The best psychological horror books

I was a fraternal twin, and my brother died about two hours after birth from a bilateral pulmonary hemorrhage. Knowing this as a child, I became fascinated with death, thinking of it as annihilation. Later, I feared my religion (Christianity) might be false and I would be annihilated at death. Thus I became fascinated by all things philosophical and theological, including theological horror. The works I like most center on themes of the truth of religion and life after death while avoiding preachiness and the trap of telling rather than showing.

Has anyone ever said that someday they would eat you? Well, I used to be able to say no to that question too… until the day someone did. The blood-thirsty declaration of a madman reawakened a game of “what if” that my brothers and I used to play when we were kids. What if the world was swallowed in a zombie outbreak? Who would survive? Were the creatures shufflers or runners? Did they only want brains or the whole body? Was the disease airborne or only transferrable through a bite?  As mad as the man with the munchies had been, my writer’s mind couldn’t stop running with the question. What if zombies…  

When I was 13, I paid 25 cents to see a mysterious fortune teller at a local carnival. She predicted I would marry a tall, handsome man, and then she paused and told me my next-door neighbor would soon break his arm. Within a week, my neighbor, Jack, dressed in his Superman costume, jumped off his roof and broke his arm. I was impressionable – and impressed. Since that time, I have been fascinated with fortune tellers and the magic that surrounds them as well as books based on magical realism and the paranormal. Oh, and by the way, I did marry a tall, handsome man.

As a child, I was fascinated by science fiction books. Later on, I’ve started reading horror as well and used to get engrossed in the books of Stephen King. As a software engineer, I’m passionate about technology, the latest innovations, and the science behind anything. However, I find a hint of supernatural equally fascinating, and such elements find their way in my books.

I’ve always been fascinated by the brain, which, despite all our medical advances, remains a mysterious black box of humbling power and complexity. When I started researching prosopagnosia (face blindness) for Remember Me, I was surprised to find it’s a much-underdiagnosed condition. Those born with it often don’t realise “it’s a thing” until later in life, when the diagnosis explains many difficulties they encounter in daily life. My main character Sarah develops social anxiety as a result yet many people develop coping techniques and live full professional and personal lives. I currently live in Mauritius with my author husband, Adam Hamdy, and our three children.  

My name is Sara Jo Easton, and I’m the bisexual author of the Zarder novels, a fantasy series where a race of dragon-like creatures called Onizards learns to get past their prejudices. When I was at a book signing for my third book, The Blood of Senbralni, a strange man loudly declared I was part of an agenda to turn people to homosexuality and Satan with my evil dragons. To be clear, I am not and will never be affiliated with Satan. I made a vow that every book I wrote from that point forward would have at least one LGBTQ+ romance with a happy ending to annoy people like that man.

I’ve always been a fan of horror because a good scare makes the adrenaline flow. Personally, I don’t think ghosts and demons are real, and they don’t scare me. But humans…humans can be downright evil. This is why I gravitate toward serial killer and slasher fiction when I’m looking for a scare. Sometimes I just want to test my endurance for the dark side of human nature. Unfortunately, it is all too easy to write a really depraved book without taking the time to make the reader care about the characters, which is why these novels are my favorite works of darkness. These are great, disturbing books with genuine pathos.

When I was eleven, I immigrated to a new country and was bullied at school. I retreated into books where I could visit secret worlds filled with ghosts, magicians, and dark power. I needed a place to hide and dream up my revenge. It seems I was destined to write scary novels. My books and various short stories are a blend of mystery, psychological thriller, romance, paranormal, and the supernatural. I still love to visit new worlds but am content to live near an official Halloween town with my young family. If you haven’t read these books yet, I envy you for the mind-bending journey you’re about to embark upon. Bon Voyage.

I’ve always been intrigued by concepts of what happens after death, ignited by my religious schooling and fueled by afterlife stories from The Twilight Zone, Night Gallery, Tales from the Crypt, and similar works of fiction. In college I began studying interpretations of Heaven and Hell from literature, art, myth, music, and pop culture, and continued to pursue the topic in my early career. This fascination led to my first books, Encyclopedia of Hell and Encyclopedia of Heaven, and has inspired many of my other works. I continue to do research in the field of comparative afterlife theory, and never miss a chance to interview those with expertise in supernatural matters. 

As a horror writer, the evil kid subgenre holds great appeal to me. I’ve written about them a few times, most notably in my novella Sour Candy, which remains the most popular thing I’ve written, perhaps because, like in the books mentioned above, we don’t expect our children to be evil monsters, and when they are, we’re ill-prepared to deal with the threat. They’re still children, after all, and we’re supposed to love and protect them. The emotional quandaries this situation presents are fascinating to write about.

