I’ve read everything I could lay my hands on since I was young, and like so many others, I’ve always preferred to read about unusual characters, uncommon situations, or both simultaneously. The books I described here fulfill those requirements for me, even though they are superficially very different from one another. Now that I write my own novels, my over-arching goal is for each of my books to be better than the one that precedes it. I do my best to offer my readers interesting characters in compelling situations, and if my readers think I’ve succeeded, I will be a very happy author.
Quirky characters are my favorite, and if they come with a snarky attitude and impending death, so much the better. Nerdy Bill gets invited to a party by a beautiful woman he meets by chance. At the party, he’s turned into a vampire. This is the first book in a series following Bill’s adventures as one of the undead, along with his human friends and a host of other characters, including a 300-year-old vampire girl who claims Bill as her mate, sasquatches, rock people, and the human woman Bill loves from afar.
I’ve read the entire series at least three times, and I’m always entertained. The writing is good and sometimes laugh-out-loud funny, and the storylines are somehow plausible. It's one of my favorites, for sure.
THERE ARE REASONS WE FEAR THE NIGHT. HE'S NOT ONE OF THEM.
Dateless dork Bill Ryder never suspected it would take death to make his life a hell of a lot more interesting, but then he met a girl to die for - so he did.
Now he’s a vampire, surrounded by creatures stronger, deadlier, and much cooler than he is. They’re giving him just ninety days to prove he has what it takes to be an apex predator of the night, assuming he doesn’t give them a reason to dust his ass sooner.
I don’t know if I have an expertise in queer indie fantasy (quite the opposite, in fact). I just know as a queer person who loves magical worlds, I want to help elevate as many of them as possible. Over the past few years, I’ve aimed to read almost exclusively queer books with a focus on indie books (well, any indie books really). My hope is for other people to find and uplift indie books. There are so many beautiful hidden gems that just need a little more exposure to find their reader homes.
This book has so many tropes that I despise, such as miscommunication, deceit/manipulation, and third-act breakups. Yet somehow, Bryn managed to execute them all with such finesse that I fell in love.
Both main characters are adorable in completely different ways. Wes is such a confident goof, while Vincent is so sad and adorable that I just want to hug him. The romance is cute but fades to black. However, there are apparently some spicy short stories that follow up with the lives of Wes and Vincent. I need to get my next dose of these cute boys.
Vincent Barnes has suffered four years as a vampire, and they’ve been the most miserable years of his pathetic life. Too poor for black market blood, he feeds from sleeping humans to survive. He tries to never intrude on the same prey twice, but after a single delicious taste of a long-lost childhood neighbor, he can’t help returning for seconds.
Wesley Garcia has been waking up with fang marks. Lucky for him, he needs a vampire—to use as bait. He’s certain Vitalis-Barron Pharmaceutical killed his mother, but to gain access to their covert research labs, he has to bring them…
While Dune, Star Wars, Battlestar Galactica (1980s), and other SF staples laid the foundation for my love of SFF, I was also reading about the universe from a young age. Along came Star Trek: The Next Generation in the ‘90s and the stage was set. Completing Bachelor’s Degrees in Ancient History & Archaeology; Religions & Theology; and a PhD in Near and Middle Eastern Studies copper-fastened my passion for the ancient world and the history of religion, and along with reading historical fiction and fantasy, everything merged into the almost allegorical universe you’ll find in Kiranis. Lovers of all the above will find something here.
I had never planned to read this book, but by a strange twist of fate, it became highly influential for me. I saw the cover art first, featuring the protagonist with his ‘coldfire’ blade and with the dark creeping lines of magic at his feet—this became the basis for an early rendering of the central character in Kiranis.
