Here are 100 books that Art in the Time of Colony fans have personally recommended if you like
Art in the Time of Colony.
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I’m a scholar who has spent most of his working life looking at the history of North Africa. This passion was formerly directed toward looking at the conditions that Europeans imposed on local populations, but in recent times, I have moved solely to consider forgotten cultures made by indigenous Muslim and Jewish populations. Making this move has been the best, riskiest, and most rewarding choice I’ve ever made in my career, and I am now a cheerleader for the incredible forms of art made by ordinary people in these societies.
This is a book that changed my sense as to what we could know of the past. Its unlocking of the “secret” or lost religious codes of Persian miniature painting has proved utterly game-changing in the field of Islamic art.
I love it for the incredible beauty of its argumentation, as well as the gorgeousness of its close readings of medieval illuminated painting.
In terms of elucidating inner meaning and symbolism, the study of medieval Islamic art has lagged almost a full century behind that of medieval Western art. This groundbreaking work suggests how it might at last prove possible to crack the allegorical code of medieval Islamic painting during its Golden Age between the fourteenth and seventeenth centuries. Barry focuses his study around the work of Bihzad, a painter who flourished in the late fifteenth century in the kingdom of Herat, now in Afghanistan. Bihzad became the undisputed master of the "Persian miniature" and an almost mythical personality throughout Asian Islam. By…
I’m a scholar who has spent most of his working life looking at the history of North Africa. This passion was formerly directed toward looking at the conditions that Europeans imposed on local populations, but in recent times, I have moved solely to consider forgotten cultures made by indigenous Muslim and Jewish populations. Making this move has been the best, riskiest, and most rewarding choice I’ve ever made in my career, and I am now a cheerleader for the incredible forms of art made by ordinary people in these societies.
Have you ever read a book about a place which then allowed you to see that location in utterly new and thrilling ways?
As well as being a great study of a wonderful artistic culture, this is, for me, one of the greatest studies of a city and the place of its people, their beliefs, and their art in making it unique.
If that was not enough, it also constitutes one of the most important bodies of conceptual and theoretical thinking about the nature and character of Islamic art.
"A Saint in the City" examines the elaborate visual culture of the Mourides, a Senegalese Sufi movement based upon the mystical teachings of Sheikh Amadou Bamba (1953-1927). In the boldly visual city of Dakar, images abound despite the fact that Senegal is largely a Muslim country. Vibrant street murals, calligraphy and calligrams, didactic posters, drawings that protect and heal, advertising images, colourful clothing, Web sites, intricate glass paintings, and innovative architecture all attest to the transformative potency that expressive culture has for Mourides. One image is ubiquitous throughout urban Senegal: the portrait of Sheikh Amadou Bamba, based upon a colonial…
I’m a scholar who has spent most of his working life looking at the history of North Africa. This passion was formerly directed toward looking at the conditions that Europeans imposed on local populations, but in recent times, I have moved solely to consider forgotten cultures made by indigenous Muslim and Jewish populations. Making this move has been the best, riskiest, and most rewarding choice I’ve ever made in my career, and I am now a cheerleader for the incredible forms of art made by ordinary people in these societies.
I love the open-mindedness of this book and the way in which it can open your mind as a reader.
Can pictures think for themselves? How do pictures communicate with each other and with their audiences? These are the kinds of questions that this pathbreaking work opens up to its audience.
It also changed my sense as to how photography and painting/prints relate to each other, as well as providing a strong defence of the idea that deep cultural critique can be founded upon the study of quite ordinary objects and texts.
'Photos of the Gods' is a comprehensive history of India's popular visual culture. Combining anthropology, political and cultural history, and the study of aesthetic systems, and using many intriguing and unfamiliar images, the book shows that the current predicament of India cannot be understood without taking into account this complex, fascinating, and until now virtually unseen, visual history.
I’m a scholar who has spent most of his working life looking at the history of North Africa. This passion was formerly directed toward looking at the conditions that Europeans imposed on local populations, but in recent times, I have moved solely to consider forgotten cultures made by indigenous Muslim and Jewish populations. Making this move has been the best, riskiest, and most rewarding choice I’ve ever made in my career, and I am now a cheerleader for the incredible forms of art made by ordinary people in these societies.
I love this book (and think you will too) because of the way in which it weaves together architectural, art, social, and religious history so as to tell the story of one of the greatest cities in the Islamic world: Isfahan.
Its beautiful illustrations take readers to a place that many will not have a chance to visit while connecting the beauty of its built environment to cultures that come before and after the Safavid moment.
Its author is THE guide to the topic, and gaining a sense of the history of built environments is of critical importance for anyone interested in the history of Islamic art.