“You have such an interesting career.” “You should write a book.” Both are statements often heard by the co-authors of Crossing the Line. ‘Algor mortis’ is the postmortem cooling of the body and so when two board-certified forensic pathologists decide to write a book under a pseudonym, A.L. Gomortis is born. While our book is not based on actual autopsies we have performed, we draw upon our 40 plus years of experience working in six different jurisdictions. With our professional expertise and experience we are able to take real-world experiences and engineer a realistic novel.

I had no expectations about what the first short stories I wrote would end up being like. Although I’d read mostly realistic literary fiction before starting to write, most of my stories included fantastical elements. This set me off reading and writing stories categorised as weird, cross-genre, slipstream, magical realist, fantastic, fabulist, horror, soft sci-fi, and surreal. The thing that struck me was how slippery these categories are. But what unites them is their openness to unbounded imagination. Like a lens concentrating a fire, their strange and fantastical techniques amplify feelings and reality in unique ways, while always paying attention to language. It’s been a thrilling, exciting ride!

My father was a police officer and my mother was an avid reader of anything horror or suspense, so I grew up in a cop family that was entertained by the likes of Stephen King, Dean Koontz, Mary Higgins Clark, etc. I’ve been reading thrillers since I could comprehend their meanings and I’ve been experiencing the life of a cop since the day I was born. The results have been four books written with over 400,000 copies sold in 14 countries. I couldn’t be prouder of my upbringing and the things (including these books) that have helped shape my writing. I hope you enjoy the books on my list as much as I have!

I am one of those people who always feels sorry for the monster at the end of the movie. I am always more disturbed by the avenging townspeople’s bloodlust than the monster’s destructiveness. At a deeper level, for me these horror stories actually depict compassion, acceptance, and the hysteria whipped up by self-righteous mobs. They are books with very dark themes, and they generally do not have happy endings, but rather than being depressing, I find them instructive, even enriching, and certainly valuable. More than anything, they show me – in bloody detail – the terrifying limits of conformity.

I’ve always been fascinated by people’s motives whether that be in real life or written on the page. That’s what drew me to write in the thriller genre to begin with because at the core, it's about finding out why people do things. But sometimes this genre portrays female characters as either innocent damsels or evil femme fatales, neither of which captures that women are a mix of good and bad like all other people. That’s why I try to write my female protagonists in my novels, short stories, and fictional podcasts, in a way that makes them conflicted humans and causes them to experience both downfalls and triumphs. 

I was a fraternal twin, and my brother died about two hours after birth from a bilateral pulmonary hemorrhage. Knowing this as a child, I became fascinated with death, thinking of it as annihilation. Later, I feared my religion (Christianity) might be false and I would be annihilated at death. Thus I became fascinated by all things philosophical and theological, including theological horror. The works I like most center on themes of the truth of religion and life after death while avoiding preachiness and the trap of telling rather than showing.

Steven Ramirez is a lifelong fan of the movies—especially gripping thrillers and nail-biting horror. An award-winning author, he wrote the supernatural suspense series, Sarah Greene Mysteries, and the horror-thriller series, Tell Me When I’m Dead. His latest novel is Faithless, a thriller. A former screenwriter, Steven lives in Los Angeles with his family. He enjoys Mike and Ikes with his Iced Caffè Americano, doesn’t sleep on planes, and wishes Europe were closer.

I have a passion for novels with creepy settings, because I grew up in a haunted house and also spent my summers at a cottage on a lake with a long history of hauntings. I’m very familiar with the sensation of someone coming up behind you but when you turn around, nobody’s there, with lights flickering and the sound of unaccounted for footsteps, with shadowy corners, and chills running down your spine. As a child I loved to explore dark woods, abandoned buildings, and hold seances. As an adult I still explore these kinds of settings through my own writing and through the reading of some very creepy novels.  

After picking up a copy of James Herbert’s Lair (the second in his Rats trilogy) back in the early 80s, I decided I wanted to write something myself one day. That day came in about 1990, when I finished my first manuscript, Minstrel’s Bargain. I also wrote another MS around that time called Point of Contact, but nothing happened with these stories and I gave up on my writing dreams to concentrate on bringing up a family. Fast forward to 2015, and I sent the MS for Minstrel’s Bargain to an indie publisher. To my surprise, they took it on, and that book has spawned two sequels, entitled the Prophecy Trilogy. 

I have a lifelong fascination with houses and the sway they hold over us. Coming from a family that moved pretty frequently, I’ve experienced the way a house can feel like a true home, or like an unwelcoming space. Unlike the characters in The Wonder State, I don’t break into places to explore (not even abandoned spaces!). But I always take notice of the homes and structures in every neighborhood and city I visit, wondering what the residents’ lives are like and how their houses affect them. I’m a novelist who focuses on the speculative, and all three of my novels feature weird houses in some capacity.