I’m an Australian crime writer and I love reading crime with a real sense of place and/or time. Growing up in Australia, most of the time I read international authors, so finding fabulous books by local authors was a thrill every time, and that excitement has never left me. This list crosses the genre from cosy to hard-boiled crime, which hopefully means something for everyone. If nothing here grabs you, there’s a lot more fantastic Australian crime fiction to discover (did you know Australian author Charlotte Jay won the first ever Edgar Award in 1954?) and I can passion-talk about it anytime!
Crime but with such achingly good prose, I sometimes have to stop and re-read a sentence just to admire the way Temple wrote it. It’s a slow-burn, with a very dark, noir feeling, and the more you learn about the backstory of protagonist, Detective Senior Sergeant Joe Cashin, the more intriguing he becomes. A great plot, and I love the way Temple weaves different threads together to bring about the slick resolution. If you’re unfamiliar with Australian slang, expect a crash course in the first part of this novel. What makes this book one I return to again and again is the way Temple takes the standard formula of crime fiction and bends it to his will. This is not just a great crime, it’s a great novel.
THE SUNDAY TIMES BESTSELLING, CWA GOLD DAGGER-WINNING AND NED KELLY AWARD-RECEIVING CRIME POWERHOUSE: read The Broken Shore and become hooked on Peter Temple.
'A masterpiece' John Lanchester
'Read page one and I challenge you not to finish it' Independent on Sunday
Haunted by his last case, homicide detective Joe Cashin has fled Melbourne and returned to his hometown, running its one-man police station while his wounds heal and his nightmares fade.
But when a local man is attacked and left for dead, Cashin's recovery is put on hold. And in a small town where everyone knows everyone, he finds himself…
I’m a scholar who has spent most of his working life looking at the history of North Africa. This passion was formerly directed toward looking at the conditions that Europeans imposed on local populations, but in recent times, I have moved solely to consider forgotten cultures made by indigenous Muslim and Jewish populations. Making this move has been the best, riskiest, and most rewarding choice I’ve ever made in my career, and I am now a cheerleader for the incredible forms of art made by ordinary people in these societies.
This was the book that convinced me that it is worthwhile exploring the past so as to rediscover and rethink works of art made by indigenous people living under imperial conditions.
I love its movement around the world, the close readings of works that no other scholars had ever considered, and the moral urgency that underpins every one of its lines.
It is often assumed that the verbal and visual languages of Indigenous people had little influence upon the classification of scientific, legal, and artistic objects in the metropolises and museums of nineteenth-century colonial powers. However colonized locals did more than merely collect material for interested colonizers. In developing the concept of anachronism for the analysis of colonial material this book writes the complex biographies for five key objects that exemplify, embody, and refract the tensions of nineteenth-century history. Through an analysis of particular language notations and drawings hidden in colonial documents and a reexamination of cross-cultural communication, the book writes…
Kristyn Harman is an award-winning researcher who successfully completed doctoral research investigating the circumstances in which at least ninety Australian Aboriginal men were transported as convicts within the Australian colonies following their involvement in Australia’s frontier wars. She has published extensively on historical topics, and currently lectures in History at the University of Tasmania in Hobart, Australia. Having lived in both countries, Kristyn is fascinated by the different understandings that New Zealanders and Australians have of their nation’s respective pasts. She is particularly intrigued, if not perturbed, by the way in which most New Zealanders acknowledge their nation’s frontier wars, while many Australians choose to deny the wars fought on their country’s soil.
By the latter decades of the twentieth century, the so-called ‘history wars’ pitted those Australians who acknowledged the violent foundations of the Australian nation against others who denied that the frontier wars ever took place, and who advocated instead that Australians ought to celebrate the heroism of white colonists. The story of Australia’s founding as a nation starts in Sydney. It was the site of the initial encampment established by the British when they invaded a tiny area on the eastern edge of Australia in 1788, then claimed the entire east coast of the continent for the Crown. Stephen Gapps carefully analyzes a wide range of historical evidence to demonstrate how Sydney and its surrounding regions were the initial sites at which British and Aboriginal forces refined their military tactics during violent strategic encounters along the expanding frontier. These violent encounters set a pattern that played out, with local variations,…
Described by one early colonist as 'this constant sort of war', The Sydney Wars tells the history of military engagements between Europeans and Aboriginal Australians around greater Sydney.