Winner of the Houshang Pourshariati Iranian Studies Book Award 2009 This beautifully illustrated history of Safavid Isfahan (1501-1722) explores the architectural and urban forms and networks of socio-cultural action that reflected a distinctly early-modern and Perso-Shi'i practice of kingship. An immense building campaign, initiated in 1590-91 at the millennial threshold of the Islamic calendar (1000 A.H.), transformed Isfahan from a provincial, medieval, and largely Sunni city into an urban-centered representation of the first Imami Shi'i empire in the history of Islam. The historical process of Shi'ification of Safavid Iran and the deployment of the arts in situating the shifts in…
We are the academic and creative directors at the Stanford d.school. Our students study design, but they really hope to navigate a world of unknowns and make their way to a better future. We believe the best way to do that is not to limit yourself to a single domain or area but to find new possibilities in the overlaps, patterns, and discoveries that linger between ideas. We love books that stretch us beyond the design domain and into new places of inspiration and investigation. The ones on our list have all delighted us with their ability to reframe our thinking about design, even though none are squarely about the topic.
This is foundational work for anyone building, creating, or designing on the planet today.
If you care about the Earth, about other humans, or about other species, you need to read it. This book is about Indigenous thinking. We love that it is grounded in story, connection, and symbiosis with the natural world.
Winner, Small Publishers' Adult Book of the Year, Australian Book Industry Awards 2020
This remarkable book is about everything from echidnas to evolution, cosmology to cooking, sex and science and spirits to Schrödinger’s cat.
Tyson Yunkaporta looks at global systems from an Indigenous perspective. He asks how contemporary life diverges from the pattern of creation. How does this affect us? How can we do things differently?
Sand Talk provides a template for living. It’s about how lines and symbols and shapes can help us make sense of the world. It’s about how we learn and how we remember. It’s about…
As a Jew growing up in the United States, I’ve spent a long time reflecting on how genocide, culturecide, and assimilation operate across majority-minority relations. My focus on Indigenous politics in my career as a political scientist stems from a devotion to pluricultural democracy as a way that people can live together well. I want to be part of a world where we can bring our whole selves to our societies and don’t have to cut out certain parts of our identities to be accepted. And I like to read well-researched, compellingly written books that offer insight into how communities do that.
Ka’m-t’em both describes how communities can heal from colonization, and is itself a product of that healing. This book brings up so many emotions: shame around White violence, hope to build a community of support for Indigenous peoples, and longing for a decolonized future. The chapters featuring youth voices at the end of the book are particularly moving, as we hear from teenagers in their own words as to why they are willing to fight for their identities, and what everyone can do to help.
Many generations ago, along the Klamath River, there lived a wise woman who wove the most beautiful baskets known to humankind. Her baskets were woven so tightly that water could not penetrate them. She was aging and had many experiences to share. Through prayer, she began to weave a basket for the people. The wise woman worked day after day, weaving, praying, and singing. As her strong hands moved gracefully over her materials, she shared a story to be retold, a song to be sung again, and a lesson to be learned. When she finished, she had created a large…
I have been a historian of the Indigenous world for more than two decades, but I have learnedso much since I expanded my perspective from Mesoamerica and the Aztec-Mexica into the wider history of Native peoples. There are literally hundreds of Indigenous communities across the world and so there is always more to learn. I have been incredibly privileged to learn by listening to Indigenous people – in person, in print, and on digital and social media. I hope these books can offer some starting points to set you on a similar journey of discovery, opening up some new ways of thinking and of seeing both the past and the present.
In this humane call to action, Anishnaabe author Patty Krawec combines an accessible introduction to the European invasion of the Americas with practical suggestions for grappling with these histories and their legacy.
Weaving the stories of her ancestors with personal accounts and historical context, Krawec makes a case for how Christian and Indigenous worldviews can become compatible, and makes suggestions for how we can all become better kin to each other. I devoured this book and have been recommending it to everyone ever since.
The invented history of the Western world is crumbling fast, Anishinaabe writer Patty Krawec says, but we can still honor the bonds between us. Settlers dominated and divided, but Indigenous peoples won't just send them all "home."
Weaving her own story with the story of her ancestors and with the broader themes of creation, replacement, and disappearance, Krawec helps readers see settler colonialism through the eyes of an Indigenous writer. Settler colonialism tried to force us into one particular way of living, but the old ways of kinship can help us imagine…
I am a Somali scholar in the field of Somali Studies and African Studies, specialising in anthropology, history, and the politics of Somali society and state(s). I am recognised as an authority and expert on the historical and contemporary Somali conflicts in the Diaspora and back home. I am a Research Fellow at the Conflict Research Programme at the London School of Economics and Political Science, where I am tasked to study the political economy of Mogadishu. I am also a visiting professor at the African Leadership Centre, King’s College London, where I deliver lectures about the genesis of the Cold War in the Horn of Africa and the Civil War in Somalia.
