I fell in love with historical novels as a kid after I began reading books by French authors Alexandre Dumas, the father and the son. I was the kind of kid who read for days and even nights to finish a story. Books moved me, inspired me, and gave me the strength and wisdom that I have today. I cannot imagine a world without them.
The dark place Dai depicts in this book during the Chines Cultural Revolution is very similar to the 1980s when I grew up in Iran after the revolution. Through banned novels, the characters in the book, just like me, found a way to escape the grim realities of their lives and found the strength they needed to dream and grow. Their identities, like mine, were shaped by the oppressive environments they lived in and their efforts to reinvent themselves under those conditions.
1971: Mao's cultural Revolution is at its peak. Two sons of doctors, sent to 're-education' camps, forced to carry buckets of excrement up and down mountain paths, have only their sense of humour to keep them going. Although the attractive daughter of the local tailor also helps to distract them from the task at hand.
The boys' true re-education starts, however, when they discover a hidden suitcase packed with the great Western novels of the nineteenth century. Their lives are transformed. And not only their lives: after listening to the stories of Balzac, the little seamstress will never be the…
I first became interested in Tibetans and their relationship with China when, as a nineteen-year-old backpacker, I found myself traveling through the Sino-Tibetan frontier. While drinking yak butter tea in a monk’s cell or eating mutton in nomad tents, it was easy to forget that I was in the People’s Republic of China. So I began to wonder, how did this happen? As a historian of modern China and Inner Asia, I continue to look for answers. My work is driven by an otherwise unremarkable observation: the violent, prolonged, and perhaps incomplete process by which the diverse Qing empire was remade into a Chinese nation-state is among the key unresolved questions of modern Chinese history.
Get this book first for the extraordinary collection of 300 black-and-white photographs of the Cultural Revolution in Lhasa, which is also one of the largest troves of Cultural Revolution-era photographs from anywhere in China. The remarkable photos, which depict the destruction of temples, the humiliation of lamas and members of the old nobility, and more, were taken by Tsering Dorje, a Tibetan officer in the People’s Liberation Army.
Then read the accompanying essays and interviews by Tsering Dorje’s daughter, the prominent Tibetan poet, writer, and public intellectual Tsering Woeser, which not only chronicle the events of the Cultural Revolution but meditate on Tibetan participation in the assaults on Tibet’s cultural heritage and, like the two books above, serve as powerful reminders of the ways communal memory continues to hamper state efforts to fully integrate Tibetans and other non-Han communities into the Chinese nation.
Access the glossary of Tibetan terms. Access the glossary of Chinese and English terms. Access the Index. When Red Guards arrived in Tibet in 1966, intent on creating a classless society, they unleashed a decade of revolutionary violence, political rallies, and factional warfare marked by the ransacking of temples, the destruction of religious artifacts, the burning of books, and the public humiliation of Tibet's remaining lamas and scholars. Within Tibet, discussion of those events has long been banned, and no visual records of this history were known to have survived.
In Forbidden Memory the leading Tibetan writer Tsering Woeser presents…
I’m a historian, educator, and author with an abiding interest in stories that help bridge cultural divides. I first encountered tales of China as an elementary school student in Singapore. Years later, I studied Chinese and backpacked through China, after which I earned my M.A. in Asian Studies. I would go on to become a high school instructor, and this experience helped me teach AP World History ™ and IB (International Baccalaureate) History. I began writing my Jackie Tempo series as a way of providing accessible content in the classroom. Historical fiction has always helped provide deeper context for me and my students.
I was fortunate to have met Da Chen when he was keynote speaker for our high school’s annual teen writer’s conference. I had read and recommended to my AP World History students his riveting Colors of the Mountain.
He was warm with students and staff, regaling my class with stories of life in post-Mao China. Da Chen’s interest in people is evident in his engaging Colors of the Mountain. A tale of triumph against all odds, Da Chen’s memoir chronicles how he and his family survived China’s Cultural Revolution (1966-1976).
Despite the harshness of the times, Da Chen tells his story with uncommon grace and humor. I return to his work time and again, not just for preparation in teaching 20th-century China, but also for personal inspiration.
Colors of the Mountain is a classic story of triumph over adversity, a memoir of a boyhood full of spunk, mischief, and love, and a welcome introduction to an amazing young writer.
Da Chen was born in 1962, in the Year of Great Starvation. Mao Zedong's Cultural Revolution engulfed millions of Chinese citizens, and the Red Guard enforced Mao's brutal communist regime. Chen’s family belonged to the despised landlord class, and his father and grandfather were routinely beaten and sent to labor camps, the family of eight left without a breadwinner. Despite this background of poverty and danger, and Da…
Having lived in China for almost three decades, I am naturally interested in the expat writing scene. I am a voracious reader of fiction and nonfiction on China, past and present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of three novels, one short story collection, and three essay collections on China myself, I believe I have something of my own to contribute of documentary value, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
The experience of being a teenage exchange student living with a Beijing family whose mother is dying of cancer and whose father makes an aborted sexual pass on her marked Solimine deeply enough to inspire this novel. The author wisely shifts the focus away from herself and adopts the role of frame narrator as she reconstructs the family’s history and events leading up to her arrival, where she inserts herself into the story. The narrative unfolds in flashbacks, impressionistic vignettes, and haunting poetic imagery to capture fleeting moments which build in intensity. It’s the kind of novel readers may not find easygoing on first acquaintance – the cracked-glass cover design nicely conveys the initial impression – but promises to improve on rereading.
