The most recommended books about Beijing

This expertly translated Chinese novel tells the compelling story of a family in Beijing with an aging patriarch. Narrated largely from the perspective of the rural nurse hired to care for him, Longevity Park reveals the many difficulties facing Chinese individuals as they age as well as the difficulties facing Chinese families with an aging loved one. These challenges resonate with those of individuals and families globally, including pervasive stigmas against the elderly, particularly those who are not as agile mentally or physically as they once were; and the particular hurdles facing family members with their own mental health and other concerns. Zhou’s novel also eloquently describes the many hurdles facing healthcare providers.

Ding Ling’s stories are bold.

In the title story, Ling grants us access to the diaries of Miss Sophie, a young woman living in Beijing ill with tuberculosis who grapples with her attraction to guys, gals, idiots, and the jealous–all while latticing these contradictions together through a diary. Sophie spouts sick burns like she’s made for Twitter.

And if that wasn’t enough, much of the other stories seem like autofiction, documenting her time as a communist revolutionary in jail, like how in “A Certain Night,” we see the protagonist in jail writing the story that comes later in the collection “From Night to Dawn.”

Graeme Sheppard’s account of the 1937 murder of Englishwoman Pamela Werner, A Death in Peking, has been overshadowed by Paul French’s more widely known Midnight in Peking, unfortunately so. Whereas French builds his case on dubious claims and sensationalizes his narrative with gothic embellishments centered around the haunted “Fox Tower” where Werner’s body was supposedly found (a location contradicted by contemporary newspaper accounts), Sheppard sticks to the facts and arrives at a strikingly different and more convincing conclusion regarding the identity of the murderer. And if French’s page-turner is modelled more on the mystery novel genre than true-crime reportage, Sheppard’s starker account is nonetheless equally engrossing in its pursuit of the truth. In the process of his methodical sifting of the evidence, he brings to light an old Beijing grounded in reality. I myself have conducted guided tours of the old Legation neighborhoods and their sheer geography compels… show more.

Moment in Peking is an elegy to a lost world and a past way of life.

The main character, Yao Mulan, falls victim to human traffickers in 1900 as her family flees from Beijing. Although she is soon rescued, this experience turns her life in new and unexpected directions. We follow Yao Mulan through war, famine, and revolution, the fall of the Qing dynasty, the tumultuous Republican era, the rise of warlords, and the Japanese invasion in 1936, facing every challenge with indomitable courage.

This is a great evocation of early twentieth century Chinese history, from the perspective of someone who lived through terrible events.

I was fortunate to have met Da Chen when he was keynote speaker for our high school’s annual teen writer’s conference. I had read and recommended to my AP World History students his riveting Colors of the Mountain. 

He was warm with students and staff, regaling my class with stories of life in post-Mao China. Da Chen’s interest in people is evident in his engaging Colors of the Mountain. A tale of triumph against all odds, Da Chen’s memoir chronicles how he and his family survived China’s Cultural Revolution (1966-1976).

Despite the harshness of the times, Da Chen tells his story with uncommon grace and humor. I return to his work time and again, not just for preparation in teaching 20th-century China, but also for personal inspiration.

When Charles Cumming published Typhoon in 2009, China's Xinjiang province was a festering wound for the Chinese Communist Party, with the local Uyghur population sporadically resisting subjugation by their Han overlords. Now it is a full-blown police-state with mass Uyghur detention camps that amount to genocide, according to many human rights groups. Cumming shrewdly chose Xinjiang tensions as the spark for a rogue CIA scheme to destabilize the Beijing regime. Knowing what is currently happening in Xinjiang, it is hard for me now to re-read the novel with the same sense of nostalgia for the authentically rendered places in the cities I know (or knew) well: Urumqi, Shanghai, Beijing, Hong Kong. These gems have all been deprecated by the Party, but they are partially preserved in Cumming's meticulous prose.

I love detective books that take place in other countries, especially when they mix in food. Not only do I get to learn about life in that country, but also what they eat! 

