I’m fascinated by the relationship of humanity to nature. When I was young, we moved all the time – my dad was in the military and we moved to a new base every 18 months. All those military bases were located in the British countryside and, in the absence of other forms of continuity, nature became like a best friend. I still walk every day. Reconnecting with trees, grass, the sounds of birds, centres and energizes me. I get my best ideas when walking. But, of course, nature is also threatening – Covid and cancer are natural. I’m fascinated by that juxtaposition and always trying to reflect it in my work.
This book is based on a real-life tragedy – the deaths of five young Nova Scotia fishermen aboard the Miss Ally, a fishing vessel that was lost with all hands during a storm in 2013. Casey, a journalist and writer, has produced a moving synthesis in this work. He explores the lives, families, and characters of the young men who were lost, and recreates the community they lived in, effectively evoking the fishing culture, the profession’s unique dangers, and the economic imperatives and opportunities. Some may feel he judges the official emergency responders harshly but he is writing from the position of the community, which is always apparent to the reader. He explores the youthful over-confidence and bravado that likely played a role in the tragedy without pointing the cold finger of judgment.
It was a frigid night in February 2013 when the five young fishermen vanished. The crew of the Miss Ally―a 12-metre Cape Islander from Woods Harbour, Nova Scotia―was fishing for halibut far off the Nova Scotia coast when their boat's spotlight malfunctioned. A vicious winter storm was approaching from her south, and all other boats at the fishing grounds were steaming for shore. Unable to locate his longlining gear, the Miss Ally's young captain decided to stay an extra day to retrieve the gear and, hopefully, a big catch.
Their retreat delayed, the Miss Ally crew ended up pounded by…
I was passionate about anthropology in the 1970s when I was in my twenties and am still passionate about anthropology in the 2020s in my seventies. Throughout the years I have expressed my passion for anthropology in university classrooms, in public lectures, and in the 16 books I have published. As my mind has matured, I understand more and more fully just how important it is to write powerfully, cogently, and accessibly about the wisdom of others. In all my books I have attempted to convey to the public this fundamental wisdom, none more so than in my latest book, Wisdom from the Edge: Writing Ethnography in Turbulent Times.
Anna Badkhen, a writer of creative non-fiction and fiction, publishes lyrical descriptions of people, place, and character. She has written about social life in Afghanistan as well as the challenging lifeways of people in Mali and Senegal.
Fisherman’s Blues, which is situated in the artisan fishing village of Joal, Senegal, is an inspiring story that describes how Senegalese fishermen employ practical wisdom, passed down from generation to generation, to maintain their way of life in environmentally challenging times.
NAMED A BEST BOOK OF THE YEAR BY THE CHRISTIAN SCIENCE MONITOR AND PASTE MAGAZINE
An intimate account of life in a West African fishing village, tugged by currents ancient and modern, and dependent on an ocean that is being radically transformed.
The sea is broken, fishermen say. The sea is empty. The genii have taken the fish elsewhere.
For centuries, fishermen have launched their pirogues from the Senegalese port of Joal, where the fish used to be so plentiful a man could dip his hand into the grey-green ocean and pull one out as big as his thigh. But…
I am deeply passionate about human resilience. From Louis Zamperini's unwavering spirit in the face of war and captivity to Santiago's quiet determination against nature's harsh realities to Michael Jordan's relentless drive to overcome setbacks, these narratives resonate with me on a profound level. I'm particularly drawn to how these stories explore not just physical resilience but emotional and psychological strength as well. They serve as a powerful reminder that true victory lies not in the outcome but in the unwavering spirit we bring to life's struggles.
This book is a profound meditation on human resilience that never fails to move me. I'm constantly in awe of Hemingway's ability to weave so much meaning into such a deceptively simple tale. The way Santiago's unwavering determination shines through, even in the face of seemingly insurmountable odds, resonates deeply with me.
I find myself returning to this book time and time again, drawing inspiration from the old man's quiet strength and dignity. The vivid portrayal of man's relationship with nature—both its beauty and its harsh realities—leaves me breathless. What I love most is how Hemingway captures the essence of the human spirit in Santiago's struggle, reminding me that true victory lies not in the outcome but in the perseverance of the journey.
