Lately, the state of the world is a big factor of negativity and rumination for me. To keep from getting jaded, I have to take periodic breaks from reading the news and researching crime cases. Fiction works as an escape, especially horror, which might sound like ugly-adjacent, but it’s cathartic. The characters aren’t real, so if anything happens to them, it’s not going to affect my psyche the way real families dealing with the murders of their loved ones does. Sometimes a perfectly-solved mystery or a revenge tale is a breath of fresh air compared to the unresolved loose ends of real life.
I’ve been a fan of horror stories for as long as I could read.
(God bless those librarians who talked my mother into letting me bring home the books that I wanted to check out, or I wouldn’t be the person I am today.)
The scariest element of horror in my opinion, is a predator without boundaries in the physical world. Combining that element with rattlesnakes, uninterred graves, and river-soaked apparitions, you’ll get a southern gothic tale of revenge on a young girl’s murderer who usually finds himself immune to the law.
"The finest writer of paperback originals in America." - Stephen King
"Readers of weak constitution should beware." - Publishers Weekly
"McDowell has a flair for the gruesome." - Washington Post
Welcome to Babylon, a typical sleepy Alabama small town, where years earlier the Larkin family suffered a terrible tragedy. Now they are about to endure another: fourteen-year-old Margaret Larkin will be robbed of her innocence and her life by a killer who is beyond the reach of the law.
But something strange is happening in Babylon: traffic lights flash an eerie blue, a ghostly hand slithers from the drain of…
As a kid I read every popular math book I could lay my hands on. When I became a mathematician I wanted to do more than teaching and research. I wanted to tell everyone what a wonderful and vital subject math is. I started writing popular math books, and soon was up to my neck in radio, TV, news media, magazines... For 12 years I wrote the mathematical Recreations Column for Scientific American. I was only the second mathematician in 170 years to deliver the Royal Institution Christmas Lectures, on TV with a live tiger. The University changed my job description: half research, half ‘outreach’. I had my dream job.
One of the friendliest routes into mathematics, for many people, is its history. In math, unlike many sciences, ideas last indefinitely. Pythagoras’s Theorem is about 4,000 years old, understood in ancient Babylon a thousand years before Pythagoras was born. It was true then, and it is still true today. The history of math tells of the construction of a towering edifice, with each new level built on top of the previous ones. There are many histories of mathematics, but none quite like this one. The author is a much-loved English TV personality, famous for his enthusiasm for math and his ability to make it entertaining for children of all ages. His book is a rollicking yarn, a wild ride that nonetheless remains true to its subject.
In this book, Johnny Ball tells one of the most important stories in world history - the story of mathematics.
By introducing us to the major characters and leading us through many historical twists and turns, Johnny slowly unravels the tale of how humanity built up a knowledge and understanding of shapes, numbers and patterns from ancient times, a story that leads directly to the technological wonderland we live in today. As Galileo said, 'Everything in the universe is written in the language of mathematics', and Wonders Beyond Numbers is your guide to this language.
The moment I read the first page of The Stand, I was hooked on apocalypse stories. The good ones make you question your lifestyle and the bad ones give you hours of tragic entertainment. You’ll be stockpiling rice and toilet paper, and leaving on the hall light against the dark. You’ll be scanning obscure headlines for news of rapidly-spreading diseases and shoveling your own fallout shelter at the first sign of nuclear saber-rattling. Apocalyptic novels can make you into a more prepared person—or a crazy one—and sometimes they’ll even become your career. My recommendation list helped shape me into the writer I am today… sorry about that.
This book starts off with action and never lets up. The main characters are immediately thrust into a horrifying situation and are expected to survive without any warning whatsoever. They aren’t prepared and they have to stumble along and figure out what to do that will get them out of the mess they find themselves in…and it doesn’t always work out the way they plan. The sheer reach of this book and the entire series is what makes it special and different and the terrifying enemy is one that hasn’t been done often or well. This series is reminiscent of Justin Cronin’s The Passage without the large leaps in time. In fact, it happens in one single, terrifying night. The addicting suspense and tension will keep you reading so long into the night that you might even resemble a ghoul yourself the next day.
Book #1 in the Purge of Babylon post-apocalyptic series. It all starts here. ________________________________________ ONE NIGHT. THAT WAS ALL IT TOOK.
Creatures that once lived in the shadows, hidden from humankind, have risen, spreading like a plague across the globe over the course of a single night. Their numbers growing exponentially through infection, these seemingly unkillable creatures have swallowed up whole cities and collapsed unprepared governments.
