fictional Sethe is haunted by the ghost of the baby she killed and the memories of her difficult life as a slave. This is one of the novels I return to time after time, both for the beauty of the writing and the portrayal of a mother’s love, guilt, and the lingering impact of slavery.
'Toni Morrison was a giant of her times and ours... Beloved is a heart-breaking testimony to the ongoing ravages of slavery, and should be read by all' Margaret Atwood, New York Times
Discover this beautiful gift edition of Toni Morrison's prize-winning contemporary classic Beloved
It is the mid-1800s and as slavery looks to be coming to an end, Sethe is haunted by the violent trauma it wrought on her former enslaved life at Sweet Home, Kentucky. Her dead baby daughter, whose tombstone bears the single word, Beloved, returns as a spectre to punish her mother, but also to elicit her…
Growing up in Ireland with a lot of Pink Floyd records, an active imagination, and no TV, I was almost destined to have a seemingly endless number of questions about the universe, our existence, and the purpose of it all. Finding that much could be learned from the tip of a pen (including that blue flavor is the best one) I began to read and make shapes and draw words of my own. Then, questioning the reasons I had questions, and seeking what could not be found, I found the answer to a single one—that there is far more to this world than we can ever see, and we indeed, are not alone.
To empathize with a demon is not something I ever thought I would do, yet while looking at the world through the eyes of a junior one in training I truly felt his pain.
One would think it would be easy to trick a simple human into making mistakes, but with God on their side it would seem not. As hilarious as it is profound, while being deeply enlightened into the ways humans are so vulnerable to their darker nature, I laughed my way through this one, finding it as funny to see the particular faults of others as it was to recognize the many predictable faults in myself.
On its first appearance, The Screwtape Letters was immediately recognized as a milestone in the history of popular theology. Now, in it's 70th Anniversary Year, and having sold over half a million copies, it is an iconic classic on spiritual warfare and the power of the devil.
This profound and striking narrative takes the form of a series of letters from Screwtape, a devil high in the Infernal Civil Service, to his nephew Wormwood, a junior colleague engaged in his first mission on earth trying to secure the damnation of a young man who has just become a Christian. Although…
One of the gifts of the horror genre is that the stories use metaphor to examine human behaviors that defy understanding. My favorite horror novels, novellas, and short stories can be read again and again. While my Feral graphic novel series is for middle school readers, I wanted to provide grey areas, perhaps more than the editor always liked! I wanted the adventure, the scares, the questions, the uncertainty that would let the small town of Feral take on a larger-than-life presence for a reader and encourage revisiting it whenever the mood strikes. It's almost pleasant, the rhythm, the anticipation. A little unnerving too.
This is a short story collection I return to every few years. There are four novellas in this collection, but each of them was delivered directly to my cerebral cortex. I can recall passages from each story. And I can see the locations.
I feel King is at his best when he's twisting his way through novellas and short stories. After reading "1922", it was weeks before I stopped seeing the well. And weeks before, I stopped shaking my head at what Wilfred James did or the grit of Tess in "Big Driver" or the pettiness of Dave Streeter. This is worth reading every year.
From the master of the long story form, the Sunday Times No. 1 besteller, Full Dark, No Stars - described by the Sunday Telegraph as 'an extraordinary collection, thrillingly merciless, and a career high point' - now with a stunning new cover look.
Is it possible to fully know anyone? Even those we love the most? What tips someone over the edge to commit a crime?
In '1922', a story which was adapted into a Netflix original film, a Nebraska farmer, the turning point comes when his wife threatens to sell off the family homestead.
As a writer of Gothic-inflected suspense and horror fiction, I just can’t help it: I love to be scared! We are lucky to be in a time when so many wonderful thrillers, mysteries, suspense, and horror stories are being written and published, but I have a great love for the classics of the genre. These are the books I turn to again and again, not just to marvel at their craft and ingenuity, but to feel the skin prickle on my arms and shoulders and the hairs rise on the back of my neck. Whether for the first or the twentieth time, let these masterworks cast their spells over you.
I have been a fan of Gothic and melodrama since I first watched the 1931 film Frankenstein with Boris Karloff–and I was delighted to discover that the book is even better and so much more than what we’ve ever seen on screen.
Frankenstein’s monster is articulate and soulful in Mary Shelley’s atmospheric, dread-filled original novel, and his plight is all the more moving because of it. She wrote it when she was just 18 years old, still grieving over the death of her first child two years earlier. I feel her aching sorrow on every page.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
Growing up in a rural area influenced by both Protestantism and Catholicism, I found that the daily habits of devoutly religious people were often contradictory to the basic practices of their religion. I also discovered that people were every day forced to adjust their beliefs and behaviors depending on which microcosm within the culture they were in at a given moment participating. People unable to play by these ever-shifting cultural rules would quickly lose respect. This scared the hell out of me, as I was never good at adjusting to different social situations on the fly, but I also found it interesting, and it therefore became the primary theme of my book.