This is one of the most compelling books written on Africa. The author insightfully and thoughtfully reassesses the predicament and plight of the African continent with regards to socio-cultural development, institution-building, nation-building, and state-building. The book – both challenging and stimulating as it is – proves to be a somewhat difficult read as the author alternately targets scholars of African studies more than students of Africa as his main audience and recipients.
In analyzing the obstacles to democratization in post- independence Africa, Mahmood Mamdani offers a bold, insightful account of colonialism's legacy--a bifurcated power that mediated racial domination through tribally organized local authorities, reproducing racial identity in citizens and ethnic identity in subjects. Many writers have understood colonial rule as either "direct" (French) or "indirect" (British), with a third variant--apartheid--as exceptional. This benign terminology, Mamdani shows, masks the fact that these were actually variants of a despotism. While direct rule denied rights to subjects on racial grounds, indirect rule incorporated them into a "customary" mode of rule, with state-appointed Native Authorities defining…
Between the two of us, we have written over a dozen books and won numerous prizes. Wilson, when not writing critically-acclaimed music or explaining how to catch a haggis, has received the Ontario Historical Association’s Joseph Brant Award for King Alpha’s Song in a Strange Land.Reid, who wisely passed up the chance of a law career in order to play an extra year of soccer, received the C. P. Stacey Award for African Canadians in Union Blue. Both writers believe that sports offer a valuable lens by which to examine a society’s core values.
Most Canadians are likely unaware that Canada has an official national summer game and that it is lacrosse. Even fewer realize that the sport reflects a tangled story of appropriation and reappropriation that exposes complex relationships between European and Indigenous peoples.
In a provocative and creative book, Downey, an Indigenous historian, uses First Nations storytelling and his own rigorous research to follow the transformation of lacrosse by Anglophone Montrealers and their exclusion of Indigenous players.
By the end of the nineteenth century, lacrosse was the most popular sport in Canada, before giving way to hockey. Then, almost a century later, the sport was reclaimed by a new generation of Indigenous athletes and activists who used the game as part of a broader cultural and spiritual renewal.
For these athletes, the current goal is to have the Haudenosaunee Nationals recognized as an independent participant at the Olympic Games in 2028.
Lacrosse has been a central element of Indigenous cultures for centuries, but once non-Indigenous players entered the sport, it became a site of appropriation - then reclamation - of Indigenous identities. The Creator's Game focuses on the history of lacrosse in Indigenous communities from the 1860s to the 1990s, exploring Indigenous-non-Indigenous relations and Indigenous identity formation. While the game was being appropriated in the process of constructing a new identity for the nation-state of Canada, it was also being used by Indigenous peoples to resist residential school experiences, initiate pan-Indigenous political mobilization, and articulate Indigenous sovereignty. This engaging and innovative…
All of us bear the scars of emotional wounds, as complex psychology beats at the heart of all relationships. I’ve personally survived the betrayal of a parent, the loss of a child, emotional abuse, and life with an addict who could look me in the eye and lie. These themes resound in my stories. Literature is a safe place to explore and heal our own traumas through the dramatic interactions of our characters. My witch killer is not just “crazy” he’s unraveling a complex psychological past. In standing with our heroes as they meet and conquer evil, in its many guises, we find our way to healing our own trauma.
I read this book twice, cover-to-cover and back-to-back. First, to find out what happens to our feisty Métis hero, Joan of Arcand, and then again to savor Dimaline’s lyrical writing. When Mere (her grandmother) is murdered by a wolfish shape-shifting creature—a rogarou—we find ourselves trapped in a mythic Métis world. “A dog, a man, a wolf. He was clothed, he was naked in his fur, he wore moccasins to jig.” Carrying a ground-up salt bone for protection, Joan ventures into the Empire of Wildto slay the rogarou who killed Mere and reclaim her husband. Like her hero, Dimaline is brave and fearless, pouring history, politics, and religion into her cauldron, then stirring with a branch of magic realism and psychological terror. Dimaline is my hero.
A NO. 1 INTERNATIONAL BESTSELLER One of the most anticipated books of the summer for Time, Harper's Bazaar, Bustle and Publishers Weekly
'Deftly written, gripping and informative. Empire of Wild is a rip-roaring read!' Margaret Atwood
'Empire of Wild is doing everything I love in a contemporary novel and more. It is tough, funny, beautiful, honest and propulsive' Tommy Orange, author of There There
'Dimaline turns an old story into something newly haunting and resonant' New York Times
'An utterly compelling blend of propulsive narrative, starkly beautiful writing and passionate, near dysfunctional love' Daily Mail