This powerful and dignified story about a Cuban fisherman's struggle with a great fish has the universal appeal of a struggle between man and the elements, the hunter with the hunted. It earned Hemingway the Nobel prize and has been made into an acclaimed film. Age 13+
I was born in Akure, a hilly, ancient, rainforest town that became the chief administrative town of the newly created Ondo State in 1976. As a child, I witnessed the old town’s effort, both deliberate and inevitable, to wear a modern look. I’m naturally attracted to stories, fiction or non-fiction, that gives voice to the individual right to resist the old or the new; resistance that will not be without consequences. Kasali’s Africa is the theatre of ideas for Kasali, a rural farmer courted by the educated elites, and his view on what Africa should be. If you love Africa, I know you will enjoy these books.
The Fishermen is set in Akure, the first town I ever knew intimately, and a town I have fallen in love with once again as an adult. In Akure you will see hills and rivers and green scenery, you will see stories. This gives me rare insight into the childhood adventures of the protagonist, Ben, and his 3 brothers, whose lives were shackled by the rantings of a mentally disturbed man. I love the author’s use of historical figures and events of 1990s Nigeria as a backdrop for this tragic story about a normal Nigerian family.
A striking debut novel about an unforgettable childhood, by a Nigerian writer the New York Times has crowned "the heir to Chinua Achebe."
Told by nine-year-old Benjamin, the youngest of four brothers, The Fishermen is the Cain and Abel-esque story of a childhood in Nigeria, in the small town of Akure. When their father has to travel to a distant city for work, the brothers take advantage of his absence to skip school and go fishing. At the forbidden nearby river, they meet a madman who persuades the oldest of the boys that he is destined to be killed by…
Brent Abell resides in Southern Indiana with his wife and Drake the Puggle. Brent enjoys anything horror-related. In his writing career, he’s had stories featured in over 30 publications from multiple presses. His books Southern Devils,Southern Devils: Reconstruction of the Dead, In Memoriam, The Calling, Phoenix Protocol, Dying Days: Death Sentence, Dying Days: Zealot, Death Inc., and Wicked Tales for Wicked People are available now. He is also a co-author of the horror-comedy Hellmouth series. Currently, he is working on a multitude of projects. You can hang out with him on his website for some rum, beer, and a good cigar.
Adrian Smith is one of the lead guitar players in Iron Maiden. Adrian has a passion beyond the stage and his career; he loves fishing. When I first picked up the book, I wasn’t sure how the book would be at keeping me engaged and interested. I’m not a fisherman, and I don’t relish going outside much. The book begins with him recounting how he started his love of fishing near his childhood home when he was younger. The book then uses his touring and recording schedules to recount his fishing trips and most extraordinary catches spanning the globe. Each catch is part of a tapestry woven through his life on the road. In the end, I found myself in awe of how much Adrian loves to fish and how seriously he takes it as a hobby.
Come to the riverbank with Adrian Smith and cast a line on the wild side.
'Beautifully written account' Dave Simpson, The Guardian
'Writes beautifully' The Sun
Welcome to the world of Adrian Smith, playing his Jackson guitar onstage to millions - while behind the scenes he explores far-flung rivers, seas and lakes, waterways and weirs, in a fearless quest for fishing nirvana.
Hooked on the angling adrenaline rush since first catching perch from East London canals on outings with his father, Adrian grew up to be in one of Rock's most iconic bands. On tour, his gear went with him.…
My name is John Priest and I've been writing children's books, mystery stories, and factual articles since the 1980's. I've been traditionally published and have publshed my own books too. I love writing funny books and rhyming stories. Seeing my 5 grandchildren reading a book and laughing is one of the best sights of all. I've worked in schools and really believe that having your imagination ignited by any book is the start of building your own personality and creating wonderment in your own mind. And who knows? Maybe one day your child will write the next batch of beautiful books!
A young boy living by the sea is absolutely certain he's seen a Dinosaur! He dashes off to tell a fisherman and very soon a huge crowd of people want to know about the Dinosaur seen at Sandy Bottom End. But—can it really be true?
Another brilliant and funny book for kids to love! It's got rhyme, excitement, atmosphere and a brilliant twist to the tale. I love it!
I love stories grounded in realism - but which also explore that there may be more to life than meets the eye; reasons beyond reason, for the way we dream, love, and think, and which come from unexpected sources. I love books whose characters really 'live', and stay with me, long after I've finished reading. I aspire to create such characters. In my novels, I seek to explore important themes from perspectives that often pitch rationality against what it cannot explain, or dismiss. The fiction I most love does this – whether it exploits mythology, suggests life beyond life, or uses magical realism to add ‘other’ dimensions to the ordinary. "There are more things… Horatio…"
The Mermaid of Black Conch takes a mythological creature and gives her extraordinary life, as a very real, young woman, called Aycayia.
