The most recommended books about islands

Every page of The Paper Palace is moving and evocative—the quintessential love triangle that had me torn between young, innocent love and mature, adult love. I’m a sucker for these tropes, so I sunk inside this story of then and now, shuffling through a range of emotions, just like the protagonist, Elle. That’s the best kind of book. When you feel alongside the characters. And the secret longing kept me turning pages until the climactic, tender ending. And that ending. It will keep you guessing. And discussing. And thinking about it. I still think about it.  

This island mystery is set on a chilly resort off the coast of Ireland, so you won’t need sunscreen here, but you will need stamina as you’re once again trapped.

I loved this cast of characters attending the wedding of a glamorous and famous bride and groom. Media celebrities are so much fun to read about. But the real star of the show is the hostile setting and the menacing characters who are all there for something, some cleverly hiding their true motives until the very end.

A fast, propulsive read. 

To be truthful, I would list all the Moomin books as top of my list and am only choosing one because I can’t pick them all. In Moominvalley and its enduring characters, its seasons, snowstorms, comets, floods, and finally its absences, we find lifes’ psychological dramas, doubts, and triumphs perfectly embedded in and drawn from the tempestuous and consoling presence of the natural world. I read all these books to my daughter and relished the emergence of a conjured world that was deep and familiar, yet also distant and magical, as is whatever realm of nature you most find yourself close to. I remember Moompapa at sea for its particularly philosophical and slightly wistful tone and because who doesn’t wonder about the wildness and loneliness of life inside a lighthouse. 

It's hard to believe that Kiran Millwood Hargrave’s The Girl of Ink and Stars only came out in 2016.

The book has become a modern classic, combining beautifully poetic writing with the compelling first-person voice of Isabella, the mapmaker’s daughter. When Isabella ventures into the mysterious interior of the island of Joya Governor, to search for her friend, the Governor’s daughter, she must navigate a mysterious labyrinth, supernatural demon dogs, and a volcano-dwelling deity.

The magic elements here are inspired by the indigenous culture of the Canary Isles. 

Wells is one of the great early masters of science fiction, creator of The Time Machine and The War of the Worlds, but with Moreau he was also one of the masters of what David Cronenberg fans know as body horror—the gross, startling, and menacing intermingling of the human body with exterior elements.

In this case, pumas, pigs, you name it. With characters like Ape-Man and Sloth-Man, there is a definitely campiness here, but never enough to distract from the fact that it’s deeply, resonantly disturbing.  

I adore the wild, untamed island where this novel is set and the way the spirits of earth and water and forest make themselves known in eerie ways. Plus there’s the mysterious old house, Metsan Valo, the enigmatic caretaker, and his wife and the questions raised as to who (or what!) exactly they were. I’m also a total sucker for stories about characters who are faced with the challenge of accepting gifts and powers they didn’t know they had and aren’t sure they want to wield, so I was rooting for Anni. Plus there’s mystery and family drama and a touch of romance...so basically everything I love in a book is represented here.

This was my first delightful introduction to Susan Elizabeth Phillips's romantic comedies. I adore genre-benders, and this romance also has suspense and mystery.

I was curious by the unconventional set-up: a female ventriloquist who talks to her puppets has to live on a remote island off the coast of Maine in winter. There, she encounters an unlikable boy from her childhood—now a man who’s become a huge horror author and may or may not be a killer. The rugged island setting and its quirky cast of characters let Phillips have some fun with gothic tropes, a favorite of mine. 

Long-listed for the National Book Award in 2017, this fable may have been written for kids, but it has haunted me for four years. A green wooden boat delivers one child per year to a magical, adult-free island. But the boat does not depart empty; an older child must climb aboard. This elegant allegory invites readers of any age to contemplate what childhood is and what it means to have to leave it behind.

I never consider myself taking a chance on a story’s worth with this author. I picked this novel for my list based on its imagery and true-to-life characterization portrayed on the pages by a master wordsmith unlike any out there.

The suspense delivered in this story and the character’s battle against an unknown enemy in a secluded setting where she must rely on herself for survival kept me turning pages.

This book is the first story of the Southern Sea and the first true English novel. Full of sailing ships, stormy seas, symbolism, exotic desert islands, muskets, wild boars, and cannibals, it set the standard for every adventure story that followed. 

I love the narrative of a lone castaway—facing the ultimate tests of nature to triumph over hardship. Robinsonade, a new renegade literary genre, emerged in which the hero is suddenly isolated from the comforts of civilization, marooned on a secluded island, tropical, uninhabited, and uncharted. He must improvise to become self-sufficient from limited resources.

Like my own hero quest, solitary conflict was required for character development, and the solitude led back to society and survival, or the ordeal would have no meaning.