I have been a student of Druidry since the mid-1990s and I have also had a passion for history and mythology since I received a children’s version of “The Twelve Labours of Hercules” when I was around 7 years old. I’ve read pretty much all the major stories and texts in relation to Celtic myth and Druid lore (particularly from Ireland). I have spent the last 20 years studying the remains of Irish Druidism and how to incorporate it into modern practice is a respectful but relevant way.
Written by the first Chosen Chief and founder of the Order Of Bards, Ovates and Druids (OBOD), it was published posthumously in 1990 from lost work rediscovered in 1984.
Based on remains of British or Brythonic Druidism combined with texts from the Druidic revival of the 18th century onwards and the author’s own ideas and research, it is one of the most valuable and practical texts of the modern Druidic path.
It is not an easy book to read, written in a rather academic and haughty style, but still it is well worth the effort of reading.
Comprehensive survey of the Druids from their earliest history to the current renaissance.
The book includes:
Druidic ideas and philosophy * The relation with Arthur, Taliesin and the Grail * The relationship of druidic teachings to sacred sites * Descriptions of druidic ritual
I came to the Arthurian legends through the medium of medieval Welsh literature, a subject that had intrigued and challenged me since I was an undergraduate. I found the language impenetrable and yet beautiful, while the literature it encoded was fascinatingly unlike the literary traditions of England and France. I wanted to connect with a version of Arthur that preceded the romance traditions of France and England and bears witness to a much older culture and social organisation. Though I've learned to love other versions of Arthur, and indeed I teach the Arthurian legends as part of my academic work, the stark drama of the Welsh poems and tales continues to intrigue me.
This was one of the first Arthurian reference books and remains one of the best.
Its comprehensive scope, covering Arthurian legends and characters across many European literatures, provides answers to all possible questions about the world of Arthur. The format of short alphabetical entries is perfect for browsing – you will find all you need to know about the Bleeding Lance or the ‘Gargantuan Chronicles’ among many other lesser-known Arthurian curiosities.
I found this book invaluable when I was preparing my own book and I still dip into it when teaching students.
As a graduate student in library science, I stumbled across an entry on Macbeth in a biographical dictionary. It stated he was actually a good king who ruled for seventeen years. Furthermore, he claimed the throne in his own name and that of his wife. I was hooked. I did extensive research trying to find the man behind the legend, and how the tale got twisted into what Shakespeare gave us. From Celtic, Norse, and English sources, I extrapolated the culture of 11th-century Scotland, and a man who might well have been the historical high king Macbeatha.
This is perhaps my favorite historical novel ever, not only because of Godwin’s evocative prose (“Half a baby in a ditch.” Brrr!), but because it contains an extended section on the “little people,” the mound dwellers who predated the Celts in Britain. These people became the fairies, elves, and gnomes of legend, but in Firelord they are the last of a dying culture, trying desperately to survive in a changed world. They capture a wounded Arthur, and as they take him underground, the author’s voice alters radically. It brilliantly captures the alien nature of the mound dwellers and their hypnotic effect on Arthur. Only after Arthur leaves them behind does it return, like Arthur, to something familiar.
Artorious Pendragon, a young warrior-king destined to unite the shattered land of Britain, reaches unattainable heights, only to lose his heart and his kingdom to the greatest betrayal of all. Reprint.
I’ve penned (so far) seventeen novels, most set during some historical conflict or other, all of them revolving around intense personal relationships (loyalty, love, betrayal, those sorts of profound truths). I tend to read the sorts of books I wish to write. I also teach creative writing at a university (VCU); I tell my students that if they want to really know what a character is made of, shoot at them or have them fall in love. In my own work, I do both.
Maybe this is cheating, but it’s still a book set during a war, albeit a fantastical one.
But come on: Arthur, Guinevere, Lancelot, Merlin, Nimue, Pellinore, Gawain, Mordred, the Round Table–I may never have read a more powerful scene (or seen such, in the play) as when Arthur cheers for Lancelot to ride and save Guinevere from a fire which Arthur himself set!
Moving, with great, classic prose typical of the time and White’s contemporaries C.S. Lewis and Tolkien.
