Here are 100 books that Sand Talk fans have personally recommended if you like
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One way I bring lightness and wonder to my life is through the joy of observing something new around me in this world. The new thing might be the forty Heavenly Blue morning glories that bloomed one morning for my father and me, finding an ancient fossil shell in a skirt of fallen shale at the bottom of a cliff or hearing Balinese gamelan music for the first time. But each time one of these wonders lights up my day, I am reminded of how limited our ability to observe is. Each of these books gave me a view into a world I had not even dreamed about.
All my life I’ve loved looking closely at the natural world to see as much as possible: Why is that leaf broken? Was a chipmunk digging here? Is that a different kind of mushroom? But no matter how closely I looked, I was unaware of the overwhelming complexities and sophistication of the fungal world.
Sheldrake shows the interconnections, not metaphysical ones but actual physical and chemical connections, between fungi, plants, and even living, moving animals. If that chapter about ants doesn’t change how you see the world, I don’t know what will. Fungi own the world, and we are just lucky to live in it.
NEW YORK TIMES BESTSELLER • A “brilliant [and] entrancing” (The Guardian) journey into the hidden lives of fungi—the great connectors of the living world—and their astonishing and intimate roles in human life, with the power to heal our bodies, expand our minds, and help us address our most urgent environmental problems.
“Grand and dizzying in how thoroughly it recalibrates our understanding of the natural world.”—Ed Yong, author of I Contain Multitudes
ONE OF THE BEST BOOKS OF THE YEAR—Time, BBC Science Focus, The Daily Mail, Geographical, The Times, The Telegraph, New Statesman, London Evening Standard, Science Friday
In my everyday world of responsibilities, I’m a writer, retired veterinarian, and freelance English editor for academic writing. But in my inner world of curiosity and obsessions, I’m forever a child with a profound longing to understand what the world is and how it works. Always searching on behalf of this forever child, I’ve read many a dull book about science, history, and writing. Despite having fascinating content, authors often flatten these subjects into featureless recitations. Happily, I’ve also found authors who express enthusiasm, expertise, or concern for their topic in prose that is as interesting in voice as it is in content.
I love swamps and streams and rivers (and I’m learning to love the ocean), and I especially love the miniature ecosystems that Kimmerer studies and describes with such gentle care in this book. Sure, everyone’s read Braiding Sweetgrass. (Wait, you haven’t? What are you doing here?! Go! Read!) But have you read the one about moss?
Both books reminded me of why I am drawn to science, of how structured observation and research can illuminate complex and dynamic processes. But I found the science in this one more compelling. It’s a collection of graceful retellings focused on the intricacies of the exact kinds of watery habitats I love best.
Living at the limits of our ordinary perception, mosses are a common but largely unnoticed element of the natural world. Gathering Moss is a beautifully written mix of science and personal reflection that invites readers to explore and learn from the elegantly simple lives of mosses.
In this series of linked personal essays, Robin Kimmerer leads general readers and scientists alike to an understanding of how mosses live and how their lives are intertwined with the lives of countless other beings. Kimmerer explains the biology of mosses clearly and artfully, while at the same time reflecting on what these fascinating…
We are the academic and creative directors at the Stanford d.school. Our students study design, but they really hope to navigate a world of unknowns and make their way to a better future. We believe the best way to do that is not to limit yourself to a single domain or area but to find new possibilities in the overlaps, patterns, and discoveries that linger between ideas. We love books that stretch us beyond the design domain and into new places of inspiration and investigation. The ones on our list have all delighted us with their ability to reframe our thinking about design, even though none are squarely about the topic.
Kate Rayworth speaks our language. This book explains how to develop an economy that takes human and planetary flourishing into account and, most importantly, explains how we might think differently to get there.
This is a 300-plus-page book about economics—to be honest, even we haven't finished it cover to cover—but we feel a little bit wiser and more hopeful every time we crack it open!
800-CEO-Read "Best Business Book of 2017: Current Events & Public Affairs"
Economics is the mother tongue of public policy. It dominates our decision-making for the future, guides multi-billion-dollar investments, and shapes our responses to climate change, inequality, and other environmental and social challenges that define our times.
Pity then, or more like disaster, that its fundamental ideas are centuries out of date yet are still taught in college courses worldwide and still used to address critical issues in government and business alike.
That's why it is time, says renegade economist Kate Raworth,…
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. This book traces the story of the bull in the sky, a journey through the history of what has become known as the sacred bull.
I remember, as a very young child, clandestinely sneaking out of the house on humid Houston nights to gather toads. How my parents never caught me in the act, I do not know. I only know holding these amphibians in my hands felt special, magical even. This compulsion toward other creatures speaks to the unfolding of my lifelong learnings, a path that led me to a PhD in Religion and Nature and then to work for the Center for Humans and Nature. I’ve never stopped reflecting on how humans might better care for our earthling kin, and I don’t suspect I’ll ever cease marveling at the earth’s wild generativity.
