I saw my first Godzilla movie when I was seven years old, and I immediately fell in love: what kid doesn’t want to be a giant radioactive monster with attitude? But unlike baseball cards, I never outgrew Godzilla and, over the decades, came to appreciate the cultural significance of one of the world’s most enduring film icons. In my writing on Godzilla, I explore my own fascination with monsters and contemplate why all societies, from the dawn of time to today, have compulsively created imaginary creatures that terrify them. The books on this list have helped me understand the human obsession with monsters, and I hope you will find them equally enlightening and enjoyable.
I was fascinated by yokai, the weird and wonderful creatures of Japanese folklore, well before they became a thing on social media and in global pop culture. Of all the books designed to introduce yokai to Western audiences, Michael Dylan Foster's is by far the best at explaining how the Japanese understand these legendary creatures and their roles in Japanese culture throughout history.
His stories of kappa and oni and monstrous umbrellas with arms and legs are hilarious, creepy, unforgettable, instructive, and revealing. If I have one gripe about this book, it is that Foster dismisses Godzilla and other kaiju as not being yokai. He’s wrong, but everyone deserves one mistake, especially in an otherwise excellent book.
Monsters, ghosts, fantastic beings, and supernatural phenomena of all sorts haunt the folklore and popular culture of Japan. Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories. Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful…
As a child, I spent summers looking for adders on the Common and winters walking through snowstorms pretending to be a Hobbit in Tolkien's Middle Earth. My travels and studies taught me the importance of respecting different cultures and our planet. Glasgow Libraries gave me my first storytelling work in 1992, and I have a Master's degree in Scottish Folklore. I live in Scotland, sharing stories through writing and storytelling. Having collected hundreds of traditional folktales about our ancestors' wisdom and folly, I co-authored my first book, Dancing With Trees, Eco-Tales from the British Isles, to reflect our need to understand nature's wisdom and help us live sustainably on Earth.
This book has over forty traditional folktales from thirty-one countries that speak of our relationship to the Earth.
This was my first Eco-Storytelling book, which I often return to because the stories are brilliantly retold. MacDonald is an American folklorist and storyteller who structures tales skilfully for oral telling - she also includes great tips for telling to live audiences.
Researchers, folklorists, and storytellers will appreciate the amazing detail and professionalism of the Bibliography and 'Tale Notes'.
I discovered my all-time favourite environmental folk story in this book, Mikku, and the Trees, a tale from Estonia that tells why trees no longer speak to humans unless you learn to listen very carefully. MacDonald is one of our most generous and highly respected folklorists.
Highlight the environment with these thought-provoking stories and activities!
Our relationship to the planet earth is at the heart of the single largest problem we face today. We have a choice: hurt mother earth and we hurt ourselves; care for the earth and we reap its bounty. People from ancient times have always known this and have expressed it in their traditional stories.
Here are more than forty stories from thirty cultures that touch upon ecological themes: "Caring for the Land," "Caring for Other Creatures," "All Things Are Connected," "No Thing is Without Value," and "Planning for the Future." These…
Plus, Louise's
6, 8, and 13-year-old's favorite books.
Why did Louise's
6-year-old love this book?
Sally and Sam were having a dull day at home when they received the unexpected visit of a cat in a hat. So begins this little tale, which Dr. Seuss wrote by rhyming 220 words in delightful and creative ways.
Just like Sally and Sam are saved from their boredom by the Cat in the Hat, so will your children revel in this brief tale of adventure and mischief. They will especially enjoy the rhyming prose, the quirky illustrations, and the naughty tomcat himself.
The one and only Cat in the Hat from the iconic Dr. Seuss gets a brand new look, introducing his roller-coaster ride of mayhem to a new generation of readers.
When Sally and her brother are left alone, they think they're in for a dull day - until the Cat in the Hat steps in on the mat, bringing with him mayhem and madness! This is the classic book that every child should have the joy of reading.
The perfect book for early readers, the new style brings a worldwide favourite to a whole new generation.
Serendipity is a magical story told by a grandmother to a granddaughter, introducing us to the traditional way of living of the Scottish Travellers and their Cant language.
