The most recommended high fantasy books

A simple explanation of this book is Althalas is a thief and lives his life looking for the next heist he can pull off, until the Goddess Dweia hires him to save the world from the desolations of her evil brother Daeva and his henchman Ghend. The telling of this tale is anything but simple. The authors have drawn on past civilisations that can be easily recognised to the reader, such as the Roman and Viking, adding their own lore and history to it. It is richly described and draws the reader to become invested in Althalas’s troubles and successes, along with all of his personable and flawed companions. It is an enjoyable read, and I dare you not to fall in love with Emmy.

In this book, we get to see the dichotomy of good versus evil in dragons, but both believe they have chosen the righteous path. Saphira and Eragon care for each other deeply and although they fight and argue, they have formed an unbreakable bond. Eragon is the “chosen one” and Saphira makes sure he knows it. She selected him. I particularly like the training that they go through with the experienced dragon rider, and enjoy how the experienced dragon plays a significant part in educating the new pair.

Pete Hamill is one of my father’s favorite writers. Both share a love of history and, especially, the history of New York, which is the backdrop of this book and the history of my family.

Hamill paints such a rich world that it’s easy to fall into it and long to stay. 

Many of my family called New York home, most via Ellis Island. Reading this story, which takes New York back to its beginnings, made me feel closer to my ancestors. I’ve walked those streets with my father and been in those neighborhoods, listening to his tales of his childhood and wondering what it all looked, smelled, and sounded like in the past.

Action is one of the harder things to get right in a novel. But if you want to see a master at work, Larry Correia’s your man.

This book delivers the usual cinematic masterpieces of violence Correia’s fans have come to know and love, wrapped inside tight, complex plotting and believable, empathetic characters, all in a fresh setting not commonly explored in epic fantasy. 

A brutal re-telling of the King Arthur legend, this novel reimagines the familiar story, retaining the feeling of weird magic, while pulling no punches about the characters. Arthur is a thug, Guinevere is no better, Merlin is a frustrated sprite beset by his female counterparts, and Britain is best described as a “clogged sewer that Rome abandoned just as soon as it could.”

The first of a five-book planned series to tell the story of the Matter of Britain, this is a ruthless and dark take that grabbed me from the beginning. I’ve always loved history, even a warped version like this. It left me eager for more and set me tracking down what else this author had written. I was not disappointed.

The medieval fantasy in this book was juxtaposed with band culture for the bard MC early in the book, which gave me a few laughs. I love all of the characters, but even more, I love that I didn’t like them all at first. One character came across too cheery while another was too stuck up, but I ended up loving them all by the end. The world is one I would adore stepping into for a week to live in, so it’s a very good escapist read. The MC’s directive is so simple, since he’s just trying to get into a bard group and prove his family wrong. The fact the scenario twists into so much more but remains so wholesome reminded me of the anime Spice and Wolf.

I felt instant empathy for the two main characters in this book. The half-human Jace is hated and feared only because he is half ryrik, so I felt great sympathy for him, having been hated by those I loved. It hurts so badly, which made me hurt for Jace. Another character who later befriends Jace lives in a dangerous situation and faces terrible persecution in an especially memorable scene. It made me wonder if I could be as steadfast in her place. Both encourage me to be courageous in difficult situations.

I had never planned to read this book, but by a strange twist of fate, it became highly influential for me. I saw the cover art first, featuring the protagonist with his ‘coldfire’ blade and with the dark creeping lines of magic at his feet—this became the basis for an early rendering of the central character in Kiranis.

Rising focuses on a dark power that attacks the minds of humans, thriving on their fear. There was a wonderful tone to this dark fantasy story that permeated the creepy forests in which I recall most of the action taking place; and the anti-hero at the centre of the story occupies this gothic, almost Victorian Stoker-esque world. Tarrant was an ‘evil’ character with the hope of redemption through a woman he falls in love with, and this story, alongside my reading of Gemmell and Feist, taught me how to create more depth… show more.

I adored this book because it was not of the typical Stephen King variety. I did, of course, enjoy the rich kingdom that King weaves, but the very ingenious escape of one of the main characters nailed it for me.

I like it when things are not easily guessed, and I love it more when books are so creative that you remember details 30 years after you’ve read them.

For me, The Black Company opened a whole range of personalities that could “work” for fantasy—the grim, desperate men of the Company are not good men… but they’re heroes nonetheless. I found The Black Company’s focus on character over grandiose plot to be refreshing after many years of reading swollen tomes. Even better, The Black Company taught me a lot about focusing in on the relationship between men: the Company men talk like the men I know, gruff, to the point, competitive and combative even when they’re working together. It feels rough and real in a way that sticks with me even years later. As a dad and an educator, my reading time is limited; Cook gets far more across, in far less space, than many other fantasy authors.