When I voyaged into the ancient world in the readings of my youth, it led me to realize that the gay-straight divide in modern perceptions of sexuality and relationships is an artifice. It was constructed by the conceit of the ascetic religions that the only legitimate purpose of sex is the production of children within a sanctified marital relationship. In Antiquity, the divide followed a more natural course between the groups who were the sexually active partners (mainly adult men) and those who were sexually passive (mainly women, youths, and eunuchs). My hope is to disperse some of the confusion that the obscuration of this historical reality has caused.
What would happen if a randy teenage boy became Emperor of Rome after winning a pitched battle against a usurper? Would the magisterial traditions and decorum of the office triumph over adolescent hormones or vice versa? Actually, there is no need to speculate about the answer, because it happened in real life and was recorded in several ancient histories that have come down to us. This novel, though billed upon its publication as erotic, is quite closely based on those histories. Clue: the hormonal impulses of teenage boys are quite hard to suppress.
This brilliant and brutally intimate novel captures accurately the depravity and intrigue of Ancient Rome. CHILD OF THE SUN tells the story of the youth Varius Avitus Hassianus, destined to become Emperor of the Roman empire. Varius spurned women. His erotic longings searched out a very different kind of love. Whatever or whomever he fancied was quickly offered to him. And no man, be he soldier or citizen, dared refuse him. As his perverted passions grew more and more bizarre, even the voluptuaries of Rome recoiled in horror.
I’m fascinated by the question of where people get their values, particularly in our secular age. If you have a religion, the question is easy to answer: just point to your church or faith. For the unchurched like me, however, it’s tricky. We feel there’s something we should be able to point to, but what? As a professor of politics and philosophy, I’ve been exploring this question for more than a decade. My latest book argues that liberalism has become a comprehensive worldview and may be the key to who you and I are deep down.
Today, we tend to think of liberalism as a political ideology concerned with politics, law, free markets, and the like.
Rosenblatt’s wonderful book shows us how far—and how poor and anemic—that vision of liberalism is compared to that of its founders in the 19th century. Old-school liberals, including Alexis de Tocqueville, J.S. Mill, Germaine de Staël, and Benjamin Constant, pursued high-minded ethical ideals of what it means to live freely and generously in our modern world. We would do well to remember them.
The changing face of the liberal creed from the ancient world to today
The Lost History of Liberalism challenges our most basic assumptions about a political creed that has become a rallying cry-and a term of derision-in today's increasingly divided public square. Taking readers from ancient Rome to today, Helena Rosenblatt traces the evolution of the words "liberal" and "liberalism," revealing the heated debates that have taken place over their meaning. She debunks the popular myth of liberalism as a uniquely Anglo-American tradition, and shows how it was only during the Cold War that it was refashioned into an American…
I have always been fascinated by the ancient world. Some of my happiest childhood memories involve trips to Roman villas in Britain, theatres in Sicily, and museums across Europe. After studying Classics at Oxford, I completed a Masters and then a Ph.D., eager to gain as strong a grounding in the ancient world as I could before pursuing a career as an author. Ancient history has a reputation for being complicated. When I write books, I strive not to simplify the past, but rather to provide an engaging, memorable, and above all enjoyable path into it.
We often assume that the Romans were in love with love but, actually, they could be very divided over it. Love, for some, was not only destructive, it was practically criminal. The author of this academic book looks at the ethics of love and sex in Rome and considers the surprising appeal of ‘sexual virtue’, abstention, and chastity in ancient society.
Traditionally, scholars have approached Roman sexuality using categories of sexual ethics drawn from contemporary, Western society. In this 2006 book Dr Langlands seeks to move away from these towards a deeper understanding of the issues that mattered to the Romans themselves, and the ways in which they negotiated them, by focusing on the untranslatable concept of pudicitia (broadly meaning 'sexual virtue'). She offers a series of nuanced close readings of texts from a wide spectrum of Latin literature, including history, oratory, love poetry and Valerius Maximus' work Memorable Deeds and Sayings. Pudicitia emerges as a controversial and unsettled topic, at…
I’m a history instructor and often think about alternate historical outcomes, but you don’t get to choose those. Wish the Spanish Armada hadn’t sunk? Tough luck. But you can take a novel in any direction—kill a character, bring them back, let them fall in love, make them eat an egg salad sandwich… When the book itself is about parallel worlds, it increases those possibilities exponentially. In What Goes Up, Rosa and Eddie have very different backgrounds—Earth is two different worlds for them. What happens when there’s another world out there and they meet themselves in a different place? As one character asks, how much do you trust yourself?