Telling the story of the first years of colonial Sydney in a new and original way, this provocative book is the first detailed account of the warfare that occurred across the Sydney region from the arrival of a British expedition in 1788 to the last recorded conflict in the area in 1817. The Sydney Wars sheds new light on how British and Aboriginal forces developed military tactics and how the violence played…
This book has changed people’s lives. Published way back in 2004, the first-person narrative tells the story of a woman called by an indigenous Australian tribe to travel with them and learn their ways. It’s a book that speaks to the soul, not the mind, the heart not the head.
Morgan tells of deeper truths that we in our “civilized” world are in such need of hearing, such as the life-giving power of caring and community. I have given this book to many different sorts of people, and it seems to speak to them all, often in ways I could not have predicted.
As someone who grew up in Australia without any gay literary characters to relate to, I’m incredibly passionate about queer stories set in our beautiful country. We now have a wealth of brilliant books by LGBTQ+ authors, and I hope that by sharing my recommendations, our stories find even more of the readers they’re meant to find. I’ve focused on books featuring gay male protagonists, as that’s how I identify, and they’re the type of queer stories I relate to the most. Some of the books are fiction, others are memoir, some are written for teens and others are for adults, but all of them share an incredible level of authenticity.
This is a heartwarming contemporary story about a gay Aboriginal teen exploring his sexuality and falling in love for the first time, set against the vivid backdrop of a fictional, rural Indigenous community. It’s evocative and heady and compelling. It’s one of those stories that makes you want to reach into the book and hug all the characters and tell them everything is going to be okay. Such an important story from a brilliant new voice in Australian YA.
SHORTLISTED: 2022 CBCA Book of the Year, Older Readers
'I don't paint so much anymore,' I say, looking to my feet.
'Oh. Well, I got a boy who needs to do some art. You can help him out,' Aunty Pam says, like I have no say in the matter, like she didn't hear what I just said about not painting so much anymore. 'Jackson, this is Tomas. He's living with me for a little while.'
It's a hot summer, and life's going all right for Jackson and his family on the Mish. It's almost Christmas, school's out, and he's hanging…
Plus, Tariq's
9, 11, and 17-year-old's favorite books.
Why did Tariq love this book?
There was one night reading this, when the story affected my breathing,
heart rate, and time left on this planet, for the worse, as I galloped through
it even though I knew every paragraph could hold up to a few years worth of
study, if I hadn’t been so impatient to learn more!
Very crudely, White seems to say that it doesn’t matter what people do, goodness matters and
the imaginative and usually obtrusive ways in which he shows good is often
quieter than evil, more basic and durable, but sometimes not as strong, seem to
me the discipline he tried to train himself in, to get it all down and write
the novel in the first place.
That story often feels more painted than written,
and when written, written in Australian and not English; people seem to speak
when its someone else’s turn…
Through the crumbling ruins of the once splendid Xanadu, Miss Hare wanders, half-mad. In the wilderness she stumbles upon an Aborigine artist and a Jewish refugee. They place themselves in the care of a local washerwoman. In a world of pervasive evil, all four have been independently damaged and discarded. Now in one shared vision they find themselves bound together, understanding the possibility of redemption.
I have been fascinated by “nature” since childhood, growing up on an island south of Iceland and spending summers on a farm. As a teenager, I would explore my island in the company of friends, often with a binocular and a camera at hand. There was much to explore: a towering volcano above the local community, ancient lava flows, stormy seas – and an amazing variety of seabirds. I witnessed an island being born nearby during a stunning volcanic eruption. My life and career have been heavily informed by this experience, as an anthropologist and a writer I have always somehow engaged with connections between people and their environments.
I was deeply moved reading this book, a treatise about impending species death written by a fellow anthropologist facing her own death. The text freely moves back-and-forth between abstract reflections about life on the edge and observations on the mutual relations between indigenous Australians and flying-foxes (the only flying mammals in existence), now seriously threatened by both global warming and human encroachment.
