I have had an affinity for nature since my childhood, but I did not train as an ecologist. An increasing concern about the environment, and the people more adversely affected by ecological degradation, made me switch careers early. I have worked on issues around conservation, land and forest rights of indigenous communities, and on the importance of nature in cities. Today I am an educator with a responsibility to communicate not only about environmental issues, but why it is a priority for communities in India. I am proud to be a part of the community of women writers on the environment in India whose voices and experiences need to be heard.
Who among us has not looked at our published academic paper and felt that tinge of sadness at so much left unsaid? This book is about all that is left unsaid—an entertaining account of the many stories behind the data collected for research that does not make it into our sanitised published papers. Traversing different parts of North India, two young women carrying out conservation research encounter not just nature but also opinionated men, corrupt officials, and a bureaucracy that worked at a frustrating snail’s pace. The accounts in the book are hilarious and relatable to anyone who has done field research, ecological or otherwise in India, where data collection is interspersed with memorable and amusing everyday conversations with a range of people. This is a book I would have loved to write myself. And I hope I still can someday, in my own way.
As an expert in grass ecology and champion of sustainable design, John Greenlee has created meadows not only in the United States, but throughout the world for over 30 years. Some of his most notable gardens include the Getty Museum, the Norton Simon Museum in Los Angeles, and the savannas at Walt Disney’s Animal Kingdom in Florida. In addition to his consulting and design work for commercial and residential clients, John Greenlee enjoys sharing his knowledge by giving several presentations and lectures throughout the year on the use of natural lawns, native grasses, and meadow restoration.
This book is perhaps the most important garden book of the last twenty years and one of my favorites.
The main premise is that plants matter and that the key to successful gardening and garden design is to know your plants and I could not agree more! I love the gorgeous photography and all the information by two of America's greatest horticulturalists.
For too long, garden design has given pride of place to architecture, artifice, and arbitrary principles. The results? Soulless landscapes where plants play subordinate roles.
With passion and eloquence, Scott Ogden and Lauren Springer Ogden argue that only when plants are given the respect they deserve does a garden become emotionally resonant. Plant-Driven Design shows designers how to work more confidently with plants, and gives gardeners more confidence to design. The Ogdens boldly challenge design orthodoxy and current trends by examining how to marry plantsmanship and design without sacrificing one to the other.
Having grown up on the south coast of Hampshire, I love both the countryside and the sea. After studying ancient history, archaeology, and Latin at the University of Bristol, I worked for many years as a field archaeologist and met my husband Roy on an excavation of a Roman villa at Milton Keynes. We have worked together ever since, as archaeologists and as authors of books on archaeology, ancient history, naval history, and social history. Our wide-ranging interests proved invaluable when writing our book When There Were Birds.
This is a glorious bird-by-bird book, filled with photographs and lots of information and first-hand accounts, including folklore and history, with copious endnotes and references. It was first published in 2005 and reissued in 2020. The book is divided into different bird families, starting with the Diver family, the Grebe family, and the Albatross family, so it can be read systematically or by dipping in and out. Birds Britannica perhaps deserves the name ‘coffee-table book’ – being so heavy, it is almost impossible to read unless seated (with a coffee) at a table.
The British love their birds, which are inextricably entwined with every aspect of their island life. British customs, more than 1,000 years of English literature, the very fabric of society, even the landscape itself, have all been enhanced by the presence of birds. Highly acclaimed on first publication, this superb book pays tribute to the remarkable relationship forged between a nation and its most treasured national heritage.
Birds Britannica is a unique publication of immense importance. Neither an identification guide nor a behavioural study (although both these subjects enter its field), it concentrates on our social history and on the…
I am an author and former environmental activist who dropped out of the ‘conflict industry’ in 1997 to start the Quivira Coalition, a nonprofit organization dedicated to building a radical center among ranchers, environmentalists, scientists, and others around practices that improve resilience in working landscapes. For two decades, I worked on the front lines of collaborative conservation and regenerative agriculture, sharing innovative, land-based solutions to food, water, and climate challenges. I live in Santa Fe, New Mexico.
Farmer and author Wendell Berry is a personal hero of mine. From his home in Kentucky, Berry has been writing about regenerative agriculture for decades. The Art of the Commonplace gathers together twenty of his best essays. They articulate a compelling vision for people dissatisfied with the stress, anxiety, disease, and destructiveness of contemporary life. Berry is also the author of numerous works of poetry and fiction.
