The most recommended books about Buenos Aires

Who is Vera Kelly isn’t your typical 1960s Cold War spy novel.

Although Vera’s sexuality is unresolved and she’s had a rocky road to adulthood, the CIA recruits her. She goes to work as an undercover agent in Buenos Aires. Her day job is to infiltrate a campus Marxist group with ties to the KGB. At night, she transcribes wiretaps taken from the presidential palace. When her handler goes dark, Vera is caught in the middle of a coup.

Who is Vera Kelly takes us into the mindset of lovely Vera. She’s fresh, funny, quirky, and comes off as a (relatively) regular gal, albeit one who is scrambling to stay alive in South America.

The painter Castel meets Maria, the only person in the world capable of understanding him and his art. They start a relationship, but he becomes obsessive and wants her to live for him only. Castel describes his mind as a dark labyrinth in which occasional flashes of lightning illuminate dark corridors. The increasingly paranoid painter murders Maria and the novel takes the form of his prison-cell confession. Unable to understand why he committed the crime; he is at a loss how to justify himself. Sabato’s tortured protagonist is up there with Camus’ Meursault and Dostoevsky’s Underground Man. Femicide is a huge problem in Latin America, and Sabato was praised for being able to recreate the mind of a monster. However, I found Castel somewhat sympathetic.

In this fascinating study, Chasteen examines the historical experiences that molded Latin American popular dance from an Atlantic perspective. It delves into the “deep” history of Latin American culture and analyzes the development of dancing culture in its socio-historical context. This is not only a well-researched, but also a well written and oftentimes funny book that is broadly accessible. It is a must-read for any new scholar interested in the field of Black performance culture. Although the focus is on Latin America, Chasteen’s study reveals connections that are also of great importance to understanding the historical development of Black dance culture in North America.

Paradoxes—a 2010 translation of his 2001 work—was an important addition to the emerging literature on anarchist cultural politics—a literature that began with a fellow Argentinian historian Dora Borrancos, who wrote Anarquismo, educación y costumbres en la Argentina de principios de siglo (1990). My book built on this emerging exploration of anarchists outside the workplace. Paradoxes explores anarchist newspapers, culture, plays, meetings, and other activities radicals used to promote anarchism while also offering entertainment and relaxation. Suriano is not myopic. He notes that in a time when other forms of entertainment like cinema emerged, workers had competing forms of commercialized amusement to pursue. This book—like other cultural histories—breathes life into old histories of anarchism that often were boring “ABC histories,” i.e., stories of one union acronym after another.

Read this book if you care about cities. True, you may want to throw it across the room at times (I did),  but it is one of the most influential books of the 20th century and you should know your enemies. Written shortly after World War I when automobiles were beginning to clog streets, its author Le Corbusier had good intentions. He thought narrow crowded streets should be replaced by apartment towers set on green lawns. He used concrete boldly, opened up the interiors of buildings so light could flood in, and insisted that residences be far away from industry and commerce. But while the model can work for luxury housing, it doesn't work when neighborhoods are destroyed to build these high-rise blocks, and separating work from home by automobile-only roads means urban sprawl. 

Argentinians in 1950s Paris argue about art and philosophy. They fall in and out of love to a jazz soundtrack. The novel itself is in love with the modern city and the secret patterns of chance. Prefacing it is a ‘table of instructions’ in which the author writes that "this book consists of many books, but two books above all. The first can be read in a normal fashion and it ends with Chapter 56... The second should be read by beginning with Chapter 73 and then following the sequence indicated at the end of each chapter."

There’s an exhilaration of structure, a deadpan formal playfulness that still thrills. It’s the book that taught me the most about reading. And, not entirely coincidentally, it’s the book that made me realise I was going to become a writer.

Horrifying, brutal, sinuous, and uncanny, this one floored me. It evokes the peril of girlhood and womanhood with unwavering intensity.

Each story is fresh and unexpected, yet also timeless, rich with wisdom and mythology centuries old. Steeped in painful history, past atrocities twine with the present to nightmarish effect.

Mariana Enríquez is part of a new vanguard of Argentine and Latin American Gothic writers alongside Samanta Schweblin. Their writing, born from real-world horrors, is among the most thrilling discoveries I’ve made in years. 

More about hiding out and the lead-up to the final shoot-out than the bank robbery at the start, this novel is based on a real case from the 1960s. After they rob a bank in the Province of Buenos Aires, Dorda and Brigone, escape with the money over the Rio de la Plata. They find a bolthole in Montevideo, the capital of Uruguay, a country much like Argentina culturally and historically, but with fewer hysterical tendencies. Not happy about this are the politicians and police officers involved in the robbery and anxious for their cut of the loot. Piglia does a good job of recreating Argentina in the 1960s. Despite some stylistic pretensions and his overwriting of the main characters, the author manages not to get in the way of the story.

JL Borges is, in my view, the greatest literary mind of the 20th Century.

This is a book of stories, philosophical essays and parables, but even when he is writing fiction, his favoured form is that of the mock critical essay about a non-existent book or writer.

What I especially love about him is his wit, subtle and easily missed since it often takes the shape of philosophical rumination when he is actually debunking something held very highly. My natural mode of expression is irony, and Borges’s irony is inimitable.      

As a young teacher in Buenos Aires, two of my students were the Goodall sisters, direct descendants of Anglican missionary and pioneer Thomas Bridges, who settled on the north shore of the Beagle Channel in 1886. Thomas’s second son Lucas’s account of life at Harberton Estancia – which truly was at the edge of the world at that time – is a luminous but saddening account of the last days of the Ona, Selknam, and Yahgan peoples. It’s full of sailing adventures too. As we threaded our way through snow-lined Acwalisnan Channel – between the Beagle and the Straits of Magellan – we leafed to page 113 of our sepia-illustrated 1949 edition of the book. We read how Lucas became the first European to pass this way, with his Yahgan friend Acwalisnan as pilot. I’m hoping to catch up with Abigail Goodall, whom I last saw in 1981, this (southern)… show more.