The best LGBTQ books

I have always loved fantasy worlds and romantic stories, but in recent years I’ve found it harder to read stories with extreme violence or trauma. When I started writing fiction, I planned to write a fantasy romance with a kingdom and a battle, but I couldn’t do it—my characters organized a nonviolent revolution and formed a democratic system of governance instead. I reconsidered and decided to write what I call cozy fantasy romances. So many types of romance novels could be set in a fantasy world, such as an office romance or road trip comedy. I’ve been searching for these types of romance novels—fun, lighthearted romances set in a fantasy world—and am slowly finding them.

My first memories are of my brother’s death. Maybe that’s why I’ve always wanted to understand the connection between memory and identity. At 17, when I was writing the very first draft of Traces, I was also bandaging my friends’ suicide attempts. I’ve volunteered as a writing tutor for refugees and autistic students, visitor on the closed ward of a psychiatric hospital, advocate for the LGBTQIA+ community (of which I am a member), and celebrant for bereavement ceremonies. As an educator, YA/NA novelist, and poet, I know that nobody can heal unless they feel safe and seen, which is why I believe so strongly in trauma-informed communication and radical acceptance.

I’ve known all my life that I am gay. At age 50 I decided to try my hand at writing. After an image of two men kissing in a 1920s vehicle landed in my head, I began writing my Medicine for the Blues trilogy (Acquaintance is book one). But knowing nothing about LGBT history, I began a deep dive into gay and lesbian history, into the history of Portland and Oregon, into the era of the 1920s, the KKK, Prohibition, Freud, eugenics, and more. During 20 years of writing the trilogy, I’ve read dozens of books that roiled through my imagination and the information spilled out in the story.

When my son and son-in-law were getting married back in 2010, my cousin’s four-year-old daughter Emma was excited to be their flower girl. I wanted to buy Emma a book about a flower girl to prepare her for the wedding, but I couldn’t find anything that worked for our situation, since we were having two grooms and no bride—at an otherwise traditional Jewish wedding. Then one day, my cousin called, laughing, and said “Emma said she’s afraid to come to the wedding because of the Ring BEAR!” So I needed to write this for Emma—a story where everything isn’t what the child imagines, but it’s all joyful. 

Two facts about me as a reader: I like books that deal with difficult issues, and I like reading a lot of them. There’s something about watching teens, for whom everything feels new, deal with the toughest stuff imaginable and come out the other side. I love a protagonist who has been through the wringer. Some people call these stories dark or morbid. I prefer to think of them as hopeful. My own writing history is as diverse as my reading habits. I’ve published in poetry, romance, and criticism, but these days I’m all about YA, like the politically-charged thriller I’m querying or my queer New Orleans ghost story, The Women of Dauphine. 

It’s often been said of musical theatre that the point when the characters begin to sing is the point their emotions become too much to express in words alone. I think that’s one reason I’m so obsessed with books about people connecting over music, art, and performance—it allows for so much passion and intensity. Having sung and played instruments over the years, I know how powerful it can feel to make music with other people, even when you’re not in love! These days, though, I spend more time reading and writing about music than I do playing it.

Born in the Philippines and raised in the US from the age of 4, Renee didn't see the stories of her culture reflected in books until she was a freshman in college at UC Berkeley. Renee wrote her first novel, The Hour of Daydreams, which was inspired by the ghost stories her family told. It received the inaugural Institute for Immigration Research New American Voices Finalist award. Her children’s book One Hundred Percent Me is the book she wishes she could’ve read to her own daughters. With her latest book, The ABCs of Asian American History, Renee hopes young readers will celebrate the vast contributions of Asian Americans to US culture, politics, arts, and society.

I’m passionate about young adult sapphic romance books because this is something I wished I would have read in high school. If I had novels similar to these when I was growing up I might have realized that I identify as queer sooner and it could have helped me understand more about myself. Because of this, I’ve been an avid reader, and writer, of sapphic young adult romances. If it’s sapphic, send it my way. I hope you enjoy these sapphic novels as much as I have!

I’m a trans woman who writes sapphic science fiction, fantasy, superhero novels, and contemporary romance. I’m been a huge fan of superheroes my whole life, and Supergirl has been my favorite superhero since I saw the original Helen Slater movie back in the 80s. In addition to being a fan, I’m currently writing a series of sapphic superhero novels called Hearts of Heroes.

