The most recommended books about Transylvania

If you want a little mystery, intrigue, and adventure sprinkled into your historical romance, I don’t think you can find anyone better than Emmanuelle de Maupassant. Her Lady’s Guide series is perfect for you if you want to be rescued by a hero or glorify in a powerful heroine. It’s packed full of mysterious gentlemen, mistaken identity, adventure, travelling across Europe and of course, steamy delightful encounters… 

This is a really thorough, fascinating encyclopedia of all things vampire––from folklore to nineteenth-century literature to obscure religious movements to comic books and movies to true crime. Whatever you want to know about vampires, this book will have it or tell you where you can find it. J. Gordon Melton is a total fanatic when it comes to vampire lore and he encouraged me early on when I first began researching the vampire community. Besides vampires, Melton loves to collect obscure information and data on all manner of religious groups. He once described himself to me as “a very greedy scholar” because there are so many topics that he tracks and researches. He can also tell you the best used bookstores in any city in America.  

This funny and fascinating memoir is a great read and provides a window into what life was like behind the Iron Curtain in the 1960s, under a brutal and oppressive regime. 

Mackay spends two years in Romania’s capital, Bucharest, as visiting professor at the University. Spied on, treated warily by locals, and forbidden to travel, he nevertheless finds ways to see the country and gain insight into its culture and people.

Whether you want to find out more about Romania or you just want a captivating read which will open your mind to how different life can be without the freedoms and privileges we currently enjoy in the West, you will love this book.

Romania is not all Dracula and Olympic gymnasts. For example, did you know the original Tarzan, Johnny Weissmuller, was an ethnic Saxon from Transylvania? 

During my time in Romania, I found her people bright and engaging. Simmer that in the melting pot of a turbulent multi-cultural history formed at a crossroads between powerful empires and it’s no surprise that the result is great insight, resilience, and wisdom. However, Romania’s minority language and time as a secretive Soviet state conspire to ensure their worldview has not been shared widely. 

Besides introducing some famous names whom you might not associate with Romania, this book is genuinely inspirational and captures the country’s spirit, humour, and culture.

As a Romanian-born reader who is fascinated by Vlad the Impaler's life and folklore I was drawn to Grigorcea's presentation of the ancestral homeland and Dracula's haunting legacy. Her portrayal of a post-communist society still grappling with its past echoed my own experiences and observations. 

The atmosphere is eerie, dreamlike in places, and the lines between history and fiction are blurred. But Grigorcea's exploration of fate and the enigmatic figure of Dracula adds depth and complexity to the story. Yet it is not a bloodthirsty vampire novel or a modern Dracula à la Bram Stoker - which I appreciated.

It's a novel that delves not only into the historical and supernatural, but also into the enduring power of Romania's cultural heritage. Overall, a captivating and evocative read that held my attention.

Based on a real historical figure, Hotel Transylvania tells the story of the Compte de Saint-Germain who arrives in the Court of Louis XV in 1743 and falls in love with a young woman named Madelaine de Montalia. The historical Saint-Germain was rumored to be an alchemist who never aged, and some speculated he was a vampire. Yarbro gives us a heroic vampire who must step in and save the woman he loves when she becomes a target for devil-worshiping Paris nobility. I loved how Yarbro spun characters from a historical setting into a suspenseful, thrilling tale leaving us wanting more. Lucky for us Yarbro delivered over twenty sequels.

I can’t get enough of this supernatural classic, which is made all the more vivid by the way its story unfolds through letters, telegrams, diary entries, and newspaper clippings. It is the found-footage horror story of its era.

Like Frankenstein, it has been adapted hundreds of times, officially and unofficially, into nearly every medium, yet the original novel is unparalleled for holding the reader in its icy grip. Stoker brought his own fears to the page, and I am always surprised at how, in just a few pages, they become my fears, as well.

This novel, published in 1879, is set in Romania at the time of the 1877-8 Russo-Turkish War. It is significant for its setting because it predates Dracula (1897) in being set in Romania (home of Transylvania). Nizet was a twenty-year-old Belgian woman who encountered Romanians in Paris who told her about how Russians had treated them during the war. Nizet created the character of Captain Vampire to represent how Russia acted like a vampire toward the Romanians, even though they were Russia’s allies. Captain Vampire’s behavior is shocking yet fascinating. As a critique of war, the novel is extremely relevant today given Russia’s recent invasion of Ukraine. Personally, I am amazed by how a woman who never saw a battlefield could capture war’s essence so vividly.

This was one of the first horror novels I read, so it has almost a mystical hold on me. I returned to it quite a few times through the years turning my paperback edition into a dogeared mess.

It was the first time I read a story where the real world of politics and cruelty were tied to the immortal, the unliving, the monsters of our imagination. The mix of horror and the supernatural works in this book as well as anything I've read.

And the scene under the keep, the tunnels that kept me awake as a youngster, and I still look at it as a masterclass on how to build fear and suspense.

Leslie Klinger’s annotated version of Dracula is one of the most recent editions, and it surely is the most entertaining one, suitable for readers who are no Dracula experts (yet). Some of his comments build on the (purely fictional) assumption that the Count himself had his hand in editing Stoker’s text. In a single instance, when it comes to the historical Dracula family, Klinger drops the ball, but he makes a unique contribution to Dracula Studies by comparing Dracula’s final text with that of Stoker’s typescript, found in a barn in Pennsylvania in the 1980s. His attention to geographical details greatly inspired my own research into this matter. The book comes with a number of illustrations and helpful appendixes.