The series is about a policeman named Lu Fei who lives in rural China. He ends up with a rural posting after stepping on some powerful toes. The author does a fantastic job describing what it is like to work in that power system and how he has to navigate the realities of modern China. 

I like Lu Fei as he reminds me a bit of Bosch. He has a code and must figure out how to stay true to his code while navigating the world he lives in. I've read the entire series, and I hope the author releases a new one soon. Some later books feel like thrillers, which is also quite fun. 

The great Chinese British powerhouse writes about her childhood in a poor coastal village in post-Mao’s China where she’s made to live with her grandparents and life is rough and hard, especially for a girl. It’s a very atmospheric tale, that paints a vivid picture of this incredible society. It’s also a Cinderella story, about a suffering child that, thanks to incredible stubbornness and stamina, rises up to become one of the twelve (out of a million or so) applicants that are accepted into the Chinese Film School in Beijing each year. She later moves to England and her descriptions of the west are super fresh and priceless.

Let me begin by saying that if you haven’t yet read the first two books in the City Spies series, please get on it. Packed with adventure, fantastic characters, and brilliant plots twists, the entire series is a complete treat. As with the two previous installments, the book follows a diverse group of international kids who’ve been brought together to keep the world safe from the nefarious Umbra, a secret organization bent on world domination. The plot of this adventure revolves around team member, Paris, when he’s sent undercover to an international chess tournament to keep tabs on the son of a North Korean nuclear physicist. Like a well-played game of chess, the story relies on clever tactics, keen insights into your opponent, and good old-fashioned strategy.

While the cover only lists John Stuart as the author, he acknowledged in his autobiography that the book was “directly and literally our joint production” with his wife Harriet. And certainly, the book has a different tone than ‘his’ other works; less academic, and more lively. Anyway, what they wanted to show was that the “only way in which a human being can make some approach to knowing the whole of a subject, is by hearing what can be said about it by persons of every variety of opinion, and studying all modes in which it can be looked at by every character of mind.” This is so relevant today when autocrats from Beijing, through Moscow, to Budapest are muzzling voices with different degrees of severity. All silencing of discussion is an assumption of infallibility. And the evidence shows that dictators and despots are fallible. Democracy works. Dictatorship does not.… show more.

Decades before Carl Crow helped transform Old Shanghai into a playground for the Waspy rich, a young Brit named Edmund Backhouse was reveling in the brothels of Beijing. Backhouse first arrived in China in 1899, where he served as a linguist and, he claimed, as a consultant for the Manchu court (where he also claims to have bedded Empress Dowager Cixi). By night, however, Backhouse was prowling the filthy backstreets for lascivious same-sex encounters with the Chinese, which he chronicled in a secret diary that remained unpublished until 2011. Egregious and borderline pornographic, no China expat (not even Isham Cook, cited below) has ever come close to matching Backhouse’s salaciousness. Should be read in concert with Hugh Trevor-Roper’s Hermit of Peking, who hypothesizes that Backhouse was nothing more than a charlatan with a vivid imagination.

Released in my native Britain as The Uninvited, Yan’s novel offers an unexpected angle on Chinese food by presenting the banquet as the place in China where alliances are forged, deals are done, and palms are greased. Her hero is a member of the Beijing underclass who somehow finds himself gate-crashing big society feasts. Pretending to be a journalist ready to be “entertained”, he discovers food he never dreamed of, but also comes to develop a sense of social responsibility. He starts to inhabit the part he is playing, and becomes not an uninvited guest, but a crusader on the behalf of the downtrodden. Or does he…?

This utterly charming collection of short stories by acclaimed cartoonist Nie Jun offers an insider’s glimpse into the alleys (hutong) of a Beijing neighborhood. Originally written for a Chinese audience, the book portrays a community that is quintessentially “old Beijing” and will be sweetly recognizable to anyone fortunate enough to have lived there in decades past: we see not only famous landmarks peeping out from behind the curved tile roofs of the classic courtyard-house (siheyuan) architecture, but also the green pillar mailboxes, low wooden courtyard chairs, bicycle repair stands, outdoor water spigots and washbasins, colorfully dressed old ladies dancing in the public square, and other authentic details that a book written for an international audience might not think to include.

