I come from the Dusun hilltribes of Indigenous Borneo. My mountain is Kinabalu, and my river is Kiulu. My upbringing gives me a new way to talk about the world. I have participated in ongoing rituals, witnessed the loss of once-abundant wilderness, and shared in stories that are filled with ancient wisdom. My Elders’ knowledge about the land, sea, and sky is etched in my memory, grounding me to cultural roots and prompting reflection on life’s essential questions. In my travels, I have found that these universal questions intersect with the stories and experiences of Indigenous communities worldwide. This worldview urges me to not let these stories fade.
Poetry like this is crucial to telling the other side of the story. It’s a counternarrative, and that’s why Oodgeroo’s work has shaped my thinking and experiences in life-affirming ways.
Oodgeroo sees her work as an extension of the songkeeping and oral storytelling so intrinsic to Indigenous social life and survival. Her poems are not simply about a bygone past, as every line is relevant today (but hush, you mustn’t say so, Oodgeroo teases). That’s why I treasure her wit and writing – they give me life, a lifeline to a reality often denied us in Western thought.
It is written with so much beauty, elegance, and hope. Full of love for her people and full of grace, passion, and rage. Because there is so much to rage about (but that is another story)…
Oodgeroo’s writing has a unique place in Australian literature. When her poetry was first published in the 1960s, Kath Walker, as she was known then, provided a brave new voice for marginalised Aboriginal Australians. For the first time, an Aboriginal Australian was analysing and judging white Australians as well as her own people. She often made provocative and passionate pleas for justice:
We want hope, not racialism, Brotherhood, not ostracism, Black advance, not white ascendance: Make us equals, not dependants.
This collection of poetry and prose is a reminder of Oodgeroo’s contribution to Indigenous culture and the journey…
I’m a scholar who has spent most of his working life looking at the history of North Africa. This passion was formerly directed toward looking at the conditions that Europeans imposed on local populations, but in recent times, I have moved solely to consider forgotten cultures made by indigenous Muslim and Jewish populations. Making this move has been the best, riskiest, and most rewarding choice I’ve ever made in my career, and I am now a cheerleader for the incredible forms of art made by ordinary people in these societies.
This was the book that convinced me that it is worthwhile exploring the past so as to rediscover and rethink works of art made by indigenous people living under imperial conditions.
I love its movement around the world, the close readings of works that no other scholars had ever considered, and the moral urgency that underpins every one of its lines.
It is often assumed that the verbal and visual languages of Indigenous people had little influence upon the classification of scientific, legal, and artistic objects in the metropolises and museums of nineteenth-century colonial powers. However colonized locals did more than merely collect material for interested colonizers. In developing the concept of anachronism for the analysis of colonial material this book writes the complex biographies for five key objects that exemplify, embody, and refract the tensions of nineteenth-century history. Through an analysis of particular language notations and drawings hidden in colonial documents and a reexamination of cross-cultural communication, the book writes…
I've long puzzled over the alien and elusive Australian Aboriginal peoples. I've been moved by their landscapes and art, and read much about them. But this book pulled it together.
It explains with wit and clarity the meaning of ancient patterns that can be sketched in sand, and how they apply to us now. They flow from the troublemaking Emu and wise Echidna to the five human minds: kinship, story, dreaming, ancestor, and pattern. These are how we relate to each other and to nature, the deep past, the continuous act of creation in which we live, and the future.
It makes nonsense of settler Australia rejecting 65,000 years of wisdom by refusing an Aboriginal Voice in parliament. They should have queued around the block to say 'yes.' Those who read this book will see why.
Winner, Small Publishers' Adult Book of the Year, Australian Book Industry Awards 2020
This remarkable book is about everything from echidnas to evolution, cosmology to cooking, sex and science and spirits to Schrödinger’s cat.
Tyson Yunkaporta looks at global systems from an Indigenous perspective. He asks how contemporary life diverges from the pattern of creation. How does this affect us? How can we do things differently?
Sand Talk provides a template for living. It’s about how lines and symbols and shapes can help us make sense of the world. It’s about how we learn and how we remember. It’s about…
I studied Human Zoos, the subject of Paris Savages, for my PhD. Tens of thousands of performers were transported to Europe and America for exhibition, reaching a peak in the late nineteenth and early twentieth centuries. However, the stories of this time are largely Eurocentric. I sought to shine a light evocatively into this largely forgotten part of history, and to see it through fresh eyes. Paris Savages is an epic and very human tale that saw me reflect on teenage memories of exploring Fraser island. I also travelled to Europe to follow in the footsteps of the three Aboriginal performers the story is based on: Bonny, Jurano, and Dorondera.
