I came into the world telling stories. From the age of four you could often find me surrounded by a little cluster of friends, amusing them with a story I was spinning on the spot. When I was nine, I began telling my sisters about a Martian who was living on Earth and who loved his comfy chairs. This Martian eventually became Alou, and it has been such a joy to share his world through my picture book Alou: The Martian Agent and its sequels. One thing I’m passionate about is sparking the potent imagination bottled up inside all our little ones and I hope my books can encourage that.
Make-believe was one of my favorite pastimes as a little girl. When I wasn’t writing a story, chances were, I was off with a sister in a world of imagination. And when I was there, it was as if my fancy was reality. I think that’s why I identify with this charming picture book so much. The main character’s potent imagination pulls his surroundings into his play reality. But the ending leaves us to ponder, along with Baby Ben’s mama…can his imagination conjure things into the tangible world? This translation from the original Swedish expertly converted the rhymes, and the pictures add so very much to the adventure. If you have a little adventurer in your life, this is a must-read!
I’m the author of funny-bone tickling and heartwarming picture books, Halloween Hustle and Prince and Pirate. My newest book, Dream Submarine, is a lyrical bedtime story that blends fiction and nonfiction and invites young readers on a journey through the world's oceans (Candlewick, 2024). Language Arts teacher turned writer, I'm passionate about literacy and love visiting schools and libraries to connect with my favorite people—kids! My books and all the perfectly piratey tales on this list are best when read aloud!
When a little boy boards the school bus for the very first time, he’s terrified—until the bus driver whispers, “This isn’t a school bus, it’s a pirate ship!” I think it’s terrific when stories sweep readers in and invite them to use their imagination. Equally terrific is the way the characters join together to turn first-day jitters into a journey on the high seas. Illustrations, cleverly inspired by children’s artwork (which I love!), are the perfect partner for this kid-centric story
In this follow-up to It's Not a Bed, It's a Time Machine, a young boy is worried about the bus ride to his first day of school. Who will he sit with on the bus? How will he make friends?
The bus driver knows the first day of school is intimidating, and she has a secret to share: This is not a school bus - it's a pirate ship! And its pirate crew has one motto: "All for fun and fun for all!"
The boy sets sail with his classmates on an epic adventure - making new friends and vanquishing…
I am a picture book author living in Los Angeles with my husband and two small children. Through my work, I hope to make children laugh, to inspire curiosity, and to create a magical world readers can lose themselves in time and time again.
When King Baby arrives, a young princess is forced to share her kingdom. The princess protests her new brother and his attention-demanding ways. She plots to break the spell King Baby holds over the rest of the kingdom until she discovers that perhaps there are benefits to co-ruling after all. Filled with humor, this voice-y princess is sure to be a hit with young rulers everywhere.
Once upon a time there was a happy family: A mum, a dad, a gerbil, and the most beautifulest, cleverest, ever so kindest Princess Marianna. Until one horrible no good day when a new ruler was born...
From two of the most revered picture book creators working today comes a unique home-grown fairy tale about a little girl with a new baby brother. Marianna, the most beautiful, ever so kindest princess, lives happily with her mum, dad and gerbil. Happy, that is, until the new baby comes along. His Royal Highness King Baby is so smelly. He's so noisy. And…
Hello! I am Jane Yolen, author of almost 450 books. I write picture books and novels, poetry, and graphic novels–mostly for children. I have published books about just about every subject imaginable. But I’ve always loved fantasy books especially. I grew up on the Alice in Wonderland books and the Arthurian legends. I, of course, carried that love into my writing life–having written about monsters, mermaids, and unicorns. I’m fascinated by fairies; they show up in a lot of what I write. Give me a real kid and a mythical creature of some sort, sprinkle in a bit of magic–I’m in!
The book's great front matter invites the child reader to experience a journey through the night to search for jumbies, which are, it explains, not friendly. But then, within the pages, the jumbies, though lying gently to the child, are, in fact, quite friendly. The darkness is, sort of, implied for later.
I love this ambiguity–gentle enough to allow this book to exist but mysterious enough to open up possibilities. This book will definitely serve as an introduction to the author’s middle-grade series. It is dark, luminous, and wonderful.
New York Times bestselling author Tracey Baptiste and acclaimed illustrator Amber Ren take readers on a fun, creepy, storytime-ready romp through a forest filled with creatures from Caribbean folklore.
