I'm a historian of slavery and the Atlantic slave trade who was trained with a PhD in History and a PhD in Art History, and who's interested in how slavery is memorialized in the public space as well as in the visual and material culture of slavery. I was born and raised in Brazil, the country where the largest number of enslaved Africans were introduced in the era of the Atlantic slave trade and that still today is the country with the largest Black population after Nigeria, the most populous African country. I believe that studying the history of the Atlantic slave trade and slavery helps us to remedy the legacies of anti-Black racism today.
Toby Green’s book is a magisterial history of West Africa and West Central Africa during the era of the Atlantic slave trade.
Exploring a large array of sources from three continents the book tells the history of African societies such as the kingdoms of Kongo and Dahomey, by showing how Africa was connected to the rest of the world earlier before Europeans reached the Atlantic coasts of the continent.
With the rise of the Atlantic slave trade Africa exported currencies such as gold, whose great value persisted over time, but kept importing cloth, cowries, iron, and copper, whose value decreased over time.
The book helps us to understand the roots of the inequalities among Africa and the Global North and shows us that these unbalanced economic and diplomatic exchanges were tied to cultural, religious, and artistic dimensions, in which material culture also played a central role.
By the time the "Scramble for Africa" among European colonial powers began in the late nineteenth century, Africa had already been globally connected for centuries. Its gold had fueled the economies of Europe and the Islamic world for nearly a millennium, and the sophisticated kingdoms spanning its west coast had traded with Europeans since the fifteenth century. Until at least 1650, this was a trade of equals, using a variety of currencies-most importantly, cowrie shells imported from the Maldives and nzimbu shells imported from Brazil. But, as the slave trade grew, African kingdoms began to lose prominence in the growing…
I was an angry girl, railing against the difference between the expectations and restrictions on me and my younger brother. I was also the child of survivors and victims of the Armenian genocide, and I grew up in 1950 when my immigrant family didn’t fit the representations of “Americans” as they were then depicted. And I was white. I wanted to change myself, the world and learn why there was so much injustice in the U.S. I went back to school at UMass, got connected to faculty in the Afro-American Studies Department, and joined the group that was creating the Women’s Studies Program. I am still learning and trying to change the world.
A mere 172 pages, this book examines the brutality of European colonialism in the 19th century, uncovering genocides I had never heard of that were perpetrated by so-called “civilized people” on so-called “primitive people.”
The justification for this barbarism was that they for the benefit of the people annihilated because they could not live in the modern world.
That justification is the same one often used on this side of the ocean for the genocide or “removal” of Indigenous people from their ancient lands and for the enslavement of African people who were “improved” by being around white people.
Part travelogue, part history, part literary analysis – Lindqvist focuses on Joseph Conrad’s novel The Heart of Darkness – the book cannot be easily categorized and when reading it I often wondered what he was doing.
But my understanding of both colonialism and what the Europeans did when they came to…
"Exterminate All the Brutes" is a searching examination of Europe's dark history in Africa and the origins of genocide. Using Joseph Conrad's Heart of Darkness as his point of departure, Sven Lindqvist takes us on a haunting tour through the colonial past, interwoven with a modern-day travelogue. Retracing the steps of European explorers, missionaries, politicians, and historians in Africa from the late eighteenth century onward, the author exposes the roots of genocide in Africa via his own journey through the Saharan desert. As Lindqvist shows, fantasies not merely of white superiority but of actual extermination "cleansing" the earth of the…
As an African speculative fiction writer who had long hoped to see the development of African speculative fiction being embraced by the larger SFF community, it was a joy to see all these anthologies showcasing the works of Africans and platforming them for a larger audience to see. And it's been a joy as well to contribute to this growth both as an award-winning writer and editor of African speculative short fiction.
Terra Incognita is an anthology of the Short Story Day Africa Prize. Published in 2015, it contains 19 speculative fiction stories charting the length and breadth of Africa. Its stories touch on folklore, colonialism, and a host of other topics. Published in 2015, it was one of the earlier anthologies along with the AfroSF anthology to check out, that heralded and inspired the new wave of anthologies coming out of the continent.
