The best historical fiction books

As a wife of 38 years, mother of two fine adults, teacher of 30 years in art, speech, theatre, art…well painter, and now author, I enjoy hearing about others' stories. Purely by accident, I wrote a small personal story and found that people wanted more… so I wrote more and shazam I had a book. My first book is about childhood experiences and growing up in my normal world. For me it was normal but the outsiders looking in today would see anything but normal. My parents’ careful actions sheltered my sister and me from the outside world's bad influences until things blew up. Then with care they showed us their world of Nazi hunting.

For many years I have enjoyed a grass roots lifestyle. I have lived my research as a beekeeper, milking cows, making cheese and growing food. I am a simple living advocate, and the cottage industry—its slower pace—resonates with me. I create bespoke yarns at the spinning wheel, but for as long as I can recall, I have been wrapped in the arms of stories. Childhood is a dandelion clock, here then gone on a breath of wind. A time of life that’s fleeting. Young hearts can conjure exploration and magic. They are alive to bright possibilities, and this is what makes YA literature so exciting. 

I grew up in the heart of Scotland addicted to visiting museums and exploring local stories and legends. Now as an adult I’m either to be found with my nose in a history book or out on an archaeological dig. I love to weave the lives of Scottish heroes such as Roberts Burns into books filled with fantasy and adventure for children, and to write spine-chilling tales for adults where supernatural creatures from Scottish myths lurk between the pages. I recently co-created a series of educational writing videos for school children to help them explore the history of their local area, and hopefully inspire the historical authors of the future!

I have a passion for Historical Fiction. It started when I was 12 years old. Before that, I never liked any kind of history. Then, in school, we started learning about King Tut, and I was fascinated. I started having frequent dreams that he would sit and tell me stories about our life together and he believed that I was his wife, Sunni. Into adulthood, I still had these dreams, so I decided to write about the stories that he would tell. Along with exhaustive research, I learned who Sunni (Anukshanamun) was. My book is based on facts mixed with my dreams.

I am a Scottish writer who has published two books, one about poker and plumbing (Bad Beat Hotel) and the other about the treatment of men who sailed in the WW2 Arctic convoys and were unable to continue fighting (Sailor’s Heart). I’m interested in how people work and how they can be “repaired” when they wear out, malfunction, or break. My professional background is in clinical psychology and the study of human behaviour. I chose “cowards who become heroes” as my book theme because I’m constantly amazed by people’s resilience when faced with the most terrible circumstances.

I have been a mystery fan all my life and an avid reader of Regency fiction—from the mystery authors I’ve recommended to early Regency romance writers, including Jane Austen and Georgette Heyer. When I visited England a few years ago, I dragged my travel companion to all the Regency landmarks left standing and nearly missed a tour bus because I just had to see a Regency assembly room where their dances were held! When I switched from writing fantasy (under the pen name Ally Shields) to writing historical mysteries in 2019, I spent hundreds of hours devouring non-fiction books on this fascinating period of Prince George’s regency (1811-1820).

I've been book obsessed since I was nine years old and always seemed to gravitate toward realistic stories about animals—especially dogs—and kids facing tough times. So when I became an author, those were naturally the same type of stories I wanted to write. So far I’ve penned seven middle-grade novels. All the books in this list provided inspiration to my own writing in one way or the other and helped me to become a more compassionate and empathetic storyteller. I hope you find the same joy and inspiration when you read them. 

Growing up, I was one of “those” horse-crazy girls who devoured every Black Stallion and Marguerite Henry book that I could get my hands on. At sixteen I began working at Atlantic City Racecourse in the summer and after I graduated college with a B.S. in Animal Science, I became a trainer of Thoroughbred racehorses. For thirteen wonderful years, I raced horses in New Jersey, Delaware, and Pennsylvania. Due to my insider’s knowledge of the horse racing industry, I based my book selections on accuracy as well as story.

I’m a writer (‘natch) and work with my fabulous wife, Susan McLennan. We’re winners of two regional Emmy awards and have created and/or written television shows for PBS, Disney, BBC, and CBC. I’ve always gravitated toward characters who really get put through the physical and emotional ringer. If they’re enduring an outlandish pile-on of hardships, I’m with them all the way. I’m not sure what this says about me, but what I love is how these hard done by characters find ways to turn things around and stagger to victory, often when all seems lost–not by magic, not by divine intervention, but thanks to some unseen force inside themselves.

I’m a creative director in Vermont with a few favorite things: laughter, standard poodles, and happy endings—in life and in fiction. Romance fiction abounds with young heroines and happy endings. But I prefer reading about mature women like myself, women who have experienced their share of disappointments yet face life’s challenges with courage and humor. I like the elements of both genres in one juicy book. After much-frustrated searching, I gave up and wrote the story I wanted to read. My wise, middle-aged heroine still has lots to learn about grief and joy, and learns many of those lessons with men—in bed.

