I’m a children’s book author who typically centers humor at the heart of my books but who dipped into heartache to tell this specific story. As a former educator with four kiddos of my own, I’ve been able to witness the myriad ways kids cope with grief, everything from hiding out in blanket forts to holding a backyard funeral service for a beloved pet roly-poly. I hope my book, Where is Poppy? offers kids comfort, peace, and preparation for their own unique journeys with loss. I studied creative writing and political science at Stanford University and hold an MFA in Writing for Children and Young Adults from Vermont College of Fine Arts.
While books that hit death right on the nose can be a meaningful resource for kids, sometimes stories with a softer touch are what meets the moment.
That’s where the magic of this book comes in. A kid and his grandpa go on one final adventure together to a magical world of their making before the Grandad decides to stay, sending Syd back to the real world alone.
This whimsical storytelling leaves me with that exact right feeling of wonder and heartache that comes with an honest grappling with death. It’s that emotional center that allowed our kids to sit with their own questions: where did Grandad go? Why couldn’t the boy stay there, too? Will they see each other again? Getting to explore these questions in the light instead of keeping them anxiously buried under the surface has been a real gift for our crew.
After the phenomenal success of The Storm Whale and On Sudden Hill, this new book by Benji Davies deals with the emotional topic of losing a grandparent. Subtly told, this beautifully illustrated book tackles a difficult subject with great sensitivity and depth.
At the bottom of Syd's garden, through the gate and past the tree, is Grandad's house. Syd can let himself in any time he likes. But one day when Syd comes to call, Grandad isn't in any of the usual places. He's in the attic, where he ushers Syd through a door, and the two of them journey…
Memoirs have crept up on me as favorites. I could list many more. Please let me! As a psychoanalyst, I listen to the pains and struggles of individuals trying to become more at ease with themselves. They engage with their demons and try to make sense of how to manage the way their personal history has created their worldview and how to expand it enough to enter a present. Memoirs are another way of addressing such struggles. They have an elegance and a universality that emerges out of their individual stories. We learn about the other and we learn about ourselves.
Lisa’s husband dies as he is being treated for cancer. She writes about the first year after in which grief, madness, confusion, isolation, and fury coincide with Britain’s beginning Brexit madness. Nothing can be made sense of and yet we need words to express what’s happening. And then words provide for consoling and managing.
After the death of her partner of thirty-two years, Lisa Appignanesi was thrust into a state striated by rage and superstition in which sanity felt elusive. Then, too, the cultural and political moment seemed to collude with her condition: everywhere people were dislocated and angry.
In this electrifying and brave examination of an ordinary enough death and its aftermath, Everyday Madness uses all Lisa Appignanesi's evocative and analytic powers to scrutinize her own and our society's experience of grieving. With searing honesty, lashed by humour, she navigates us onto the…
I’ve written five poetry books and I am presently working on my sixth. My poems are also confessional and narrative styles. I have also written two novels and enjoy writing fiction and poetry. I hope you enjoy the books on this list as much as I have. They have saved my life on many occasions.
One of the first books of poetry I ever read with awe. Actually, I still do. No other poet on the face of the earth, besides Sexton, has ever blown me away with words like Plath. I personally loved this book because it showed me how to write poetry. It is like a kind of bible for me. I have the facsimile of Plath’s manuscript and when I look at her handwriting and the fluidity of certain images I can see what a gifted poet Plath was. It taught me how to express words without telling. It taught me how to use imagery like a fancy dress on a night out on the town. For anyone who wants to begin reading poetry, start here. This book helped me see that reality is distorted, that the past and present and future can be held in one poem. It helped me overcome…
Ariel, first published in 1965, contains many of Sylvia Plath's best-known poems, written in an extraordinary burst of creativity just before her death in 1963. Including poems such as 'Lady Lazarus', 'Edge', 'Daddy' and 'Paralytic', it was the first of four collections to be published by Faber & Faber. Ariel is the volume on which Sylvia Plath's reputation as one of the most original, daring and gifted poets of the twentieth century rests.
