This book was recommended by a friend and I immediately downloaded the audio version for an upcoming drive. The reflective nature of the story matched the reflective state of my life at the moment. Looking back on accomplishments, dreams lost along the way, and what lies ahead in the remaining years. The main character is a trailblazing woman with an iron will. Even as an elderly lady walking the streets of New York and facing down thugs, she shows resolve and tenacity.
A love letter to city life in all its guts and grandeur, Lillian Boxfish Takes a Walk by Kathleen Rooney paints a portrait of a remarkable woman across the canvas of a changing America: from the Jazz Age to the onset of the AIDS epidemic; the Great Depression to the birth of hip-hop.
“In my reckless and undiscouraged youth,” Lillian Boxfish writes, “I worked in a walnut-paneled office thirteen floors above West Thirty-Fifth Street…”
She took 1930s New York by storm, working her way up writing copy for R.H. Macy’s to become the highest paid…
Although I was part of a large family, I frequently felt alone growing up. While my siblings were busy playing sports or running around with their friends, I sat by myself in the basement, reading fantasy stories. Eventually, I began creating my own worlds and published the Riddle in Stone series and Sword of Betrayal. I suppose I’m still trying to find a place where I fit in.
For forty years, Lord Gambin has ruled his lands with an iron fist, crushing all that get in his way. Now he is dying and chaos rages through his realm. What will happen when he is no more? The Sword of Winter is a before-its-time epic that addresses issues caused by societal changes and technological advancements. Many of the topics it discusses are still relevant today.
RANDALL, Marta: The Sword of Winter. New York, Timescape, 1983. BOOK CLUB EDITION. Hardcover with dust jacket, 241 pp. Subject: Novel / Fantasy. Book and jacket condition: Very Good. A bit of foxing to the top-side of the book. Very faint traces of wear to jacket's extremities. All interior pages clean and unmarked. Stirring heroic fantasy by a modern master of the genre.
Action is one of the harder things to get right in a novel. But if you want to see a master at work, Larry Correia’s your man.
This book delivers the usual cinematic masterpieces of violence Correia’s fans have come to know and love, wrapped inside tight, complex plotting and believable, empathetic characters, all in a fresh setting not commonly explored in epic fantasy.
My first books were set in and around San Francisco, an area I knew well and with plenty of opportunities for crime stories. When we moved to Montana twenty years ago, people asked when I’d write one there. I resisted setting dark stories in my own city, where my kids were growing up. Reading about the Bakken Oil Formation in North Dakota, a boom of wealth and expansion and a subsequent bust, offered a perfect storm—the kind that drives desperation, where locals conflict with newcomers, where money—new and old—drives people to make bad decisions. After a visit to the area, the fictional town of Hagen, North Dakota, and the Badlands Thriller Series was born.
Unspeakable Things is based on a true crime from Jess Lourey’s own small, Minnesota hometown.
Set in the 1980s, Cassie McDowell’s life on a farm with her sister and parents looks like a perfect childhood. She loves school, has a crush on the nicest boy… But when local boys start to go missing and the haunting crimes become a pall over this idyllic childhood and the more Cassie learns about what is happening, the more she realizes that the monster she feared under the bed may be real.
The point of view of 13-year-old Cassie draws you back to the age when we make that subtle but permanent shift from childhood into the brutal reality of the adult world. Fraught and tense, this is the kind of story that stayed with me long after I read the final page.
Inspired by a terrifying true story from the author's hometown, a heart-pounding novel of suspense about a small Minnesota community where nothing is as quiet-or as safe-as it seems.
Cassie McDowell's life in 1980s Minnesota seems perfectly wholesome. She lives on a farm, loves school, and has a crush on the nicest boy in class. Yes, there are her parents' strange parties and their parade of deviant guests, but she's grown accustomed to them.
All that changes when someone comes hunting in Lilydale.
One by one, local boys go missing. One by one, they return changed-violent, moody, and withdrawn. What…
I love music and books about the music industry. Fiction or nonfiction–the drama of a musician’s rise and efforts to sustain a career never gets old to me. I can relate to their determination to make a living doing something they love. Also, as a resident of Memphis, Tennessee, I’m fascinated by the musical history here and often meet people that had ties to the music industry and are now “regular people.” My latest novel Intermissionis about a singing group. I’ve read numerous books in this genre, from Motown bios to the five listed. What a great way to combine my two favorite things–music and books!
