This book hurt my heart in the best of ways. It tackles very difficult issues that teenagers face every day—depression, broken families, social pressures, and even suicide.
Despite that, it was not bleak; it was hopeful. It lifted my heart and made me grateful I spent the day with these fictional characters so that maybe, just maybe, I can help real people in my life.
Journal entry: Heading to school. I know what everyone will say. There goes the girl who tried to kill herself.
Addison is no stranger to feeling stressed, insecure, and sad. Her therapist recommended she keep a journal to help her understand those feelings better, which she really needs today. It’s her first day back to school, several weeks after she survived her suicide attempt. She knows there are rumors about why she did it: A lousy home life? Bullying? Heartbreak? None of them are true, but it doesn’t matter because Addison still feels…
Ten-year-old me once looked in the bathroom mirror wondering who I would become. I tried to memorize the patterns in the tiles to hold on to that moment and carry it with me. My fascination with memory and the past permeates my novels. I love a good cold case—and my August Monet thriller trilogy is all about how the past weaves through the present—informing it, haunting it, transporting secrets. Maybe it’s our long, dark winters, but I see this same fascination in the novels of my fellow Canadian thriller writers. Many have created messy characters haunted by their messy pasts. Here’s a list of my favourites.
I picked up Tector’s novel because it’s set in my hometown of Ottawa, and I kept reading because she’s crafted a wonderfully flawed character who just won’t quit.
Cate Spencer is a coroner who relies on two things: her instincts and too much scotch to numb her painful past. When a woman is found hanging in the vaults of an archives building, Cate arrives on the scene.
It looks like suicide, but Cate can’t bring herself to rule the death accidental. Not yet. Something’s not right. The more she digs, the more menace stalks her, and the more the past threatens to derail her world completely.
Was the death a murder and if so, why? Dripping with long-buried secrets, this thriller kept me reading long into the night.
“A literary joyride.” —Louise Penny, New York Times bestselling author of the Chief Inspector Gamache novels
More than ten years after The Foulest Things, murder and mayhem return to Ottawa in the highly-anticipated next installment of Amy Tector’s acclaimed Dominion Archives Mystery series.
It’s a stormy summer day when Ottawa coroner Dr. Cate Spencer is called to the scene of an alleged suicide. Inside a narrow vault in the Dominion Archives’ nitrate film storage facility—kept separate from the rest of the collection due to its dangerous combustibility—officers pressure Cate to rule the death a suicide. When parts of the scene…
With a graduate degree in Writing Popular Fiction (seriously, someone gave me a degree for writing an urban fantasy book), I know that genres are nothing more than marketing terms that tell bookstores which shelves to put the books on. As an author, combining genres and subverting their topes allows me to stretch their potential and tell fresh stories that might not find an easy home on a single shelf, so it’s also important for me to read and support those making the same attempts. Stories that adhere to strict reader expectations will always find a home, but I’ve always had way more fun exploring the other possibilities.
It might look like another romance novel slipped into this list by mistake, but Andrews elevates a typical paranormal romance plot by placing it in an extraordinary open-world urban fantasy setting and emphasizing the main character’s relationship with her family over her love life. Nevada and her loved ones would rather live quiet lives than welcome society’s scrutiny by exposing abilities that are extraordinary even in a world socially ruled by magical dynasties. This book proves explosive magical fights can occur in a world where the response is live-streaming and not an immediate cover-up attempt.
#1 New York Times bestselling author Ilona Andrews launches a brand-new Hidden Legacy series, in which one woman must place her trust in a seductive, dangerous man who sets off an even more dangerous desire ...Nevada Baylor is faced with the most challenging case of her detective career-a suicide mission to bring in a suspect in a volatile situation. Nevada isn't sure she has the chops. Her quarry is a Prime, the highest rank of magic user, who can set anyone and anything on fire. Then she's kidnapped by Connor "Mad" Rogan-a darkly tempting billionaire with equally devastating powers. Torn…
I’m a lover of YA fiction, and writing YA books! Growing up in small-town Eastern Canada, I had a difficult time connecting to the popular YA novels of the time. There were few that really reflected my experience, or even felt relatable. Now, as a writer, I seek to write novels that others who may feel underrepresented for any number of reasons can build a connection to. And as a reader, I’m constantly on the lookout for works that speak to me.