Hailed as a “new genre of nature writing,” Mueller’s book is species-specific, dwelling upon the lives and deaths of salmon, yet the subject matter could apply to any creature that has become a commodity within late-stage capitalism.Mueller contrasts the Norwegian farmed-salmon industry and the increasing mechanization and reduction of living beings to things with wild salmon populations and Native people’s perspectives from the Pacific Northwest. Critically, he dares to take on the perspective of salmon, sprinkling memorable and moving vignettes throughout the book, helping readers imagine the world from a salmon’s-eye-view. This work of interspecies empathy is a rare and welcome contribution to thinking about personhood through a lens that is other-than-human.
Nautilus Award Silver Medal Winner, Ecology & Environment
In search of a new story for our place on earth
Being Salmon, Being Human examines Western culture's tragic alienation from nature by focusing on the relationship between people and salmon-weaving together key narratives about the Norwegian salmon industry as well as wild salmon in indigenous cultures of the Pacific Northwest.
Mueller uses this lens to articulate a comprehensive critique of human exceptionalism, directly challenging the four-hundred-year-old notion that other animals are nothing but complicated machines without rich inner lives and that Earth is a passive backdrop to human experience. Being fully…
I remember, as a very young child, clandestinely sneaking out of the house on humid Houston nights to gather toads. How my parents never caught me in the act, I do not know. I only know holding these amphibians in my hands felt special, magical even. This compulsion toward other creatures speaks to the unfolding of my lifelong learnings, a path that led me to a PhD in Religion and Nature and then to work for the Center for Humans and Nature. I’ve never stopped reflecting on how humans might better care for our earthling kin, and I don’t suspect I’ll ever cease marveling at the earth’s wild generativity.
I first met Graham when I was a PhD student attending a conference on religion & animals. He is a person who seems drawn to and across boundaries of scholarship, and though this book is scholarly, it’s also a totally accessible overview of the ways in which animism is not some primitive ideology but, rather, core to human experience and cultures all over the world. Harvey provides a careful treatment of historical and contemporary animist perspectives, nonhuman personhood, and the formation of animistic sensibilities. He details how animism fosters a constant dialogue between humans and non-human persons—a kind of social, spiritual, and ecological conversation that is continuously negotiated. Animism is not a thing of the past; it’s a way of life that is vital to a viable future.
How have human cultures engaged with and thought about animals, plants, rocks, clouds, and other elements in their natural surroundings? Do animals and other natural objects have a spirit or soul? What is their relationship to humans? In this new study, Graham Harvey explores current and past animistic beliefs and practices of Native Americans, Maori, Aboriginal Australians, and eco-pagans. He considers the varieties of animism found in these cultures as well as their shared desire to live respectfully within larger natural communities. Drawing on his extensive casework, Harvey also considers the linguistic, performative, ecological, and activist implications of these different…
We are the academic and creative directors at the Stanford d.school. Our students study design, but they really hope to navigate a world of unknowns and make their way to a better future. We believe the best way to do that is not to limit yourself to a single domain or area but to find new possibilities in the overlaps, patterns, and discoveries that linger between ideas. We love books that stretch us beyond the design domain and into new places of inspiration and investigation. The ones on our list have all delighted us with their ability to reframe our thinking about design, even though none are squarely about the topic.
This book is a work of fiction, but it lulls and twists you until you’re dizzy with reality. We love it because it brilliantly puts you through the same series of events but from a different character's perspective each time.
This is design–never forgetting that your lens is but one of many on the events in the surrounding world. And if you think reading fiction isn’t a great way to learn to design, stop thinking and start reading. Fiction is the ultimate tool for imagination.
Longlisted for the Booker Prize The Sunday Times Bestseller
Trust is a sweeping, unpredictable novel about power, wealth and truth, set against the backdrop of turbulent 1920s New York. Perfect for fans of Succession.
Can one person change the course of history?
A Wall Street tycoon takes a young woman as his wife. Together they rise to the top in an age of excess and speculation. But now a novelist is threatening to reveal the secrets behind their marriage, and this wealthy man's story - of greed, love and betrayal - is about to slip from his grasp.
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I started my career as an academic social scientist and seem set to end it as a gardener, small-scale farmer, and accidental ecological activist. I’ve learned a lot of things along the way from these different parts of my life that I channel in my writing. I don’t claim much expertise. In fact, I think claims to expert knowledge that can ‘solve’ modern problems are a big part of our modern problems. I’ve always been interested in how people and communities try to figure things out for themselves, often by picking up the pieces when big ideas have failed them. My writing arises out of that.
I’ve been reading, thinking about, and doing food and farming for a long time, but I still found this book an eye-opener in its rigorous understanding of how we’re getting the food system so wrong globally.
We’ve been spun a line that modern petrochemical-intensive agriculture, with its supposedly scientific and efficient methods, holds the line against poverty and hunger in our populous modern world. In scholarly but readable prose, Stone’s book demolishes this idea, showing how modern industrial farming makes too many of us ill, poor, and vulnerable.
