As part of an international project comparing imperial retreat and the wars of decolonization (or national liberation), I had to do extensive reading in this growing field.
Although there have been some important works, including a recent Pulitzer Prize winner, Martin Thomas’s book was one of the first and remains one of the best. The book’s title summarizes the choice facing post-World War 2 British and French leaders: did they attempt to defend colonial rule or abandon their overseas empires?
In both countries, the overseas colonies were seen as essential both economically and for national prestige. With impressive research and even more impressive fairness, Thomas challenges long-held interpretations that emphasized British moderation and managed decolonization with alleged French repression.
He also covers the anticolonial movements in both empires, emphasizing both their local roots, their shared international connections, and how the liberation movements played such an important role in Cold War…
Although shattered by war, in 1945 Britain and France still controlled the world's two largest colonial empires, with imperial territories stretched over four continents. And they appeared determined to keep them: the roll-call of British and French politicians, soldiers, settlers and writers who promised in word and print at this time to defend their colonial possessions at all costs is a long one. Yet, within twenty years both empires had almost completely disappeared.
The collapse was cataclysmic. Peaceable 'transfers of power' were eclipsed by episodes of territorial partition and mass violence whose bitter aftermath still lingers. Hundreds of millions across…
I have been professionally involved with contemporary art since the 1980s, when I was a curator at the Institute of Contemporary Art in Boston. In the forty years since I've seen an enormous shift in the orientation of American curators and scholars from Western art to a global perspective. After earning my PhD at Harvard, and writing several books on contemporary art, I wanted to tackle the challenge of a truly comparative contemporary art history. To do so, I've depended on the burgeoning scholarship from a new more diverse generation of art historians, as well as on many decades of travel and research. My book Heritage and Debt is an attempt to synthesize that knowledge.
This is the best account I know of the double bind that artists subjected to settler forms of colonialism have had to endure. Taking Nigerian modern art as his case study, this eminent Africanist art historian shows how, on the one hand, colonial officials attempted to abolish the indigenous artistic heritage as "savage," or "primitive," while simultaneously blocking African artists from a European art education. To become modern required a negotiation between these dual limitations and ended up producing something very different from Western modernism.
Written by one of the foremost scholars of African art and featuring 129 color images, Postcolonial Modernism chronicles the emergence of artistic modernism in Nigeria in the heady years surrounding political independence in 1960, before the outbreak of civil war in 1967. Chika Okeke-Agulu traces the artistic, intellectual, and critical networks in several Nigerian cities. Zaria is particularly important, because it was there, at the Nigerian College of Arts, Science and Technology, that a group of students formed the Art Society and inaugurated postcolonial modernism in Nigeria. As Okeke-Agulu explains, their works show both a deep connection with local artistic…
Not
so much the book that I have read but most, if not all, of the essays that will
be contained therein. These are true classics written by one of the greatest
minds of the 20th century: Anibal Quijano.
The words of caution
expressed by this world-famous Peruvian intellectual resonate with me today,
precisely because they presaged the age of “untruth” that we are living in.
Quijano
was something that we rarely find these days: A true humanist who coined pivotal
concepts such as “coloniality of power” and “coloniality of knowledge” that are
celebrating a much-deserved global revival as a part of the “decolonization”
movement that has merged with several other global movements for social and
political emancipation.
Duke University Press will publish the best and the
brightest essays of Quijano in the next year under the poignant title: Aníbal
Quijano: Foundational Essays on the Coloniality of Power –…
I am a scholar of international politics and history who has taught in Northern Uganda, spent years interviewing political and military elites in Congo, Eritrea, and Sudan, and worked on climate agriculture and water in Ethiopia and Somalia. In my work on the continent and at Oxford, Cambridge, and Columbia University, I try not only to understand the material realities that define the options available to diverse African communities but also the ideas, in all their potential and contradictions, that give shape to how African societies interact internally and engage the outside world. I hope the books on this list will inspire you as much as they did for me.
Books that blur the boundaries between political theory and international history are seldom accessible, of pressing contemporary relevance, and beautifully written—but I found this book to be all three.
Reading this outstanding exposé, the book vividly reminded me of the importance of understanding the decades of decolonization in the Black Atlantic as more than a quest for sovereign statehood and recentering the ways in which the likes of Kwame Nkrumah and Julius Nyerere imagined new geographies and, indeed, new worlds. I admire the work in many ways—for its geographical sweep, exemplary pace, and conceptual clarity.