"Here is a human being speaking with calm and sanity out of the wilderness. We would do well to hear him." ―The Washington Post Book World
The Art of the Commonplace gathers twenty essays by Wendell Berry that offer an agrarian alternative to our dominant urban culture. Grouped around five themes―an agrarian critique of culture, agrarian fundamentals, agrarian economics, agrarian religion, and geobiography―these essays promote a clearly defined and compelling vision important to all people dissatisfied with the stress, anxiety, disease, and destructiveness of contemporary American culture.
Why is agriculture becoming culturally irrelevant, and at what cost? What are the…
One way I bring lightness and wonder to my life is through the joy of observing something new around me in this world. The new thing might be the forty Heavenly Blue morning glories that bloomed one morning for my father and me, finding an ancient fossil shell in a skirt of fallen shale at the bottom of a cliff or hearing Balinese gamelan music for the first time. But each time one of these wonders lights up my day, I am reminded of how limited our ability to observe is. Each of these books gave me a view into a world I had not even dreamed about.
Reading this book was an act of both admiration and agony, admiration for the courage of the author to look where no one else was looking, to take huge physical risks, and to prevail, and agony because I longed every moment to have the ability to myself ascend the world’s tallest trees and meet the life that lives, separated forever from the ground, at their very tops.
Everything about this book is poetry of the best kind because it’s also true.
Hidden in unseen valleys of dense rainforest on the coast of California are the world's tallest and largest things - trees up to forty stories tall and as old as the Parthenon: the coastal redwoods. Mysterious and unexplored, few people know how to find them, and fewer still have climbed them to study their upper reaches and discover the wonders there. "The Wild Trees" is the astonishing story of the handful of wild tree climbers and amateur naturalists who are now working in the redwood canopy, exploring this enchanted and terrifically dangerous new world. The canopy is a mysterious place…
I’m a writer, artist, and historian, and I’ve spent much of my career trying to blow up the powerful American definition of environment as a non-human world “out there”, and to ask how it’s allowed environmentalists, Exxon, and the EPA alike to refuse to take responsibility for how we inhabit environments. Along the way, I’ve written Flight Maps: Adventures with Nature in Modern America and "Thirteen Ways of Seeing Nature in LA"; co-founded the LA Urban Rangers public art collective; and co-created the “Our Malibu Beaches” phone app. I currently live in St. Louis, where I’m a Research Fellow at the Sam Fox School at Washington University-St. Louis.
American nature-lovers are just Americans who love nature? Not exactly, Finney reminds us. She showcases the baked-in whiteness of American environmentalist ideas and advocacy historically, and carves out space for how African Americans have imagined, enjoyed, experienced, and fought for the “great outdoors”—and draws on both scholarship and her own experiences to do so.
Why are African Americans so underrepresented when it comes to interest in nature, outdoor recreation, and environmentalism? In this thought-provoking study, Carolyn Finney looks beyond the discourse of the environmental justice movement to examine how the natural environment has been understood, commodified, and represented by both white and black Americans. Bridging the fields of environmental history, cultural studies, critical race studies, and geography, Finney argues that the legacies of slavery, Jim Crow, and racial violence have shaped cultural understandings of the ""great outdoors"" and determined who should and can have access to natural spaces.
Born in England but living now in America’s mountain west, I am sucker for landscapes that dance with unusual plants and animals. I have been a commercial fisherman, a tool librarian, and a back-country park ranger. These days, I’m an award-winning public philosopher and author. I have written books and articles about powerful emerging technologies. However, I realized a few years ago that wild animals are an antidote to the technological and commercial forces that can flatten our world. From art painted on cave walls millennia ago to the toys we still give to our children, animals are an important part of human identity. I celebrate this in my work.
Goldfarb’s tribute to the beaver offers a shining example of how to turn an animal’s image around. I will never think of the furry rodent with orange teeth the same again.
Beavers play countless roles in keeping ecosystems healthy. They create insect habitats, shelter endangered salmon, recharge aquifers, and strain ash out of creeks after forest fires. I gained a new appreciation for how the beaver’s engineering prowess makes river systems tick.
By carefully mixing natural history with entertaining personal encounters, Goldfarb informed me and made me laugh. These days, when I see evidence of a beaver on a walk beside a river, I cheer.
WINNER of the 2019 PEN/E.O. Wilson Literary Science Writing Award
Washington Post "50 Notable Works of Nonfiction"
Science News "Favorite Science Books of 2018"
Booklist "Top Ten Science/Technology Book of 2018"
"A marvelously humor-laced page-turner about the science of semi-aquatic rodents.... A masterpiece of a treatise on the natural world."-The Washington Post
In Eager, environmental journalist Ben Goldfarb reveals that our modern idea of what a healthy landscape looks like and how it functions is wrong, distorted by the fur trade that once trapped out millions of beavers from North America's lakes and rivers. The consequences of losing beavers were…
As an expert in grass ecology and champion of sustainable design, John Greenlee has created meadows not only in the United States, but throughout the world for over 30 years. Some of his most notable gardens include the Getty Museum, the Norton Simon Museum in Los Angeles, and the savannas at Walt Disney’s Animal Kingdom in Florida. In addition to his consulting and design work for commercial and residential clients, John Greenlee enjoys sharing his knowledge by giving several presentations and lectures throughout the year on the use of natural lawns, native grasses, and meadow restoration.