A fantasy tale for children of 8 years old and older inspired by three real places in Scotland. Serendipity takes us to Helge's Hole in Forres, the Hermitage Forest in Dunkeld, and Glen Lyon in Perth on a quest for Truth, Beauty, and Goodness. It's a story of a grandmother's greater love for a granddaughter, a mother for a daughter, and the boundless bounty of the natural realm for each one of…
Not so long ago, nomadic communities in Scotland told stories around camp fires and slept in bow tents made of hazel and canvas. In this book, their culture is introduced through Cant's vocabulary, a dialect spoken by Scottish travellers. Following them, Serendipity takes you to Helge's Hole in Forres, Hermitage Forest in Dunkeld, and Glen Lyon in Perth, meandering through the valleys and cragged peaks of the Scottish Highlands, in a quest for Truth, Beauty and Goodness.
Dive into Scottish culture as the old grandmother, Julia, recounts to her granddaughter Gaia the tale of a little girl of pure heart.…
Ever since I was a child the world has fascinated me. I’ve grown up with a deep love of reading and passion for the natural world, so much so that this often inspires both my writing and my artwork. As an artist and writer I seek to showcase the wonder and magic in the world. I have been able to draw upon ancient legends for inspiration into how people’s minds worked in the deep past and use it to enrich my writing further to cement the stories into our world and become more tangible. As a part-time adventurer, it’s only natural that my novels should be that.
Although magic doesn’t feature as strongly in this as the other recommendations and in the subsequent books in the series, I recommend this it cleverly disguises magic within the world, it's not showy but still believable, something which makes you think. It's also a gripping tale that connects Atlantis with the stories around King Arthur.
A magnificent tale which begins with the tragedy of Atlantis and the arrival in Britain of King Avallach. In this world, Celtic chieftains struggle for survival in the twilight of Rome's power, and one heroic figure towers over all, the Prince Taliesin, in whom is the sum of human greatness. This is a tale of a love that spawns the miracle of Merlin and Arthur and a destiny that is more than a kingdom.
Growing up I noticed that a lot of my friends would avoid conversations about the stock market mainly because a lack of confidence or knowledge around how it works. I also saw a visible gap in financial literacy among kids that I volunteered with. The school system is doing the best they can, but we can’t rely on them to plant every seed within our kids. With the knowledge gained from friends and countless hours of research from taking classes on the stock market, I created a book that focused on teaching kids about all things stock related but also could be used as a tool of learning for all ages.
Cooper Learns to Save is such a good book to plant that seed of financial literacy early.
In a world where everything comes at a cost, whether it's Fortnight, electronics, or toys, teaching your kids the basics of saving to earn those things will always be a valuable lesson. Annisa gets that and is able to communicate that through her book along with tangible things you can implement to make saving fun.
Ever since I can remember, I have been fascinated by scary movies, creature features, and books that tell tales of the strange and supernatural. Years later, my own books explored those things that scare us, from monsters of the deep and the ways we die to the mythology of blood. Research for those books led me into realms that explained why we fear the things we do. Many of those fears are found in horror novels, which provide an endless source of fright, release, and entertainment within their haunting pages. I can’t think of any other genre of writing that takes its readers on such a joyously terrifying ride.
No writer creates a compelling sense of dread better than H.P. Lovecraft. His stories instantly immerse you in whatever world he’s conjuring, and I think his writing reached its peak in this book.
His narrator descends into a creepy world of “others” whom he senses want to harm him (in his personal life, Lovecraft was notoriously disdainful of “others”). I was willingly dragged along with Lovecraft’s desperate narrator as he raced through town, hotel rooms, and ultimately into a terrifying gathering of the townspeople.
Nearly a century after its publication, I consider it to be one of the most timeless and striking pieces of horror ever created.
During the winter of 1927-28 officials of the Federal government made a strange and secret investigation of certain conditions in the ancient Massachusetts seaport of Innsmouth. The public first learned of it in February, when a vast series of raids and arrests occurred, followed by the deliberate burning and dynamiting-under suitable precautions-of an enormous number of crumbling, worm-eaten, and supposedly empty houses along the abandoned waterfront.
I like to go on trips, particularly overseas. This gives me the ability to write travel books—but moreover, I love adventure. I love to see the fantastic in the world in which we live. I’ve written other kinds of books that helped shape my writing style, including a kaiju novel series, which gives me a bit of a different approach than more encyclopedic travel writers. That’s what I try to bring to the table—the magic and esotericism in the world, presented like a pulpy Saturday matinee that you can enter yourself if you follow my travel tips.
The Aswang mythology of the Philippines is fascinating and storied, a menagerie of creatures as horrific as any from Transylvania. This novel by a Filipina-Canadian author about a young man returning to his roots to find more werewolfery than he bargained for delves into its fascinating lore with cultural authenticity.