She is caught – hooked like a prize fish - by greedy anglers, and hauled from the sea, bringing with her an already fascinating and tragic history of injustice and misunderstanding. But, she is also an object of love.
Not all fishermen are commercial opportunists… Not all men are eager to exploit beautiful and unusual women, and so begins an extraordinary rescue, and a life-affirming relationship, with many unpredictable, literally magical, and truly remarkable twists.
This enchanting book, written with breath-taking originality, is likely to spell-bind you – permanently. You’ll never again think of mermaids in the same way.
Near the island of Black Conch, a fisherman sings to himself while waiting for a catch. But David attracts a sea-dweller that he never expected - Aycayia, an innocent young woman cursed by jealous wives to live as a mermaid.
When American tourists capture Aycayia, David rescues her and vows to win her trust. Slowly, painfully, she transforms into a woman again. Yet…
My hobby is fly fishing, and while
I’ve read hundreds of books on the subject, few have been as beautifully
written, with as much insight, as Illuminated by Water by a young and very
talented writer named Malachy Tallack.
Many have tried to explain what makes
fly fishing so compelling; Tallack comes closest to delivering the answer.
Growing up in Shetland with its myriad lochs and burns, Malachy Tallack and his brother would roam the island in search of trout, and in so doing discovered a sense of freedom, of wonder - and an abiding passion.
But why is it that fishing - or the mere contemplation of catching a fish - can be so thrilling and so captivating?
Why is it that time spent beside water can be imprinted so sharply in memory?
Why is it that what seems a simple act - of casting a line, waiting and…
I think about the ocean a lot. Teaching in Galveston, Texas, at a university less than a mile from the ocean means it's on my mind most of the time. And it's not just the fish! I’m fascinated by all things ocean and have spent my career trying to understand the place of the watery world in the history of the United States. From fishing in the North Atlantic, to the history of the U.S. Navy, and even surfing on the Gulf Coast my writing, not to mention reading, usually points to the coast and beyond.
It would have been impossible to write my book without Jeff Boslter’s The Mortal Sea.
With evocative prose and argumentative verve, Bolster’s book relates the deep, centuries-long history of overfishing while probing the depths of the interdependent relationship between humanity and the ocean. The Mortal Sea is one of the finest exemplars of environmental history by bringing together the narrative skill and argumentation of the historian with the insights of the ecologist and marine biologist.
Bolster reminds us that some of the most important connections existed not just across the sea, but with it.
Since the Viking ascendancy in the Middle Ages, the Atlantic has shaped the lives of people who depend upon it for survival. And just as surely, people have shaped the Atlantic. In his innovative account of this interdependency, W. Jeffrey Bolster, a historian and professional seafarer, takes us through a millennium-long environmental history of our impact on one of the largest ecosystems in the world.
While overfishing is often thought of as a contemporary problem, Bolster reveals that humans were transforming the sea long before factory trawlers turned fishing from a handliner's art into an industrial enterprise. The western Atlantic's…
I have sewn since I was a child, taught by my mother to keep me out of mischief. From having the best-dressed dolls in the neighbourhood I graduated to making my own, sometimes outlandish, forms of fashion and then became a banner maker and community textile artist. Sewing is in my DNA and I love the tactile, rhythmic soothe of it. But I have long been curious about how, in the many books are published about needlework, very few ever mention why people sew. This is what fascinates me, the stories of sewing, because it is through its purpose that we discover the spirit that lies within it.
This is a rare and poignant insight into a man’s needlecraft and it was a delight to read. Julia Blackburn sets out on a mission to rediscover the neglected embroideries and forgotten story of the Norfolk fisherman, John Craske, (1881-1943). Her research leads her to many dead ends and unexpected encounters and, along the way, she experiences and shares her own story of loss. I love this book because it takes me into the world of the sea captured in the fishing folk Blackburn meets and introduces me to Craske’s mesmerising embroideries made under tragic circumstances.
John Craske, a Norfok fisherman, was born in 1881 and in 1917, when he had just turned thirty-six, he fell seriously ill. For the rest of his life he kept moving in and out of what was described as 'a stuporous state'. In 1923 he started making paintings of the sea and boats and the coastline seen from the sea, and later, when he was too ill to stand and paint, he turned to embroidery, which he could do lying in bed. His embroideries were also the sea, including his…
