It started when my friend gave me several pumpkin seeds he acquired from a giant pumpkin grower. He said it came from a large pumpkin, and growing one in my backyard would be fun. As a gardener, I thought this sounded entertaining. I planted the seeds in little pots and moved one of them to my garden during the spring. Soon, the plant began to grow astoundingly, taking over the entire garden area. Then, pumpkins started growing. I culled all but one pumpkin, and I witnessed a little pumpkin grow to 800 pounds in three months. I was amazed and astonished, and I was forever hooked on the sport of growing Atlantic Giant Pumpkins.
Monty Don's narration in this book truly brought my garden to life. His poetic descriptions of the seasons, garden designs, and plant types were highly informative and inspiring.
I was particularly impressed with his depth of knowledge and the way plant names rolled off his tongue so beautifully. I highly recommend it to anyone looking for gardening inspiration.
"Growing some fruit, veg and herbs is one of the most life-enhancing, practical and enriching things that anyone with a scrap of land can ever do." - Monty Don Unrivalled gardening wisdom from Britain's favourite gardener. Written as he talks, this is Monty Don right beside you in the garden, challenging norms and sharing his advice based on years of experience. Month-by-month, Monty reveals the jobs he does in his own garden, that he hopes are relevant to you. Discover Monty's thoughts and musings on nature, seasons, colour, design, pests, flowering shrubs, containers, and much more. Monty's intimate and beautifully…
I am an information architect, writer, and community organizer on a mission to make information architecture education accessible to everybody. I started practicing IA in pure pursuit of stronger visual design, but in the two decades since have developed an insatiable appetite for understanding and teaching the practical skills that make people better sensemakers, regardless of their role or medium. The books I chose for this list are all foundational to me becoming the sensemaker that I am today. I offer them as suggestions because they are not the books you will find should you search for “Information Architecture” yet they have all become my go-to recommendations for helping others to strengthen their own sensemaking.
Living in Information by Jorge Arango introduces information-soaked individuals to an easy-to-grasp architectural vocabulary that describes the patterns and shifts of context in the digital (and increasingly the digitally-enhanced-physical) world.
I recommend this book as a map of the territory when it comes to designing with or for digital systems and experiences. Jorge is a wonderful storyteller as well as a crystal clear communicator and this book is a jewel on my sensemaking bookshelf.
Jorge is also one of my favorite authors to keep up with regarding information architecture. His podcast and blog are worth a follow should the subject of his book perk your interest.
Websites and apps are places where critical parts of our lives happen. We shop, bank, learn, gossip, and select our leaders there. But many of these places weren’t intended to support these activities. Instead, they're designed to capture your attention and sell it to the highest bidder. Living in Information draws upon architecture as a way to design information environments that serve our humanity.
Graeme Brooker is a Professor and Head of Interior Design at the Royal College of Art London. He has written and published fifteen books on the histories and theories of inside spaces, many of which focus on the reuse of existing artefacts, buildings, and cities. Apart from teaching and writing, when he isn’t cycling, he is often staring intently at the sea in Brighton, where he currently lives.
This book provides a compelling survey of the range of emerging work underpinning the development of the histories, theories, processes, and practices of interior architecture. Its diverse range of contributors and topics outlines a through survey of this new discipline. The book is varied in its scope and content. Start here for a thorough introduction to the fundamental issues surrounding the discipline.
The Interior Architecture Theory Reader presents a global compilation that collectively and specifically defines interior architecture. Diverse views and comparative resources for interior architecture students, educators, scholars, and practitioners are needed to develop a proper canon for this young discipline. As a theoretical survey of interior architecture, the book examines theory, history, and production to embrace a full range of interior identities in architecture, interior design, digital fabrication, and spatial installation. Authored by leading educators, theorists, and practitioners, fifty chapters refine and expand the discourse surrounding interior architecture.
Books are my passion; architecture relates to my profession. The combination, for me, is pure joy. I get such pleasure building my personal library of architecture, design, art, and photography books. After having been a magazine editor and writer, I founded Taylor & Company in 1994, to promote the value of architecture and design. My respect for architects is deep—they create something that must function in all ways and are still able to express themselves creatively. The books I’ve selected are all written by architects, giving me an extra layer of admiration for their talents to express themselves in other media.
An award-winning architect and poet, Marx explores creative ideas through poetry and watercolors, giving a very different way to view the art and craft of architecture. The paintings have a mysterious calm to them—evoking the work of Giorgio de Chirico—and are poetic in themselves. And then, you get actual poetry alongside the paintings! Graphic artist Jeremy Mende’s layout of the poems adds yet another layer of artistry. The tactility of the book as an object is delightful. Printed on thick watercolor paper, the book appears as a precious portfolio of secret thoughts and dreams.
