Hiking in the flower-covered hillsides of Central California as a nature-loving kid, I couldn’t help but wonder about my companions. One of my first purchases (with babysitting money!) was a wildflower guide. I’ve moved around the country many times and every time I’ve had to start over, make new plant acquaintances and discoveries—always an orienting process. Of course, I’ve also studied plants formally, in college and in my career, and (honestly, best of all) via mentors and independent study. All this has shown me that flowers are more than just beautiful! They’re amazingly diverse, and full of fascinating behaviors and quirks. In fact, they are essential parts of the complex habitats we share.
Once upon a time, “plant explorers,” intrepid botanists (mainly from the UK) fanned out over the lesser-known world looking for interesting plants to bring into wider appreciation and cultivation. Frank Kingdon Ward (1885-1958) is best known for introducing the breathtakingly beautiful Tibetan blue poppy. There’s an internet meme featuring his grizzled face with the caption “Make sure you want it enough,” a clear reference to what he went through to bring his prizes back. (Imagine: you spot the fabulous blue poppy in some remote place, but, you have to find a way to return in a few months to get seeds.) This book, edited by Thomas Christopher and with a preface by Jamaica Kincaid (both super-credentialed horticulturists and authors), features highly readable, awe-inspiring selections from the great man’s journals.
During the first years of the twentieth century, the British plant collector and explorer Frank Kingdon Ward went on twenty-four impossibly daring expeditions throughout Tibet, China, and Southeast Asia, in search of rare and elusive species of plants. He was responsible for the discovery of numerous varieties previously unknown in Europe and America, including the legendary Tibetan blue poppy, and the introduction of their seeds into the world’s gardens. Kingdon Ward’s accounts capture all the romance of his wildly adventurous expeditions, whether he was swinging across a bottomless gorge on a cable of twisted bamboo…
At first glance, the Cold War in the Third World can seem like a mess of disjointed, misbegotten tragedies. My goal, though, is to understand the systemic conditions that not only link seemingly disparate cases together, but also help explain why they happened and what legacies they have left behind. The trick is to do that without privileging perspectives from the Global North, flattening historical complexities, and overlooking the unique nature of individual conflicts. This type of work, hard and imperfect as it may be, is essential to understanding the world we have inherited, and might just help us fix it. Making the effort makes me feel like a better human.
Countless books have been written about America’s war in Vietnam, but I suggest you start with Fredrik Logevall’s Embers of War.
This Pulitzer Prize winner reads like an epic novel, winding the reader through the years leading up to Washington’s fateful military commitment to Vietnam with remarkable empathy for all involved. Logevall is a talented historian, whose mastery of the field and extensive use of untapped sources keeps pace with his beautiful writing style. You won’t want to put this one down.
Written with the style of a great novelist and the intrigue of a Cold War thriller, Embers of War is a landmark work that will forever change your understanding of how and why America went to war in Vietnam. Tapping newly accessible diplomatic archives in several nations, Fredrik Logevall traces the path that led two Western nations to tragically lose their way in the jungles of Southeast Asia. He brings to life the bloodiest battles of France’s final years in Indochina—and shows how, from an early point, a succession of American leaders made disastrous policy…
To an Atlantic historian like me, the era of revolutions is one of the most dramatic historical periods, which erased many of the structures on which the Atlantic world had been built for centuries. It raised many hopes, which were often defeated, but lasting advances were made nonetheless.
The first book to successfully show that the age of revolutions also manifested itself in the Indian Ocean and the Pacific. The book also reveals how the British “neutralized” (in what the author calls an “imperial counter-revolt” of "counter-revolution") the age of revolution by coopting concepts of liberty, free trade, reason, and progress.
This is a story of tides and coastlines, winds and waves, islands and beaches. It is also a retelling of indigenous creativity, agency, and resistance in the face of unprecedented globalization and violence. Waves Across the South shifts the narrative of the Age of Revolutions and the origins of the British Empire; it foregrounds a vast southern zone that ranges from the Arabian Sea and southwest Indian Ocean across to the Bay of Bengal, and onward to the South Pacific and the Tasman Sea. As the empires of the Dutch, French, and especially the British reached across these regions, they…
I’ve been gradually making my way through Moshin Hamid’s
books, and this one might be my favorite. Told in the second person, the novel
is crafted like a self-help book—a sly nod to the business advice books
instructing young people across contemporary Asia.
It tells the story of an
unnamed narrator and his rise from a poor, rural kid to a successful
entrepreneur. It’s an emotional wallop of a book, as the protagonist hustles
and hustles, growing further from his past while still being haunted by it.
