The most recommended books about Transylvania

This novel, published in 1879, is set in Romania at the time of the 1877-8 Russo-Turkish War. It is significant for its setting because it predates Dracula (1897) in being set in Romania (home of Transylvania). Nizet was a twenty-year-old Belgian woman who encountered Romanians in Paris who told her about how Russians had treated them during the war. Nizet created the character of Captain Vampire to represent how Russia acted like a vampire toward the Romanians, even though they were Russia’s allies. Captain Vampire’s behavior is shocking yet fascinating. As a critique of war, the novel is extremely relevant today given Russia’s recent invasion of Ukraine. Personally, I am amazed by how a woman who never saw a battlefield could capture war’s essence so vividly.

I admit. I stalked Quinn at Dragon Con. It took me all day to finally summon the courage to approach her and fangirl out. It was after a panel, and no one else was waiting to talk to her.

A most prolific, brilliant, and underrated author, her Saint-Germain series is astounding and profoundly impacted and inspired me. Her main character is faced against impossible odds, which he resolutely and astutely conquers each time while protecting those he holds dear.

The books’ settings move through the sands of time and across continents, all uniquely accurate. Her PhD in history sings through these historical fiction books (hundreds of them) that don’t quite fit into any one genre. She created her own—a literary goddess.

A beautifully written account of an Englishman who ventures to rural Romania and ends up staying after he falls for a gypsy girl.

The author captures a seemingly idyllic, pastoral way of life and describes it with such grace that I was left longing to join him swinging a scythe in the hay meadows or sitting by a crackling wood stove after a day of splitting logs.

Although the book covers a period of the late ‘90s and early ‘00s, the world Blacker documents could be from a century ago. It’s a moving, wistful, sometimes amusing, and eventually poignant account of a way of life that likely no longer exists; recommended for all arm-chair travellers or anyone with an interest in Romania.

If you want a little mystery, intrigue, and adventure sprinkled into your historical romance, I don’t think you can find anyone better than Emmanuelle de Maupassant. Her Lady’s Guide series is perfect for you if you want to be rescued by a hero or glorify in a powerful heroine. It’s packed full of mysterious gentlemen, mistaken identity, adventure, travelling across Europe and of course, steamy delightful encounters… 

This book jumped out at me at a bookstore one day, and I loved it so deeply that I sought out the author when I learned he lived nearly and we became good friends.

Rubinstein stumbled upon a true crime story most reporters only dream of – that of hard-drinking third-string Hungarian hockey goalie Attila Ambrus, who took up bank robbing and triggered the largest manhunt in post-communist Eastern European history – and then was smart enough to let the story tell itself, bit by incredible bit.

The result is a wild ride through the chaos of post-Cold War Hungary with a rambunctious antihero for whom you can’t help but root.

I love everything Juliet Marillier writes. She is so good at using her knowledge of folklore to create magical stories in which the heroine must save the day. This book departs from her usual Celtic setting, taking us instead to Transylvania in the time of the Ottoman Empire and a reimagining of the Twelve Dancing Princesses.

The setting takes five sisters from a crumbling castle at the edge of the Wildwood to the Faerie Kingdom at the heart of that wood. I love how the Wildwood seems to tailor itself to the ages and personalities of the sisters. So, five-year-old Stela spends her time with cute and playful creatures, while elder sister Tatiana falls under the spell of Sorrow, one of the Night People. Protagonist Jena has her own love story with the talking frog Gogu.

This Icelandic Dracula remained hidden from the world-at-large as merely a translation of the original for more than a century before Hans Corneel de Roos translated the Icelandic back into English. What he discovered is that Asmundsson took the liberty of making Dracula his own book. A Nordic spin on the vampire is reason enough to discover this interesting take on Stoker’s Dracula. Two-thirds of the book takes place at the Count’s castle in Transylvania where the notorious vampire is given much more depth and voice. Nordic lore spices this story up as well as a very seductive vampiress. The book is also much shorter than Stoker’s, which makes it an easy read.

Romania is not all Dracula and Olympic gymnasts. For example, did you know the original Tarzan, Johnny Weissmuller, was an ethnic Saxon from Transylvania? 

During my time in Romania, I found her people bright and engaging. Simmer that in the melting pot of a turbulent multi-cultural history formed at a crossroads between powerful empires and it’s no surprise that the result is great insight, resilience, and wisdom. However, Romania’s minority language and time as a secretive Soviet state conspire to ensure their worldview has not been shared widely. 

Besides introducing some famous names whom you might not associate with Romania, this book is genuinely inspirational and captures the country’s spirit, humour, and culture.

I picked up Dracula in my desire to read more classics. I was not prepared for what a page-turner it is! The first chapter will send chills up your spine and the pace never slows. I especially love how Stoker employes multiple narrators and narrative devices (letters, journal entries, etc.) to tell the story of the evil and mysterious Count Dracula. Happy to say that the original Dracula story is also the best.

Leslie Klinger’s annotated version of Dracula is one of the most recent editions, and it surely is the most entertaining one, suitable for readers who are no Dracula experts (yet). Some of his comments build on the (purely fictional) assumption that the Count himself had his hand in editing Stoker’s text. In a single instance, when it comes to the historical Dracula family, Klinger drops the ball, but he makes a unique contribution to Dracula Studies by comparing Dracula’s final text with that of Stoker’s typescript, found in a barn in Pennsylvania in the 1980s. His attention to geographical details greatly inspired my own research into this matter. The book comes with a number of illustrations and helpful appendixes.