This book broke me open and sewed me back together. It’s a must-read if you’ve ever loved someone who was struggling with their mental health. Absolutely gut-wrenching, but still bursting with hope, this story stayed with me for weeks. One aspect I especially loved was seeing the friendship between the main character Caitlin and her deceased friend Ingrid through the lens of the past, while at the same time seeing her build new connections with the people around her in the present. The way her memories of Ingrid and the things she leaves behind informs some of her decisions in the present was expertly done.
A beautiful new edition of the stunning debut novel by Nina LaCour, award-winning author of We Are Okay
"Hold Still may be the truest depiction of the aching, gaping hole left in the wake of a suicide that I've ever read. A haunting and hopeful book about loss, love, and redemption." - Gayle Forman, #1 bestselling author of If I Stay and I Have Lost My Way
That night Ingrid told Caitlin, I'll go wherever you go. But by dawn Ingrid, and her promise, were gone.
Ingrid's suicide immobilizes Caitlin, leaving her unsure of her place in a new life…
Let me tell you a little about myself. I was born in Dublin, and being the daughter of a diplomat afforded me to experience different cultures. Since childhood my fascination with the unknown caused me to gravitate towards stories related to hauntings. I shared this interest with my maternal grandparents, who contributed to my education by telling me ghost stories (some true whilst others are fictional). Tales of haunted castles were my favorite, which is reflected in my book. In later life, my own experiences with the paranormal cemented the notion of the unexplained and the thin veil between us and those departed.
A brilliant collection of horror stories, my favourite being Sometimes They Come Back.
I recommend this ghostly tale for its depiction of the fine line between the spirit realm and the world we live in. The narrative of earth-bound ghosts and their determination to exact revenge on the living bringing forth a fierce battle between good and evil. The latter played on my mind as I empathised with the main character’s psychological struggle with recapitulated past events, leaving those around him to question his sanity.
Stephen King’s first collection of short stories, originally published in 1978, showcases the darkest depths of his brilliant imagination and will "chill the cockles of many a heart" (Chicago Tribune). Night Shift is the inspiration for over a dozen acclaimed horror movies and television series, including Children of the Corn , Chapelwaite, and Lawnmower Man.
Here we see mutated rats gone bad (“Graveyard Shift”); a cataclysmic virus that threatens humanity (“Night Surf,” the basis for The Stand); a possessed, evil lawnmower (“The Lawnmower Man”); unsettling children from the heartland (“Children of the Corn”); a smoker who will try anything to…
Since I was young, I’ve suffered from Major Depressive Disorder, coupled with chronic pain that surfaced when I was in middle school. Being in constant pain—mental and physical—obviously drains the spirit. I found no hope whatsoever in phrases such as, “It gets better.” When you have chronic pain, that statement means nothing, because you know it won’t. These books, however, offered me something that I hadn’t encountered before: someone acknowledging that, although it may never get better, there is still something for me here, whatever form it takes. These books do not shame depressives, they console (and even commiserate) with them, and I hope you find them as fulfilling as I have.
The Savage God destroyed me upon finishing it for the first time.
Alvarez travels through history in this non-fiction study, tracing the perceptions of suicide from ancient societies to the present day, all with an empathetic eye. Alvarez views suicide both as a societal phenomenon and an intimately personal experience.
His own experience with suicide so closely mirrored my own that I still remember the final pages of the book vividly. To be frank, the book’s a bit dated—it was written in the 70s and some of Alvarez’s comments (as well as his reverence of Freud) haven’t aged well. Nevertheless, the worthwhile sections—of which most of the book is composed—are unforgettable.
"Suicide," writes the notes English poet and critic A. Alvarez, "has permeated Western culture like a dye that cannot be washed out." Although the aims of this compelling, compassionate work are broadly cultural and literary, the narrative is rooted in personal experience: it begins with a long memoir of Sylvia Plath, and ends with an account of the author's own suicide attempt. Within this dramatic framework, Alvarez launches his enquiry into the final taboo of human behavior, and traces changing attitudes towards suicide from the perspective of literature. He follows the black thread leading from Dante through Donne and the…
Sierra
Blue is the story of a girl sent to live with her aunt, who has a horse farm. I
found this interesting because the main character can see the auras of people
and animals, and it gives her insight into how they are feeling and how to help
them. There is one scene that was gripping and kept me turning pages past my
bedtime.
As a person who started reading because of her love of horses, this was
a great read.
