I came to the Arthurian legends through the medium of medieval Welsh literature, a subject that had intrigued and challenged me since I was an undergraduate. I found the language impenetrable and yet beautiful, while the literature it encoded was fascinatingly unlike the literary traditions of England and France. I wanted to connect with a version of Arthur that preceded the romance traditions of France and England and bears witness to a much older culture and social organisation. Though I've learned to love other versions of Arthur, and indeed I teach the Arthurian legends as part of my academic work, the stark drama of the Welsh poems and tales continues to intrigue me.
This was one of the first Arthurian reference books and remains one of the best.
Its comprehensive scope, covering Arthurian legends and characters across many European literatures, provides answers to all possible questions about the world of Arthur. The format of short alphabetical entries is perfect for browsing – you will find all you need to know about the Bleeding Lance or the ‘Gargantuan Chronicles’ among many other lesser-known Arthurian curiosities.
I found this book invaluable when I was preparing my own book and I still dip into it when teaching students.
Full disclosure: I don’t know much about swords. But as a children’s author and English teacher, I’ve learnt what makes kids want to pick up a book. In short, make it fun! My teenage membership in the Young Archaeologists Club sparked my love of history and archeology. It wasn’t quite as glamorous as Indiana Jones would have you believe, but the idea that hidden treasures might be lurking under our gardens has fascinated me ever since.
Who doesn’t love this book? Only those who haven’t read it.
I love the blend of humour and adventure but, in particular, the way that White transforms these characters from mythical figures to real people. And what a story! Which, you may have forgotten, also features an appearance from another legendary British figure: Robin Hood.
The extraordinary story of a boy called Wart - ignored by everyone except his tutor, Merlyn - who goes on to become King Arthur.
Collins Modern Classics are re-launched with gorgeous new covers bringing these timeless story to a new generation.
"Come, sword," said the Wart. He took hold of the handles with both hands, and strained against the stone... but nothing moved...
When the wizard Merlyn comes to tutor Sir Ector's sons, Kay and the Wart, studying suddenly becomes much more exciting. After all, who wouldn't enjoy being turned into a fish, or a badger, or a snake?
I’ve become a bit of a Hamlet geek in my adult years, including having a framed poster in my house that features the entire text. The passion, for me, comes from the depth and complexity of the story. It sounds like hyperbole, but there really is always something new to discover. Some years ago, I taught Hamlet in a college writing class. That experience really allowed me to dive into the text and much of the attendant criticism. The academic approach opened up whole new worlds of opinions and perspectives for which I’m very grateful.
This retelling of King Lear from the point of view of the king’s jester (or “Fool”) named Pocket is a fun read, but prepare yourself. If you’re not into bawdy humor, stay away. Personally, I found the vulgar irreverence funny, and seeing the tragic events of the original happen around this character who isn’t really affected by any of it gave the story a unique perspective.
This book is like Shakespeare told by Monty Python after the iconic troop is given the okay to proceed with a hard R-rating. The humor plays in both the small moments and the larger, thematic ones.
This is a bawdy tale. Herein you will find gratuitous shagging, murder, spanking, maiming, treason, and heretofore unexplored heights of vulgarity and profanity,. . . If that's the sort of thing you think you might enjoy, then you have happened upon the perfect story!'
So speaks Christopher Moore, one of America's funniest and bestselling authors, regarded as highly as classic satirists such as Terry Pratchett and Douglas Adams.
Read Fool and discover for yourself why this book has dominated bestseller lists across the world, and why it has reduced millions of grown men and women to tears of helpless laughter...
I first became obsessed with the ancient world at around seventeen, and have spent the subsequent years researching and gathering knowledge on all aspects of ancient life. It was through fiction that this love first blossomed and the yearning for books has not yet ceased. In 2015 I decided I didn’t want to just be a reader anymore, and I began work on what would in 2017 become my debut novel, The Centurion’s Son. I have no plans to stop any time soon.