This is a mystery set in the gritty side of New Orleans, back alleys of the French Quarter and neighborhoods that tourists don’t see.
The murder setup is well-written and the author keeps the reader guessing about the outcome. Music lovers will appreciate the references to real singers and musicians that are woven into the story.
This is the 7th book in the Sleepy Carter detective series. There are a few references to previous books, but if you have not previously read any in this series, you won’t be lost. Fans of Walter Mosely will enjoy. I love New Orleans, (there are many mouth-watering food references in the story) and this book takes me there.
I’m primarily a music composer for film and TV, but I’ve also ventured into filmmaking, with one of my films being featured at an international film festival, so my journey in storytelling spans many years, and comedy has always been at its heart. Growing up, my father worked as a pit musician, which gave me exposure to the comedy acts of the time. Humor was a constant in our home, so when I started writing fiction, it felt only natural my writing would find a home in comedy.
This book is an unyielding portrayal of the excesses of 1980s consumerism, hedonism, and self-destruction. Amis pulls no punches in his depiction of John Self, a 35-year-old director of TV commercials who lives a life of excess driven by his appetites—primarily for food, drugs, alcohol, sex, and, of course, money. Through John Self’s descent, the novel delivers a harsh commentary on the culture of greed and indulgence that characterized the decade.
The novel's portrayal of greed, addiction, and sexism rubbed some readers and critics the wrong way. Some saw it as too nihilistic or excessively grim in its critique of 1980s culture, where everything seemed for sale, including morality. However, in this age of trigger warnings, safe spaces, and pervasive purity spirals, I personally found its unapologetically gritty satire a breath of fresh air.
This book will appeal not only to fans of dark humor and satire but also to…
One of Time's 100 best novels in the English language-by the acclaimed author of Lionel Asbo: State of England and London Fields
Part of Martin Amis's "London Trilogy," along with the novel London Fields and The Information, Money was hailed as "a sprawling, fierce, vulgar display" (The New Republic) and "exhilarating, skillful, savvy" (The Times Literary Supplement) when it made its first appearance in the mid-1980s. Amis's shocking, funny, and on-target portraits of life in the fast lane form a bold and frightening portrait of Ronald Reagan's America and Margaret Thatcher's England.
A rare stand-alone cozy mystery, set at a baking competition at a Vermont country estate. Six contestants, each distinct and intriguing, a hostess with a secret, and a judge the rest love to hate.
As a writer, I admire the clear, compelling flow of the story, even as we start with a prologue, move back four days, wrap up in less than a week, then ice the cake with an epilogue a year later. Add the shift between the hostess’s third-person narration and the contestants’ first-person voices, stir in our knowledge that someone’s been killed but not who, and the result could be an inedible mess. Instead, this is a thoroughly delicious read.
Cozies are sometimes criticized for using murder as a device and not addressing real-world issues. In the end, justice is served, as it should be, with a twist that shows a good cozy can hit hard and…
“This delicious combination of Clue and The Great British Bake Off kept me turning the pages all night!” —Janet Evanovich, #1 New York Times bestselling author
Only Murders in the Building meets The Maid in this darkly beguiling locked-room mystery where someone turns up dead on the set of TV’s hottest baking competition—perfect for fans of Nita Prose, Richard Osman, and Anthony Horowitz.
Every summer for the past ten years, six awe-struck bakers have descended on the grounds of Grafton, the leafy and imposing Vermont estate that is not only the filming site for “Bake Week” but also the childhood…
Horror films, radio shows, books, magazines, and comics have been my life ever since I was eight years old. I saw the Texas Chainsaw Massacre one late night on Channel 9, when TVs had but 13 channels. It was love at first scream. The genre put the boogieman outside my window, under my bed, and in my closet. It was terrifying, but there was also a high to be had. An addiction to scaring oneself that I couldn't get enough of. This adrenaline rush got me interested in scaring others. Four movies, sixteen shorts, two novels, I too, am a dark dreamer looking to scare kindred spirits.
