The best books on the communes of France

I write historical fiction set in medieval Italy, in that lesser-known territory somewhere between ancient Rome and the Renaissance. I’m fascinated by the period before the Medici, before Michelangelo, sometimes even before Dante. The seeds of the Renaissance are hidden in that turbulent time, and I love to hunt for them. I also like to write about marginalized people—the obscure, unfamous, forgotten folk plucked from the footnotes. I’m happy to introduce some of the excellent history books that help me do that. These five books are specific to Florence, the city of my heart.

As I watched abandoned buildings, homes, and factories spread throughout neighborhoods in Detroit while photographers came from everywhere to photograph the ruins, I became fascinated with why we are drawn to ruins, what role such imagery plays in our collective imagination, and how ruins today are different than, say, Greek ruins. I am also interested in the politics behind the ruins and the role of capitalism in creating our declining cities. I have written several books on visual culture and politics, engaging with issues of race, trauma, memory, war, and capitalist globalization.

Having first discovered the mystery of ancient Egypt as a small child via my father’s war-time souvenirs, this interest grew over the years until it became a serious magical under-taking, culminating in Initiation into the magical order of the Temple of Khem. I became Principal tutor of the Order in 1998 and published Liber Ægyptius: The Book of Egyptian Magic in the same year. I continue to teach the Egyptian Mystery Tradition to those willing to submit themselves to the exacting discipline needed to enter the priesthood, and remain a member of the Egypt Exploration Society to keep up-to-date with the current archaeological discoveries in Egypt.

Witchcraft as a mystical tradition is the purpose of my life. All of the craft, rituals, and spells revolve around the core concept of connecting to the divine and exploring consciousness, and that has been the purpose of my writing, teaching, and community work. While there are lots of things focused upon the “how” of Witchcraft, I like to reflect on the why and I am always seeking the philosophy, art, and poetry that can take me deeper into the mystical experience of life. 

Simon has been a student and historian of ancient Rome for most of his life, and has authored one non-fiction work and numerous historical novels set in the era, a number of them set in the ancient city itself. He has spent time in Rome over the decades, hunting down traces of the ancient city and studying architecture and finds, ever deepening his understanding of the place, how it worked, what it looked like, and its place in the world. Rome is the core of three decades of research for Simon.

I’m a historian specialising in the French Revolution at the University of Glasgow. During my doctorate, my now wife and I stayed in Ménilmontant in the 20th arrondissement. There grew a knowledge and love of Paris that have never diminished. As part of my research, I explore the places and spaces where events unfolded, trying to understand how these sites have since changed and been overwritten with new meanings and historical memories: I have the worn-out boots to show for it. I’m currently writing a book on Paris in the Belle Époque, from the completion of the Eiffel Tower in 1889 to the outbreak of the First World War.

I write historical fiction set in medieval Italy, in that lesser-known territory somewhere between ancient Rome and the Renaissance. I’m fascinated by the period before the Medici, before Michelangelo, sometimes even before Dante. The seeds of the Renaissance are hidden in that turbulent time, and I love to hunt for them. I also like to write about marginalized people—the obscure, unfamous, forgotten folk plucked from the footnotes. I’m happy to introduce some of the excellent history books that help me do that. These five books are specific to Florence, the city of my heart.

I am a writer and academic based at Loughborough University specialising in the lives, works, and afterlives of the Brontës. As a Lecturer in English, I teach and research different aspects of the Brontës writings. Alongside my own biography of Emily, I have published widely on the Brontës, including material on Jane Eyre, The Tenant of Wildfell Hall, Emily Brontë’s poetry, and Charlotte's letters. I have also written about how the Brontës inspire contemporary authors, poets, and screenwriters. As well as rereading the siblings’ novels (I love Charlotte’s Shirley!), I’m fascinated by the many biographies and bio-fictions generated about this great Yorkshire family. I hope you enjoy these recommendations!

I grew up in a rural community and have lived most of my adult life in a small city in the Southern Interior of British Columbia. I’m fascinated with West Coast culture, particularly the Canadian version of it, which is connected to the environment and outdoors, shaped by more recent immigration and its sense of distance and disconnect from the country’s capital and economic and social centres, and informed by a more gentle climate. Rural west coast culture is especially rich in iconoclasts, those who live outside the norm, and I’ve explored these sorts of characters in all four of my novels and my short story collection.

My picks reflect my passion for the cozy mystery genre (which I write myself!) One of the reasons I love cozy mysteries is that justice always prevails. There is no violence, bad language, or sex on the page. The murders take place in a small town or community where everyone is known to everyone else. If you like Murder She Wrote and Midsomer Murders, you’ll enjoy this genre. 

Crystal King is the author of The Chef’s Secret and Feast of Sorrow, which was long-listed for the Center for Fiction’s First Novel Prize and was a Must-Read for the MassBook Awards. She is an author, culinary enthusiast, and marketing expert. Her writing is fueled by a love of history and a passion for the food, language, and culture of Italy. She has taught classes in writing, creativity, and social media at GrubStreet, Harvard Extension School, and Boston University, among others. She resides in Boston.

I’ve long had a passion (read: obsession) with the apocalypse in whatever form it takes. I’ve written viral pandemics, zombie outbreaks, post-nuclear survival, dystopian totalitarianism, extinction-level-event, alien invasion, WW3… all of them have the theme of the great reset. The ability to reinvent yourself in the new world. The erasure of your life and the clean slate to try again and become who you want to be. I read and listen to this genre as well as write it because I'm passionate about the worlds writers create and the way their characters adapt to overcome the challenges my own have faced. As a former police officer, I’ve probably spent too many night shifts pondering the end of the world.

Alle C. Hall lived in Asia, traveled there extensively, and speaks what she calls, “clunky Japanese.” She lives in Seattle with a family whose love astounds her. She is proud of a note from The Kavanagh Sisters, Joyce, June, and Paula, founders of Ireland’s Count Me In! Survivors of Sexual Abuse Standing Together for Change, who write: “Alle may never know how many people she will help with this novel. Her ability to portray the hidden damage of the crime of sexual abuse shows that every decision a survivor makes is born out of deep self-hatred. Her storytelling is a frontal attack on those lies.”

I am a former white-collar crime federal prosecutor and California state court judge turned policymaker and author. Though I started in law, I joined the Department of Homeland Security mid-career where I ended up with an assignment that no one wanted: create the department’s first-ever climate adaptation plan. That experience showed me that climate change is a mounting risk affecting everything. I then joined President Barack Obama’s climate team in the White House, where I crafted policy to address catastrophic risks, including climate change and biological threats. Since then, I have become an author, media pundit, and frequent podcast guest, using my voice to call for action on climate.

I wrote a novel whose characters fight to survive depression, grief, loss, and abuse. Though it’s got a sense of humor, it gets dark. People ask, why read a book like that when real life is dark enough? Because we don’t just read to escape from the world—we read to understand it. Fiction can help explain the awful things we might witness or experience or hear about. It can also help us feel less alone in our own sadness and grief. Without darkness, light is meaningless. Without pain, we have no use for hope. Who wants to live in a world without hope?