Rising focuses on a dark power that attacks the minds of humans, thriving on their fear. There was a wonderful tone to this dark fantasy story that permeated the creepy forests in which I recall most of the action taking place; and the anti-hero at the centre of the story occupies this gothic, almost Victorian Stoker-esque world. Tarrant was an ‘evil’ character with the hope of redemption through a woman he falls in love with, and this story, alongside my reading of Gemmell and Feist, taught me how to create more depth…
Over a millennium ago, Erna, a seismically active yet beautiful world was settled by colonists from far-distant Earth. But the seemingly habitable planet was fraught with perils no one could have foretold. The colonists found themselves caught in a desperate battle for survival against the fae, a terrifying natural force with the power to prey upon the human mind itself, drawing forth a person's worst nightmare images or most treasured dreams and indiscriminately giving them life.
Twelve centuries after fate first stranded the colonists on Erna, mankind has achieved an uneasy stalemate, and human sorcerers manipulate the fae for their…
Delve into this internationally best-selling series, now complete! A fast paced laugh-out-loud mix of Urban Fantasy and Mystery.
I can tell when you’re lying. Every. Single. Time. I’m Jinx, a PI hired to find a missing university student, I hope to find her propped up at a bar–yet my gut tells me there’s more to this case than a party girl gone wild. Firstly, she’s a bookish soul who’s as likely to go off the rails as Mother Theresa. Secondly, I’m not the only one on her trail; she’s also being tracked by the implacable and oh-so-sexy Inspector Stone. Stone…
I can tell when you’re lying. Every. Single. Time.
I’m Jinx. As a private investigator, being a walking, talking lie detector is a useful skill – but let’s face it, it’s not normal. You’d think it would make my job way too easy, but even with my weird skills, I still haven’t been able to track down my parent’s killers.
When I’m hired to find a missing university student, I hope to find her propped up at a bar – yet my gut tells me there’s more to this case than a party girl gone wild. Firstly, she’s a bookish…
I’ve always been fascinated by things paranormal and supernatural. There is so much in the “real” world that we don’t understand and can’t prove their existence, but there is enough video and photos, as well as stories, that I don’t see how we can say there’s not more beyond our five senses. Many of my own books center on paranormal abilities and events, and I do love reading about them as well!
Carmen has created a more “ordinary world” in which extraordinary people exist in the shadows. There is romance and danger and suspense, but I like that there’s no graphic violence here. Each book in this series focuses on a different couple.
Derrick's desire to save one human girl will ignite a war...
For four thousand years, creatus have concealed themselves from the humans who hunted them almost to extinction. Unwittingly, one creatus will endanger them all...
As with most of his family, Derrick Ashton knows his future and what position he's destined to fill within his unique society. Everything changes, however, when he breaks one of his family's strictest laws and falls in love -- with a human.
In his quest to protect the woman he can never have, a twist of fate propels him into a new role that will…
I’ve spent the past thirty years leading the movement to integrate the humanities, and especially literary study, with evolutionary psychology and cognitive neuroscience. I got my PhD in comparative literature right about the time the academic literary world was being convulsed by the poststructuralist revolution (Derrida, Foucault, et co). I felt a profound antipathy to the sterile paradoxes and attenuated abstractions of that theory. I wanted a theory that could get close to the power literature had over my own imagination. The evolutionary human sciences have provided me with a basis for building a theory that answers my own need to make sense of literature.
If you love horror, or are even mildly interested in it, you will find this book a real treat. Clasen is one of the world’s leading scholars of horror. Like Gottschall, he has the knack for engaging, personable writing, with witty turns that will make you laugh, even while the hair is standing up on the back of your neck at the horror scenarios he relishes describing. Clasen is absolutely convincing about the ways in which horror taps into our inherited ancestral fears and disgusts.
From vampire apocalypses, shark attacks, witches, and ghosts, to murderous dolls bent on revenge, horror has been part of the American cinematic imagination for almost as long as pictures have moved on screens. But why do they captive us so? What is the drive to be frightened, and why is it so perennially popular? Why Horror Seduces addresses these questions through evolutionary social sciences.