Survivors call it The Purge.
Against all odds, a disparate group of survivors has emerged from that blood-soaked night that devastated the planet and reduced humanity to an endangered species. Among the survivors are…
I’ve long wished I could write such atmospheric scenes with so few words as Barbara Hambly manages, and to pack in so much detail while making it effortless for the reader.
The best scenes of all are multi-layered and hilarious. The base layer is being on a film set in a silent early Hollywood movie, with all the action of how it works, including the stars using lines that mean roughly what is on the cards between the scenes, but are far ruder. The next layer is a commentary on studio politics and rivalries, revenges and romances. The uppermost layer is Emma, the observer, and sometimes script writer, trying to solve the mystery while doing her job at the studio.
“You shall never have a penny of my money. Leave me alone or I will shoot you dead!”
1924. After six months in Hollywood, young British widow Emma Blackstone has come to love her new employer, glamourous movie-star Kitty Flint – even if her late husband’s sister is one of the worst actresses she’s ever seen. Looking after Kitty and her three adorable Pekinese dogs isn’t work Emma dreamed of, but Kitty rescued her when she was all alone in the world. Now, the worst thing academically-minded Emma has to worry about is the shocking historical inaccuracies of the films…
This book has everything—fast-faced adventure, political intrigue, historical insights, and a searing romance that keeps the pages turning! The story follows Keren, a female scribe in the home of the biblical Daniel during the reign of King Nebuchadnezzar in Babylon. After a tragic accident, Keren finds herself hiding in Persia, heartbroken and searching for a new purpose and place to flourish. When she ends up tutoring an unusual boy, she finds her purpose in protecting the boy’s true identity from those who want to kill him.
I appreciated how the author touched upon major biblical heroes and historical events but through the eyes of fictional characters. The romance thread was unique and interesting, making this a compelling read.
From the bestselling author of Jewel of the Nile comes the thrilling tale of a woman who feels she has no future but soon discovers the fate of nations may rest in her hands.
The beloved daughter of Jewish captives in Babylon, Keren is sold into Daniel’s household to help her family survive. She becomes Daniel’s most trusted scribe, while taking lessons and swordsmanship training alongside Daniel’s sons and their best friend, Jared.
But after a tragic accident changes the course of her life, Keren finds herself in a foreign country, charged with a mysterious task: teaching a shepherd boy…
My dad raised me on science fiction and fantasy. At first, it was enough for me to be entertained by stories of spaceflight, of rescuing maidens in distress, and of fighting bug-eyed monsters. But over the years, as I read more, I realized that I wanted stories with a moral or ethical center, stories where murder, mayhem, and war were to be avoided if possible, and where, if they couldn’t be avoided, the protagonists struggled deeply with the moral dimensions of the actions forced upon them. I wanted to see characters growing into their ethical consciousness.
I love this story of hope and the resurrection of civilization after a human-caused disaster. The story reminded me of the fundamental goodness of people and their need for connection, both to each other and to something bigger than themselves to which they can belong.
It’s also the story of a man who stumbles into a new life and of the growth within himself of his own sense of value and purpose. In the midst of all the darkness and malevolence around us, it speaks to us of the profound aspirations and truths of human life.
NOW A MAJOR MOTION PICTURE • “A moving experience . . . a powerful cautionary tale.”—Whitley Strieber
He was a survivor—a wanderer who traded tales for food and shelter in the dark and savage aftermath of a devastating war.
Fate touches him one chill winter’s day when he borrows the jacket of a long-dead postal worker to protect himself from the cold. The old, worn uniform still has power as a symbol of hope, and with it he begins to weave his greatest tale, of a nation on the road to recovery.
My mother called me a “television junkie.” In graduate school, where TV was not yet considered a worthwhile scholarly endeavor, I became enthralled by Twin Peaks and Roseanne. Rebelliously, I thought both had so much to say about gender studies and theories of postmodernism. Absent of an official curriculum, I started reading and writing about television history, medium specificity, genre theory and seriality. I got my PhD and published articles on film, TV, and my book. Since 1992, I have developed several television studies courses for our small media studies department: Crime Drama, Reality TV, Gender and Genre on Television, Transmedia Adaptations, and Media Rituals.
It is not easy to find books in English about German television series, even if they are big hits on a globally accessible streaming platform. I love this book because it explores every facet of the rich audio-visual tapestry that is the period crime drama Babylon Berlin.
