I’m a Kiwi who has spent most of the past three decades in Asia. My books include Formosan Odyssey, You Don't Know China, and Taiwan in 100 Books. I live in a small town in southern Taiwan with my Taiwanese wife. When not writing, reading, or lusting over maps, I can be found on the abandoned family farm slashing jungle undergrowth (and having a sly drink).
This strange novel consists of vignettes presented as encyclopedia-style entries written by the narrator. He’s an “educated youth” relocated to the fictional rural Hunan village of Maqiao as part of the Cultural Revolution “learn from the peasants” movement, reminiscent of Han Shaogong’s own experience of being sent to the countryside. First published in 1996 and in English in 2003 (expertly translated by Julia Lovell), the novel is better than the premise suggests, and it often features in “best of” Chinese literature lists.
One of the most-talked about works of fiction to emerge from China in recent years, this novel about an urban youth "displaced" to a small village in rural China during the Cultural Revolution is a fictionalized portrait of the author's own experience as a young man. Han Shaogong was one of millions of students relocated from cities and towns to live and work alongside peasant farmers in an effort to create a classless society. Translated into English for the first time, Han's novel is an exciting experiment in form-structured as a dictionary of the Maqiao dialect-through which he seeks to…
Tenacity—that can’t quit, won’t quit attitude—isn’t always seen as a particularly good quality to have for women and girls. As a tenacious woman myself, I know from where I speak. My mother once told me no one would ever marry me because I argued too much (she was wrong). That was part of the inspiration for Amanda in Fair Game—a young woman who just won’t quit, even when she’s not sure exactly what winning looks like. Here are some of my favorite stories about women and girls refusing to give up in the face of challenging circumstances.
How do you tell stories about the people who don’t show up in history’s official records?
That’s the question Vaness Hua explores in Forbidden City, which was inspired by a couple of lines Hua read about Chairman Mao Zedong’s love of ballroom dancing. Party officials would bring young women to the Forbidden Palace to dance with Mao and his party faithful.
Any more detail about the lives of these young women is lost to history, but recreated with astonishing insight and beauty by Hua in Forbidden City. The main character, Mei Xiang, has to navigate the dangerous world of politics during the beginnings of the brutal and violent Cultural Revolution in China.
I love the questions this book raises about all the unknown women and girls whose stories of survival have been lost to time.
NATIONAL BESTSELLER • A teenage girl living in 1960s China becomes Mao Zedong’s protégée and lover—and a heroine of the Cultural Revolution—in this “masterful” (The Washington Post) novel.
“A new classic about China’s Cultural Revolution . . . Think Succession, but add death and mayhem to the palace intrigue. . . . Ambitious and impressive.”—San Francisco Chronicle
ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, PopSugar • Longlisted for the Joyce Carol Oates Prize
On the eve of China’s Cultural Revolution and her sixteenth birthday, Mei dreams of becoming a model revolutionary. When the Communist Party recruits…
My desire for food-related studies originates from my personal experience of starvation. Born in 1957 in rural China, I soon stepped into China’s Great Famine (1958-1962). During this famine, over 30 million people died of hunger, mostly peasants, including my grandpa (my mother’s father). As a growing child, I was hungry and today I still remember how my family struggled to feed us. After becoming a student at an agricultural university, I had the opportunity to think and started to ponder over food-related issues. After graduation, I became an academic and have since focused my energy on studies concerning food, chiefly, China’s food supply and food security.
Numerous studies have confirmed that China’s Great Famine was man-made, its architect Mao Zedong. Yet, many of those affected do not blame Mao for what happened to them.
Still, in today’s China, many, including those affected by the catastrophe, worship Mao. The presence of such a ludicrous act is attributed to the communist regime’s mythicizing Mao and meantime censoring any media exposing Mao’s immense cruelties.
This book by Chen helps uncover and make explicit the testimonies of those involved in the human catastrophe. The book also exposes testimonies concerning political violence before and after the famine, which is very beneficial for one to ponder over why political violence and man-made tragedies recur in contemporary China and whether China by itself is capable of ensuring similar tragedies never again occur.