Hamid’s books always sneak up on me with their clever heft; he does this
incredible blending of cultural commentary with enormous compassion and heart,
and this book is a prime example.
The unabridged, downloadable audiobook edition of Mohsin Hamid's How To Get Filthy Rich in Rising Asia, read by the author himself.
The astonishing and riveting tale of a man's journey from impoverished rural boy to corporate tycoon, 'How To Get Filthy Rich in Asia' steals its shape from the business self-help books devoured by youths all over 'rising Asia'. It follows its nameless hero to the sprawling metropolis where he begins to amass an empire built on the most fluid and increasingly scarce of goods: water. Yet his heart remains set on something else, on the pretty girl whose star…
Science fiction is rightly famous for experimenting with new and strange social worlds, but fantasy tends to fall back on the usual feudal tropes: the whims of kings, the valor of knights, the always-temporary powerlessness of farm boys, the technicalities of succession. Which is a shame, because fantasy provides just as much opportunity to reimagine what society could look like. That’s what I try to do in my books, and at my job, where I’m working to bring 21st-century data literacy and quantitative reasoning to a state government stuck resolutely in the ’90s. When I think of books that have done what I’m trying to do, these five are at the front of my mind.
Monstress is an awful lot of things: An epic fantasy that confronts the horrors of modern war; a work of fusion that marries Western and Eastern aesthetics and the epic scale of George R. R. Martin with the cosmic and body horror of Junji Ito; an incredible trove of beautiful visual art; a stage for women of all kinds, young and old, beautiful and monstrous, weak and powerful, with and without shark heads; and a story about a girl coming to grips with a dark family legacy and what it means for her place in a bloody, painful world.
More than anything else, it’s about what happens when people use each other. For my money, the best epic fantasy currently being published in any form.
2018 Eisner Award winner, Best
Writer 2018 Eisner Award winner, Best
Painter/Multimedia Artist 2018 Eisner
Award winner, Best Continuing Series 2018
Eisner Award winner, Best Publication for
Teens 2018 Eisner Award winner, Best Cover
Artist 2018 Harvey Award winner, Book of
the Year 2018 Hugo Award winner, Best
Graphic Story 2018 British Fantasy Award
winner, Best Comic/Graphic Novel 2018,
2016, 2015 Entertainment Weekly's The Best Comic Books of the
Year 2018, Newsweek's Best Comic
Books of the Year 2018, The Washington
Post's 10 Best Graphic Novels of the
Year 2018, Barnes & Noble's Best Books
of the Year 2018, YALSA's…
I’m a Kiwi who has spent most of the past three decades in Asia. My books include Formosan Odyssey,You Don't Know China, and Taiwan in 100 Books. I live in a small town in southern Taiwan with my Taiwanese wife. When not writing, reading, or lusting over maps, I can be found on the abandoned family farm slashing jungle undergrowth (and having a sly drink).
Fun excursions around Taiwan told by the likable duo of Brown – a Taiwan long-timer and veteran travel writer – and Huffman, who is on her first trip to Asia. It’s a quirky travelogue packed with practical info, and with the pairing of new eyes and an old hand working beautifully. They both write with wit and affection for the country. Huffman’s observation that “Taiwan is never boring,” applies to the book. Memorable sections include a visit to the remote aboriginal village of Smangus, meeting various artists, an odd encounter with a fortune teller, and the auditory pleasures of living in “Dog Lane.”
Formosa Moon is a romantic, geeky cultural journey around Taiwan undertaken by a couple comprised of a seasoned guidebook writer intimately familiar with Asia and a first-time visitor who agreed to relocate sight unseen. Join the couple on their journey of discovery through Formosa, “The Beautiful Island”.
Since arriving as a refugee in America, my father, Mae Bunseng has always wanted to tell his story. It would take many decades later for me, as I was coming of age, to consider what exactly my father had lived through. I was shocked at what he told me and knew his story had to be told. Thus over a decade ago I worked with my him to what eventually became Under the Naga Tail. In addition to this book, along the way, a short documentary called Ghost Mountain was created and released on PBS, which is accessible for streaming here. The film would win the best documentary at the HAAPI Film Festival.
Haing Ngor, is still only one of three Asian actors to win an Oscar, received in 1985 for Best Supporting Actor in his portrayal of journalist Dith Pran for the film, The Killing Fields.Remarkably Haing Ngor himself was a survivor of the genocide in Cambodia, a trained Doctor at the time before the Khmer Rouge enacted their devastating atrocities upon the country. He would only survive torture by pretending to be an uneducated taxi driver. This book will leave you in awe and inspired, as it did for me, of Haing Ngor’s life. He resettles in America, doing jobs cleaning latrines to suddenly finding himself becoming Hollywood famous overnight. He was an important voice in the advocacy of human rights, until he, unfortunately, passed away in 1996.