Long ago I lived in a world of blackouts and food rationing and German planes threatening overhead, children dying in epidemics of polio and TB, and food on the dinner table not always certain. In that world, homosexuality was a criminal and psychiatric term and queer men were objects of ridicule, tragic sissies it was normal to mock as sick monsters who could go to jail for their forbidden behavior. I’ve listed some of the books that trace part of the long journey queer men took until it felt reasonably safe to discuss queerness nonjudgmentally. Question: In how many American schools, even today, would a teacher be banned from assigning one of these books?

When I decided to set my new novel, Saturnalia, in Philadelphia, I was excited to draw on my experience as a native and current resident of the City of Brotherly Love. But I also love magic and the supernatural as much as I love research—my Philadelphia had to be a fantastical one. I drew on real landmarks, real history, and real social dynamics, but added wild festivals, secret societies, and an occult history to create a place all my own. Fortunately, I had a number of fictional fantasy cities to guide my world-building.

I’ve been an avid reader of MM literature in all its genres and sub-genres, since I was a teenager. Even now, MM fantasy titles are some of my favorite books of all time. I’d love to share my preferences with other readers so they could see the magic I see.

I'm Kieran Frank, author of sexless romances. I write books with asexual characters because they're underrepresented. I write them with positive representation to avoid harmful stereotypes, and I highlight the nuances of a-spec people without sounding too preachy. I don't claim to be an expert in asexuality, but I'm passionate about writing asexual themes because it's what I want to see more of in fiction. Men are often expected to enjoy sex, especially at a younger age. I can personally relate to the harmful pressure, which is another reason I write asexual books. It can help combat toxic views that societies have instilled in many people.

I'm a contemporary romance writer with two novels: No Hard Feelings and Crushing, stories about complex, messy women making mistakes and learning from them. As I work on my third novel, I'm remembering how hard it is to write when you're in a reading rut. Sometimes every book I pick up is disappointing, and reading feels like a chore, and I risk losing momentum. Sometimes I need something familiar to get back on track and remember why I love my job. These books feel like a long exhale. I can come to them with an overloaded brain, bad moods and doubt and discontent, and turn the last page restored.

I have an inclusive family with LGBTCuties whom I love dearly. I write and read paranormal romance, but quickly realized that my family might not be able to connect with my favorite genre because they don’t often see themselves represented as anything more than tragic plot points. I gaped at the horror that was hard to face, and realized I had work to do. Paranormal romance has enough room for all of us, so I set out to ensure that my children have books to read in my favorite genre, so we can all be one silly, magical family together, casting spells and looking around every corner for shifters and vampires.

I’m a full-time writer, part-time editor, and avid reader of romances between queer women. I’ve just published my twenty-third novel, and I’m still amazed and humbled at getting to live my dream: writing sapphic romances for a living. Discovering sapphic books was a life-saver for me since I grew up in a tiny little village, with no openly LGBT+ people around, and I love knowing that my books are now doing the same for my readers. 

I'm a cartoonist with a transgender-biography and I write trans characters into my stories. Even though I value the growing awareness of transgender representation by all writers, those that were written by people with trans-experience carry special significance. I've written a graphic novel and many autobiographical, fictional, and documentary short stories. These works have centered on the themes sexual identity, gender roles, youth culture, family, social structures, and social history. With my work I aim to shed light on issues that are lesser known, with a strong social focus and the intention of using the storytelling medium and the comic format as a way of making the complex understandable.

Halfway through my first novel, I realized that I was writing in a genre that had received little critical study and had almost no visibility. To find my way around the genre—and my place within it—I began reading heavily and before I knew it, I had read well over 200 lesbian mystery novels and devoured almost every serious review and critical study The dozen books I have written over the last decade reflect this study. In them, I hope I have succeeded in expanding the genre in some small way and adding to the menu of a hungry and discerning LGBTQ audience. 

I've always been fascinated with how people overcome terrible circumstances ever since my childhood when my parents took me through the Tower of London and told me people survived the horrible torture devices on display. I got into reading biographies of war heroes, concentration camp survivors, and athletes who survived torture, betrayal, illness, and cruelty only to become people I admire. I became a clinical psychologist because I love inspiring others to discover their own greatness during life’s worst moments. I’ve had to learn how to find love, hope, and meaning when trauma, disability, death, and broken promises have ground me down to a bloody pulp.

Every time I write a romance novel, I find myself returning to the same themes: seeing people for who they are beneath the surface, respecting others despite differences, and choosing to love those who might seem a little odd. Whether they’re angels, mermaids, or plain old humans, my characters lead lives where, despite marginalization and alienation, love and a sense of belonging are possible. My Christmas novella, Mistletoe Mishap, was a Lambda Literary Award finalist.