Voyager Classics - timeless masterworks of science fiction and fantasy.
A beautiful clothbound edition of The Once and Future King, White's masterful retelling of the Arthurian legend.
T.H. White's masterful retelling of the Arthurian legend is an abiding classic. Here all five volumes that make up the story are published together in a single volume, as White himself always wished.
Here is King Arthur and his shining Camelot, beasts who talk and men who fly; knights, wizardry and war. It is the book of all things lost and wonderful and sad; the masterpiece of fantasy by which all others are…
When I think of the distant past, I imagine it being populated by those who were a bit closer to the magical world than we. The men (or were they wizards?) who raised the standing stones. The druids of the ancient Celtic world. Figures like Arthur, Robin Hood, and the Viking shamans who harbored a kinship with the waters, with the trees, and with the land. The magic of the past is like a song played on a harp, the echoes of which still waft through our world. Some of us can hear those echoes yet, and some of us write about them.
I picked up this book years ago at my local library by chance, if you believe in chance—which I do not. At that time, I had no idea the narrative of a historical romance could stretch back to Iron Age times, or that I could lose myself in the characters who populated the legends I love. For years, I’d been listening to Celtic music. In Patricia Finney’s wonderful story, I heard that music in the everyday world she created. I discovered how it feels to drive a chariot. Quite possibly, I revisited a past life. I will be forever grateful this book came into my hand.
I love British history. I am fascinated by ancient roots; legends and myths arising from around the Roman invasion. Stories of Boudicca, Casswallen, Celtic legends, and Arthurian tales hold me in a world of imaginings and anticipation. These exciting stories have been told and retold, but Cartimandua, Warrior Queen of Brigantia is new to me. She, a Yorkshire lass like me – led the largest tribe in Britain. I have become absorbed into the iron-age lives and loves of her Brigantia. The interwoven links between known facts and fantasy intrigue me. My favourite books here encouraged my journey of discovery; the old birthing the new. The legends from Britain grow.
Through the pages of this book, unfolds a tangible reality of the birth and boyhood of Merlin the magician, leading up to his central position in the legend of Arthur and the Knights of the Round Table.
As I read, I saw how Stewart wove a story using some accepted historical facts and myths, to create something new and solid. I saw the way Stewart used mystical moments and magical spells to sit above common logic.
Her ability to write in this imaginative way makes her characters more believable. And I do believe it. I have feelings of satisfaction at the end of the book, which inspired me to write my own historical story.
Vivid, enthralling, absolutely first-class - Daily Mail
So begins the story of Merlin, born the illegitimate son of a Welsh princess in fifth century Britain, a world ravaged by war. Small and neglected, with his mother unwilling to reveal his father's identity, Merlin must disguise his intelligence - and hide his occasional ability to know things before they happen - in order to keep himself safe.
While exploring the countryside near his home, Merlin stumbles across a cave filled with books and papers and hiding a room lined with crystals. It is…
I first became obsessed with the ancient world at around seventeen, and have spent the subsequent years researching and gathering knowledge on all aspects of ancient life. It was through fiction that this love first blossomed and the yearning for books has not yet ceased. In 2015 I decided I didn’t want to just be a reader anymore, and I began work on what would in 2017 become my debut novel, The Centurion’s Son. I have no plans to stop any time soon.
I was about seventeen, at an airport waiting for a flight to Cyprus when I picked up this book whilst browsing. Didn’t realise at the time it would change my life forever. I read it three times in two weeks, despite finding out after the first time it was the third in a trilogy. I was hooked on the blood and the battles, the brotherhood of Arthur’s soldiers, the bygone era Bernard Cornwell seemed to so effortlessly breathe back to life. I haven’t looked back since.
A story of love, war, loyalty and betrayal, EXCALIBUR begins with the failure of Lancelot's rebellion and the ruin of Arthur's marriage to Guinevere. The Saxons, sensing the disunity of the Britons, seize the chance to destroy Arthur. The climax of the war comes with the legendary triumph at Mount Badon, and Arthur`s great victory. But the promises he made then come back to haunt him after the years of peace and glory.
