I was a cop for twenty years. And while I always saw True Crime as a busman’s holiday, I loved crime fiction all along. Eventually my own writing took me there, as well. I love how crime fiction, much like good science fiction, explores the nature of human behavior in a way that isn’t as prevalent in other genres. As a result, I’ve read widely in the field, always gravitating toward the darker and grittier entries. The lone wolf protagonists who either live by a code or undergo a fascinating change within the book or series has also been my focus.
This book starts in the same moment as Slayground, but follows Alan Grofield as he flees the scene, instead of Parker.
Grofield is more of a grifter than a straight-out thief, and his roles in the thieving scams tend to reflect that. I love that his true love is acting and him taking scores is simply a means to allow him to pursue that passion.
I enjoy the slightly lighter tone of the Grofield novels, though they are still what I’d call gritty. And I love how Stark created a “Parker-verse” long before the idea of an IP universe was commonplace.
When he's not carrying out heists with his friend Parker, Alan Grofield runs a small theater in Indiana. But putting on shows costs money and jobs have been thin lately - which is why Grofield agreed to fly to Las Vegas to hear Andrew Myers' plan to knock over a brewery in upstate New York.
Unfortunately, Myers' plan is insane - so Grofield walks out on him. But Myers isn't a man you walk out on, and his retribution culminates in an act of unforgivable brutality.
That's when Grofield decides to show him what a disciple of Parker is capable…
Pinkie Brown, a neurotic teenage gangster wielding a razor blade and a bottle of sulfuric acid, commits a brutal murder - but it does not go unnoticed. Rose, a naive young waitress at a rundown cafe, has the unwitting power to destroy his crucial alibi, and Ida Arnold, a woman bursting with easy certainties about what is right and wrong, has made it her mission to bring about justice and redemption.
Set among the seaside amusements and dilapidated boarding houses of Brighton's pre-war underworld, Brighton Rock by Graham Greene is both a gritty thriller and a study of a soul…
I have a passion for novels with creepy settings, because I grew up in a haunted house and also spent my summers at a cottage on a lake with a long history of hauntings. I’m very familiar with the sensation of someone coming up behind you but when you turn around, nobody’s there, with lights flickering and the sound of unaccounted for footsteps, with shadowy corners, and chills running down your spine. As a child I loved to explore dark woods, abandoned buildings, and hold seances. As an adult I still explore these kinds of settings through my own writing and through the reading of some very creepy novels.
I loved the unique premise of the protagonist, Eleanor, having prosopagnosia which is known as face blindness—the inability to recognize a familiar person’s face. I also loved the setting of an old mansion deep in the woods of Sweden. The house had been kept a secret until Eleanor’s grandmother died, leaving it to Eleanor in her will. She returns there to prepare it for sale, but things do not go as smoothly as she’d hoped. I enjoyed the atmospheric, creepy setting of the old home full of family secrets, shadows, and things that should never have been disturbed.
"Engrossing, character-rich, powerful. Sten is on a roll."—Publishers Weekly(starred review)
Crimson Peak meets The Sanatorium in The Resting Place, a heart-thumping, unforgettable novel of horror and suspense by international sensation Camilla Sten.
Deep rooted secrets. A twisted family history. And a house that will never let go.
Eleanor lives with prosopagnosia, the inability to recognize a familiar person's face. It causes stress. Acute anxiety.
It can make you question what you think you know.
When Eleanor walked in on the scene of her capriciously cruel grandmother, Vivianne’s, murder, she came face to…
Willem and Jurriaan have a miserable childhood thanks to their cruel, controlling mother—Louisa Veldkamp, a world-renowned pianist. Dad turns a blind eye. One day, Louisa vanishes without a trace during a family vacation.
Adoptee Anneliese Bakker survives a toxic childhood and leaves home, vowing never to return. While searching for her biological mother, she meets the adult Willem, and they fall in love. Pregnant and engaged, she moves into the family mansion, wanting nothing more than to create a loving family for her child. But the Veldkamps are cold and distant. And why is Louisa a taboo subject?
An expectant mother gets more than she bargained for when she marries into a seemingly perfect family in this gripping debut novel–a must read for fans of A. J. Finn and B. A. Paris.