'Since she died my mother has been dissected, analysed, reinterpreted, reinvented, fictionalized, and in some cases completely fabricated. It comes down to this: her own words describe…
I’m endlessly fascinated by people’s resilience—how we hold onto life and find meaning in it when everything seems to be falling apart. As a queer and genderqueer author, I especially love to see stories about queer characters in all of their human messiness, characters who aren’t forced to be models of perfection in order to earn readers’ empathy, stories that show us queer people don’t deserve dignity because we’re perfect; we deserve it because we’re human. These five novels have affected me deeply because they don’t shy away from the complexities of grief, love, parenting, trauma, sex, social justice, gender identity, and more.
Against the backdrop of a speculative future in which extra shadows have become the alternative to prison and cameras watch our every move,I Keep My Exoskeletons to Myselftakes a raw, honest look at grief, family, queerness, and how we survive.
Kris has lost her wife Beau and gained an extra shadow—along with a child who also has an extra shadow. As she navigates her new reality, Kris can either sink deeper into her grief, accepting a life of surveillance and oppression for herself and her kid, or she can choose love and hope.
Crane’s approach to storytelling, open and vulnerable and using small fragments and pop quizzes, allowed me deep into Kris’s heart, and I rooted for her as she forged a life against all odds.
Dept. of Speculation meets Black Mirror in this lyrical, speculative debut about a queer mother raising her daughter in an unjust surveillance state
In a United States not so unlike our own, the Department of Balance has adopted a radical new form of law enforcement: rather than incarceration, wrongdoers are given a second (and sometimes, third, fourth, and fifth) shadow as a reminder of their crime—and a warning to those they encounter. Within the Department, corruption and prejudice run rampant, giving rise to an underclass of so-called Shadesters who are disenfranchised, publicly shamed, and deprived of civil rights protections.
Plus, Katie's
11, and 14-year-old's favorite books.
Why did Katie love this book?
Growing up, I was so close to my
great-grandmother that I chose a college near her. Shortly after I graduated,
she died. I wish I'd had this book then.
Cash's grandparents and best friend,
Delaney, are his life. When Delaney earns an elite scholarship, will Cash
follow her or stay with his dying Papaw? I am a sucker for friends-to-lovers
stories, and I loved the simmer between Cash and Delaney.
What got me right in
the gut, though, was the relationship between Cash and Papaw. The best scene is a memory of when Papaw
took Cash hunting—and Cash hated it. Papaw's response fractured my heart with
its beauty.
This is a book to help you mourn, showing how to live on without
letting go of any of the love.
I've always loved when the light finds the broken spots in the world and makes them beautiful . . .
Cash's life in his small Tennessee town is hard. He lost his mom to an opioid addiction and his grandfather's illness is getting worse. His smart but troubled best friend, Delaney, is his only salvation. But Delaney is meant for greater things, and she finds a way for Cash to leave with her. Will abandoning his old life be the thing that finally breaks Cash, or will it be the making of him?
I listen to about eight albums of music per week. At least one per day and another of that bunch gathers a re-listen, though more warrant the same! Listening is my favorite hobby. I name it like one would rock climbing or gardening, and though we are here connecting through words and swapping ideas, it all starts with my ear. I most want to feel what I’d like to know, and it is possible that music sometimes held the work of thinking on my behalf. In writing my book, I was most interested in what it meant to be offered the world in such a personal yet composed way each day.
I am always on the verge of returning home. Sometimes, it’s the food; other times, it’s the memory. I am not from New Orleans, but this book is phenomenal in its guidance of a city and what it means to name any place home.
From its onset, this collection moves through music and mythology as a means for sorting through devastation while placing life a step ahead of it.
I’d recommend this book to any seasoned (or first) reader of poetry on the search for beauty around the corner and a reminder of how close we are to it.
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
On my list, this is the only book of poetry, but the emotional journey its linked poems chart makes it perfect for inclusion.
Gilgamesh finds his wild friend Enkidu, loves him, loses him—and is racked by grief. The poems bear us through myriad forms of yearning for a bosom companion who will never come home—a plot of emotions, not events.
A finalist in the Grayson Books Poetry Contest in 2020, the inventively structured book features each poem in English and Spanish on facing pages.