Short-listed for the Center for Fiction's 2017 First Novel Prize, Empire of Glass is a grand, experimental epic chronicling the seismic changes in China over the last half century. In the mid-1990s, an American teenager, named Lao K in Chinese, stands on Coal Hill, a park in Beijing, a loop of rope in her hand. Will she assist her Chinese homestay mother, Li-Ming, who is dying of cancer, in ending her life, or will she choose another path? Twenty years later, Lao K receives a book written by Li-Ming called "Empire of Glass," a narrative that chronicles the lives of…
Born and raised in China, I moved to Canada in my late 20s to pursue a master's degree and stayed here, becoming a first-generation immigrant. But home is always home—my ancestors lived and died on that land. My country's history, culture, traditions, and social structures deeply fascinate me, especially its modern history, which has profoundly shaped me. China's history is rich, captivating, and often brutal, and I believe the world needs to know what we have gone through. The five books I recommend, including works by two Nobel Prize-winning authors, are literary masterpieces. They not only offer deep insights into China's modern history but also showcase extraordinary literary artistry.
I love this book for its epic structure, character development, intricate and complex plotlines, rich imagination, poetic language, and use of magical realism.
The book spans several decades, covering significant events in 20th-century China from the 1920s to the 1990s across four generations. Through this multi-generational lens, Mo Yan explores themes of family, identity, and the impact of historical events on individual lives. Each character is so unique that after reading the book, I wrote a group of poems, two to four lines for each of the fifteen main and supporting characters. For protagonist Jin Tong, I wrote, “You are the hope of the Shangguan family, yet you live so pathetically.”
For his mother, I wrote, “The old cow eats grass, but what it gives is milk; the mother swallows tears, but what flows out is blood.” Mo Yan's sharp insights, profound reflections, and vivid prose reveal the harsh realities…
Each of the seven chapters represents a different time period, from the end of the Quing dynasty, up through the Japanese invasion in the 1930s, the civil war, the Cultural Revolution, and the post-Mao years. This novel is the author's vision of the 20th century.
As an author, humanitarian, and diplomat, I’ve seen firsthand how the everyday brutality of civil wars and ethnic conflicts is often overlooked in favor of statistics: 100,000 displaced; 500 arrested; 7 villages torched. In places like Myanmar, Ethiopia, Congo, Nigeria, and Bangladesh, I have tried to use human-centered reporting to bring a magnifying glass to the effect of these tragedies on everyday people. By focusing on the stories that most of the world would rather turn away from, I think we have a better chance to understand, and ultimately prevent, these violent political and social upheavals.
Demick is a master at showcasing the true drama of ordinary people living ordinary lives. In this saga of Tibetan royalty, resistance, and renaissance, she knits these personal stories into a sweeping epic covering the last 60 years of Tibetan history. The characters may at first glance seem innocuous: a long-lost daughter; a shopkeeper; a monk. But together, their stories paint a frightening and vivid picture of the everyday repression and fear under the largest and most sophisticated authoritarian regime on the planet. Throughout, Demick’s narrative displays a profound sense of place, plopping the reader onto the frigid Tibetan plateau, making us feel present to the resistance movement on the rooftop of the world.
A gripping portrait of modern Tibet told through the lives of its people, from the bestselling author of Nothing to Envy
“A brilliantly reported and eye-opening work of narrative nonfiction.”—The New York Times Book Review
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY Parul Sehgal, The New York Times • The New York Times Book Review • The Washington Post • NPR • The Economist • Outside • Foreign Affairs
Just as she did with North Korea, award-winning journalist Barbara Demick explores one of the most hidden corners of the world. She tells the story of a Tibetan…
Tenacity—that can’t quit, won’t quit attitude—isn’t always seen as a particularly good quality to have for women and girls. As a tenacious woman myself, I know from where I speak. My mother once told me no one would ever marry me because I argued too much (she was wrong). That was part of the inspiration for Amanda in Fair Game—a young woman who just won’t quit, even when she’s not sure exactly what winning looks like. Here are some of my favorite stories about women and girls refusing to give up in the face of challenging circumstances.
How do you tell stories about the people who don’t show up in history’s official records?
That’s the question Vaness Hua explores in Forbidden City, which was inspired by a couple of lines Hua read about Chairman Mao Zedong’s love of ballroom dancing. Party officials would bring young women to the Forbidden Palace to dance with Mao and his party faithful.
