The most recommended books about television

I fell in love with these folktales after watching the television series of the same title when I was a child. I was ecstatic to be hypnotised all over again by the magic, charm, and wisdom contained within each gem. I found each story conjured up a sense of wonder, mystery, and the need to know what happened next within me.

I loved how the characters were beautifully portrayed. Each faced their own intriguing quest and struggled to overcome outlandish obstacles, and I was fascinated by how they would eventually achieve their goal no matter what the cost to themselves whilst learning a valuable lesson along the way.

The behind-the-scenes look at the show’s production from the Jim Henson Archives at the back of the book is a nice touch too.

The Twilight Zone, again? Yes, The Twilight Zone again. There are tons of great stories here, but I'm highlighting Lynn Venable's "Time Enough at Last," which is arguably even more iconic than "Nightmare at 20,000 Feet." While most would regard it as a science-fiction story more than a horror story, I think it’s one of the best examples ever put to paper of the principle that horror is personal. One person’s inconvenience is another’s world-ending nightmare—and vice versa. Lynn Venable’s broader body of work is not especially well known, but with this one story dropped into a genre dominated by men, Venable turned out one of the greatest and most memorable genre stories there would ever be. So check it out—you know, while there’s still time.

Dunleavy explores what complexity means for contemporary ‘quality’ TV. She focusses on the narrative structures, creative strategies, and style of contemporary television.

For me, what stands out about this book is how it explores the interrelationship between recent technological changes and what we understand as television. This results in a redefinition of television.

When writing the second edition of my book, I found the different ways people have conceptualized contemporary television especially important.

Most of those curious about the history of television have heard of the boy who invented it: Philo Farnsworth. He was just 14 years old when he conceived the idea that led to the first televised image less than a decade later. Farnsworth died penniless and unwell despite a life spent devoted to what became one of the most influential inventions of his lifetime and ours. That journey is a large part of the story the Tube authors unfold, but there are several additional key players who factor into the medium’s early years, and that, along with what will feel like some prescient thoughts about the current state of the television industry, make for an insightful, delightful read in this 1996 tome.

Film historian and professor Bogle does a deep dive on the history of Black characters and series on television, from the early days of the medium and stereotyped portrayals on series like Amos ‘n’ Andy through groundbreaking ‘70s shows like Sanford & Son and The Jeffersons, ‘80s juggernaut The Cosby Show, and the sitcoms of UPN and The WB in the mid-1990s. Bogle shares his opinions throughout the compelling chronicle, and does not suffer foolish performances or material gladly, making this a must read for any TV fan seeking a truly comprehensive account of TV history.

This is one of my favorite books about contemporary television.

It deals with the processes that changed how television was viewed following the changes in HBO-style ‘quality’ television. It also critically explores the ways legitimization and associated words like ‘quality’ work as an ultimately classist system where television works as cultural capital.

Netflix established itself on the back of this legitimization, using HBO-style ‘quality’ TV series like House of Cards and Orange is the New Black. But HBO also used DVDs to ‘filter’ the individual program out from the ‘flow’ of television, which helped Netflix to establish itself as television.

If The Twilight Zone Companion was my original bible, then the Deep Space Nine Companion was its extensively expanded new testament. The alpha and omega for what a book about the making of a television show could be, this massive compendium was made possible by the unparalleled access the authors had to everyone as the show was in production. This book blew my mind with all the details it included and all of the aspects examined. Simply a treasure for all Star Trek: Deep Space Nine fans. That said, this is an authorized book, meaning nothing was published without the studio’s oversight, which differentiates it from the earlier books on this list. Nonetheless, it’s the one I strove to match when I compiled my own study on the making of Gene Roddenberry’s Andromeda entitled Sailing the Slipstream (a book I plan to re-format and re-release in an anniversary edition). 

This is a short book in which Newman explores the changes in what the term ‘video’ means.

The term is closely intertwined with the history of television, describing first television broadcasts and then how taping was used to bridge the time differences between the American east and west coasts. The term then described the ways home video revolutionized how video was used in the private sphere. Today, we receive videos as the digital snippets we see on YouTube or the short clips we post on social media. 

I like Newman’s work in general. But this book tells us so much about TV history in the US; I find it an incredibly fascinating work.

Rod Serling’s fantasy anthology (where he was narrator and chief writer) was a favorite of ours back then and still is. Despite a skimpy production budget, the show’s quality scripts, acting, and imaginative themes usually transcended the sparse settings.

Having seen most episodes several times, we still turn to Zicree’s handy book to refresh our memories of the show. This was one of the first of the “companion” books to document a memorable TV series, presenting each episode with cast and crew information, airdate, sample photo, the text of Serling’s intro and outro narration, plot summary and revealing analysis, and background details. The expanded 3rd edition (from 2018) also covers the various later revivals of the series.

This is a short but excellent volume, dedicated to the design of a TV series.

It contains a brief history of U.S. Television, which in itself is enough to justify reading the book. As the title suggests, it focuses particularly on writing a pilot, a key part of any series project. William Rabkin is a veteran showrunner with hundreds of hours of produced shows under his belt, yet I really enjoyed the conversational tone in his book.

Make sure you get the most recent version, as the first edition of this classic dates back to 2011 and Rabkin has updated his book since.