This is an autobiographical account of life in Cambodia under the Khmer Rouge, written by the Oscar-winning actor from "The Killing Fields", whose own experiences under the Khmer Rouge were more shocking than those of Dith Pran, the character he played. The Khmer Rouge, led by Maoist fanatics, laid waste to the social fabric of Cambodia, forcing the entire population into agricultural labour camps and murdering those they considered bourgeois or intellectual. As a doctor, Haing S. Ngor was a special target of the Khmer Rouge; his family was wiped out, his wife died from starvation in his arms, and…
I first became interested in the history of the British Empire as an undergraduate. Understanding this history helped me relate my parents’ experiences growing up in a postcolonial nation with the history of the United States, where I grew up. As an academic historian, my research and teaching emphasize connections—between disparate places, between the past and present, and between our personal experiences and those of people born in distant times and places. My first children’s book allowed me to translate my scholarly work for a young audience. I hope this list of books that inspire my approach to history encourages your own investigations of imperialism and its pasts!
Reading Edward Said’s book as an undergraduate expanded my intellectual horizons and made me want to be a historian. Said showed that empire not only included the events—war, exploitation, extraction—that happened “out there” but also shaped metropolitan ways of knowing about and relating to areas of the world under colonial domination.
Said shows us that the power to know about a place and its people and to shape how that place and its people are known was central to the consolidation of imperial rule in the nineteenth century and its continuance in the twentieth.
More than that, however, Said showed the fundamental continuity between forms of knowledge in the past and structures of imperial power in the present. Imperialism is an unfinished history.
The seminal work that has redefined our understanding of colonialism and empire, with a preface by the author
'Stimulating, elegant and pugnacious' Observer 'Magisterial' Terry Eagleton
In this highly-acclaimed work, Edward Said surveys the history and nature of Western attitudes towards the East, considering orientalism as a powerful European ideological creation - a way for writers, philosophers and colonial administrators to deal with the 'otherness' of eastern culture, customs and beliefs. He traces this view through the writings of Homer, Nerval and Flaubert, Disraeli and Kipling, whose imaginative depictions have greatly contributed to the West's romantic and exotic picture of…
Continuing with the theme of the post-Western world, this book
reveals and reestablishes one particular narrative of international relations
from the Eastern perspective.
It challenges the established Western concepts
such as sovereignty, great power, modernity, industrial revolution, and
international order by providing an alternative world history. The world
existed before the West and was not collapsing despite the absence of a
“benevolent hegemon.”
By looking into the organization of the Mongol empire as
a hierarchical prelude to emerging imperial orders in Eurasia, the book
suggests historical and analytic paths for understanding the roots of the
contemporary world and its potential future. this book should be studied by all
interested in a global/comparative IR theory.
How would the history of international relations in 'the East' be written if we did not always read the ending - the Rise of the West and the decline of the East - into the past? What if we did not assume that Asia was just a residual category, a variant of 'not-Europe', but saw it as a space of with its own particular history and sociopolitical dynamics, not defined only by encounters with European colonialism? How would our understanding of sovereignty, as well as our theories about the causes of the decline of Great Powers and international orders, change…
When I started teaching a course on the Political Economy of the Environment at the University of Massachusetts Amherst, little had been written that made the connection between environmental quality and economic inequality. Happily, this has changed over the years. The books recommended here mark the rise of a new environmentalism founded upon recognition that our impact on nature is interwoven closely with the nature of our relationships with each other.
Gender is a major axis of disparities in power and wealth.
In this pioneering book, Indian economist Bina Agarwal mapped women’s access to land in South Asia, lifting up the key role of rights to natural resources in human well-being.
Her account of the Bodhgaya movement, a struggle by peasant women against inequity and patriarchy in the 1970s and 1980s, has special resonance for me because I Iived there and saw firsthand the cruelties of semi-feudal landlord rule.
This is the first major study of gender and property in South Asia. In a pioneering and comprehensive analysis Bina Agarwal argues that the single most important economic factor affecting women's situation is the gender gap in command over property. In rural South Asia, the most significant form of property is arable land, a critical determinant of economic well-being, social status, and empowerment. But few women own land; fewer control it. Drawing on a vast range of interdisciplinary sources and her own field research, and tracing regional variations across five countries, the author investigates the complex barriers to women's land…
