The most recommended books on the London Blitz

This book about Yugoslavia is my favourite work of travel writing, all the more remarkable for being written during the Blitz, amid the sound of bombs raining over London.

It is half-a-million words long and it deals with a country that doesn’t exist anymore – but don’t let that put you off. Historians and critics have called Black Lamb and Grey Falcon the greatest travel book of the twentieth century and I agree.

Rebecca West discovered Yugoslavia on the eve of the Second World War because – in the growing certainty of the apocalypse which was facing Europe – she wanted to write about a small country and its relationship with great empires.

Yugoslavia seemed at first an almost accidental choice but it changed her life. 

Today, it is almost impossible to imagine aircraft roaming freely over British cities, disgorging bombs onto the streets below. So, it’s vital for us to have access to the personal, unvarnished stories and contemporary accounts from those that actually lived through this particular horror. In The Secret History of the Blitz Levine pulls no punches as he documents the behaviour of ordinary people faced with extreme experiences. Some reacted with fortitude, uniting in neighbourhood solidarity and extending charity to strangers. Others exploited the chaos, breaking legal and moral codes for their own personal enrichment. To this day, the British psyche collectively benefits from the social concept of a Blitz Spirit. But we should remember it was always a two-sided coin.

The strengths of Wentworth’s books lie in the portrayal of the era, and in the characters who are forced to find their way through unfamiliar and difficult circumstances. They are not all wealthy, they are not all high-born, and we watch them as they try to adapt to wartime conditions and deprivations. 

Wentworth’s mysteries are fascinating, clever, with the protagonist Miss Silver, a spinster who is a professional ‘private enquiry agent’. The Listening Eye, I feel, contains some of the most acute observations of human nature, and this makes the characters just seem so relatable. Wentworth books are ‘clean’ mysteries with a strong thread of romance, little gore, no bad language, or sexy shenanigans.

This book should not be out of print. It is beautifully written – economical, witty yet discreet, and joyful. Bowen was a young woman from Adelaide, in South Australia, who set off to London to be an artist and landed there during the Great War. She had a long affair and daughter with writer Ford Madox Ford, painted and partied in Paris, moved her daughter back to England in time to watch German bombers fly overhead during the Blitz. This book became another guide for how to live the creative life, the bohemian life, a life full of honesty and art. Like Hemingway’s memoir, it’s full of anecdotes of other writers and artists that were her friends for a time. It reflects on what it means to be an artist, a woman artist, an artist and mother, ideas that still hold true as they are about the inner life of… show more.

As most fans of Sarah Waters will already know, this book has a clever plot device that doubles the magic–it's told backward. It has a wide cast of characters which slowly narrows down to a doomed sapphic love affair that struggled to blossom amid the terror of the London Blitz. 

From both a reader's and a writer's perspective, this story has lodged itself firmly in my heart. It examines the why and how–what events brought these two lovers to this point when everything had otherwise seemed perfect? It's not necessarily happy, but it's intricate and untidy, and in that way, it is a realistic reflection of life and love in a time of war and its aftermath.

Easily one of my top favorite books, this novel captures so much: the great character of Lovejoy, the realities of post-war London, and a plot that reflects the human search for beauty amid horror, life amid death. 

The motifs, settings, and themes have such a strong impact on me to this day after having read it for the first time so long ago. There is something neat about the older folks thinking of the neighborhood “orphans” as sparrows, frittering away at the building of something special.

I read this book when I was just out of journalism school and finding my way in the world of journalism and writing. For me, Maeve Binchy was already an icon because she managed to juggle journalism and writing. All these years later, I am doing the same, but the seeds were grown back then with this book.

I love this novel's depiction of a three-decade-long friendship between two women. The strength of the female characters shines through, and I remember thinking when I was reading it that was Maeve Binchy’s secret weapon; she made her characters so human. 

This is a story of endurance, love, and the power of friendship. I loved it when it first came out in the '80s, and it gave me heart that books about strong women and the bonds of friendship didn’t necessarily have to have a bright pink cover.

An accumulation of memories haunt and inform Noonday, a novel that stands alone as the third in a trilogy spanning both world wars. I particularly love Barker’s avoidance of sentimentality. She is an honest writer who digs deep and gives no easy solutions as she follows a cast of characters who originally met as students at the Slade School of Art in London. Elinor, who is central, still suffers from the death of her brother Toby in the Great War. Barker’s skillful evocation of the past gives weight and resonance to every word, reminding the reader of the increasing complexity of character formation with life’s most intense and sometimes tragic experiences. 

June Spencer was a debutante. In 1938, she was presented to the King and Queen at Buckingham Palace. A year later, her life changed with the outbreak of war. Always independent, June became an ambulance driver, and later a WREN. At the same time, she continued to go to nightclubs and spend time with well-connected friends, and fall in love. She detailed everything in private diaries which Clifford was given access to by June’s daughter. June was an extraordinary ‘ordinary’ woman, another who lived through ‘history being made.’ This is a wonderful account of her life and times.

An unsparing portrait of a cast of characters working for the BBC in London at the outset of the war, this novel is both funny and moving, though Fitzgerald’s keen sense of irony assures that the writing is never sentimental. Even the most minor characters come to life, as they adjust to both the bureaucracy of the wartime BBC and the realities of life during the Blitz.