The most recommended sci-fi horror books

This book was perhaps the strangest book I have ever read. It’s long and beautifully written with descriptive scenes that turn the cinema of the mind on full blast in sound and color, sometimes even evoking touch and smell. It’s bizarre and, honestly, made no sense to me at times with its churning of characters and unfathomable plot jumps, but it taught me that fiction doesn’t always have to make sense to make a lasting impact. Sometimes, it’s about how it feels, not how it reads.

This book is such an usual book, and I love it for how strange and unexpected it is.

The story takes place in a near-future Edinburgh, where the world has dramatically changed due to an undefined apocalyptic event but has more of a gothic sensibility than a post-apocalyptic one.

There’s magic, history, and an extremely likable narrator wrapped in an almost-crime-novel package. 

When zombies meet the political thriller energy of 24 or Designated Survivor, I’m always going to be in. So it blows my mind that I’m late to the party when it comes to Mira Grant’s Newsflesh trilogy.

This means that I have to confess that I’m not quite finished reading Feed. I know, I know. Rather bold of me to go ahead and include it in a recommendation list, huh? But when you know, you know.

This book has far too many things I love not to include it. It’s got a survivable, post-zombie world. A scary-believable viral premise. Two reporters who are determined to break the story of a lifetime, no matter the risk. And a deadly, twisting political conspiracy. I mean, this is so much story candy all wrapped up in an undead bow. 

I had no idea what I was in for when I started to read Bird Box. I’d seen the movie, and it was good, but the sheer suspense of the book came as a complete surprise. From the very first page, Josh Malerman has created an atmosphere that balances on a very fine edge between dread and hope.

It’s been a long time since a book kept me turning the pages all night, needing to know what happens and getting completely invested in the characters—even after I’d seen the film version.

Bird Box pulled me straight in and didn’t let go, and I’ll be reading the sequel with the lights on.

Joe Hill is a masterful storyteller.

It’s hard to pick a favorite, but The Fireman has it all––a pandemic that causes its afflicted to spontaneously combust (called Dragonscale because Spinal-Tap Drummer Disease was too long), a plucky pregnant nurse determined to have a healthy baby in spite of the odds (which includes an unhinged husband and a blood-thirsty post-apocalyptic death squad), a commune that has figured out a way to live with the disease, and a lone wolf that wears a fireman’s jacket who has somehow learned how to control his fire.

The characters are so real they still live rent free in my head. I read it during the COVID lockdown and the parallels were both scary and hopeful. 

I love that this book was the result of a dare! In 1816, eighteen-year-old Mary Shelley and three friends held a contest to see who could write the scariest story. Mary’s story—like her monster—has since taken on a life of its own and today permeates all forms of storytelling.

I find it amusing that my favorite version of the monster is the one Mel Brooks gave us in Young Frankenstein. I wonder what Mary Shelley would think if she knew how much her acceptance of a dare would change storytelling forever.

I like to revisit the original story from time to time to savor the gothic drama and flowery writing. If I’m reading it on a dark and stormy night, all the better.

Okay, I’m a big fan of Lovecraftian lore, but who needs me to recommend Lovecraft? I might as well recommend White Castle to stoners.

While this book (which was also an HBO series) isn’t as funny as Ruff’s Sewer, Gas, and Electric (a wonderful spoof of Atlas Shrugged), I reread it after watching the series and found it as thrilling and exciting as the first read. It plays on science fiction as well as horror, and the chapter depicting Hypolita Freeman’s discovery of a portal to other universes in an observatory has haunted me since I first read it.

I’ve never read a book that weaves horror and science fiction so seamlessly. (Note: I love the irony of writing a book about a closely-knit black family tackling the horrors inspired by the openly racist Lovecraft.)

I’m recommending this book because of its subject matter. A virus. After what’s happened in the world recently with Covid, why not believe this could happen? A disease that makes you think someone is trying to kill you, so you have to kill them first. It’s similar to being paranoid. The author of this book has written a few sequels that follow the main character’s journey. A journey that took the person from working a normal day to thinking people were now the enemy. 

The suspense of this novel captured me right from the start and kept me involved to the end.  The adventure of being trapped on an iceberg in such a terrible predicament was fully entertaining. I recommend this because it is the most suspenseful book I can recall reading, and at the same time it offers escapism into the extremities of the polar ice cap.

Corporate Gunslinger’s speculative, dystopian world creates a horrifying yet believable future of corporate greed, debt slavery, and glorified gun violence that is as addictive as it is dark. Saddled by student and generational family debt, artist Kira has few options to escape a life of grinding wage slavery. The only path she sees out of her predicament is to become a Corporate Gunslinger.

If she can survive a prescribed number of televised duels, which function as appeals of life and health insurance denials for her insurance company employer, Kira’s debt will be erased. She cultivates an aura of invincibility as the Angel of Death, but when she’s injured in a duel, her carefully laid plans are plunged into jeopardy.

This is smart, scathing, addictive fun that will keep you up past your bedtime.