I like books about big families, especially unusual ones, but I have only one sister and only one child, so when I set out to write about these families, I read about them first. We place so much importance on how kids are raised, what kind of childhood and home life and family they have growing up, what gifts and what challenges they’re bestowed by genetics, history, identity, society, circumstance. Siblings usually share all or at least most of these markers and yet turn into often wildly different adults. It’s also true that all those fine sibling balances – love/hate, adored/annoyed, admired/appalled, alike/different – are great fun to read and write.
When I first sat down to write a novel about three sisters, step one was to reread King Lear which is about exactly that. The three sisters in Lear are quite different from mine. Among other things, they like each other much less. But for that delicate sisterly balance between so-glad-I-have-you-to-share-the-burdens-of-an-aging-parent and I-might-actually-have-to-kill-you, nothing beats King Lear.
As an author of historical fiction set in Upper Michigan and a seventh-generation resident of Marquette, I’ve always wished I had a time machine so I could travel back to see what Upper Michigan looked like when my French voyageur ancestors traveled the Great Lakes in the 1600s and when my Marquette ancestors helped found the town in 1849. Since I haven’t learned how to invent a time machine yet, the next best thing was to write a time travel novel. To begin, I tried to pick one Marquette history event I wanted to change—the dramatic 1903 move of the Longyear Mansion from Marquette to Massachusetts.
Mark Twain’s King Arthur time travel novel led to numerous others.
While Twain’s novel is more of a veiled attempt to depict his own time, other authors have depicted Camelot as a utopian place and asked what the world would be like if it had not fallen. In The Forever King, a young boy, Arthur Blessing, turns out to be a reincarnated King Arthur. He travels back in time to Camelot to try to restore its past glory.
He failed in the past, but with the help of the Holy Grail, he is determined not to fail again. The novel led to two sequels. Like all these time travel novels, the goal is to change the past to create a better future. But utopias are always hard to achieve.
In a darkened house not far from the place where Camelot may once have stood, a madman schemes, plotting toward the day when he will wrest the cup that men call the Holy Grail from the boy who is its guardian. Arthur Blessing is no ordinary ten-year-old. The Grail is his by chance, this time, but the power to keep it - a power as ancient time itself - is his by right. Now he must stay alive, battling foul sorcery and indefatigable assassins, long enough to use that power.
I am an Emeritus Professor of Archaeology at Cardiff University. I have been writing books on later prehistoric and Romano-British and Roman provincial cults and customs since the 1980s, and my fascination with this subject remains undimmed. I have travelled all over the world as a visiting lecturer and in 2015 my book Bog Bodies Uncovered won two US Books of the Year awards. I have always been of the view that research is pointless unless it is shared and easily communicated, and so I try to avoid academic jargon and to present my publications both as accessible to general readers and as relevant to people at the cutting edge of their own research.
This well-illustrated and highly readable book (available in hardback and paperback) is a comprehensive discussion of archaeological evidence for sacred buildings in late Iron Age and Roman Britain: ranging from grand Classical public sanctuaries, such as the temple of Claudius at Colchester, to rural, more intimate shrines, such as the temple dedicated to Apollo Cunomaglus at Nettleton in Wiltshire. Many sanctuaries, particularly in south-west England, seem purposefully to have been built within a day’s walk of each other and (sometimes, perhaps) within sight of one another, and it is tempting to see these ‘chains of sanctity’ as pilgrim routes, akin to the Camino trails of southern France and northern Spain. Reconstruction drawings in this book cause the ruins of Roman Britain’s shrines to spring into life, and make it easy to imagine what it must have been like to visit and worship at these holy places. The finds, also, tell…
Based on new findings over the last 40 years, this book explores the ritualistic and cultic practices in Britain during the transitional period between paganism and early Christianity. A major theme running through the book is the continuity, or otherwise, between the cult sites, symbolism and rituals of the different periods: Iron Age, Roman and post-Roman. In the last 40 years, shrines at Lydney, South Cadbury, Uley, Bath and Maiden Castle and the great Roman cemeteries outside Winchester and Dorchester, have been excavated, together with a great number of other religious sites dating from the Iron Age, Roman and post-Roman…