The stories revolve around a young girl with an almost mystical connection to her quirky grandfather and are full of the kind of “everyday wonder” that… show more.

Books on Chinese cities by foreigners have long lamented the redevelopment juggernaut’s steamrolling of old buildings and neighborhoods (Juliet Bredon’s Peking for one). Meyer’s exhaustively researched study of the Beijing neighborhood in which he lived in the early 2000s takes this a step further to a grassroots political call for action, before “replicas replace architectural heritage across China.” By illuminating his neighbors’ lives and their histories and reaching back into the city’s past, Meyer attempts to immortalize the disappearing Dashilar neighborhood literally in the form of a book, which if nothing else will be of future documentary value. Driving the old-vs.-new dichotomy too hard, however, obscures the more interesting question of how Chinese cities today are creatively blending the old and the new, as again they have long done in the past. As a longtime Beijing resident, I am stuck with the present and nonetheless find that history doesn’t stop… show more.

By nature, the American press has a very U.S.-centric view. This author, who served many years as Singapore’s ambassador to the United Nations, presents a clear-eyed view of the perspectives of both the U.S. and China, analyzing the motives, history, and values of each. From an impartial standpoint, he gives candid advice on the importance of deeper understanding and concludes that either both countries win or no one wins.

Chun Sue is like the literary little sister to Mian Mian and Wei Hui, copying her elder sisters and trying to follow in their footsteps – but stumbling because their heels were still too big for her to wear. In fact, despite its derivative nature, Beijing Doll did quite well, landing Chun on the cover of Time Magazine in 2004 and turning her into a pseudo-celebrity for her punky, tough-girl persona (a stark contrast to Wei’s slinky, sexy image). Western adult readers may roll their eyes at the melodramatic musings of middle-school heartbreak, but read within the context of its confining culture, Beijing Doll is no less an important addition to the annals of Chinese literature.

Many analysts have noted a more aggressive or assertive international posture by China in recent years, sometimes termed “Wolf Warrior Diplomacy” after a Chinese action movie from 2017 where a Chinese former special forces soldier defeats an American adversary. This book explains the origins and evolution of China’s diplomatic corp and how it has always been run on military lines, including having a twinning arrangement for diplomats where they are required to report on their partner if they become “ideologically impure.” Martin explains the reasons for China’s more assertive foreign policy in recent years, including through the weaponisation of trade and tourism and in one case the beating up of Taiwanese diplomats. 

This story collection is mind-blowing in the best way. As its name suggests, a lot of the stories in this book deal with immigrants, including Chinese people who've immigrated to the United States, but also rural people who've migrated to cities. Chai's characters are struggling to balance traditional Confucian values with postmodern urban existence, and a lot of these stories feature tensions between different generations in a single-family. The best story is probably the award-winning "Fish Boy," in which a boy moves from the Chinese countryside to the big city and ends up working at a seafood restaurant whose offerings sound pretty unappetizing. Chai is brilliant at picking up on the subtle nuances of damaged families, and every one of these stories hits home.

Even though it was ahead of its time, Juliet Bredon’s Peking, published in 1931, is less well known than Arlington and Lewisohn’s comparable guide to the city, In Search of Old Peking released in 1935, both books written by longtime expats fully informed of their adopted country; Bredon was niece to the famous China Customs official Sir Robert Hart. Both books are chock full of historical detail and passionate about their subject matter and still serve well today as guides to Beijing’s temples and palaces. Bredon’s is the more eloquently written and captivating, and for me, the more personable companion in guiding the armchair traveler through Peking’s labyrinthine lanes. Along with her expert advice on buying antiques, I can relate to her spontaneous descriptions of street life as if I were sitting next to her in her rickshaw: “Who can forget the delicious surprise of his first journey… show more.