Any more detail about the lives of these young women is lost to history, but recreated with astonishing insight and beauty by Hua in Forbidden City. The main character, Mei Xiang, has to navigate the dangerous world of politics during the beginnings of the brutal and violent Cultural Revolution in China.
I love the questions this book raises about all the unknown women and girls whose stories of survival have been lost to time.
NATIONAL BESTSELLER • A teenage girl living in 1960s China becomes Mao Zedong’s protégée and lover—and a heroine of the Cultural Revolution—in this “masterful” (The Washington Post) novel.
“A new classic about China’s Cultural Revolution . . . Think Succession, but add death and mayhem to the palace intrigue. . . . Ambitious and impressive.”—San Francisco Chronicle
ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, PopSugar • Longlisted for the Joyce Carol Oates Prize
On the eve of China’s Cultural Revolution and her sixteenth birthday, Mei dreams of becoming a model revolutionary. When the Communist Party recruits…
Anna Wang was born and raised in Beijing, China, and immigrated to Canada in her 40s. She received her BA from Beijing University and is a full-time bilingual writer. She has published ten books in Chinese. These include two short story collections, two essay collections, four novels, and two translations. Her first book in English, a 2019 memoir, Inconvenient Memories, recounts her experience and observation of the Tiananmen Square Protest in 1989 from the perspective of a member of the emerging middle-class. The book won an Independent Press Award in the "Cultural and Social Issues" category in 2020. She writes extensively about China. Her articles appeared in Newsweek, Vancouver Sun, Ms. Magazine, LA Review of Books China Channel, Ricepaper Magazine, whatsonweibo.com, etc.
Growing up in Canada, left-winged Wong dropped out of university and flew to China in 1972 to participate in the Cultural Revolution. But she was soon disillusioned by the reality of a police state and the hypocrisy dominating everyone's life, from which even she, as a foreign nationality, couldn't escape. However, Wong remained in China and eventually worked as a journalist for Canada’s The Globe and Mail. When the Tiananmen Protests happened in 1989, she tracked down and interviewed dissidents and eyewitnesses. This memoir covers her active years in China from the 1970s to the 1990s, during which China was undergoing a sweeping change from Mao’s era to Deng’s era. It is a prelude to China's marching toward its economic prowess.
Jan Wong, a Canadian of Chinese descent, went to China as a starry-eyed Maoist in 1972 at the height of the Cultural Revolution. A true believer--and one of only two Westerners permitted to enroll at Beijing University--her education included wielding a pneumatic drill at the Number One Machine Tool Factory. In the name of the Revolution, she renounced rock & roll, hauled pig manure in the paddy fields, and turned in a fellow student who sought her help in getting to the United States. She also met and married the only American draft dodger from the Vietnam War to seek…
Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.
Another inspiration for me was Mark’s first book, about his experience in the 1980s teaching English and studying martial arts in China. One of the first books to explore life in China after the reforms that followed the excesses of the Cultural Revolution, this book has become a classic.
A few years after this book was published, he even starred in a film adaptation! I’m a little old to do that now.
This large print edition recounts the true adventures of a young martial arts student in China. Told as a series of lightly sketched episodes, the book allows the reader a glimpse of Chinese culture largely unaccessible to foreigners.
I enjoyed writing The Karma Kaper. Just as there's tragedy and comedy in every aspect of our lives there's humor in crime. It's fun bringing that humor to my audience. I also believe in justice for all. Sadly, as American courts are currently more concerned with criminals' rights than victims' rights there are no guarantees victims will receive the justice they deserve. No one can predict if a jury of 12 will find a defendant who has committed a crime guilty. Then, there's the highest court of appeal - fiction! Between the covers of a novel, a crafty writer can ensure just verdicts and devise macabre punishments for the bad guys! It doesn't get any better!
In elegant prose, Nien Cheng, a Shell Oil Company in 1966, recounts her life in Shanghai in 1966, when Chairman Mao launched the Great Proletarian Cultural Revolution.
Mao’s Red Guards ransacked Cheng and her husband’s bourgeois home and then delivered her to No. 1 Detention House in Shanghai where she was held in solitary confinement of 7 years until her rehabilitationand release after several struggle trials.
Her work is prescient as the United States in under attack by a radical woke ideology. Many Americans have been cancelled or have been made to attendstruggle sessions.
Nein Chen is a heroic woman, a brilliant writer, and an example of how one courageous woman can stand up to a totalitarian regime.
A first-hand account of China's cultural revolution.
Nien Cheng, an anglophile and fluent English-speaker who worked for Shell in Shanghai under Mao, was put under house arrest by Red Guards in 1966 and subsequently jailed. All attempts to make her confess to the charges of being a British spy failed; all efforts to indoctrinate her were met by a steadfast and fearless refusal to accept the terms offered by her interrogators. When she was released from prison she was told that her daughter had committed suicide. In fact Meiping had been beaten to death by Maoist revolutionaries.