I enjoy a good adventure, and Graudin delivers here. This book starts with time travel and shifts to parallel worlds. (The main character was born outside of time, but I won’t explain that so I don’t spoil things.) He captains a crew of merry thieves who travel back to save important relics that are about to be lost in historic disasters like the sinking of the Titanic. This is a smart, quick read–and a fun one.
A heart-stopping adventure that defies time and space--New York Times bestselling author Marie Lu calls it "an incredibly intricate, brilliantly paced, masterfully written journey." Farway Gaius McCarthy was born outside of time. The son of a time traveler from 2354 AD and a gladiator living in ancient Rome, Far's very existence defies the laws of nature. All he's ever wanted was to explore history for himself, but after failing his entrance exam into the government program, Far will have to settle for a position on the black market-captaining a time-traveling crew to steal valuables from the past. During a routine…
I’ve loved history ever since I was a kid when I first had the realisation that it was made up of stories. Ancient Rome has always fascinated me, not the battles or the emperors or the big picture stuff, but the daily lives of the ordinary people. You only need to read some of the rude graffiti from Pompeii to realise that people have never really changed where it counts! I studied English and History at university, neither of them as thoroughly as I could have, but at least now when people ask me what I’d ever use an Arts degree for, I can point to my book.
There are, of course, lots of amazing non-fiction resources on Ancient Rome, but I love the way this one is written as a travel guide, as though you’re a tourist clutching a copy of Lonely Planet.
This is a fun and accessible book, easy to dip in and out of, but also great to read in one hit. There aren’t any emperors or empire-defining battles in this one, just walking tours of the city, tips on where to eat and what to see, and where to go for shopping and entertainment.
The only disappointing thing about this book is the realisation that time travel isn’t actually a thing.
I am a professor of ancient art at Vassar College where I teach Roman art and archaeology. I have published widely in the field and traveled extensively in the Mediterranean. My first encounters with Roman art occurred as a child in the Metropolitan Museum of Art in NYC where I would stand before Roman portrait heads because their faces seemed stern and grim, yet ordinary and matter-of-fact. I have continued to observe Roman portraits over the years, but admit that I still sometimes find them daunting.
It is a learned but lucid work that shows us why we don't know the names of many of the emperors' wives and female kin. Boatwright looks at a range of activities of the imperial women across Roman institutions (the imperial gov't and its laws, the military machine, and the family and the court). Important now to understand how power takes hold in conservative, entrenched societies, and how leading women are exploited in these regimes.
The Imperial Women of Rome explores the constraints and activities of the women who were part of Rome's imperial families from 35 BCE to 235 CE, the Roman principate. Boatwright uses coins, inscriptions, papyri, material culture, and archaeology, as well as the more familiar but biased ancient authors, to depict change and continuity in imperial women's pursuits and representations over time. Focused vignettes open each thematic chapter, emphasizing imperial women as individuals and their central yet marginalized position in the principate. Evaluating historical contingency and personal agency, the book assesses its subjects in relation to distinct Roman structures rather than…
In the first century, Rome’s celebrated love poet Ovid finds himself in exile, courtesy of an irate Emperor, in the far-flung town of Tomis. Appalled at being banished to a barbarous region at the very edge of the Empire, Ovid soon discovers that he has a far more urgent -…
I’ve always been a huge believer of love and romance and happily ever after. I also know that real life and happily ever after aren’t always easy. It took me 45 years to find my Prince Charming (after kissing a lot of frogs). I love reading stories of hope, courage, and promise and strong women who pursue their dreams. They inspire me to keep going and to keep writing. Whether I’m creating women’s fiction, historical novels, fantasy, or romance, my books explore relationships and why people do what they do, and every story focuses on love (what we always strive for) and forgiveness (what we always need).
The story focuses on three women—Francesca, Allegra, and Sophia, three generations of the Ferrari family. They hope that a trip to Italy, to their roots, will restore their connections. But the ties of family run deep, especially troubled ones. Throughout the story, we see the ugly mistakes and misunderstandings of each of the characters—their dirty underwear on display—and how those mistaken beliefs and patterns have torn the fabric that holds the family together.