A teenage boy discovers family in the last way anyone wants to: as bloodthirsty monsters from the countryside.
Pablo Santos probably shouldn't try to crack the secret question to his dad's email account. Probably. But after getting into trouble in school yet again--for something that he swears wasn't his fault--he decides to run off to the countryside with his best friend, Rachel Ann, to discover the answer to such a mind-numbingly simple question: "Where was my father born?" Because Pablo knows nothing about his father and even less about his past.
Come and explore the Bicol countryside with Pablo and…
Monsters and magic have always had a hook on me, ever since I was just a kid going through a stack of Stephen King paperbacks that I was definitely too young for my brother to have given me – not that many would call his work “fantasy” exactly, despite the amount of vampires ghosts and magic that say otherwise. Urban fantasy, blending those elements with the familiar world we know, is a particular favourite of mine. So much so, that I wrote my own! Granted, the urban area in question is 19th-century Paris, but I say that still counts.
Superpowered people, living like the Amish, guarding the secret to eternal life. Like Blue Shadows Fall, this sets up a location so unique in the town of Edenia that it’s nearly a character by itself. Unlike that book, Edenia is less a place you’d want to live and more a mystery you want to unravel. This book really drills into the teenage frustration of having no control over your location or circumstances from some very different perspectives in the variety of POV characters. A lot of the story’s tension comes from the main cast’s refusal or inability to come clean with each other, but the underlying reasons for them to keep their secrets are very convincingly layered.
Award-winning YA Fantasy for fans of Good Omens and Cruel Prince
All that stands between the 6000 year old secret of immortality and the end of the world are the Guardians of the Garden.
Rejected by her family and her town, Miriam Miller wants nothing more than to turn her back on Edenia and forsake the new, invasive magic which makes her a Guardian of the Garden of Eden. In the outside world she could be free from the garden, free to lead her own life, and free to forget that she is a freak.
I have lived by the sea in the far north of Scotland, where I wrote The Wee Seal, and several other sea and seal themed books. I now live in Edinburgh by the sea and swim daily. I am also a storyteller with a keen interest in myth, and how myth impacts our lives. The recommendations I have given a nod to myth and their place in our life, and the sea, and how, at least in Britain, it is rarely that far away. A little wild, in a world that can feel, sometimes, too tame.
I love this book because it takes me to the far north (where I used to live).
It takes me back to the wide skies, jagged cliffs, pounding waves, miles of rough open land, and seals gazing at you from every bay and cove. I love reading old traditional tales because, as a writer, they feed me, and give me ideas for new stories.
As a child, I spent summers looking for adders on the Common and winters walking through snowstorms pretending to be a Hobbit in Tolkien's Middle Earth. My travels and studies taught me the importance of respecting different cultures and our planet. Glasgow Libraries gave me my first storytelling work in 1992, and I have a Master's degree in Scottish Folklore. I live in Scotland, sharing stories through writing and storytelling. Having collected hundreds of traditional folktales about our ancestors' wisdom and folly, I co-authored my first book, Dancing With Trees, Eco-Tales from the British Isles, to reflect our need to understand nature's wisdom and help us live sustainably on Earth.
This book is like a plump pie filled with seasonal treats, one delicious slice for every month of the year.
Rooted in Somerset, England, Maudsley skilfully presents folklore, beliefs, and happenings that pay homage to Britain and Ireland's nature, rural culture, and changing seasons. He carefully includes folk customs and stories from Wales, Scotland, and Ireland.
However, this book's natural juice and joy lie in Maudsley's knowledge of rural traditions and stories he shares in his work with Common Ground, an environmental and community organisation based in England. There are rhymes, songs, and food & drink recipes, all intricately woven into each month, season, and local harvest.
Everyone interested in living harmoniously with the natural world will enjoy this celebratory description of calendar customs and living traditions.
Telling the Seasons takes us on a journey through the twelve months of the year with stories, customs and celebrations. Drawing on the changing patterns of nature and the rich tapestry of folklore from the British Isles, it is a colourful guide into how and why we continue to celebrate the seasons.
Here are magical myths of the sun and moon, earthy tales of walking stones and talking trees and lively legends of the spirits of each season. Original drawings, sayings, songs, recipes and rhymes, combine into a 'spell-book' of the seasons. Martin Maudsley tells tales around the year to…