After surviving a nightmarish childhood, Anneliese Bakker is on the mend and searching for her birth mother. But when she meets Willem, she falls madly in love and finally finds a safe place to land. Engaged and expecting her first child, she moves into the Veldkamp mansion on a stately, tree-lined avenue in Amsterdam. And yet, nothing about Willem’s family is as it seems. Instead of…
I’m a thrill seeker when it comes to reading, and I want to be so immersed in a story that I have to read it in one sitting and then can be completely taken by surprise by a plot twist. It was extremely hard to pick only five titles, so to narrow it down, I 1) made an attempt to pick from a few different sub-genres and, 2) stipulated that Agatha Christie could populate the entire list. All of these titles blend wonderful writing with great twists, and I hope you enjoy them. I did my best to avoid spoilers in the descriptions, although by being on this list, it’s a little bit of a spoiler…
I know, I know…’What about Sixth Sense’? That’s usually the Stephen King book people remember when they think of plot twists. It was great, but this one is by far my favorite King novel. It’s got multiple twists, starting with one near the beginning, where you quickly realize you’re not reading the kind of story you thought you were reading.
Then there’s a more traditional twist near the end. And in between King displays his special genius, immersing the reader in a character’s slow, steady descent into madness. I finished it in a single session, and after thirty years can still remember sitting there long after it was over, just staring at the wall.
In this #1 national bestseller, “master storyteller” (Houston Chronicle) Stephen King, writing as Richard Bachman, tells the tale of the contestants of a grueling walking competition where there can only be one winner—the one that survives.
“I give my congratulations to the winner among your number, and my acknowledgements of valor to the losers.”
Against the wishes of his mother, sixteen-year-old Ray Garraty is about to compete in the annual grueling match of stamina and wits known as The Long Walk. One hundred boys must keep a steady pace of four miles per hour without ever stopping...with the winner being…
I have always been shy and overthink new experiences, so I typically just don’t do whatever it is. I hate that about myself, but I struggle to overcome it. That’s why the werewolf has always fascinated me. The wolf knows no fear, either of people or experiences. The wolf is freedom from all the constraints of human society, and to be able to call up the wolf, transform, and leave all the expectations of humanity behind and live free, relying on your instincts, is very appealing to someone who doesn’t like crowds or cities or answering to a boss at work.
Ordinarily, a werewolf novel with a strong emphasis on the romance angle wouldn’t rate so highly with me, but Kelley Armstrong’s book was the right one at the right time. Elana, our heroine, is the world’s only female werewolf; her job has been killing rogue shapeshifters. She gets tired of that and tries to retire and live as a normal human, but that doesn’t work out.
What I liked about this was that it was my first exposure to a werewolf novel that really dealt with the political and social dynamics of a worldwide werewolf pack. Fortunately, Armstrong is a great storyteller, so there is more here than politics or romance. Her worldbuilding is fantastic, as evidenced by the fact this became the first in a long series of Otherworld novels.
THE FIRST NOVEL IN THE #1 NEW YORK TIMES BESTSELLING OTHERWORLD SERIES.
"Frisky...Tells a rather sweet love story, and suggests that being a wolf may be more comfortable for a strong, smart woman than being human."-The New York Times Book Review
Elena Michaels is the world's only female werewolf. And she's tired of it. Tired of a life spent hiding and protecting, a life where her most important job is hunting down rogue werewolves. Tired of a world that not only accepts the worst in her-her temper, her violence-but requires it. Worst of all, she realizes she's growing content with…
My mother instilled a love of reading in me, and from an early age, I read everything from Agatha Christie to Edgar Rice Burroughs to Louis L’Amour to Marvel Comics. Stories are stories no matter how they’re classified, and genre is primarily a marketing tool to help readers find things they like. When I started writing, I often blended genres because I liked so many things. As I type this, I have 29 novels published with #30 on the way. The novels include science fiction, fantasy, horror, and thriller under my name, westerns as Dan Winchester, and a cozy mystery as Angie Cabot. Go figure.
This novel was a revelation to me. First, I’ll note that it’s a book in the Elvis Cole series, and the earlier novels were told in the first person (with a couple of exceptions for prologues). This book changed everything by going full-on multiple viewpoints, and in so doing, deepened the characters in amazing ways. It’s not necessary to read the earlier books to enjoy this one, but I predict you’ll get addicted to Crais and read all of them anyway. This novel will appeal to fantasy readers by reminding them how great books can affect us by awakening our humanity and letting us know we’re not alone in the world.
They killed the only one who ever cared and now they're going to pay.
A reckoning has come to the City of Angels...
Karen Garcia is missing and her father doesn't trust the cops - he wants someone he knows on the case. So he enlists the help of Elvis Cole and Joe Pike.