Decolonization revolutionized the international order during the twentieth century. Yet standard histories that present the end of colonialism as an inevitable transition from a world of empires to one of nations-a world in which self-determination was synonymous with nation-building-obscure just how radical this change was. Drawing on the political thought of anticolonial intellectuals and statesmen such as Nnamdi Azikiwe, W.E.B Du Bois, George Padmore, Kwame Nkrumah, Eric Williams, Michael Manley, and Julius Nyerere, this important new account of decolonization reveals the full extent of their unprecedented ambition to remake not only nations but the world.
Edward Castronova is a gamer who also has a PhD in Economics and a lifetime of research on games, technology, and society. In this book he applies everything he has learned to the burning questions at the heart of every person’s life: What am I doing here? How am I supposed to live? When Castronova faced those questions himself, the answer was clear: I have been thrown into a game called “Life” and, being a gamer, I should figure out the rules to this game and try to beat it.
Wiley tells a guy how to stop being an aimless fool and start being the man of the house. His lessons tell you how to earn authority, not through domination but through toughness and a determination to give your family what they need from you. Wiley wants men to create strong shelters for their wives and kids, so that they can thrive and become independent themselves. It’s practical stuff, like, fix your own damn appliances. Women: If you want men with spines in your life, have them read this. And if you find yourself having to be both mom and dad in your house, do what Wiley says so that you can act with authority as well as compassion.
What is your plan for the end of the world as we know it? How will you protect the people you love? What will you leave to them when you are gone? The good news is this is not the first time the world has ended. What's more, men were made for times like these. And the men of the past--the good ones, anyway--have left us a plan to follow. They built houses to last--houses that could weather a storm. This book contains their plan.
We are Witches. Real Witches, doing real magic, casting spells, and weaving webs. We are Amy Torok and Risa Dickens–the co-creators of the Missing Witches project, researching what it means to be a Witch. Together, we have put out almost 300 podcast episodes and published two books and an oracle deck of cards: Missing Witches: Recovering True Histories Of Feminist Magic, New Moon Magic: 13 Anti-capitalist Tools for Resistance and Re-enchantment, and The Missing Witches Deck of Oracles: Feminist Ancestor Magic for Meditations, Divination and Spellwork. Our first book appeared on VICE Magazine’s list: The Best Books for Starting an Occult Library.
In this book, Christopher Marmalejo entranced us with a singular take on investigating tarot cards through a queer and Indigenous lens. Exploring cartomancy as a mirror to understand lived experience, Christopher brings to light a practice that is unafraid to confront, listen, critique, and unveil.
We love how Christopher’s personality shines through this thoroughly academic yet approachable description of tarot cards and their uses. Reading it filled us with hope for a future of liberation and ideas of how we can make that happen.
Designed to be used with any deck, Red Tarot is a radical praxis and decolonized oracle that moves beyond self-help and divination to reclaim tarot for liberation, self-determination, and collective healing.
For readers of Postcolonial Astrology and Tarot for Change
Red Tarot speaks to anyone othered for their identity or ways of being or thinking—LGBTQIA2S+ and BIPOC folks in particular—presenting the tarot as a radical epistemology that shifts the authority of knowing into the hands of the people themselves.
Author Christopher Marmolejo frames literacy as key to liberation, and explores an understanding of tarot as critical literacy. They show how…
I’ve been passionate about wine since I was a teenager in New Zealand and I now teach and write about it, judge in wine competitions, and travel the world to visit wine regions. I teach European history and the history of food and drink at Carleton University in Ottawa, Canada. As a wine historian, I spend weeks each year in archives, studying everything from changes in vineyard area and the weather in specific years to the taxation of wine and patterns of wine drinking. Currently, I’m working in several French archives for a book on wine in the French Revolution. It will be my ninth wine book.
Owen White’s excellent book has given Algerian wine the place it deserves in the wine history of both Algeria and France. Wine production, introduced to Algeria by French settlers in the late 1800s, was an anomaly because the majority Muslim population of the colony did not drink. But it became essential to the French wine industry because it was commonly blended with the then-anemic wines of southern France to make wines with colour and strength. Even so, many French wine producers regarded Algeria as a rival and there was a constant tension between producers who needed Algerian wine and those who resented it. It was resolved when Algeria won independence from France and the wine industry there went into steep decline.
The surprising story of the wine industry's role in the rise of French Algeria and the fall of empire.