I had the privilege of interviewing Tony Birch at Perth Festival 2020, just before COVID struck with force. I was deeply moved by The White Girl and felt so much for the characters, especially the matriarch, Odette, and her love for her granddaughter. Seeing the world through Odette’s eyes was a powerful way of exposing how prejudice, policing laws and the removal of children impacted Aboriginal communities throughout Australia. Tony spoke beautifully in our interview about the strength of the Aboriginal women in his family and how those experiences inspired the award-winning novel.
"A profound allegory of good and evil, and a deep exploration of human interaction, black and white, alternately beautiful and tender, cruel and unsettling."-Guardian
Australia's leading indigenous storyteller makes his American debut with this immersive and deeply resonant novel, set in the 1960s, that explores the lengths we'll go to save the people we love-an unforgettable story of one native Australian family and the racist government that threatens to separate them.
Odette Brown has lived her entire life on the fringes of Deane, a small Australian country town. Dark secrets simmer beneath the surface of Deane-secrets that could explain why…
I want to write about the magic of the everyday and often this is seen in the slippages between worlds like the worlds of the living and the dead. Ghosts and spirits feature heavily in my work and fascinate me as a reader too. This is not in the realm of fantasy to me, ghosts are real and actual.
This amazing book is about Oblivia a girl who survives gang rape living in a swamp with thousands of black swans who is promised to Warren Finch the Deputy Prime Minister of Australia an indigenous man.
In her journey we meet many out there characters told in mythic style in a future Australia devastated by climate change. This book is a potent mix of speculative fiction and magic realism featuring indigenous communities and characters. I admire it for the breadth of its vision and the intimacy of Oblivia and of course the swans.
A hypnotic and “astonishingly inventive” (O, The Oprah Magazine) novel about an Aboriginal girl living in a future world turned upside down—where ancient myths exist side-by-side with present-day realities.
Oblivia Ethelyne was given her name by an old woman who found her deep in the bowels of a gum tree, tattered and fragile, the victim of a brutal assault by wayward local youths. These are the years leading up to Australia’s third centenary, and the woman who finds her, Bella Donna of the Champions, is a refugee from climate change wars that devastated her country in the northern hemisphere.
I taught myself to read when I was 4 and have been an omnivorous reader ever since. By the time I was in high school, I was reading the Grand Dame Agatha Christie’s wonderful mysteries. The cozy genre captured me with its deft characterization and clever solutions to “who dunnit.” I wanted to be a writer, received a B.A. and M.A. degree in Literature and later a Ph.D. Once retired from full-time work, I returned to my original desire and as Lia Farrell wrote and published The Mae December Mysteries. Since then, as Lyn Farrell, I have written The Rosedale Investigations series. Together the books have sold 30,000 copies.
I love it when a book takes me to an entirely new world. This series fascinates me with it’s deft portrayal of a wholly different culture in one of the most antithetical-to-life climates on earth.
Arthur Upfield takes us deep into the Australian outback with Detective-Inspector Napoleon Bonaparte (Bony), a half white and half aboriginal detective. The two sides of Bony’s heritage are constantly at war and to prevent his black side from winning, he must solve all his cases. Prejudice against the aboriginals is rampant in this world and as readers, we too suffer his stings of rejection.
In this one, Bony must find a missing man who nobody wants found and solve a mystery nobody wants solved. Jeffrey Anderson is a sadist and a brutal drunk. He once stock-whipped an aboriginal man to death.
Now he seems to have fallen off the earth and the aboriginals are the…
Jack Anderson was a big man with a foul temper, a sadist and a drunk. Five months after his horse appeared riderless, no trace of the man has surfaced and no one seems to care. But Bony is determined to follow the cold trail and smoke out some answers.
I'm a political historian who writes for my fellow citizens and I have chosen books by writers who do the same. Books which are written with passion and purpose: to shift political understanding, to speak truth to power, to help people understand their country and the world, and to inspire a commitment to improving them.
Australia, like Canada, the United States, and New Zealand, was settled as a White Man’s land, where the inequities and corruption of the Old World would be replaced by the egalitarianism and democratic commitments of New World progressivism. But there was no place for Indigenous peoples who were deemed backward and primitive. Lake explores the links between American and Australasian reformers at the turn-of-the-twentieth-century and the way they combined racial self-confidence with a commitment to forging an ideal social order. Lake shows that race and reform were mutually supportive as Progressivism became the political logic of settler colonialism.
