Long before I became a “fairy tale scholar,” I was keenly aware of the ways that fairy tales saturate our cultural landscape. Given their ubiquity, who isn’t? But my awareness was always a discomfiting one, an unnerving at the fairy tale’s insistent cheeriness; it was this unnerving that made me fall deeply in love with The Bloody Chamber, the collection that so beautifully flays the fairy tale to reveal its dark and sordid heart. In researching The Bloody Chamber, I saw ever more clearly that the fairy tale’s grim underbelly involves not only twisted ideas about gender and desire and love but also about race, and this discovery has motivated my research over the past decade.
Bolu Babalola’sLove in Coloris, technically, more a collection of reimagined myths than a collection of retold fairy tales, but the stories are so richly and wonderfully rendered, so smart and edgy and beguiling, that it seems silly to privilege a strict genre definition over a powerful collection. Babalola is shameless in her embrace of love—indeed, she confesses that she loves love—and yet her contemporary takes on global myths trouble any easy ideas about love the reader might bring to the collection. Love, here, is messy, tangled, frightening, and—according to Babalola—worth the tribulations it inspires.
"Love stories by and about marginalized women . . . The heroines are strong and sure . . . Babalola’s writing shines.” — New York Times Book Review
"Absolutely intoxicating." — Casey McQuiston, New York Times bestselling author of Red, White, and Royal Blue and One Last Stop
A vibrant debut collection of love stories from the bestselling author of Honey and Spice, retelling myths, folktales, and histories from around the world.
A high-born Nigerian goddess, who has been beaten down and unappreciated by her gregarious lover, longs to be truly seen. A young businesswoman attempts a great…
Fantasy has always been a passion and an escape for me. It started with copious amounts of reading, then I found anime when I was only a child as Cardcaptors began to air on TV. I’ve watched hundreds of anime shows since then and continued my penchant for reading and writing almost exclusively in the fantasy genre. In college, I obtained a BA in English with an emphasis on Creative Writing, so I have a good grasp on literature analysis and many works. In addition, I studied Japanese for two years, lived in Japan for six months, and held a position at the anime club while I was in college.
The medieval fantasy in this book was juxtaposed with band culture for the bard MC early in the book, which gave me a few laughs. I love all of the characters, but even more, I love that I didn’t like them all at first. One character came across too cheery while another was too stuck up, but I ended up loving them all by the end. The world is one I would adore stepping into for a week to live in, so it’s a very good escapist read. The MC’s directive is so simple, since he’s just trying to get into a bard group and prove his family wrong. The fact the scenario twists into so much more but remains so wholesome reminded me of the anime Spice and Wolf.
A bard and a forest spirit uncover a deadly magical threat…and the key to survival lies within their own forgotten songs.
Struggling bard Emry Karic has only one path home: impress the Auric Guild, join its ranks of elite musicians, and return to his family with his honor in hand.
Difficult to do on a good day. Impossible to do with a possessed lute.
Hours before Emry’s big break, an unnatural earthquake strikes, forcing a forest spirit named Aspen to take refuge in his lute. Aspen is loud, talkative...and not leaving anytime soon.
At the age of seven, already a devoted bookworm, I came upon a large stack of early-20th century children's magazines filled with stories, poems, and especially fairy tales, some the classic kind, and some weird, scary or unfamiliar. I don't know where those dog-eared, well-thumbed annuals came from, or what happened to them afterward – they were lost or given away when our family moved, I suppose. But I have never forgotten them, or the effect they had on my imagination and longings. I've been searching for those long-lost tales ever since... and it finally led me to decide I would just have to write a few of my own.
When I was young I devoured Bullfinch's Mythology from cover to cover. Looking back, I am amazed that I had the time and the devotion to read the whole 900-odd pages, which give short, matter-of-fact recaps of the Greek and Roman myths, as well as the legends of King Arthur and Charlemagne. You'll find these tales far more beautifully told in the original Ovid or Virgil versions, I suppose, but if you just want the facts, Ma'am, the who's who of it all, then this is a fine place to start.
Legendary tales of myth and romance written so everyone can enjoy the stories!
Can’t keep all your gods and goddesses straight? Wondering about mythological references in classic literature? Bulfinch’s Mythology offers approachable accounts of ancient legends in a compilation of the works of Thomas Bulfinch, banker and Latinist. This volume includes all three of Bulfinch’s original titles: The Age of Fable, The Age of Chivalry, and The Legends of Charlemagne. Bulfinch states his purpose for the book clearly: “Our work is not for the learned, nor for the theologian, nor for the philosopher, but for the reader of English literature...who…
Jenny Jaeckel is the award-winning author and illustrator of several books including her historical fiction companion novelsHouse of RougeauxandBoy, Falling, a collection of illustrated short fiction entitled For the Love of Meat, and the graphic novel memoir Spot 12: Five Months in the Neonatal ICU. She has a special passion for coming-of-age stories for their power in capturing the stories of life that are the most specific and most vivid. When not writing, Jaeckel works as an editor and translator. She lives in Victoria, British Columbia, with her family. Eighteenis her third novel.