John Marx's watercolours, first published in the Architectural Review, are a captivating example of an architect's way of thinking. Subtle and quiet they are nonetheless compelling works in how they tackle a sense of place, of inhabiting space and time all the while resonating with the core of one's inner being. There is an existential quality to these watercolours that is rare to be found in this medium. Something akin to the psychologically piercing observational quality of artists like De Chirico or Hopper.
As architects strive to communicate their ideas, it is interesting to explore the world of Marx's watercolours…
I'm the New York Times' Global Economics Correspondent. Over the course of three decades in journalism, I have reported from more than 40 countries, including a six-year stint in China for the Washington Post and five years in London for the Times. I have ridden with truck drivers from Texas to India, visited factories and warehouses from Argentina to Kenya, and explored ports from Los Angeles to Rotterdam.
Like any student of globalization, I love this book because it focuses like a laser on how a single critical innovation—the development of the shipping container—effectively shrank the oceans, accelerated the pace of sea cargo, and made it possible for consumers to depend on faraway factories.
In April 1956, a refitted oil tanker carried fifty-eight shipping containers from Newark to Houston. From that modest beginning, container shipping developed into a huge industry that made the boom in global trade possible. The Box tells the dramatic story of the container's creation, the decade of struggle before it was widely adopted, and the sweeping economic consequences of the sharp fall in transportation costs that containerization brought about. But the container didn't just happen. Its adoption required huge sums of money, both from private investors and from ports that aspired to be on the leading edge of a new…
As an academic my work is in the area of political theory and my interest in ‘luxury’ came from the awareness that it involved questions of history (why was it seen as a threat to the Roman republic) and socio-political issues around inequality and consumerism. I was awarded a grant to start the investigation and my university (Glasgow) published it along with other awards and it got picked up by the media with the consequence I had my ‘ten minutes of fame’ as I was interviewed by newspapers and on the radio. My book is the eventual fruit of that study which has, in the words of more than one author, been judged ‘seminal’.
What is especially good about this book and what I found stimulating was the diversity of both its contents and the differing backgrounds of the authors. It succeeds in bringing together the perspectives of both academics and practitioners which together provide a book that is not only readable, informative, and up-to-date but which also puts forward a point of view. Its very breadth and occasionally provocative arguments will excite anyone with an interest in luxury whether producer, consumer, or critic. References to my book recur in acknowledgment of its benchmark status.
The idea of luxury has secured a place in contemporary western culture, and the term is now part of common parlance in both established and emerging economies. This book explores the many issues and debates surrounding the idea of luxury.
This new research addresses contentious issues surrounding perceptions of luxury, its relationship to contemporary branding as created by the marketers, and the impact this has on the consumer and their purchasing habits.
Crafting Luxury considers work within the field of luxury and luxury brands, encompassing established companies with a long heritage: from conglomerates and small independents to 'new' luxury and…
I’ve always been interested in art and architecture. I studied Fine Arts at CalArts. I’ve written three books on Mid-century home builders and designers, William Mellenthin, Jean Vandruff, and Robert Byrd, whose life and work in Southern California had gone mostly unnoticed during their lifetimes—with very little information written about them in the press. I spent three years on each book working with the families to uncover their lives and place in local history. This is information that would have otherwise been lost. When you research the life of one person in this profession, you inevitably learn about the life and work of others—some famous, some not.
Esther McCoy has long been admired for her writing on architecture in Southern California, particularly on the Case Study House program from 1945-1962.
This is a remarkable story of a once-in-a-lifetime program sponsored by Arts & Architecture magazine that brought together legendary architects, hopes and dreams, and some fantastic Mid-century Modern Homes.
Many of these Case Study homes are still standing today, and some are available to tour. You can also look up the addresses of these homes and drive by yourself.
Since the popular Museum of Contemporary Art exhibit of 1989, Blueprint for Modern Living, much attention has been paid to the pioneering work done by the architects of the Case Study Program. Sponsored by John Entenza's Art & Architectue Magazine, the Case Study Houses program brought new thinking, techniques, and materials to post-war California house building. Contains the work of Charles Eames, Eero Saarinen, Craig Ellwood, Pierre Koenig, Richard Neutra, William Wurster, and others.