Given its complex narrative and allusion to specific events, the history buff in me wanted to know whether the specific atrocities (e.g., “Blood May”) were portrayed accurately, but I was similarly intrigued to read more about the pop music, club, and fashion scenes of Weimar era Berlin. The scholars’ different critical approaches enriched my viewing experience of the show’s third season immensely.
The essays in this collection address the German television series Babylon Berlin and explore its unique contribution to contemporary visual culture.
Since its inception in 2017 the series, a neo-noir thriller set in Berlin in the final years of the Weimar republic, has reached audiences throughout Europe, Asia, and the Americas and has been met with both critical and popular acclaim. As a visual work rife with historical and contemporary citations Babylon Berlin offers its audience a panoramic view of politics, crime, culture, gender, and sexual relations in the German capital.
Focusing especially on the intermedial and transhistorical dimensions of…
I have done some pretty cool things in the arts. To share a few, I’ve given TEDx talks, I have produced and co-starred in a film that made it to Cannes, I have written 11+ books (one of which was a Barnes & Noble # 1 best seller), I have spoken at SAG/AFTRA and Writer’s Guild, I am an entertainment attorney, and I have an album up on iTunes/Apple Music/Spotify, etc. I really love inspiring people, and helping them to achieve life dreams. I hope this list will help inspire some of you to go after your dreams, too, and with a passion!
Another book on money. I couldn’t have survived the leaner times as an actor without the lessons in this book about how important saving money is. It seems logical, but most people don’t do it or don’t do it correctly.
This book helped me to further increase my financial acumen. What happens to a successful actor who knows little about money? He loses his house and his car and loses out on great opportunities. I vowed never to be that type of actor. I vowed to be the entrepreneur that I know I am.
The Richest Man in Babylon, based on “Babylonian parables”, has been hailed as the greatest of all inspirational works on the subject of thrift, financial planning, and personal wealth. In simple language, these fascinating and informative stories set you on a sure path to prosperity and its accompanying joys. A celebrated bestseller, it offers an understanding and a solution to your personal financial problem. Revealed inside are the secrets to acquiring money, keeping money, and making money earn more money.
This original edition has the original language, content, and message from George S. Clason as intended in 1926. It's all…
I’ve always been fascinated by science fiction and by Biblical Scripture. That may seem dichotomous to some, but not to me. I have a passion for science and for Scripture because both bring understanding about our world from the microcosm to the macrocosm. My writings are a mixture of science and mystery with a science fiction feel and a Christian perspective. I like stories that show how truth arises even from the dark, confusing, and ambiguity of life to help one discover something about God they may not have considered before, and at the same time enjoy a fun, fast-paced, and exciting journey as they read.
A man is teleported from modern times to ancient Babylon when he touches an artifact in a museum. While a lot of the Biblical narrative is not covered, it does allow one to really get a feel of what ancient Babylon would have been like and allows one to almost be a part of that culture. A truly intriguing storyline.
Or rather, he doesn’t believe in one God. “All paths are valid,” he teaches his university students.
One evening he ventures to the archaeology museum and touches an artifact recently discovered from ancient Babylon.
At the touch he is transported three thousand years back in time to Old Testament Babylon.
Somehow the people know him as Rim-Sin, sorcerer and high priest to the gods of Babylon. The moment he arrives he is accused of murder—a murder Rim-Sin committed—and he must run for his life.
Against the backdrop of Nebuchadnezzar’s court at its zenith, he…
I studied Human Zoos, the subject of Paris Savages, for my PhD. Tens of thousands of performers were transported to Europe and America for exhibition, reaching a peak in the late nineteenth and early twentieth centuries. However, the stories of this time are largely Eurocentric. I sought to shine a light evocatively into this largely forgotten part of history, and to see it through fresh eyes. Paris Savages is an epic and very human tale that saw me reflect on teenage memories of exploring Fraser island. I also travelled to Europe to follow in the footsteps of the three Aboriginal performers the story is based on: Bonny, Jurano, and Dorondera.
The book provided instructive reading when I was researching my book. In particular, I was interested in Malouf’s way of approaching the story of colonisation in Australia through an ‘in-between’ character, Gemmy, modelled on a real-life ship’s boy cast ashore in northern Australia in the early nineteenth century. The boy is raised by Aboriginal people. He loses his mother tongue and, when confronted with white settlers, is treated as a ‘savage,' a theme the book explores through a range of points of view. Who are the true savages in the story was a question I was interested to pose in my own book.
Originally published in 1996, this is a comprehensive and authoritative sourcebook packed with all the practical information parents need at every stage of their child's life, from before birth to age five years. Over 350 colour photographs and illustrations.