Terra incognita. Uncharted depths. Africa unknowable.
Nineteen new short speculative stories from the fringes and hidden worlds of Africa, from writers both emerged and undiscovered. From past lives to future lives, from modern myths to twisted histories, Terra Incognita exposes the parts of ourselves and our continent hidden beneath."
Terra Incognita is the second collection of short stories to be published by Short Story Day Africa. This carefully curated anthology is harvested from entries to the project’s annual short story competition, which in 2014 called for speculative fiction exploring an ancient cartographic term denoting uncharted territories, Terra Incognita. The collection…
My current research centers on the organizing strategies of 20th and 21st-century Black activists in the U.S. and western Europe and on the U.S. as a reference culture for European anti-racism movements, particularly in my native country, the Netherlands. I believe the recent Black Lives Matter protests in Europe are an example of the effectiveness of diasporic politics and the next phase in a much longer history of homegrown activism. Foregrounding ‘Black Europe’ as an independent field of study accordingly helps to create much needed critical knowledge about Black Europeans’ history, agency, and needs as we navigate further into the volatile twenty-first century, while simultaneously challenging the perimeters of diasporic meaning and the centrality of ‘Black America’ within.
Written in a riveting style, this book by Black British writer and photographer Johny Pitts likewise combines personal narrative with journalism and historical research. Pitts recounts his journey visiting numerous, often invisible Black urban communities across the European continent. By highlighting their lived experiences and identity formations, Pitts’ account challenges conventional understandings of ‘Black Europe’ and the ‘Black Atlantic.’ These are too often drawn from the Black British experience and its connections to the Americas, even though the majority of Europeans who identify (or are identified) as Black live on the continental mainland, speak languages other than English, and came to Europe after World War II. Memories of slavery and the transatlantic slave trade accordingly are not always central to their identities. Above all, the book uncovers the multi-layered and personal meanings of ‘Blackness,’ while underscoring the poignant ways in which those whom Pitts dubs as ‘Afropeans’ in individual European…
Winner of the Jhalak Prize Winner of the Bread & Roses Award for Radical Publishing
'A revelation' Owen Jones
'Afropean seizes the blur of contradictions that have obscured Europe's relationship with blackness and paints it into something new, confident and lyrical' Afua Hirsch
A Guardian, New Statesman and BBC History Magazine Best Book of 2019
'Afropean. Here was a space where blackness was taking part in shaping European identity ... A continent of Algerian flea markets, Surinamese shamanism, German Reggae and Moorish castles. Yes, all this was part of Europe too ... With my brown skin and my British passport…
I am a professor of African history at the Royal Military College of Canada, where I teach courses on European colonialism and early and modern Africa. I earned a PhD in history from York University in Canada and spent two years as a postdoctoral fellow at the University of Toronto before joining RMC. My research interests include slavery, slave trade, legitimate commerce, and intercultural marriages in Luanda and its hinterland. I have published articles and book chapters and co-edited (with Paul E. Lovejoy) Slavery, Memory and Citizenship. My first book, Slave Trade and Abolition was published by the University of Wisconsin Press in January 2021.