The paradox of progressivism continues to fascinate more than one hundred years on. Democratic but elitist, emancipatory but coercive, advanced and assimilationist, Progressivism was defined by its contradictions. In a bold new argument, Marilyn Lake points to the significance of turn-of-the-twentieth-century exchanges between American and Australasian reformers who shared racial sensibilities, along with a commitment to forging an ideal social order. Progressive New World demonstrates that race and reform were mutually supportive as Progressivism became the political logic of settler colonialism.
White settlers in the United States, who saw themselves as path-breakers and pioneers, were inspired by the state experiments…
I’m an Australian crime writer and I love reading crime with a real sense of place and/or time. Growing up in Australia, most of the time I read international authors, so finding fabulous books by local authors was a thrill every time, and that excitement has never left me. This list crosses the genre from cosy to hard-boiled crime, which hopefully means something for everyone. If nothing here grabs you, there’s a lot more fantastic Australian crime fiction to discover (did you know Australian author Charlotte Jay won the first ever Edgar Award in 1954?) and I can passion-talk about it anytime!
Crime but with such achingly good prose, I sometimes have to stop and re-read a sentence just to admire the way Temple wrote it. It’s a slow-burn, with a very dark, noir feeling, and the more you learn about the backstory of protagonist, Detective Senior Sergeant Joe Cashin, the more intriguing he becomes. A great plot, and I love the way Temple weaves different threads together to bring about the slick resolution. If you’re unfamiliar with Australian slang, expect a crash course in the first part of this novel. What makes this book one I return to again and again is the way Temple takes the standard formula of crime fiction and bends it to his will. This is not just a great crime, it’s a great novel.
THE SUNDAY TIMES BESTSELLING, CWA GOLD DAGGER-WINNING AND NED KELLY AWARD-RECEIVING CRIME POWERHOUSE: read The Broken Shore and become hooked on Peter Temple.
'A masterpiece' John Lanchester
'Read page one and I challenge you not to finish it' Independent on Sunday
Haunted by his last case, homicide detective Joe Cashin has fled Melbourne and returned to his hometown, running its one-man police station while his wounds heal and his nightmares fade.
But when a local man is attacked and left for dead, Cashin's recovery is put on hold. And in a small town where everyone knows everyone, he finds himself…
With our 2.5-year-old we read all the time. She is a great critic, letting us know if the book is to be read ‘again’ or to be put ‘away!’ As well as a PhD in Education, I am also a trained teacher, having worked with preschoolers running Steiner Waldorf inspired parent and child groups and playgroups, so I am fascinated by the power of story. I try and choose books that are inclusive and age-appropriate, keeping the child in a magical space, as well as allowing for lots of laughs! I also love to share books that I am happy to read three times in a row!
Our whole family loves this book about an Indigenous child’s smoking ceremony. As a white settler-colonial family in Australia we are keen to read and learn from Indigenous authors and the publisher, Magabala press, are outstanding in the quality of the books they publish. The simple yet effective computer-created artwork gives an intimate insight into the importance of the first lesson of law, connecting to Country, which leads to great conversations and reflection. The inclusion of Indigenous words within the story adds to the depth of sharing with the audience and allows the voices of the women to be heard beyond those who usually attend such an important rite of passage. A real treasure. I wish it came as a board book as our copy has had to be taped together many times!
Plus, Tariq's
9, 11, and 17-year-old's favorite books.
Why did Tariq love this book?
There was one night reading this, when the story affected my breathing,
heart rate, and time left on this planet, for the worse, as I galloped through
it even though I knew every paragraph could hold up to a few years worth of
study, if I hadn’t been so impatient to learn more!
Very crudely, White seems to say that it doesn’t matter what people do, goodness matters and
the imaginative and usually obtrusive ways in which he shows good is often
quieter than evil, more basic and durable, but sometimes not as strong, seem to
me the discipline he tried to train himself in, to get it all down and write
the novel in the first place.
That story often feels more painted than written,
and when written, written in Australian and not English; people seem to speak
when its someone else’s turn…
Through the crumbling ruins of the once splendid Xanadu, Miss Hare wanders, half-mad. In the wilderness she stumbles upon an Aborigine artist and a Jewish refugee. They place themselves in the care of a local washerwoman. In a world of pervasive evil, all four have been independently damaged and discarded. Now in one shared vision they find themselves bound together, understanding the possibility of redemption.