Like all the young girls in this shortlist of coming-of-age stories, Ashley C. Ford (one of Angelou’s literary children) is a survivor hell-bent on finding a life better than the one she was handed, and, like the others, she is remarkably sensitive, imaginative, and able to paint her world for us in the most tender and unique shapes and colors. How does a young girl weather such brutal realities, experience beauty, and splice together a space for her soul? Ford’s memoir is one such contemporary story.
INSTANT NEW YORK TIMES BESTSELLER NBCC John Leonard Prize Finalist Indie Bestseller
“This is a book people will be talking about forever.” —Glennon Doyle, #1 New York Times bestselling author of Untamed
“Ford’s wrenchingly brilliant memoir is truly a classic in the making. The writing is so richly observed and so suffused with love and yearning that I kept forgetting to breathe while reading it.” —John Green, #1 New York Times bestselling author
One of the most prominent voices of her generation debuts with an extraordinarily powerful memoir: the story of a childhood defined by the looming absence of her…
I am a world traveler and educator, a student of psychology and myth, and a lover of the wild and ancient places. I believe that sword and sorcery, the vanguard of modern fantasy, is overdue for a comeback. These tales echo the trials of Hercules, the rage of Achilles, and the melancholy of Gilgamesh and Beowulf, to name a few. There is much yet to learn: I write to stir my readers’ blood, and to examine the lessons of the epics: that man must face down the inhuman and monstrous to discover himself; that we cannot truly live until we have borne a great trial of our own. Stay fierce!
For me, The Black Companyopened a whole range of personalities that could “work” for fantasy—the grim, desperate men of the Company are not good men… but they’re heroes nonetheless.I found The Black Company’sfocus on character over grandiose plot to be refreshing after many years of reading swollen tomes. Even better,The Black Companytaught me a lot about focusing in on the relationship between men: the Company men talk like the men I know, gruff, to the point, competitive and combative even when they’re working together. It feels rough and real in a way that sticks with me even years later. As a dad and an educator, my reading time is limited; Cook gets far more across, in far less space, than many other fantasy authors.
Some feel the Lady, newly risen from centuries in thrall, stands between humankind and evil. Some feel she is evil itself. The hard-bitten men of the Black Company take their pay and do what they must, burying their doubts with their dead.
Until the prophesy: The White Rose has been reborn, somewhere, to embody good once more. There must be a way for the Black Company to find her...
So begins one of the greatest fantasy epics of our age―Glen Cook's Chronicles of the Black Company.
Victoria Talwar, PhD, is a professor and the chair of the Department of Educational & Counselling Psychology at McGill University. She is a recognized leading expert on children’s deception and has published numerous articles on children’s honesty and lie-telling behaviors. Dr. Talwar has given workshops to parents, teachers, social workers, and legal professionals. Among other distinctions, she was awarded the Society for Research on Child Development Outstanding Early Career Contributions to Child Development Research award. She is a Fellow of the American Psychological Association (Division 7), a Fellow of the Association for Psychological Science, and a member of the College of the Royal Society of Canada.
This is my favourite book to read to children about honesty. It illustrates why it is good to tell the truth.
Often books focus on the negative aspects of lying. My research shows that it is important to show there are positive consequences for honesty.
In this book, the Emperor gives a seed to each child in the kingdom, proclaiming, “Whoever can show me their best in a year’s time, shall succeed me to the throne!”. The boy, Ping, plants his seed but it does not grow and he has nothing but an empty pot. He truthfully presents his failure. It turns into a triumphant end when his honesty (even as others are dishonest) is rewarded.
The artwork is delicate and the text simple, but powerful.
The Empty Pot is Demi's beloved picture book about an honest schoolboy
A long time ago in China there was a boy named Ping who loved flowers. Anything he planted burst into bloom.
The Emperor loved flowers too. When it was time to choose an heir, he gave a flower seed to each child in the kingdom. "Whoever can show me their best in a year's time," he proclaimed, "shall succeed me to the throne!"
Ping plants his seed and tends it every day. But month after month passes, and nothing grows. When spring comes, Ping must go to the…
I love to teach and to do research on teaching and learning. Little compares to seeing how students’ faces light up when they get it. I want more students to experience the experience of getting it. After teaching for 25 years, and taking a deep dive into the scientific literature on learning, I have accumulated some important insights that I share in my work as Executive Director of a teaching and learning center, with my students, and with faculty across the nation. Teaching is not an impromptu act. It is an art and a science and I revel in it. These books will light a fire in you.