I’ve been waiting almost thirty years for this book to show up, but it was clearly worth the wait. It is without a doubt the most important reference on creating prairies and identifying prairie plants.
I wasn’t disappointed and you won’t be either. My friend Neil Diboll is perhaps the most knowledgeable prairie pundit in North America. He has always been one of my greatest inspirations and together we have seen many of the endangered prairies across North America.
A comprehensive and beautifully illustrated reference for all gardeners passionate about native plants and prairie restoration.
The Gardener's Guide to Prairie Plants is the one-stop compendium for all gardeners aspiring to use native prairie plants in their gardens. Neil Diboll and Hilary Cox-two renowned prairie gardeners-compile more than four decades' worth of research to offer a wide-ranging and definitive reference for starting and maintaining prairie and meadow gardens and restorations. Alongside detailed synopses of plant life cycles, meticulous range maps, and sweeping overviews of natural history, Diboll and Cox also include photographs of 148 prairie plants in every stage of…
As a psychologist with environmental interests people often ask me about hope. It goes something like this: “Climate change is pushing us toward disaster! What is your source of hope?” I finally figured out that I only have one source of hope. It is that we, as people, are able to work together just well enough to keep it all afloat. There’s a lot involved in working together – learning to listen with compassion, run good meetings, empower everyone to give of their best, and rebuild trust when it starts to break down. I’ve been researching these topics in community settings for the past 15 years.
This book stopped me being scared of death – well almost. It is a wonderful read about how we are embodied creatures of planet Earth. Our very being is relationship. Take breathing for example. As you sit there you breathe in oxygen, nitrogen, and a little carbon dioxide. When you breathe out you release extra carbon dioxide – with that carbon coming from your body itself. You gift a little of your being in exchange for the oxygen - fragments that may end up in that tree outside your window. Once we understand that exchange is the essence of life, it helps us live well on our shared planet. As Weber explains, joy comes when we sense that life is increasing – for us and for others.
Our task then becomes to nurture life – the creative striving of all living things to become themselves and connect with others. Weber…
Nautilus Award Gold Medal Winner, Ecology & Environment
In Matter and Desire, internationally renowned biologist and philosopher Andreas Weber rewrites ecology as a tender practice of forging relationships, of yearning for connections, and of expressing these desires through our bodies. Being alive is an erotic process-constantly transforming the self through contact with others, desiring ever more life.
In clever and surprising ways, Weber recognizes that love-the impulse to establish connections, to intermingle, to weave our existence poetically together with that of other beings-is a foundational principle of reality. The fact that we disregard this principle lies at the core of…
In 1972, I started an early childhood center in the Monadnock Region in New Hampshire. The focus was on child-centered education, with an emphasis on working with children outdoors. I've spent the last 50 years continuing to connect children with nature in schools, nature centers, national parks, museums, and in families. I taught graduate courses in developmental psychology, cognitive development, place-based education and have done hundreds of professional development workshops for early childhood and elementary school teachers. As a father, I focused on connecting my own children with nature. My son is a ski coach and runs an ecotourism kayaking business. My daughter is a theater director and writes grants for an environmental non-profit.
The course I took from Paul Shepard in college was one of the most thought-provoking courses I ever experienced. Find an image of the original cover of the book and you'll see what I mean—it's a strange synthesis of a post-modern bow hunter emerging from his paleo ancestor. Shepard contends that the key to understanding human happiness is recognizing that we are genetically hunters and gatherers living in a post-modern age. Reclaiming our hunting and gathering impulses will help us lead fuller lives. He does a fascinating job, in this book, of describing what hunting and gathering culture childhoods looked like and then suggesting how we should parent our children with these old genetic impulses in mind.
In what may be his boldest and most controversial book, Paul Shepard presents an account of human behavior and ecology in light of our past. In it, he contends that agriculture is responsible for our ecological decline and looks to the hunting and gathering lifestyle as a model more closely in tune with our essential nature. Shepard advocates affirming the profound and beautiful nature of the hunter and gatherer, redefining agriculture and combining technology with hunting and gathering to recover a livable environment and peaceful society.