As a child my heroes were designers and I thought designers could design across many disciplines, this was what I understood and aspired to. I'm fortunate to have been a designer, illustrator, and design teacher for many years. Passionate about the process I firmly believe if you can design in one area you can design in another. Understanding your material's potential is the key. As a tutor and author my job is to unwrap a student’s talent, support and encourage that unique view through skills building and advice to help them. I believe good design can solve many of the world’s problems and passing on that message is valuable.
Recommended to me by one of my students this is a witty exploration of the places in our homes, what we call them, kitchen, bedroom, dining room and how they often don’t live up to or exceed their names. A view of the rituals and complexities of the American home and what it houses as it explores memory, aspirations, and the real meaning of home. This book is a trigger to encourage the reader to look at their own spaces and the pattern of how they use those spaces through habit, muscular memory, and cultural norms, all playing a part in how we define our living spaces.
The house is home to many things. Far more than four walls and a roof, it contains our private and public lives, our families, our memories and aspirations, and it reflects our attitudes toward society, culture, the environment, and our neighbours. In a literary tour of the spaces of our homes, this book reflects on how we define such elusive qualities as privacy, security, and comfort. It uncovers the hidden meanings of seemingly simple domestic spaces, in chapters ranging from "The Front Door" to "The Garage" and many others. These writings about the home touch on our culture's fundamental issues:…
I'm an architect, professor, and director of the School of Architecture at the University of North Carolina at Charlotte. Throughout my career, I've sought to empower people to improve the designed environment through better knowledge of materials. I've written nine books and many articles on emerging materials, sustainable building technologies, and Japanese architecture and design. Having lived in Japan several times, I also appreciate the importance of developing an expanded worldview of material practices.
Lo-TEK is an abbreviation for Traditional Ecological Knowledge, something contemporary societies lack.
Today, sustainable design strategies often employ complex technological approaches—such as double-glazed facades with automated shading devices. And yet such methods are typically energy- and material-intensive.
For millennia before industrialization, indigenous societies developed sophisticated material practices based on multigenerational wisdom about local ecosystems and climate. In this book, the author investigates remarkable indigenous approaches in 18 countries that are still practiced today. The living root bridges in Northern India are not to be missed.
Three hundred years ago, intellectuals of the European Enlightenment constructed a mythology of technology. Influenced by a confluence of humanism, colonialism, and racism, this mythology ignored local wisdom and indigenous innovation, deeming it primitive. Today, we have slowly come to realize that the legacy of this mythology is haunting us.
Designers understand the urgency of reducing humanity's negative environmental impact, yet perpetuate the same mythology of technology that relies on exploiting nature. Responding to climate change by building hard infrastructures and favoring high-tech homogenous design, we are ignoring millennia-old knowledge of how to live in symbiosis with nature. Without implementing…
I have been fascinated by history since I spent a year in Britain as a ten-year-old. I became hooked on novels set in ancient Greece and Rome and found it incredibly exotic to walk through old buildings and imagine the lives of the people who had walked through those same doors. In college, I began studying history in earnest and grew intrigued by China, especially Chinese cities during periods of upheaval and transformation. My first passion was Shanghai history, and I spent time there in the mid-1980s before the soaring Pudong skyscrapers that are now among its most iconic structures were built.I have since shifted my attention to Hong Kong, a city I had enjoyed visiting for decades but had not written about until after I completed my last book on Shanghai. My fascination with cities that are in China but enmeshed in global processes and are sites of protest has been a constant.
At this point in a list, it isn’t bad to note connections between works, so I’ll begin with those. This is the only book other than Champions Day that is by an academic, but Li, like Carter, is one who knows how to write for general audiences in a compelling and accessible way. Hers is another book, like Zia’s, that is partly an effort to reconstruct the history of the author’s own family, as key figures in this author’s reconstruction of the changing (and enduring) rhythms of life in a Shanghai neighborhood in the 1950s and beyond are relatives she interviewed. There is also a tie to Lynn Pan’s work, in the sense that Li has moved between different parts of the world in her life. All this said, Shanghai Homes is a unique work that reminds me of the best ethnographically minded studies of connections between people and patterns…
In the dazzling global metropolis of Shanghai, what has it meant to call this city home? In this account-part microhistory, part memoir-Jie Li salvages intimate recollections by successive generations of inhabitants of two vibrant, culturally mixed Shanghai alleyways from the Republican, Maoist, and post-Mao eras. Exploring three dimensions of private life-territories, artifacts, and gossip-Li re-creates the sounds, smells, look, and feel of home over a tumultuous century. First built by British and Japanese companies in 1915 and 1927, the two homes at the center of this narrative were located in an industrial part of the former "International Settlement." Before their…