It seems that Karen is the latest victim of a distinctive serial killer and the police are determined to pin her death, and four others, on the witness who found her body. Cole doesn't believe the man has the guts to murder, and with his partner…
This was made into the 1970s film with Burt Reynolds and John Voight but my goodness, the writing! So poetic. I knew there was something special about his writing when I first started to read and when I checked up on him, discovered he was also a poet. Believe me - his evocative passages shines through, something you can't really appreciate in the film. Supberb!!
“You're hooked, you feel every cut, grope up every cliff, swallow water with every spill of the canoe, sweat with every draw of the bowstring. Wholly absorbing [and] dramatic.”—Harper's Magazine
The setting is the Georgia wilderness, where the states most remote white-water river awaits. In the thundering froth of that river, in its echoing stone canyons, four men on a canoe trip discover a freedom and exhilaration beyond compare. And then, in a moment of horror, the adventure turns into a struggle for survival as one man becomes a human hunter who is offered his own harrowing deliverance.
Webb uses dreams and ghosts to bridge a historical mystery with present-day events.
Take recently divorced Kate Granger. Her life is a mess, so she is recuperating at her parents’ waterfront home on Lake Superior. While there, a perfectly preserved woman, with her baby tucked in the folds of her gown, washes ashore. Kate shouldn’t recognize her, but she does.
She’s been dreaming of the woman who lived 100 years ago. Not only that, but the woman’s unsolved murder is connected toHarrison’s House whichKate’s great-grandfather built; it’s now her cousin’s bed and breakfast.
Will Kate’s dreams and the secrets hidden within Harrison’s House solve the mystery before Kate completely unravels?
The ghosts of the past come calling in a spellbinding heart-stopper from the "Queen of the Northern Gothic."
After the end of her marriage, Kate Granger has retreated to her parents' home on Lake Superior to pull herself together-only to discover the body of a murdered woman washed into the shallows. Tucked in the folds of the woman's curiously vintage gown is an infant, as cold and at peace as its mother. No one can identify the woman. Except for Kate. She's seen her before. In her dreams...
One hundred years ago, a love story ended in tragedy, its mysteries…
As a family doctor working in aged care, I have always felt disappointed by the stereotypical portrayal of ageing in fiction. Older characters are rarely the protagonist of their own story and are more likely to be relegated to minor roles that reflect their marginalization and invisibility in society. And yet, despite their physical limitations, my older patients have taught me that it’s never too late to laugh, love, make new friends or create mischief. Bette Davis once said, “Old age ain’t no place for sissies.” Without sugarcoating ageing, I strive for authenticity and humor in my writing to offer a more uplifting and hopeful portrayal of what lies ahead.
The author of this novel is, like me, a doctor-writer. I imagine we share the same motivation to tell stories. As a psychiatrist, Joanna Cannon’s writing portrays her compassion and deep understanding of the human condition. In this novel, the mundane existence of eighty-four-year-old Florence in her care home is upset by the arrival of a man she is convinced she recognizes from her past, a man who supposedly died years before. Only her lifelong friend, the eponymous Elsie believes her. My favorite author Somerset Maugham (also a doctor) attributed his success as a writer to his powers of observation rather than his imagination. What makes this novel so compelling in my eyes are the astute observations and the easily overlooked details that hold the clues to solving the mystery.
The bestselling author of The Trouble with Goats and Sheep delivers a suspenseful and emotionally satisfying novel “infused with warmth and humor” (People) about a lifelong friendship, a devastating secret, and the small acts of kindness that bring people together.
There are three things you should know about Elsie. The first thing is that she’s my best friend. The second is that she always knows what to say to make me feel better. And the third thing…might take a bit more explaining.
Eighty-four-year-old Florence has fallen in her flat at Cherry Tree Home for the Elderly. As she waits to…
The Whereabouts of Eneas McNulty is my favourite of all of Sebastian Barry's books. In tender prose, the novel tells the story of the life of a young Irish man from Sligo in Ireland, starting from World War one onwards. Eneas McNulty is caught up in the independence movement, a character on the wrong side of history, who is followed throughout his life by his old school friend who is trying to assassinate him for being on the wrong side. Written in third person and close point of view, the story is told in the most wonderful language.
Hailed by the San Francisco Chronicle as "the finest book to come out of Europe this year," The Whereabouts of Eneas McNulty is acclaimed Irish playwright Sebastian Barry's lyrical tale of a fugitive everyman.
Sebastian Barry's latest novel, Days Without End, is now available.
For Eneas McNulty, a happy, innocent childhood in County Sligo in the early 1900s gives way to an Ireland wracked by violence and conflict. Unable to find work in the depressed times after World War I, Eneas joins the British-led police force, the Royal Irish Constabulary-a decision that alters the course of his life. Branded a…