I was about seventeen, at an airport waiting for a flight to Cyprus when I picked up this book whilst browsing. Didn’t realise at the time it would change my life forever. I read it three times in two weeks, despite finding out after the first time it was the third in a trilogy. I was hooked on the blood and the battles, the brotherhood of Arthur’s soldiers, the bygone era Bernard Cornwell seemed to so effortlessly breathe back to life. I haven’t looked back since.
A story of love, war, loyalty and betrayal, EXCALIBUR begins with the failure of Lancelot's rebellion and the ruin of Arthur's marriage to Guinevere. The Saxons, sensing the disunity of the Britons, seize the chance to destroy Arthur. The climax of the war comes with the legendary triumph at Mount Badon, and Arthur`s great victory. But the promises he made then come back to haunt him after the years of peace and glory.
I have been a student of Druidry since the mid-1990s and I have also had a passion for history and mythology since I received a children’s version of “The Twelve Labours of Hercules” when I was around 7 years old. I’ve read pretty much all the major stories and texts in relation to Celtic myth and Druid lore (particularly from Ireland). I have spent the last 20 years studying the remains of Irish Druidism and how to incorporate it into modern practice is a respectful but relevant way.
Written by the first Chosen Chief and founder of the Order Of Bards, Ovates and Druids (OBOD), it was published posthumously in 1990 from lost work rediscovered in 1984.
Based on remains of British or Brythonic Druidism combined with texts from the Druidic revival of the 18th century onwards and the author’s own ideas and research, it is one of the most valuable and practical texts of the modern Druidic path.
It is not an easy book to read, written in a rather academic and haughty style, but still it is well worth the effort of reading.
Comprehensive survey of the Druids from their earliest history to the current renaissance.
The book includes:
Druidic ideas and philosophy * The relation with Arthur, Taliesin and the Grail * The relationship of druidic teachings to sacred sites * Descriptions of druidic ritual
As an author of historical fiction set in Upper Michigan and a seventh-generation resident of Marquette, I’ve always wished I had a time machine so I could travel back to see what Upper Michigan looked like when my French voyageur ancestors traveled the Great Lakes in the 1600s and when my Marquette ancestors helped found the town in 1849. Since I haven’t learned how to invent a time machine yet, the next best thing was to write a time travel novel. To begin, I tried to pick one Marquette history event I wanted to change—the dramatic 1903 move of the Longyear Mansion from Marquette to Massachusetts.
Mark Twain’s King Arthur time travel novel led to numerous others.
While Twain’s novel is more of a veiled attempt to depict his own time, other authors have depicted Camelot as a utopian place and asked what the world would be like if it had not fallen. In The Forever King, a young boy, Arthur Blessing, turns out to be a reincarnated King Arthur. He travels back in time to Camelot to try to restore its past glory.
He failed in the past, but with the help of the Holy Grail, he is determined not to fail again. The novel led to two sequels. Like all these time travel novels, the goal is to change the past to create a better future. But utopias are always hard to achieve.
In a darkened house not far from the place where Camelot may once have stood, a madman schemes, plotting toward the day when he will wrest the cup that men call the Holy Grail from the boy who is its guardian. Arthur Blessing is no ordinary ten-year-old. The Grail is his by chance, this time, but the power to keep it - a power as ancient time itself - is his by right. Now he must stay alive, battling foul sorcery and indefatigable assassins, long enough to use that power.
As a graduate student in library science, I stumbled across an entry on Macbeth in a biographical dictionary. It stated he was actually a good king who ruled for seventeen years. Furthermore, he claimed the throne in his own name and that of his wife. I was hooked. I did extensive research trying to find the man behind the legend, and how the tale got twisted into what Shakespeare gave us. From Celtic, Norse, and English sources, I extrapolated the culture of 11th-century Scotland, and a man who might well have been the historical high king Macbeatha.
This is perhaps my favorite historical novel ever, not only because of Godwin’s evocative prose (“Half a baby in a ditch.” Brrr!), but because it contains an extended section on the “little people,” the mound dwellers who predated the Celts in Britain. These people became the fairies, elves, and gnomes of legend, but in Firelord they are the last of a dying culture, trying desperately to survive in a changed world. They capture a wounded Arthur, and as they take him underground, the author’s voice alters radically. It brilliantly captures the alien nature of the mound dwellers and their hypnotic effect on Arthur. Only after Arthur leaves them behind does it return, like Arthur, to something familiar.