It is now forty years after Mao Zedong’s death and the end of the Cultural Revolution, and more than fifty years since the Great Leap Forward and the Great Famine. During this time, the collective memory of these events has been sanitized, reduced to a much-diluted version of what truly took place. Historical and sociological approaches cannot fully address the moral failure that allowed the atrocities of the Mao era to take place. Humanist approaches, such as literary criticism, have a central role to play in uncovering and making explicit the testimonies of both victims and perpetrators in “memory writing”…
Born and raised in China, I grew up on a remote state-run farm where my parents, as condemned intellectuals during Mao’s Cultural Revolution, lived for 20 years. It wasn't until mid-80s they were allowed to return. I have heard many stories and read many books about this tumultuous period in China. I didn’t know much about my parents’ personal experiences until I was in my 30s. Today’s China is very different but I believe that history extends its roots deep into the present. As a writer, what interests me the most is the impact of history on individuals and society. My latest book is a historical wartime novel set in China and Europe.
Rong’s Wolf Totem is not a typical Cultural Revolution book, and its focus is on relationships between humans and the wildlife of the grasslands. The protagonist is an urban youth, who’s a Han (the majority ethnic group in China), sent to inner Mongolia for “reeducation.” While trying to raise a wolf cub captured from the wild, he encounters a cultural clash between the Han Chinese and the locals, learns about the wolf and other wildlife, and reflects on history, nature, and humanity.
Beijing intellectual Chen Zhen volunteers to live in a remote settlement on the border of Inner and Outer Mongolia, where he discovers life of apparent idyllic simplicity amongst the nomads and the wild wolves who roam the plains. But when members of the People's Republic swarm in from the cities to bring modernity and productivity to the grasslands, the peace of Chen's solitary existence is shattered, and the delicate balance between humans and wolves is disrupted. Only time will tell whether the grasslands' environment and culture will ever recover...
Wolf Totem has been a sensation ever since it shot to…
In 2019, I spent a year traveling around the world with my husband and two small kids. These days, we still travel whenever we get the chance, soaking up as many cultures, landscapes, and experiences as possible. Wherever we go, we read books set in our destination, usually by local authors, which deepens our connection to the places we visit. But you don’t need a plane ticket for a good book to transport you overseas. Here are a few of my favorite reads guaranteed to immerse you in faraway lands, even as you sit on your favorite couch at home.
Just as I turned to Trevor Noah’s memoir for answers about apartheid while in South Africa, I devoured this book while in China to more deeply understand how the country was shaped by Communism.
The author’s personal history is frightening and raw—at times hard to read—but it is important to understand a few layers deeper than what the news can offer or, in my case, what tourists get served on visits to China. It’s a wrenching story that has stayed with me for years.
Few books have had such an impact as Wild Swans: a popular bestseller which has sold more than 13 million copies and a critically acclaimed history of China; a tragic tale of nightmarish cruelty and an uplifting story of bravery and survival.
Through the story of three generations of women in her own family - the grandmother given to the warlord as a concubine, the Communist mother and the daughter herself - Jung Chang reveals the epic history of China's twentieth century.
Breathtaking in its scope, unforgettable in its descriptions, this is a masterpiece which is extraordinary in every way.
I have been working on China as a student, teacher, diplomat, business person, and academic since 1991.
Currently, professor of Chinese Studies and Director of the Lau China Institute at King’s College London, my work involves trying to understand how the country’s deer and more recent history has created the remarkable country that we see today. I have written over 20 books on modern China, and lived there in total 5 and a half years. I have visited every single province and autonomous region, and have lectured on China in over 40 countries, across four continents.
Perspectives on one of the most bewildering and turbulent periods in modern Chinese history – the Great Proletariat Cultural Revolution, in the decade from 1966, by one of contemporary China’s foremost historians. Yang, who has worked on the era of the great famines in China prior to this, is well served by two excellent translators. A book that brings the vastness of this revolution down to the stories of specific people and places, including those who were most involved in creating and directing this seminal event.
As a major political event and a crucial turning point in the history of the People's Republic of China, the Great Proletarian Cultural Revolution (1966-1976) marked the zenith as well as the nadir of Mao Zedong's ultra-leftist politics. Reacting in part to the Soviet Union's "revisionism," which he regarded as a threat to the future of socialism, Mao mobilized the masses in a battle against what he called "bourgeois" forces within the Chinese Communist Party. This ten-year-long class struggle devastated traditional Chinese culture as well as the nation's economy.
Following Tombstone, his groundbreaking and award-winning history of the Great Famine,…
Jiang provides a vivid depiction of life as young girl growing up in China during Mao Ze-dong’s Cultural Revolution. I was struck by how pervasive the “Revolution” was, even recruiting children to become foot soldiers of sorts to report classmates for wrongthink. Citizens who were lumped into the “wrong” category of having professions or opinions deemed to be “counter-revolutionary” were publicly shamed to confess their supposed sin in struggle sessions that often turned violent.