The Angolan southern town of Benguela was the third-largest port of embarkation of captives in the history of the transatlantic slave trade, after Luanda and Ouidah (in modern-day Benin). In spite of its importance as a slaving port, An African Slaving Port was the first English-language book on Benguela. In this book, Mariana P. Candido traces the history and development of the port from the seventeenth to the mid-nineteenth century highlighting the connections between Benguela, Portugal, Brazil, and the Caribbean. The book contributes to the scholarship on the impact of the transatlantic slave trade on African societies looking at changes in consumption patterns, cultural elements, and institutions on the coast as well as in interior regions. Furthermore, the book contributes to engender the history of the slave trade from Angola by evidencing the role of local women merchants known as donas as independent traders and intermediaries between foreign traders and…
This book traces the history and development of the port of Benguela, the third largest port of slave embarkation on the coast of Africa, from the early seventeenth to the mid-nineteenth century. Benguela, located on the central coast of present-day Angola, was founded by the Portuguese in the early seventeenth century. In discussing the impact of the transatlantic slave trade on African societies, Mariana P. Candido explores the formation of new elites, the collapse of old states and the emergence of new states. Placing Benguela in an Atlantic perspective, this study shows how events in the Caribbean and Brazil affected…
I’ve been passionate about wine since I was a teenager in New Zealand and I now teach and write about it, judge in wine competitions, and travel the world to visit wine regions. I teach European history and the history of food and drink at Carleton University in Ottawa, Canada. As a wine historian, I spend weeks each year in archives, studying everything from changes in vineyard area and the weather in specific years to the taxation of wine and patterns of wine drinking. Currently, I’m working in several French archives for a book on wine in the French Revolution. It will be my ninth wine book.
Owen White’s excellent book has given Algerian wine the place it deserves in the wine history of both Algeria and France. Wine production, introduced to Algeria by French settlers in the late 1800s, was an anomaly because the majority Muslim population of the colony did not drink. But it became essential to the French wine industry because it was commonly blended with the then-anemic wines of southern France to make wines with colour and strength. Even so, many French wine producers regarded Algeria as a rival and there was a constant tension between producers who needed Algerian wine and those who resented it. It was resolved when Algeria won independence from France and the wine industry there went into steep decline.
The surprising story of the wine industry's role in the rise of French Algeria and the fall of empire.
"We owe to wine a blessing far more precious than gold: the peopling of Algeria with Frenchmen," stated agriculturist Pierre Berthault in the early 1930s. In the last decades of the nineteenth century, Europeans had displaced Algerians from the colony's best agricultural land and planted grapevines. Soon enough, wine was the primary export of a region whose mostly Muslim inhabitants didn't drink alcohol.
Settlers made fortunes while drawing large numbers of Algerians into salaried work for the first time. But the…
I'm a research scientist who has worked on the interface of many biological, environmental, social, and economic disciplines seeking more sustainable and yet productive forms of agriculture in the tropics and subtropics. With numerous colleagues, I've tried to find ways to right many of the wrongs that have affected the critical food and non-food needs of the world’s poorest and marginalized farmers. This also has the potential to heal much of the environmental degradation and social deprivation in our troubled and dysfunctional world. Along the way, I've had an unusual and privileged research career travelling in remote corners of the world and meeting the people most in need of help from international decision makers.
Wangari Maathai was awarded a Nobel Peace Prize in 2004 for her environmental activism with the Women’s Green Belt Movement.
Africa perhaps has more humanitarian, environmental, and political challenges than any other continent. Many of these arise from its colonial history and this book eloquently and forcefully presents the way this has hindered African development.
It then calls on Africans to develop and implement their own solutions rather than to have them imposed by outsiders who don’t understand the context of the continent.
In this urgent yet optimistic new work, Nobel Peace Prize Winner Wangari Maathai provides a unique perspective on the fate of Africa. Informed by her three decades as an environmental activist and campaigner for democracy, The Challenge for Africa celebrates the enduring potential of the human spirit, and reminds us that change is always possible.
Growing up in Zambia and then South Africa, I was immersed in the natural landscapes and the fantastic variety of African plants and wildlife. However, I increasingly became aware of many other human injustices happening around me—e.g., human to human: the extreme racism of white supremacy (apartheid). Additionally, human to other animals: the ivory and wildlife ‘trade,’ resulting in what has been called The Sixth Extinction (of plants and other animals.) Alongside this destruction of life is the critical climate crisis and the financial appropriation of vital resources for profit—none more vital than water, for water is life. These books emphasise the ethical sanctity of all living beings!