The characters are complex, human, flawed, and wonderful. You’ll pray for them, cheer for them, hope for them as they flounder, find their footing, and flounder some more. All in beautiful Italy. The descriptions, the locations, the food—everything is mouthwatering.
Three generations of women in the Ferrari family must heal the broken pieces of their lives on a trip of a lifetime through picturesque Italy from New York Times bestselling author Jennifer Probst
Workaholic, career-obsessed Francesca is fiercely independent and successful in all areas of her life except one: family. She struggles to make time for her relationship with her teenage daughter, Allegra, and the two have become practically strangers to each other. When Allegra hangs out with a new crowd and is arrested for drug possession, Francesca gives in to her mother's wish that they take one epic summer…
I’ve always loved military history. Over time, the ancient Greeks won out. They have the coolest equipment! The more you find out about their culture, the more interesting they are. I studied Classics and English Lit. as an undergrad and went to Athens for my Master's. My PhD research was on ancient Greek warfare and historiography–how the Greeks wrote history. That became part of my first book, Military Leaders and Sacred Space in Classical Greek Warfare. I’ve taught in several universities, including courses on warfare, mythology, art, and historiography. I run the Panoply Vase Animation Project, which makes educational animations from ancient antiquities. I am an Assistant Professor at the University of Warsaw.
I love this unusual and thoughtful book. It looks not at the realities and practicalities of ancient warfare but at how different societies have made use of the striking, impressive, sometimes pitiable spectacle of ancient war.
Roman poets wrote about the last moments of dying warriors, and ancient Greeks conjured up images of the battlefield in song and dance. War as Spectacle also makes space for thinking about how and why later eras refer back to ancient wars, be it the military dictators of modern Greece or the monument-makers of the USA. This work is a rich cultural experience across space and time.
War as Spectacle examines the display of armed conflict in classical antiquity and its impact in the modern world. The contributors address the following questions: how and why was war conceptualized as a spectacle in our surviving ancient Greek and Latin sources? How has this view of war been adapted in post-classical contexts and to what purpose?
This collection of essays engages with the motif of war as spectacle through a variety of theoretical and methodological pathways and frameworks. They include the investigation of the portrayal of armed conflict in ancient Greek and Latin Literature, History and Material Culture, as…
In my writing and in my life, I look at life and relationships in terms of what is and isn’t expected or acceptable. I’ve been fascinated by how pleasure itself has become a dirty word and how it can be exploited and used. Women have so much more potential and are so much more complex than what is given to us by media and social constructs. I write to expose the underside of identity, beliefs, and especially how past encounters color and shape our ability to experience pleasure.
This author blows me away with her unflinching approach to sex and sexuality.
This exposes complex and rarely approached relationships in a fresh and startling way. The issue of pain transference isn’t something often dealt with in fiction.
I think I love this book because it’s unsettling and honest. I like a book that upends me and makes me consider life in ways I hadn’t before.
I’m a professor of Roman history who teaches and writes about the social world of the ancient Romans. I’m drawn to the topic of ancient Rome because it seems simultaneously familiar and alien: the people always “feel real” to me, but the many cultural differences between Rome and modern America prod me to contemplate those aspects and values of my own world that I take for granted. I enjoy the high moral stakes of the political machinations as well as the aesthetic beauty of the artistic creations of Rome. And the shadow of Rome still looms large in American culture, so I find the study of antiquity endlessly instructive.
Perhaps the best place to start for a novice looking to learn about Roman history. I have had students, friends, and family all tell me that this was the book that really got them excited about ancient Rome.
Beard is a very witty, engaging writer who is able to combine major historical moments with obscure but revealing anecdotes to tell a coherent narrative of Roman history. She also demonstrates, such as in her introductory chapter’s discussion of modern references to the ancient conflict between Cicero and Catiline, the continuing relevance of Roman history to our understanding of politics today.
In SPQR, an instant classic, Mary Beard narrates the history of Rome "with passion and without technical jargon" and demonstrates how "a slightly shabby Iron Age village" rose to become the "undisputed hegemon of the Mediterranean" (Wall Street Journal). Hailed by critics as animating "the grand sweep and the intimate details that bring the distant past vividly to life" (Economist) in a way that makes "your hair stand on end" (Christian Science Monitor) and spanning nearly a thousand years of history, this "highly informative, highly readable" (Dallas Morning News) work examines not just how we think of ancient Rome but…