Breathing new life into the much-maligned model of the labour-intensive small ‘peasant’ or family farm, he points the way to more local and human-scale agriculture for the future.
provides a new analysis of population and agricultural growth.
argues that we can't make sense of population and food production without recognizing the drivers of three fundamentally different types of agriculture: Malthusian (expansion), industrialization (external-input-dependent) and intensification (labour-based).
upends entrenched misconceptions such as that we are running out of land for food production and that our only hope is development of new agricultural technologies
written in an engaging style, containing vignettes, short histories and global case studies
will not only be of interest to students and scholars of agriculture, land management and development, but also those more widely interested in…
I started my career as an academic social scientist and seem set to end it as a gardener, small-scale farmer, and accidental ecological activist. I’ve learned a lot of things along the way from these different parts of my life that I channel in my writing. I don’t claim much expertise. In fact, I think claims to expert knowledge that can ‘solve’ modern problems are a big part of our modern problems. I’ve always been interested in how people and communities try to figure things out for themselves, often by picking up the pieces when big ideas have failed them. My writing arises out of that.
If there were justice in this world, Simon Fairlie would be a national treasure. A life lived at the margins of polite society informs his magnum opus Meat, which is only partly about meat and livestock.
At a deeper level, it’s about what a sensible, fair, renewable, and low-impact society would look like in modern Britain – the answer in a nutshell being a society substantially of small mixed farms geared to local needs. Forensic data analysis, deep historical knowledge, a conversational style, and a rare wit combine to make this book a classic of modern agricultural writing.
Meat is a groundbreaking exploration of the difficult environmental, ethical and health issues surrounding the human consumption of animals. Garnering huge praise in the UK, this is a book that answers the question: should we be farming animals, or not? Not a simple answer, but one that takes all views on meat eating into account. It lays out in detail the reasons why we must indeed decrease the amount of meat we eat, both for the planet and for ourselves, and yet explores how different forms of agriculture--including livestock--shape our landscape and culture.At the heart of this book, Simon Fairlie…
I started my career as an academic social scientist and seem set to end it as a gardener, small-scale farmer, and accidental ecological activist. I’ve learned a lot of things along the way from these different parts of my life that I channel in my writing. I don’t claim much expertise. In fact, I think claims to expert knowledge that can ‘solve’ modern problems are a big part of our modern problems. I’ve always been interested in how people and communities try to figure things out for themselves, often by picking up the pieces when big ideas have failed them. My writing arises out of that.
I don’t read a lot of fiction, but sometimes only a novelist can flesh out how the world to come might look.
Dreamland has little to say about local food (apart from some neat rooftop gardening scenes), but it’s relevant as a kind of negative counterexample. Unless we get focused on realistic approaches to climate, food, energy, and justice right now this is the kind of world that we’ll summon into being – and it’s terrifying. The future it paints is based on trends that are all too evident in the here and now, adding to the sense of authenticity.
A propulsive plot, believable characters, and finely-crafted descriptive writing combine to make this an immersive experience in what we absolutely mustn’t let happen.
For fans of Children of Men, Years and Years & Station Eleven, a postcard from a future Britain that's closer than we think.
'A beautiful book: thought-provoking, eerily prescient and very witty.' Brit Bennett, author of The Vanishing Half
'Water courses through its pages, as rising sea levels heighten inequalities, buoy populist politicians and wash away every certainty of civilisation. But there's also the novel's prose - its liquid grace and glinting sparkle - and the sheer irresistibility of a narrative that sweeps along with a force that feels tidal in its pull.' The Observer
I started my career as an academic social scientist and seem set to end it as a gardener, small-scale farmer, and accidental ecological activist. I’ve learned a lot of things along the way from these different parts of my life that I channel in my writing. I don’t claim much expertise. In fact, I think claims to expert knowledge that can ‘solve’ modern problems are a big part of our modern problems. I’ve always been interested in how people and communities try to figure things out for themselves, often by picking up the pieces when big ideas have failed them. My writing arises out of that.
Almost everywhere, there’s a local agrarian tradition in which people ingeniously figured out how to build autonomous livelihoods on their local ecological base. And almost everywhere it’s been destroyed by modern economic forces, which not only import energy and capital non-resiliently from elsewhere, but also import scorn for older rural ways once admired for their tenacity.
With a historian’s eye for detail, a storyteller’s gift for narrative, and an intensely human empathy for ordinary lives, Steven Stoll tells this story in the case of Appalachia in the United States. But the implications go much wider, and are endlessly informative for thinking through the basis of local agrarian societies worldwide today.
Short-listed for the Phi Beta Kappa Ralph Waldo Emerson Book Award
In Ramp Hollow, Steven Stoll offers a fresh, provocative account of Appalachia, and why it matters. He begins with the earliest European settlers, whose desire for vast forests to hunt in was frustrated by absentee owners―including George Washington and other founders―who laid claim to the region. Even as Daniel Boone became famous as a backwoods hunter and guide, the economy he represented was already in peril. Within just a few decades, Appalachian hunters and farmers went from pioneers to pariahs, from heroes to hillbillies, in the national imagination, and…