Explaining the functional seduction of horror entertainment, this book draws on cutting-edge findings in the evolutionary social sciences, showing how the horror genre is a product of human nature. Integrating the study of horror with the…
Vampires are the coolest monsters. Change my mind. Actually, forget it – you can’t change my mind. Because I’m right. I have always – I mean always – loved vampires. Reading about them, watching them – all the things. The first time I read Interview with a Vampire changed me forever as a human. There’s something so universally appealing about these immortal bloodsuckers. Maybe it’s because they stay forever young. Or maybe it’s because they look like humans, therefore, they can often hide (or lurk) in plain sight. As an author of my own monster stories, I find them inspiring. So, here’s a list of my recent favs that you can sink your own teeth into.
I love a short story collection. Give me a short story collection about my all-time favorite monsters?? Yes please! Vampires Never Gets Old: Tales with Fresh Bite was the anthology I had been waiting for. Diverse stories, new takes on old tropes, the addition of modern technology – this collection has it all. Some of the stories were funny, some were poignant, some were scary, some were sad. Of course, I preferred some over others – that’s just how anthologies go - but they were all worth a read. My favorite in the collection was Kayla Whaley’s “In Kind”, which was absolutely heartbreaking. Take a read and let me know which one was your favorite!
Eleven fresh vampire stories from young adult fiction’s leading voices fill this bestselling anthology―including V.E. Schwab's First Kill, now a major Netflix adaptation!
"Boundary-pushing... Stories that stake a new claim on old tropes." ―Publishers Weekly, starred review
In this delicious new collection, you’ll find stories about lurking vampires of social media, rebellious vampires hungry for more than just blood, eager vampires coming out―and going out for their first kill―and other bold, breathtaking, dangerous, dreamy, eerie, iconic, powerful creatures of the night.
Welcome to the evolution of the vampire―and a revolution on the page.
I’ve loved Vampire Romance themes since I was a teenager. They were all over the house, with my mum and my sister both reading them too, all part of our home library. I can’t count how many series and standalone books I’ve read, but I don’t foresee it ever stopping. Whilst I am also a fan of fantasy and sci-fi, I love the romance factor in Paranormal books. As a result, I find them to be best suited for my mood. I not only read paranormal romance but write it and have dabbled in researching backgrounds on the myths of vampires, which led me to read vampire novels that integrate fiction and speculation.
For example, vampires can eat food, although it doesn’t sustain them as well as blood. In my novel, whilst they don’t eat food, and drink from blood bags, it is mainly blood from the vein that sustains them the most.
I think this is a similar concept, where vampires don’t necessarily need to drink blood from a human or an animal all the time.
From New York Times Bestseller Mimi Jean Pamfiloff comes a Horribly Sunny Mystery, The Librarian’s Vampire Assistant.
NOBODY MESSES WITH HIS LIBRARIAN. . .
Who killed Michael Vanderhorst’s maker? It’s a darn good question. But when the trail brings Michael to hellishly sunny Phoenix, Arizona, his biggest problem soon becomes a cute little librarian he can’t seem to stay away from. He’s never met a bigger danger magnet! Even her book cart has it out for her. And is that the drug cartel following her around, too? “Dear God, woman! What have you gotten yourself into?”
Ever since I was abandoned in the woods, and raised by bats. I’ve thought vampires were pretty cool. I’ve never met one outside of government, but they are a unique part of folklore. A spiritual throwback to how pagan beliefs were affected by Christianity, including the fear of losing your soul, and an echo of physical fears; death, blood loss, and disease. To me, vampires represent even more; the predatory mentality found in humanity, and things we wish to ignore about ourselves. Being concerned about the way humanity in general responds to shady and unaccountable powers, it seemed the natural next step was to write about mystery-solving vampires.
I love this one, a graphic novel. Vampire hunting stories, set in a world emerging from three hundred years of vampiric rule. Our hero, D, is a Damphir (it’s not so easy to find good Damphir characters in media. Lore accuracy is basically impossible, but if it was, it would be D.) A vampire hunter, weighing his humanity against the value of vampire life.