Most all of Terry Pratchett’s books do an excellent job of turning absurdity into humor while remaining thought provoking, and this one is probably my favorite.
In terms of style and humor, I really found myself thinking of Kurt Vonnegut and Douglas Adams while reading this, which is obviously good company to be in. Essentially, the book deals with the question: “What happens to religion when no one believes in its God?”
Fans of Sir Terry Pratchett will love this stunning graphic novel adaptation of his bestselling standalone Discworld novel Small Gods. Beautifully brought to life by illustrator Ray Friesen, it takes a close look at religion's institutions, its people, its practices and its role in politics in Pratchett's unique way...
'An intriguing satire on institutionalized religion corrupted by power...' - Independent 'Deftly weaves themes of forgiveness, belief and spiritual regeneration' - The Times 'I loved this book. I wish it could go on and on and on because it was so enjoyable to read. I wish more books are like this…
I’ve always had an interest in art, growing up a military brat and constantly moving, left me time to doodle and read. I spent the first part of my life as an art professor and artist. I began writing three years ago when my manuscript was chosen for RWA’s Ramp program in 2021. With my art, my interest leans more towards the bizarre and unexplained. I believe the romance stories I write follow suit, dark and gothic romance my primary interest, but always with spiritual and hopeful undertones. I also write some non-fiction for a local magazine where I live, The Greenville Stroll and on substack a newsletter for romance writers.
This book unleashed my interest in gothic literature, and soon after, I wrote my book.
I enjoy the way the narrative begins innocently and picks up momentum. Racing to the ending like a runaway train. I did something similar in my book with the pacing. Stetson's novella feels so much more prominent in scope than a novella. What makes this gothic is that it captures the deterioration of a woman into madness, in much the same way Edgar Allen Poe did with his male protagonist in The Raven.
You can read Stetson's novella for free. It's in the public domain.
The Yellow Wallpaper (original title: "The Yellow Wall-paper. A Story") is a 6,000-word short story by the American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental.
Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As…
I’ve been a nerd for the morbid for as long as I can remember. When I was a kid, I tore through all the books on the shelves in my house, whether they were appropriate for my age group or not. I started tearing into Stephen King books at 8 or so. I remember vividly copying language out of Christine when I was about 10 on the playground and getting in a lot of trouble for it. But I turned out okay. I really do believe that kids have a fascination for things above their age range, and adults enjoy it, too, and I still love all of these.
I first saw the movie that this book was adapted into, Stand By Me, and the book works every bit as well.
When I was a kid, I had a deal with my parents that I could watch R-rated movies if I read the book first, but for some reason, this was one of the rare exceptions that was turned the other way around.
It’s just such a compelling read, and I wanted to start it over again as soon as I finished it.
#1 New York Times bestselling author Stephen King’s timeless novella “The Body”—originally published in his 1982 short story collection Different Seasons, and adapted into the 1986 film classic Stand by Me—is now available as a stand-alone publication.
It’s 1960 in the fictional town of Castle Rock, Maine. Ray Brower, a boy from a nearby town, has disappeared, and twelve-year-old Gordie Lachance and his three friends set out on a quest to find his body along the railroad tracks. During the course of their journey, Gordie, Chris Chambers, Teddy Duchamp, and Vern…
I’ve always found the art of storytelling to be important. It’s taken me to places I’ve dreamed of as well as places others have created. Drawing has always been my passion, and the desire to entertain audiences of all ages has matured with time. When I realized I could make my own stories and illustrate them, it was clear that it was something I wanted to do. I always appreciated books that spoke up to me rather than down or too simply. The books on this list do just that.
I hadn’t read this as a child, but upon reading it the first time, it made me feel like a child. The deep introspection, written with the imagination and voice of a young child, was calming, and I felt as if he knew how I thought as a child and adult.
I was living in France at the time, and the story had a foreign mood but was familiar. The book reached into personal childhood daydreams and fantasies. The prince’s way of thinking and expressing himself was definitely not from the modern day and it inspired me to write “up” to younger audiences. The immediacy and freshness of the illustrations motivated me to think less and feel more when creating.
Few stories are as widely read and as universally cherished by children and adults alike as 'The Little Prince'. Richard Howard's new translation of the beloved classic-published to commemorate the 100th anniversary of Antoine de Saint-Exupery's birth-beautifully reflects Saint-Exupery's unique and gifted style. Howard, an acclaimed poet and one of the preeminent translators of our time, has excelled in bringing the English text as close as possible to the French, in language, style, and most important, spirit. The artwork in this new edition has been restored to match in detail and in colour Saint-Exupery's original artwork. By combining the new…
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isolation,
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