In this bilingual collection of poems, inspired by the Epic of Gilgamesh, the king grieves the disappearance of his wild friend Enkidu. Each poem appears in English and Spanish, translated by the author. When you are not talking to me, I conjure you. When I lose my way between campfires, you are with me. When my body wastes away, you are in me. When I want to be somewhere else, you stalk me. A finalist in the 2020 Grayson Books Poetry Contest.
En esta colección bilingüe de poemas, inspirada en la Epopeya de Gilgamesh, el rey llora la partida de…
The pandemic and the existential questions it raised sent me on a poetry kick, deeper than I’d ever dived before.
Jorie Graham’s elegant cry for help from the heart of this planet resounded just right for me, and I’m afraid it may have the power to keep doing so until the distant year the title references and beyond.
To 2040 begins with question masquerading as fact: 'Are we / extinct yet. Who owns / the map.' These visionary new poems reveal Graham as historian, cartographer, prophet, plotting an apocalyptic world where rain must be translated, silence sings louder than speech, and wired birds parrot recordings of their extinct ancestors. In one poem, the speaker is warned by a clairvoyant, 'the American experiment will end in 2030'. Graham exposes a potentially inevitable future, sirens sounding among industrial ruins. In sparse lines that move with cinematic precision, we pan from overhead views of reshaped…
I’m an avid reader of queer literary fiction not only because I write it but because I’m looking to see my life experience captured on the page. As a gay man, a father of two young boys, and one-half of an interracial married couple, I know the complexity of modern queer living firsthand. In recent years, I’ve been astounded by the breadth of great LGBTQ+ books that examine queerness fully and empathetically. I seek out these books, I read them feverishly, and I become a champion for the best ones. In an era of intense book banning, it’s so important to me to elevate these books and their authors.
The best writers help reimagine what a book can be, and for me, Saeed Jones did just that with this book.
It’s billed as a poetry collection, but page after page, he pushes the boundaries of what a poem can say, how it can fill the page, and the shape it can take. There are free verse poems, prose poems, and poems as essays. There are straightforward experiences and more abstract retellings. There’s grief, identity, Blackness, and queerness woven throughout.
This book is so many wonderful things. In my view, this is a vital document of Black, queer, creative living.
Pierced by grief and charged with history, this new poetry collection from the award-winning author of Prelude to Bruise and How We Fight for Our Lives confronts our everyday apocalypses.
In haunted poems glinting with laughter, Saeed Jones explores the public and private betrayals of life as we know it. With verve, wit, and elegant craft, Jones strips away American artifice in order to reveal the intimate grief of a mourning son and the collective grief bearing down on all of us.
Drawing from memoir, fiction, and persona, Jones confronts the everyday perils of white supremacy with a finely tuned…
I've spent my life feeling out of place in this world which had me diving into novels since I was a little girl able to read. I was increasingly drawn to the supernatural dynamic in shows and novels. On top of that I am neurodivergent which means that I have spent years in and out of my own forms of darkness and self-doubt. As an author I wanted to create a world for characters that struggle with the same issues I struggle with and help them heal and grow through their trials. My hope has always been that in the course of my stories I can help a reader heal as well.
Oh my goodness, can I just say this is my favorite book?
It follows a girl living underground in an abandoned city under a school of magic. This story is on my recommendation list because of the trauma I endured in it. I know, I know, this sounds horrible but let's keep this short, sweet, and to the selling point.
It's Rothfuss, who is one of the greatest writers of our time. It’s a novella so it's not a huge time commitment. If you have ever struggled with depression, anxiety, or just feeling out of place around others just get this book. I promise.
Auri’s soul will take flight in its own right as she is one of the most precious, and tortured, souls ever to be written. The magic in this series is incredible. You learn magic by learning the true name of an element which can only be…
Discover #1 New York Times-bestselling Patrick Rothfuss' epic fantasy universe of The Kingkiller Chronicle, in this illustrated companion novella, The Slow Regard of Silent Things.
"I just love the world of Patrick Rothfuss." -Lin-Manuel Miranda
Deep below the University, there is a dark place. Few people know of it: a broken web of ancient passageways and abandoned rooms. A young woman lives there, tucked among the sprawling tunnels of the Underthing, snug in the heart of this forgotten place.
Her name is Auri, and she is full of mysteries.
The Slow Regard of Silent Things is a brief, bittersweet glimpse…