"We owe to wine a blessing far more precious than gold: the peopling of Algeria with Frenchmen," stated agriculturist Pierre Berthault in the early 1930s. In the last decades of the nineteenth century, Europeans had displaced Algerians from the colony's best agricultural land and planted grapevines. Soon enough, wine was the primary export of a region whose mostly Muslim inhabitants didn't drink alcohol.
Settlers made fortunes while drawing large numbers of Algerians into salaried work for the first time. But the…
I have loved Algeria since I lived there for 3 years from 2007. The experiences of the 20th century, particularly the War of Independence, make Algeria such an important country. The anti-colonial War overturned an entrenched colonialism, not only in Algeria, but set in train a movement for freedom across an entire continent. I have written extensively on the growth of civil society associations and how these helped people recover from tragedies; and more recently, the developments that sprung from the Algerian Hirak of 2019. This saw millions of protesters march peacefully, for over a year, to bring about significant changes and new understandings of citizenship in the 21st century.
Our Fighting Sistersis a wonderful, inspiring, and stylishly written book, drawing on in-depth interviews with celebrated women fighters from the liberation struggle in Algeria.
It is one of the first books to fully engage with the experiences of women who lived through the struggles of the Independence War. It documents the roles women played, both as intellectuals and combatants, in overturning the brutal colonial rule, thus liberating Algeria and in many ways, the African continent.
It still has implications for the future of resistance movements in Algeria and beyond.
Between 1954 and 1962, Algerian women played a major role in the struggle to end French rule in one of the twentieth century's most violent wars of decolonisation. This is the first in-depth exploration of what happened to these women after independence in 1962. Based on new oral history interviews with women who participated in the war in a wide range of roles, from urban bombers to members of the rural guerrilla support network, it explores how female veterans viewed the post-independence state and its multiple discourses on 'the Algerian woman' in the fifty years following 1962. It also examines…
My interests lie in the personal experiences of war and revolution and their aftermaths. Radicalism and the Origins of the Vietnamese Revolution is a tribute to my parents' generation of young Vietnamese who sought to combine their attempts to free themselves of the shackles of oppressive tradition with the struggle to win independence from French colonial rule before the introduction of competing ideologies.
Most North Vietnamese soldiers were of peasant background and believed in the sacred cause for which they fought. Then came the end of the war and, eventually, economic reforms. The old general is lost in this new consumerist society, his devotion to egalitarian ideals mocked by his children.
When it first appeared in 1987, the title story of this collection of stories by Nguyen Huy Thiep caused a sensation in Vietnam. Not since the Communist revolution had readers found as stark and compelling a view of their world as The General Retires offered them. Written in spare, succinct prose, it captures the despair of an old general who, after many years of devoted service to his country, is alienated by the emptiness of the society into which he retires and ultimately flees. Nguyen probes similar themes in the stories that follow, from Cun, the moving tale of a…
Extensive research on cultural production by Latin American authors of Asian ancestry has given me a comprehensive understanding of the development of Transpacific studies. For the last decade, my research has focused, for the most part, on South-South intercultural exchanges and cultural production by and about Latin American authors of Asian descent. I have written five books dealing with these topics: 2008 Imaging the Chinese in Cuban Literature and Culture (2009), The Affinity of the Eye: Writing Nikkei in Peru (2013), Dragons in the Land of the Condor: Writing Tusán in Peru (2014), Japanese Brazilian Saudades: Diasporic Identities and Cultural Production (2019), and The Mexican Transpacific: Nikkei Writing, Visual Arts, Performance (forthcoming).
This book uses a transpacific, decolonial, and interdisciplinary approach to study the connections between Latin America and East Asia, concentrating on contemporary commodity extraction and exchanges. The book explores South-South exchanges without Global North metropolitan mediations, thus recentering East Asia-Latin America as an epistemological lens through which to consider these sophisticated networks and produce new knowledge. In my view, the originality of this book resides first in the interdisciplinary connection it makes between the decolonial project and transpacific studies, and secondly, in the two-pronged approach from two unfortunately often disconnected academic perspectives: Latin American and East Asian Studies.
In this collective work, researchers from different disciplines reflect upon the challenges and opportunities of decolonizing transpacific studies through the lens of a few paradigmatic case-studies that deal with connections between East Asia and Latin America. The present book offers a productive problematization of the idea of the transpacific as a concept and a space that is not restricted to a single definition. We defend that the transpacific can instead promote an understanding of agents and experiences that share many common traits that have been generally overlooked by a hegemonic interpretation of knowledge and the relationship between regions.By fostering an…