In Egypt, we did not have our own Arab comics, but different worlds came to us from translated comics, American (Disney and superheroes), and French comics. I did not like superhero comics, I loved Disney comics and French comics, and n addition to my passion for reading history, some French series combine this, such as the Alix series. I would have loved to have a historical background to the events that prompted me to read more about them and get to know the real characters, how they lived, and how they ended.

I’ve been a reader since childhood and books have simply become a part of my life’s tapestry. They have comforted me in times of stress. They have provided me with ripples of joy. And simply kept me up almost all night. The books that I have recommended underscore the changing cultures of the human condition all centered around three universal themes, faith, mental illness, and family. When drafting my first novel I dived into simply capturing aspects of the human condition. As a mental health clinician I see the many tides of life and how the human condition has many times been couched within family dynamics. 

I'm the daughter of a charismatic and complicated father, the late theater and literary critic and Yale School of Drama professor Richard Gilman. My memoir, The Critic's Daughter, tells the story of how I lost him for the first time when I was ten years old and over and over in the ensuing months and years; the book is my attempt to find him. I'm a former professor of English literature at Yale and Vassar, the mother of two boys, a book critic for the Boston Globe, and a literature, writing, and meditation teacher.

After publishing five books of poems, I found myself writing a long work I had no way of classifying. It involved the extensive use of facts but was also fiction. It read in part like a novel but was also lyrical. I decided to just write it and not worry about what genre it belonged to. It became A Monster’s Notes. I suspect in our internet age, the emergence of unclassifiable work is going to become more and more common. You can already see it happening. The web isn’t divided into sections the way a bookstore is; instead, it’s more like a spider’s web—you can follow this thread or that, but somehow they’re all connected. 

I grew up as an African American in the Maryland Appalachian valley, a town that was ninety-five percent white. My father worked for the paper mill and would bring home reams of paper, pens, pencils. I began playing with the stuff—making up stories and stapling them into books, the raw beginnings of a future novelist. Separately, I created dialogue, using clothespins as people: a burgeoning playwright. (We were not destitute—my sister and I had toys! But those makeshift playthings worked best for my purposes.) So, given my working-class racial minority origins, it was rather inevitable that I would be drawn to stories addressing class and race. 

Ghanaian-born, I came to Britain aged twelve with my family and was always a lover of stories.  Now a PhD-educated mum of three, it niggled that there weren’t many novels with a Black child as the protagonist, especially a Black British one. As a creative who’d acted and performed poetry in the past, I set out to write a story about a Black child in Britain overcoming challenges.  Inspired by anecdotes of children remaining with relatives in their home country as their parents moved to Britain to make a life before sending for them, I was interested in writing a story about such a child after they arrived in Britain.

I am an art historian and a horticulturist, specializing in the art, architecture, and gardens of the Middle Ages, and I’ve published a number of books on these subjects. But I’ve always loved mystery stories, and I dreamed of writing one of my own. When I discovered Christine de Pizan, an extraordinary personage who defied all the stereotypes about medieval women, I decided to write a series of mystery novels featuring her as the sleuth.

I’m a writer and high school history teacher who has been obsessed with women from history since I was twelve. Prior to A Most Clever Girl, I wrote And They Called It Camelot about First Lady Jacqueline Kennedy and American Princess about Alice Roosevelt. I've also written four novels about women from the ancient world, spotlighting Theodora of the Byzantine Empire, Egypt's Pharaoh Hatshepsut, the story of Genghis Khan’s wife and daughters, and a novel of Alexander the Great's women.

My first job after college was at The Wall Street Journal, working evenings as a copyreader. It was thrilling to enter a big-league newsroom, but torture to be confined to putting tiny headlines on even tinier stories. Then at age 23, after a whirlwind staff shuffle, I started writing the paper’s premier stock-market column, “Heard on the Street.” Daylight had arrived. For the next 11 years, I covered finance. I met billionaires and people en route to prison. It wasn’t always easy to tell them apart! My writing career has widened since then but sizing up markets – and the people who rule them – remains an endless fascination. 

I’m a literary historian who works on the history of women’s reproductive bodies in the early modern era. I am also a debut novelist who has used my many years of researching the seventeenth century to bring to life the story of a seventeenth-century midwife. My own novel is not a bio fiction in the strictest sense of the term (novels with a named protagonist who was a historical figure) but it is based on the published works of two contemporary midwives, Jane Sharp (fl. 1671) and Sarah Stone who worked in the early part of the eighteenth century. I love reading works where other authors have brought to life figures I both research and teach.