This is not only a unique near-extinction saga; its language and framing took me straight into some of the biggest issues of our time, of what the author calls deathwork, the living dead, and double death, where death piles up by some domino effect. The book itself, to paraphrase its title, offers a shimmering light into the ethics and politics of species protection and the threat of extinction.
'I was called to flying-foxes. My research questions led me into multispecies ethnographic work involving wildlife carers and academically trained scientists in eastern Australia. The people I met were at the front line in the work of holding flying-foxes back from the edge of extinction. I continued to visit the north, and I revisited my notebooks from several decades of research with Aboriginal people. The research was exhilarating, and then again at times deeply disheartening. I was to encounter more passion, intimacy, cruelty, horror, complexity, generosity and wild beauty than I could ever have imagined. Living with flying-foxes, I came…
I have always been interested in art, science, and feminism. I became particularly engaged in the history and science of astronomy when I was the manager of the Sydney Observatory. While there, I wrote a doctoral thesis about the work of female ‘computers’ and star measurers for the Australian section of the Great Star Catalogue in the early 20th Century. I am interested in how astronomical events and observations have influenced history, art, and culture. I am an amateur astronomer, have seen eight total solar eclipses, two transits of Venus, and other astronomical events, and plan to see many more.
I found this book compelling because Noon and De Napoli, both Indigenous astronomers, combine their Western scientific knowledge with First Nations cultural knowledge. I was particularly moved by reading about their different but connected personal journeys. Despite prejudice and disadvantage, each was determined to pursue tertiary education and careers in Western astronomy and maintain and communicate the sky knowledge systems of Aboriginal communities. They unite in presenting astronomy as land and sky together in one cosmology.
I liked this book because it felt very personal. The occasional, justified critique of Australian society and historical events makes it authentic. I often paused to absorb and reflect. This is part of a six-book series called First Knowledges, and I plan to read the other five.
What do you need to know to prosper for 65,000 years or more? The First Knowledges series provides a deeper understanding of the expertise and ingenuity of Indigenous Australians.
Aboriginal and Torres Strait Islander people are the oldest scientists in human history.
Many First Peoples regard the land as a reflection of the sky and the sky a reflection of the land. Sophisticated astronomical expertise embedded within the Dreaming and Songlines is interwoven into a deep understanding of changes on the land, such as weather patterns and seasonal shifts, that are integral to knowledges of time, food availability, and ceremony.…
For years, I’ve been rereading my favourite travel writers, such as Robert Macfarlane, Pico Iyer, Jan Morris, and Paul Theroux. In 2024, I reread The Songlines, an exploration of nomadic life honouring the eyes and ears of Australia's Aborigines.
This Moleskine-bound edition is sold together with a blank Moleskine notebook, for recording your own thoughts and adventures. Perfect for the travel writers of the future.
The Songlines is Bruce Chatwin's magical account of his journey across the length and breadth of Australia, following the invisible and ancient pathways that are said to criss-cross the land. Chatwin recorded his travels in his favourite notebook, which he would usually buy in bulk in a particular stationery shop in Paris. But when the manufacturer went out of business, he was told "Le vrai moleskine n'est plus". A decade after its publication, on…
With our 2.5-year-old we read all the time. She is a great critic, letting us know if the book is to be read ‘again’ or to be put ‘away!’ As well as a PhD in Education, I am also a trained teacher, having worked with preschoolers running Steiner Waldorf inspired parent and child groups and playgroups, so I am fascinated by the power of story. I try and choose books that are inclusive and age-appropriate, keeping the child in a magical space, as well as allowing for lots of laughs! I also love to share books that I am happy to read three times in a row!
Our whole family loves this book about an Indigenous child’s smoking ceremony. As a white settler-colonial family in Australia we are keen to read and learn from Indigenous authors and the publisher, Magabala press, are outstanding in the quality of the books they publish. The simple yet effective computer-created artwork gives an intimate insight into the importance of the first lesson of law, connecting to Country, which leads to great conversations and reflection. The inclusion of Indigenous words within the story adds to the depth of sharing with the audience and allows the voices of the women to be heard beyond those who usually attend such an important rite of passage. A real treasure. I wish it came as a board book as our copy has had to be taped together many times!