I have mentally revisited this book many times for its tragic warning of how political and social revolutions often demonize segments of their population as enemies and how this process of dehumanization is used to justify violence against perceived enemies. Such demonization can turn neighbors against neighbors and even family members against each other.
Publishers Weekly Best Book * ALA Best Book for Young Adults * ALA Notable Children's Book * ALA Booklist Editors' Choice
In the tradition of The Diary of Anne Frank and I Am Malala, this is the incredible true story of one girl’s courage and determination during one of the most terrifying eras of the twentieth century. This edition includes a detailed glossary, pronunciation guide, discussion questions, and a Q&A with the author.
It's 1966, and twelve-year-old Ji-li Jiang has everything a girl could want: brains, popularity, and a bright future in Communist China. But it's also the year that…
I have been fascinated by history since I spent a year in Britain as a ten-year-old. I became hooked on novels set in ancient Greece and Rome and found it incredibly exotic to walk through old buildings and imagine the lives of the people who had walked through those same doors. In college, I began studying history in earnest and grew intrigued by China, especially Chinese cities during periods of upheaval and transformation. My first passion was Shanghai history, and I spent time there in the mid-1980s before the soaring Pudong skyscrapers that are now among its most iconic structures were built.I have since shifted my attention to Hong Kong, a city I had enjoyed visiting for decades but had not written about until after I completed my last book on Shanghai. My fascination with cities that are in China but enmeshed in global processes and are sites of protest has been a constant.
There is a lot of wonderful fiction set in Shanghai, so I wanted to make sure to include one such work. Figuring out which wasn’t easy, as there are good short stories and novels by a range of important authors, from deceased writers like Mao Dun, Eileen Chang, and J.G. Ballard, whose partly autobiographical Empire of the Sun was based on his Shanghai childhood, to living ones like Wang Anyi. I chose this collection of vignettes by Qiu Xiaolong (who is best known for his Inspector Chen Shanghai-set police procedurals and grew up in Shanghai and now lives in the United States) because it pairs so well with Shanghai Homes. You can read it as a fictional cousin to Jie Li’s book, as this work by Qiu, in which his famous detective does not appear, is made up of tales set in a single alleyway neighborhood. Reading them together,…
Published originally in the pages of Le Monde, this collection of linked short stories by Qiu Xiaolong has already been a major bestseller in France (Cite de la Poussiere Rouge) and Germany (Das Tor zur Roten Gasse), where it and the author was the subject of a major television documentary. The stories in Years of Red Dust trace the changes in modern China over fifty years―from the early days of the Communist revolution in 1949 to the modernization movement of the late nineties―all from the perspective of one small street in Shanghai, Red Dust Lane. From the early optimism at…
It was really original and deep research on a usually overlooked aspect of Shanghai's history - the interregnum between 1949 and the Cultural Revolution when everything changed, but some things didn't....
My career has given me the chance to travel around China and see parts that most foreigners do not get to see. Having studied Chinese in Oxford and Taiwan, working in China for a metal trading company in the 1980s gave me a chance to travel widely around the country when access to foreigners–especially diplomats and journalists–was highly restricted. Later, I became an early investor in the domestic stock market, focusing on smaller, entrepreneurial companies, which involved a lot of travel. I have now visited nearly every province except Hainan. Planting a vineyard and building a Scottish castle in Shandong introduced me to rural China and the local Communist Party.
Most Western reports about China concentrate on its economic growth or political system. This book is unusual in that it examines religion in China and what the Chinese actually believe (and what they are prepared to suffer to practice those beliefs). The collapse of the traditional ethical frameworks lies behind a number of scandals in modern China.
'Masterfully opens up a little explored realm: how the quest for religion and spirituality drives hundreds of millions of Chinese' Pankaj Mishra
'A fascinating odyssey ... a nuanced group portrait of Chinese citizens striving for non-material answers in an era of frenetic materialism' Julia Lovell, Guardian
'The reappearance and flourishing of religion is perhaps the most surprising aspect of the dramatic changes in China in recent decades...this is a beautiful, moving and insightful book' Michael Szonyi
In no society on Earth was there such a ferocious attempt to eradicate all trace of religion as in modern China. But now, following…