Lots of fighting, lasers, robot horses, and wide-brimmed hats, and did I mention it was illustrated by Yoshitaka Amano? So it’s just visually stunning. I’ve honestly loved this since I heard of it as a teenager. Made it so much more fun that I recognised Yoshitaka Amano’s artwork from the Final Fantasy 9 games, which I also love.
12,090 A.D. It is a dark time for the world. Humanity is just crawling out from under three hundred years of domination by the race of vampires known as the Nobility. The war against the vampires has taken its toll; cities lie in ruin, the countryside is fragmented into small villages and fiefdoms that still struggle against nightly raids by the fallen vampires - and the remnants of their genetically manufactured demons and werewolves. Every village wants a Hunter - one of the warriors who have pledged their laser guns and their swords to the eradication of the Nobility. But…
I’ve always loved horror stories. At the age of 7 or 8, I’d be reading The Pan Book Of Horror Stories or Aidan Chambers’ Haunted Houses by flashlight with the bed sheets pulled over my head (not because I should have been asleep, but to guard against vampires creeping up on me!) I always found these stories strangely comforting, a world of adventure into which a shy kid like me could retreat. Ghosts and monsters became part of my cultural DNA, constant companions through life. That’s why I write horror today, to make my own tiny contribution to the genre, which has given me so much.
If you’re interested in the literary roots of vampires, and Dracula in particular, I’d heartily recommend this nonfiction title. It delves into the origins of characters like the Count in earlier 19th-century texts and examines how and why Dracula became such a long-lasting cultural influence. It’s also very good on Bram Stoker’s life and less famous works.
Christopher Frayling has spent 45 years exploring the history of one of the most enduring figures in the history of mass culture - the vampire. Vampyres is a comprehensive and generously illustrated history and anthology of vampires in literature, from the folklore of Eastern Europe to the Romantics and beyond. Frayling recounts the most significant moments in gothic history, while extracts from a huge range of sources - including Bram Stoker's detailed research notes for Dracula, penny dreadfuls and Angela Carter's The Bloody Chamber , new to this edition - are contextualized and analysed. This revised and expanded edition brings…
I'm perhaps the inevitable result of a lifetime spent on a steady diet of magical realism, literary fiction, science-fiction, and Spider-Man comics. Fortunately I’ve been able to channel my simultaneous loves of storytelling and structure into a life as a developmental editor. And where my own work is concerned, I’ve been able to do a lot of those things my childhood self might have hoped for: a novel inThe Listeners, a feature film in Ape Canyon, and a litany of strange and usually distressing short stories. These days I do those things from my Washington, D.C. apartment with my wife and our two cats with a combined seven legs.
Richard Matheson is a horror legend for good reason, and most casual viewers of genre films and TV would probably be surprised at how much of his work they’ve encountered in some form or another. The Will Smith movie I Am Legendis adapted from his work. Steven Spielberg’s first film, Duel, as well. The paranoid Nightmare at 20,000 Feet is best known as a classic Twilight Zone episode, referenced and parodied numerous times in the decades since, but Matheson’s original reflects everything that’s great about his work: a fairly practical, everyman sort of protagonist (for the 1960s anyway) undone by an impossible situation.
Personally selected by Richard Matheson, the bestselling author of I Am Legend and What Dreams May Come, the stories in Nightmare at 20,000 feet more than demonstrate why Matheson's regarded as one of our most influential horror writers.
Featuring the story "Duel," a nail-biting tale of man versus machines that inspired Steven Spielberg's first film.
Remember that monster on the wing of the airplane? William Shatner saw it on The Twilight Zone, John Lithgow saw it in the movie-even Bart Simpson saw it. "Nightmare at 20,000 Feet" is just one of many classic horror stories by Richard Matheson that have…