I am a nerd that loves evidence. Teachers often share the wisdom of experience but that only goes so far.
This book hits all the big-ticket items teachers struggle with. Class participation, assessment, getting students to talk, active engagement, and course design. It also covers how to give students more control.
I liked how this book made me question some long-held beliefs. I first disagreed and then was won over by the evidence and examples. That’s a treat.
Professors know a lot, but they are rarely taught how to teach. The author of the Chronicle of Higher Education's popular "Pedagogy Unbound" column explains everything you need to know to be a successful college instructor.
College is changing, but the way we train academics is not. Most professors are still trained to be researchers first and teachers a distant second, even as scholars are increasingly expected to excel in the classroom.
There has been a revolution in teaching and learning over the past generation, and we now have a whole new understanding of how the brain works and how…
Ever since I can remember, I have been fascinated by scary movies, creature features, and books that tell tales of the strange and supernatural. Years later, my own books explored those things that scare us, from monsters of the deep and the ways we die to the mythology of blood. Research for those books led me into realms that explained why we fear the things we do. Many of those fears are found in horror novels, which provide an endless source of fright, release, and entertainment within their haunting pages. I can’t think of any other genre of writing that takes its readers on such a joyously terrifying ride.
No writer creates a compelling sense of dread better than H.P. Lovecraft. His stories instantly immerse you in whatever world he’s conjuring, and I think his writing reached its peak in this book.
His narrator descends into a creepy world of “others” whom he senses want to harm him (in his personal life, Lovecraft was notoriously disdainful of “others”). I was willingly dragged along with Lovecraft’s desperate narrator as he raced through town, hotel rooms, and ultimately into a terrifying gathering of the townspeople.
Nearly a century after its publication, I consider it to be one of the most timeless and striking pieces of horror ever created.
During the winter of 1927-28 officials of the Federal government made a strange and secret investigation of certain conditions in the ancient Massachusetts seaport of Innsmouth. The public first learned of it in February, when a vast series of raids and arrests occurred, followed by the deliberate burning and dynamiting-under suitable precautions-of an enormous number of crumbling, worm-eaten, and supposedly empty houses along the abandoned waterfront.
I’ve always loved horror stories. At the age of 7 or 8, I’d be reading The Pan Book Of Horror Stories or Aidan Chambers’ Haunted Houses by flashlight with the bed sheets pulled over my head (not because I should have been asleep, but to guard against vampires creeping up on me!) I always found these stories strangely comforting, a world of adventure into which a shy kid like me could retreat. Ghosts and monsters became part of my cultural DNA, constant companions through life. That’s why I write horror today, to make my own tiny contribution to the genre, which has given me so much.
If you’re interested in the literary roots of vampires, and Dracula in particular, I’d heartily recommend this nonfiction title. It delves into the origins of characters like the Count in earlier 19th-century texts and examines how and why Dracula became such a long-lasting cultural influence. It’s also very good on Bram Stoker’s life and less famous works.
Christopher Frayling has spent 45 years exploring the history of one of the most enduring figures in the history of mass culture - the vampire. Vampyres is a comprehensive and generously illustrated history and anthology of vampires in literature, from the folklore of Eastern Europe to the Romantics and beyond. Frayling recounts the most significant moments in gothic history, while extracts from a huge range of sources - including Bram Stoker's detailed research notes for Dracula, penny dreadfuls and Angela Carter's The Bloody Chamber , new to this edition - are contextualized and analysed. This revised and expanded edition brings…
The first thing I ever wrote was a play about a goose girl, and I’ve been fascinated with fairytales ever since. As a poet, I adore how the images speak deeply to our subconscious—fur, hair, mirrors, blood, snow, fairy fruit. As a nonfiction writer, my book explored witches and princesses, whilst my latest adult novel looks at a fairytale salon in Paris attended by Perrault. I hope this list convinces you that fairytales aren’t only for the nursery but are as important to literature as Greek myths—shaping our narratives and reemerging in surprising places.
An incredible feat of literary criticism, Marina Warner takes fairytales very seriously and as such leads us on an incredible journey through storytelling from the Queen of Sheba to Charles Perrault to the Brothers Grimm. This is the essential nonfiction title if you’re interested in fairytales, and it has shaped my reading of them ever since.
In this landmark study of the history and meaning of fairy tales, the celebrated cultural critic Marina Warner looks at storytelling in art and legend-from the prophesying enchantress who lures men to a false paradise, to jolly Mother Goose with her masqueraders in the real world. Why are storytellers so often women, and how does that affect the status of fairy tales? Are they a source of wisdom or a misleading temptation to indulge in romancing?