Being a huge fan of the Tobe Hooper film The Funhouse, I was interested to hear there had been a book released by Dean Koontz based on the movie. Figuring it was your run-of-the-mill paperback tie-in, I bought a cheap copy on eBay to see if there was any bonus material added to give further depth to the plot and characters. What I didn't expect to find, was a novella-sized prequel to be attached. Without giving any spoilers, the reader learns the history behind Amy Harper's psychic link to the monster Gunther and his carney father, Conrad.
It explores the effect Amy's unhinged mother Ellen has on her children, as well as Liz's loose attitude towards men and how that influences Amy to date Buzz. Add in a graphic account of how the kids were murdered in Fairfield county last year, and the book has a lot of hidden…
If you delight in the suspense of Stephen King and Harlan Coben, you'll love The Funhouse - a classic thriller by Sunday Times and New York Times bestselling author Dean Koontz.
The carnival is a world apart, endlessly travelling from town to town, providing thrills and magic for new kids every week. And the biggest, most popular attraction is the Funhouse - the ghoulish creepshow of ghosts and skeletons, rattling chains and make-believe terror . . .
Young Amy Harper is the most beautiful girl at her school, but to her life seems wretched. Terrorised by her mother, Amy's little…
I am an English teacher who is the child of an English teacher. I majored in comparative literature at college and went on to earn a PhD in English Literature. But the experience of reading picture books to my own children was more important to me than any fancy degree. I fell in love with books all over again, with the shape and feel of them, with the fonts, with the way the words sounded out loud, with the way the images extended and commented on the story. “Ah!” I thought, “I should write my own picture book.” So began a long and not so simple journey. I hope my own books foster a love of words, art, and creativity in both adult and child readers.
This is not literally a biography of a writer, but an illustrated poem that immerses the reader in the experience of reading. All writers are readers first, and all writers need readers, so that is why I am including it in my list. When I looked at reviews online, many of them complained that the artwork and the script made the book hard to read. I could not disagree more. The writing and the art literally become one in this brilliant mesmerizing book. I love that Alexander references Langston Hughes reading on a stoop at the beginning. Then he proceeds to the central simile:
Once you’re comfy,
Peel its gentle skin,
Like you would
A clementine
The color of
Sunrise.
Melissa Sweet’s orange, yellow, and pink collage literally rises from the page. This is a book to savor slowly, to read again, and again, and again.
A stunning new picture book from Newbery Medalist Kwame Alexander and Caldecott Honoree Melissa Sweet! This New York Times bestselling duo has teamed up for the first time to bring you How to Read a Book, a poetic and beautiful journey about the experience of reading.
Find a tree-a
black tupelo or
dawn redwood will do-and
plant yourself.
(It's okay if you prefer a stoop, like Langston Hughes.)
With these words, an adventure begins. Kwame Alexander's evocative poetry and Melissa Sweet's lush artwork come together to take readers on a sensory journey between the pages of a book.
I first started walking in cities at night in my late teens – mainly London but also the Italian cities I travelled through alone when I went interrailing after leaving school. I discovered that cities have a quite different character at night, and that you cannot know the streets of one intimately if you don’t explore it – safely! – after dark. In my professional career as a scholar and lecturer, I have for decades almost unconsciously been drawn to those writers who themselves discovered, to their horror or delight, that the city at night is a foreign country. The books I’ve listed, fictional or non-fictional, are postcards from this foreign land.
This richly illustrated account of the century in which Manhattan was the preeminent metropolitan city at night is written by a scholar I admire enormously, who has become a friend since I first read this book. Sharpe has an encyclopedic knowledge of the art and literature of the modern city, and New York Nocturne is in consequence a treasure trove of cultural-historical information. But it is also beautifully written. It reads not only the paintings, photographs, poems, and novels about New York with sensitivity and insight, but the sometimes glamorous, sometimes painfully arduous lives of those who lived in it.
As early as the 1850s, gaslight tempted New Yorkers out into a burgeoning nightlife filled with shopping, dining, and dancing. Electricity later turned the city at night into an even more stunning spectacle of brilliantly lit streets and glittering skyscrapers. The advent of artificial lighting revolutionized the urban night, creating not only new forms of life and leisure, but also new ways of perceiving the nocturnal experience. New York Nocturne is the first book to examine how the art of the gaslit and electrified city evolved, and how representations of nighttime New York expanded the boundaries of modern painting, literature,…
