I came to the Arthurian legends through the medium of medieval Welsh literature, a subject that had intrigued and challenged me since I was an undergraduate. I found the language impenetrable and yet beautiful, while the literature it encoded was fascinatingly unlike the literary traditions of England and France. I wanted to connect with a version of Arthur that preceded the romance traditions of France and England and bears witness to a much older culture and social organisation. Though I've learned to love other versions of Arthur, and indeed I teach the Arthurian legends as part of my academic work, the stark drama of the Welsh poems and tales continues to intrigue me.
So many books about King Arthur are highly speculative if not completely wacky. My comprehensive introduction to the Arthurian legends, containing 35 chapters by leading international experts, sets out the facts as we know them in an accessible way. Starting with the earliest references to Arthur in Latin and Welsh, each chapter describes key texts in the Arthurian canon, including recent films and computer games. Travelling across this chronological sweep of texts and genres is an explicit concern with the meanings carried by the Arthurian legends and how these have changed to suit different audiences and different contexts. The book is sensible, but it is also exciting.
I love this description of the power that the Arthurian legends exerted in nineteenth-century Britain and its cultural imagination.
With the re-printing of Thomas Malory’s Morte Darthur, poets, writers, and artists were inspired by these tales of chivalry and sacrifice at a time when the British Empire was at its height and ideals of service, governance, and personal endeavour were central to norms of masculinity.
Girouard perfectly captures the mood of the times and shows us why the vision of Camelot, doomed in its own Arthurian context, was even more flawed, and yet magnetic, in the context of empire.
This was one of the first Arthurian reference books and remains one of the best.
Its comprehensive scope, covering Arthurian legends and characters across many European literatures, provides answers to all possible questions about the world of Arthur. The format of short alphabetical entries is perfect for browsing – you will find all you need to know about the Bleeding Lance or the ‘Gargantuan Chronicles’ among many other lesser-known Arthurian curiosities.
I found this book invaluable when I was preparing my own book and I still dip into it when teaching students.
This book-length study of the magical figure of Merlin is the most authoritative account of the literary lives of Merlin, Arthur’s wizard guide, from his earliest incarnation in Welsh poetry to his reinvention in modern novels and films.
Stephen Knight, a prolific medievalist whose work is always readable and entertaining, takes Merlin’s gifts of knowledge and foresight as his theme, arguing that throughout the many versions of Merlin in literary texts, operations of power are always working to restrict and contain Merlin’s command of knowledge.
Reading this book takes you on a journey that will enrich your understanding of the Arthurian legends.
Merlin, the wizard of Arthurian legend, has been a source of enduring fascination for centuries. In this authoritative, entertaining, and generously illustrated book, Stephen Knight traces the myth of Merlin back to its earliest roots in the early Welsh figure of Myrddin. He then follows Merlin as he is imagined and reimagined through centuries of literature and art, beginning with Geoffrey of Monmouth, whose immensely popular History of the Kings of Britain (1138) transmitted the story of Merlin to Europe at large. He covers French and German as well as Anglophone elements of the myth and brings the story up…
For any serious Arthurian fan, an understanding of the Welsh origins of Arthur is essential, and yet unpicking these early threads of Arthurian material can be difficult.
This book provides the perfect guide, a series of accessible articles about the various stories and poems that circulated in Wales before the fourteenth century. As someone who has studied medieval Welsh literature in depth, I enjoy sharing knowledge of this fascinating culture with others, and this book opens a door into the world of early Wales where Arthur first took shape as a legendary battle warrior.
Arthur’s Welsh origins have perhaps attracted more extremist views than any other part of the legends, so this book, based on documentary evidence, is a welcome corrective to the more far-fetched speculations about the origins of Arthur.
Little, if anything, is known historically of Arthur, yet for centuries the romances of Arthur and his court dominated the imaginative literature of Europe in many languages. The roots of this vast flowering of the Arthurian legend are to be found in early Welsh tradition, and this volume gives an account of the Arthurian literature produced in Wales, in both Welsh and Latin, during the Middle Ages.
The distinguished contributors offer a comprehensive view of recent scholarship relating to Arthurian literature in early Welsh and other Brythonic sources. The volume includes chapters on the 'historical' Arthur, Arthur in early Welsh…
Before the appearance of ‘franchise’ novels set in an Arthurian world, and even before the genre of ‘fantasy writing’ had established itself, the American writer Marion Zimmer Bradley published one of the most remarkable novels about Arthurian Britain and its cast of characters.
Well researched and deeply imbued with the colours of a powerfully-imagined world, the novel refocuses the events of Arthur’s life from the point of view of the women who surround him, especially Morgaine (Morgan le Fay) and Igraine, Arthur’s mother.
This was the first feminist retelling of the Arthurian story, one in which Arthur was no longer the focus of the action, and when I first read the novel I found the audacity of this inversion captivating.
Here is the tragic tale of the rise and fall of Camelot - but seen through the eyes of Camelot's women: The devout Gwenhwyfar, Arthur's Queen; Vivane, High priestess of Avalon and the Lady of the Lake; above all, Morgaine, possessor of the sight, the wise, the wise-woman fated to bring ruin on them all...
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket.
Now that he is in his eighties, she contemplates her obligation to an absentee father. The Truth About Unringing Phones is an exploration of responsibility and culpability told in experimental and fragmented essays.
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket. Now that he is in his eighties, she contemplates her obligation to an absentee father.
The Truth About Unringing Phones: Essays on Yearning is an exploration of responsibility and culpability told in experimental and fragmented essays.