I have always tried to find books that explain and explore my life stage. When I was a young mother of little babies, I read many books about early motherhood. When I was studying and travelling and working as a waitress, those topics were represented in my reading too. Now that I’m a woman writer in midlife, with growing children and an art practice, I’m keen to read books by and about women writers who evoke the joys and struggles of this period: aging, the tensions between freedom and responsibility, marriage and separation, ambition and desire.
I was absolutely riveted by this huge doorstop of a biography exploring the life of Sylvia Plath. I’m not a diehard Plath fan per se, but I am always drawn to books about writers’ lives.
The intersection of Plath’s death with her experiences of motherhood, her writing life, and the failure of her marriage also brings this story firmly into my wheelhouse. (While Plath might not technically have been in midlife, I would argue that she was already precociously facing many of its common pitfalls when she died.)
This book is meticulously researched and includes new archival evidence. I loved it so much that after I finished its 600-something pages, I wanted to start over immediately.
The first biography of this great and tragic poet that takes advantage of a wealth of new material, this is an unusually balanced, comprehensive and definitive life of Sylvia Plath.
'Surely the final, the definitive, biography of Sylvia Plath' Ali Smith
*WINNER OF THE SLIGHTLY FOXED PRIZE 2021* *A BOOK OF THE YEAR IN THE DAILY TELEGRAPH AND THE TIMES* *FINALIST FOR THE PULITZER PRIZE IN BIOGRAPHY 2021*
Drawing on a wealth of new material, Heather Clark brings to life the great and tragic poet, Sylvia Plath. Refusing to read Plath's work as if her every act was a harbinger…
While I wouldn’t go so far as to call myself a fan of horror, I have recently found myself drawn to darker books—especially at this time of the year with Halloween just around the corner. As a bisexual non-binary person, I love finding books with diverse LGBT+ rep in them, so these are just a few of the spookier LGBT+ books I think would make for great autumnal reading. Plus, my own book—My Name is Magic—features all kinds of mythological werebeasties and a race to save the day before the traditional Finnish Kekri festival, an equivalent of Halloween, although it involves less candy and more fire.
To be honest, I was a little nervous of the blurb given the emphasis on fast cars and hard drugs, but this book ended up being the sweaty, sultry, sexy, Gothic horror book I didn't know I needed, way more dark academia than drag-racing drug-gang. I particularly appreciated the messy and authentic way in which the main character was allowed to grapple with his identity while processing his grief. I quite liked that no explicit labels were ever applied and that there was a more fluid approach to identity and sexuality in this book. So, if you're into slow-burn southern Gothic horror with lush and vivid prose and don’t mind a gruesome ghost or two, this book is for you!
Lee Mandelo's debut Summer Sons is a sweltering, queer Southern Gothic that crosses Appalachian street racing with academic intrigue, all haunted by a hungry ghost.
Andrew and Eddie did everything together, best friends bonded more deeply than brothers, until Eddie left Andrew behind to start his graduate program at Vanderbilt. Six months later, only days before Andrew was to join him in Nashville, Eddie dies of an apparent suicide. He leaves Andrew a horrible inheritance: a roommate he doesn’t know, friends he never asked for, and a gruesome phantom that hungers for him.
The books I read have to draw me in like a good movie. It has to be relatable as far as characters and plot go. I want to see it, smell it, and taste it. We’ve moved a lot, and every time we’ve moved, we always check out the local history and geology. There are so many stories to tell. I’ll see the name of a road, a creek, or a mountain, and it will spark a story within me, like seeing a really good movie with great actors.
The story plopped me down into the plot within the first few pages. I love this Victorian time period. It’s dark and moody without being threatening. You can almost smell the grungy, wet streets and the smog. Lots of twists and turns and characters that are both menacing and charmingly deceptive.
I wasn’t given the answer to all the questions right away, but I liked that, even though I probably could have guessed where it was going. I like a strong plot and strong female characters with their own agenda. And men who can admire, fall in love with, and not be threatened by smart women.
From New York Times bestselling author Amanda Quick comes a delightful romp filled with breathtaking suspense, dazzling wit, and steamy Victorian passion...
The first kiss occurred in a dimly-lit hallway on the upper floor of Elwin Hastings's grand house. Louisa Bryce never saw it coming. Of course, handsome, wealthy Anthony Stalbridge couldn't possibly have had romantic intentions. The kiss was merely meant to distract the armed guard about to catch the two unlikely sleuths. After all, the only thing these two interlopers have in common is a passionate interest in uncovering the dastardly secrets of Mr. Hastings-a prominent member of…