I'm looking for a jumbie, I'm going to find a scary one.
But Mama says jumbies exist only in stories. So Naya sets out on a nighttime adventure to find out for herself.
No such thing, say the friends she makes along the way.
But Naya is sure that jumbies are real. Some have big mouths. Or thick fur. Or glowing skin. Or sharp teeth. Kind of like her new friends....…
I have published over 50 books, including award-winning and bestselling titles. I am also a publishing executive and editor with 20+ years of professional experience. My latest The Twins of Auschwitz: The Inspiring True Story of Young Girl Surviving Mengele’s Hell, with Eva Kor, got a stellar review by Archbishop Desmond Tutu and is an international bestseller. As well as spearheading four publishing startups, I have run my own business, Editorial Services of L.A. I was Editorial/Publishing Director for Golden Books, Price Stern Sloan, Intervisual Books, Hooked on Phonics, and more. I am also the Publisher & Editor in Chief of NY Journal Of Books, the premier online-only book review site.
Written and illustrated by David Shannon, this delightful story is about a “temporary fairy” who aims to be a “permanent fairy,” but can’t quite seem to get there. Using a wand and ordinary items from her world, she effects “magic” on everything she touches, to measurable success—except when she turns a white dress into a red one and The Duchess locks her into a tower. (She escapes.) A fun story for fairy lovers!
Caldecott Honor artist and bestselling author David Shannon's warm and funny new picture book introduces Alice, a mischievous little girl with a "No, David" nose for trouble and a magic wand.
Alice has a nose for trouble, but luckily she's a fairy--a Temporary Fairy. She has a magic wand, fairy wings, and a blanket, all of which she uses to disappear, to fly, to transform her dad into a horse, and to turn his cookies into her own! There are still a few things Alice needs to learn to become a Permanent Fairy, like how to float her dog on…
I have been reading and writing Children’s books for many years. I have an MLS and have worked in school libraries and recreation departments. I have a strong connection to people. My passion for book writing and reading began the moment I learned to read. I've been in this business for over 30 years and have six books published. Probably my biggest accomplishment was the three years I worked as a freelance book reviewer for Scholastic Books. To this day I continue to dream, read, imagine, meet, and create new worlds that will be available for everyone. My passion for books and writing go beyond the physical but also the emotional and spiritual.
I just finished reading this book from a friend of mine and I loved it. I recommend it for several reasons. First of all, this book is about a young inventor Dameon Gardener who is looking forward to summer break to tinker with his beloved gadgets ends up traveling many years into the future to a dystopian world that is falling apart. He does not know it, but this journey puts him on a quest to save the bleak world of the future of time. That concept is also found in my books, and it is a kind of basic outline of most Fantasy and Science Fiction books.
They have a hero who journeys on a quest to save a world, a person, or even a creature. This is universal and used by these kinds of books. My books are also set in a dystopian world. I also like the…
Young, inventive Dameon Gardener is looking forward to his summer break when he can spend all day tinkering with his beloved gadgets. At least that was his plan until his workaholic dad came home unusually early and announced that his grandfather had passed away, leaving him his massive estate. Eager to explore their new inheritance, the Gardener family embarks on their first-ever vacation with great anticipation. Dameon, his schedule-loving mom, and video-game-obsessed younger brother are appalled when they arrive at the decrepit Victorian mansion situated on top of a mountainside overlooking a secluded, rundown, ocean-side mining town. However, Dameon soon…
Recipe for a Perfect Wife is elegant and intriguing
and hits on many of the character and thematic notes that I look for. The relationship
between the main character, Alice, and the house that she moves to and comes to
resent is palpable and relatable.
I was all in from the moment Alice finds a
mysterious cookbook in the house, waiting for her next move and for Brown to
reveal more about Alice and what makes her tick.
The best compliment I can pay to any novel is that I
was sad when it ended. I don’t know how to explain that feeling, but I know it
when I feel it.
*LJ-"Brown kills it, a captivating winner" BL-"The pacing is brisk, the characters are appealing, and both time lines are equally well realized. Thoughtful, clever" Kirkus-"engaging and suspenseful."
My exploration of Sufism began in the unlikely environment of the Soviet Union where Sufism was considered a relic of the past to be replaced by the atheist, world-asserting ideology. The fact that my Muslim academic advisor assigned this topic to me, an active customs officer, was nothing short of a miracle. It was the beginning of a chain of miracles that punctuated my teaching and research career in the USSR, UK, US, EU, and the post-Soviet republics of Eurasia, especially Tatarstan and Kazakhstan. Having observed Sufism in various shapes and forms for over thirty years, my knowledge of its precepts and rituals is of great help to me in everyday life.