Artorious Pendragon, a young warrior-king destined to unite the shattered land of Britain, reaches unattainable heights, only to lose his heart and his kingdom to the greatest betrayal of all. Reprint.
I’ve penned (so far) seventeen novels, most set during some historical conflict or other, all of them revolving around intense personal relationships (loyalty, love, betrayal, those sorts of profound truths). I tend to read the sorts of books I wish to write. I also teach creative writing at a university (VCU); I tell my students that if they want to really know what a character is made of, shoot at them or have them fall in love. In my own work, I do both.
Maybe this is cheating, but it’s still a book set during a war, albeit a fantastical one.
But come on: Arthur, Guinevere, Lancelot, Merlin, Nimue, Pellinore, Gawain, Mordred, the Round Table–I may never have read a more powerful scene (or seen such, in the play) as when Arthur cheers for Lancelot to ride and save Guinevere from a fire which Arthur himself set!
Moving, with great, classic prose typical of the time and White’s contemporaries C.S. Lewis and Tolkien.
Voyager Classics - timeless masterworks of science fiction and fantasy.
A beautiful clothbound edition of The Once and Future King, White's masterful retelling of the Arthurian legend.
T.H. White's masterful retelling of the Arthurian legend is an abiding classic. Here all five volumes that make up the story are published together in a single volume, as White himself always wished.
Here is King Arthur and his shining Camelot, beasts who talk and men who fly; knights, wizardry and war. It is the book of all things lost and wonderful and sad; the masterpiece of fantasy by which all others are…
When I think of the distant past, I imagine it being populated by those who were a bit closer to the magical world than we. The men (or were they wizards?) who raised the standing stones. The druids of the ancient Celtic world. Figures like Arthur, Robin Hood, and the Viking shamans who harbored a kinship with the waters, with the trees, and with the land. The magic of the past is like a song played on a harp, the echoes of which still waft through our world. Some of us can hear those echoes yet, and some of us write about them.
I picked up this book years ago at my local library by chance, if you believe in chance—which I do not. At that time, I had no idea the narrative of a historical romance could stretch back to Iron Age times, or that I could lose myself in the characters who populated the legends I love. For years, I’d been listening to Celtic music. In Patricia Finney’s wonderful story, I heard that music in the everyday world she created. I discovered how it feels to drive a chariot. Quite possibly, I revisited a past life. I will be forever grateful this book came into my hand.
I came to the Arthurian legends through the medium of medieval Welsh literature, a subject that had intrigued and challenged me since I was an undergraduate. I found the language impenetrable and yet beautiful, while the literature it encoded was fascinatingly unlike the literary traditions of England and France. I wanted to connect with a version of Arthur that preceded the romance traditions of France and England and bears witness to a much older culture and social organisation. Though I've learned to love other versions of Arthur, and indeed I teach the Arthurian legends as part of my academic work, the stark drama of the Welsh poems and tales continues to intrigue me.
This book-length study of the magical figure of Merlin is the most authoritative account of the literary lives of Merlin, Arthur’s wizard guide, from his earliest incarnation in Welsh poetry to his reinvention in modern novels and films.
Stephen Knight, a prolific medievalist whose work is always readable and entertaining, takes Merlin’s gifts of knowledge and foresight as his theme, arguing that throughout the many versions of Merlin in literary texts, operations of power are always working to restrict and contain Merlin’s command of knowledge.
Reading this book takes you on a journey that will enrich your understanding of the Arthurian legends.
Merlin, the wizard of Arthurian legend, has been a source of enduring fascination for centuries. In this authoritative, entertaining, and generously illustrated book, Stephen Knight traces the myth of Merlin back to its earliest roots in the early Welsh figure of Myrddin. He then follows Merlin as he is imagined and reimagined through centuries of literature and art, beginning with Geoffrey of Monmouth, whose immensely popular History of the Kings of Britain (1138) transmitted the story of Merlin to Europe at large. He covers French and German as well as Anglophone elements of the myth and brings the story up…