This is a wonderful and diverse cross-section of stories from a variety of African countries representing a thematic focus on a world facing Disruption, whether via climate change, global pandemics, or a plethora of crises, that challenges us all with the necessity to find ways to join with each other if we are to survive. Stand-out stories for me were Zambian author Mbozi Haimbe's "Shelter" (shortlisted for a NOMMO Award this year—best in African Speculative Fiction 2022) and Kenyan Idza Luhumyo’s "Five Years Next Sunday," winner of the 2022 Caine Prize for African Writing. I loved the vibrancy and range of these stories, all bristling with energy and providing novel ways of seeing and learning to confront our global challenges.
Including 2022 Caine Prize winning story "Five Years Next Sunday" by Idza Luhumyo and the 2022 Nommo Award shortlisted story "Shelter" by Mzobi Haimbe
This genre-spanning anthology explores the many ways that we grow, adapt, and survive in the face of our ever-changing global realities. These evocative, often prescient, stories showcase new and emerging writers from across Africa to investigate many of the pressing issues of our time: climate change, pandemics, social upheaval, surveillance, and more.
In Disruption, authors from across Africa use their stories to explore the concept of change-environmental, political, and physical-and the power or impotence of the…
I’m from Mauritius, of Indian heritage, and proudly African. I remember reading my first chick-lit romance circa 2001, thinking Mauritius has everything—the drama, the over-the-top characters, love matches, exciting backdrops both physical & cultural—to create great rom-coms & uplifting fiction…but where were such stories? A decade later, I was helping other African authors showcase their feel-good books by creating an imprint dedicated to African romance with a US publisher. I’m an author who loves to write about her country & life experiences, and I have the perfect day job for a bookworm as an editor who specializes in editing romance stories for indie authors & publishers alike.
I’m a sucker for all things Royal! Give me a prince and/or princess looking for love in today’s world, and I’m sold. This one has a princess and a prince!
Imagine you’re a princess bidden to enter a marriage of convenience with a neighbouring land’s prince. Then, on your wedding day, you get into an accident, your new husband dies, and when you wake from a coma, you find you’ve now been legally married off to the new Crown Prince, aka your late husband’s younger brother. And he’s hot as sin itself!
This one is more on the steamy side, but don’t let it deter you. Amidst all the heat is a treasure trove of feels and warring emotions and a seismic journey of falling for the "wrong" person who now happens to be exactly the right one!
India Saene, Princess of Bagumi, must enter a marriage alliance to save her kingdom from an economic crisis. Tragedy strikes when her husband of a few hours is killed in an accident on the way to their honeymoon. She recovers from a coma two weeks later to discover she has been inherited by her husband's younger brother! Sheikh Omar El Dansuri has never wanted to be king, nor does he desire a wife. However, when his older brother dies, he not only becomes the future king of Sudar, but he also inherits his brother’s bride through an age-old tradition. Falling…
From a young age, I was not only curious but obsessively driven to find some sort of purpose in life. I was also incredibly sensitive, and always felt I was put on the earth for a reason. My search took me across the world, taking many turns as I grabbed at every opportunity. Thanks to a motorbike accident in Nigeria, scattered pieces of my past suddenly began to fall into place. Finding our own purpose is exploration in its purest form, and I’ve long been fascinated by other curious minds – those that either struggle to find it, and those that find it and live it, or those that turn their back on convention.
I’ve long been fascinated with travelers and explorers, the wonder of the unknown, and how we push ourselves to our limits, and because of my own work I have a particular interest in how some of the earliest explorers stepped into the unknown to make their way through the African continent. I thought I’d read it all, but recently came across an incredible Polish explorer by the name of Kazimierz Nowak. Poland is hardly known for its explorers, but Kazimierz has the most incredible stories to tell as he cycled and pushed his bicycle across Africa.
Wonderful stories of a time consigned to history, accompanied by some brilliant photographs of the places he and his bike ended up – not to mention plenty of punctures! - make for a lovely read. Forget Stanley and Livingstone for a while. For me, this is the most unusual and memorable example of how…