This book was a revelation for me when it came out, and I continue to use it as both reference and a source of new ideas and inspiration. The author felicitously combines a deeply personal perspective on Sufism’s greatest thinker Ibn ‘Arabi (1165–1240) with academic rigor and precision in translation. His comments on Ibn ‘Arabi’s teachings are unobtrusive and helpful in navigating the Sufi master’s breathtaking exploration of the universe that he presents, paradoxically, as a giant reflection of the [self-]image and imagination of the Divine Absolute. The subtle interaction of mundane and divine imaginations determines how we ourselves imagine the world. After reading this book, you will understand why Ibn ‘Arabi looms so large in Eastern and Western imaginings of Sufism and why he is compared to Plato in the Western intellectual tradition.
"For the first time in the history of Orientalism, a thorough study of Ibn al-'Arabi's thought is now available. William Chittick has given us a translation of numerous passages from the work of the Magister Magnus and placed them in their theological context, thus removing many misunderstandings that have prevailed both among Muslims and in the West when interpreting Ibn al-'Arabi's mystical worldview. Chittick has done this with admirable clarity, and his book will always remain a most important milestone in the study of Islamic mystical theology." -- Annemarie Schimmel, Harvard University
When I was little, I knew I would work with books in some way, and I did, for many years working for one of the major children’s book publishers. But it wasn’t rewarding in the way I had hoped. Some kids know they want to be a teacher when they grow up. I definitely did not, yet I became one. I love finding ways to make learning fun. In my teaching days I found ways to get the most reluctant students to find something they could enjoy about learning. And now as an author, I find myself doing the same, and as a parent, seeking out books like the ones I recommend here that teach without teaching.
The first thing I love about this book is the very unusual use of 2nd person: “You live in a cave with your parents.” The child in this story loves exploring and using his imagination. Everyone else is busy with the job of surviving. The child sees shapes in the clouds and wonders why no one else can see what he sees. One night, without thinking, he takes a stick and draws on the cave walls. Now everyone can see what he sees, and it is the first-ever drawing. Everyone is amazed by it, thinks it is magic, and it is! The ability to use our imaginations to create art is magic, and it is what the author has done in this book, inspired by the real first drawing.
In 1994, the Cave of Chauvet-Pont-d'Arc was discovered, filled with the oldest known drawings in existence at that time, made 30,000 years ago. In that same cave, prehistoric footprints were discovered: those of an 8-year-old child and a wolf. From these astonishing facts, THE FIRST DRAWING was born.
In this beautiful picture book, Caldecott Medal-winning author/illustrator Mordicai Gerstein imagines one possible way drawing was invented. The young boy that stars in this story has such a vivid imagination that he sees images everywhere - clouds, stones and smoke look like animals to him. His parents, however, don't share his enthusiasm…
In 1972, I started an early childhood center in the Monadnock Region in New Hampshire. The focus was on child-centered education, with an emphasis on working with children outdoors. I've spent the last 50 years continuing to connect children with nature in schools, nature centers, national parks, museums, and in families. I taught graduate courses in developmental psychology, cognitive development, place-based education and have done hundreds of professional development workshops for early childhood and elementary school teachers. As a father, I focused on connecting my own children with nature. My son is a ski coach and runs an ecotourism kayaking business. My daughter is a theater director and writes grants for an environmental non-profit.
Cobb's Ecology of Imaginationis tough sledding. It's academic, abstruse, and also remarkably insightful. I still don't understand all of what she's saying, but what I do understand is her portrayal of the importance of middle childhood, "between the strivings of animal infancy and the storms of adolescence—when the natural world is experienced in some highly evocative way, producing in the child a sense of some profound continuity with natural processes….” Our goal, as parents, should be to find ways for our children to feel that "profound continuity with natural processes" during the middle childhood years of ages six to twelve.
Is genius shaped by the imagination of childhood? Cobb's collection of autobiographies and biographies of creative people, as well as her observations of children's play, suggests just that. She sees the child to be innately connected with the natural world. Inner powers alone do not further the imagination. Her book remains an important philosophical meditation on the importance of children's deep experience of nature to their adult cognition and psychological well-being.
