I’m a professor of Roman history who teaches and writes about the social world of the ancient Romans. I’m drawn to the topic of ancient Rome because it seems simultaneously familiar and alien: the people always “feel real” to me, but the many cultural differences between Rome and modern America prod me to contemplate those aspects and values of my own world that I take for granted. I enjoy the high moral stakes of the political machinations as well as the aesthetic beauty of the artistic creations of Rome. And the shadow of Rome still looms large in American culture, so I find the study of antiquity endlessly instructive.
I wrote
Saeculum: Defining Historical Eras in Ancient Roman Thought
Perhaps the best place to start for a novice looking to learn about Roman history. I have had students, friends, and family all tell me that this was the book that really got them excited about ancient Rome.
Beard is a very witty, engaging writer who is able to combine major historical moments with obscure but revealing anecdotes to tell a coherent narrative of Roman history. She also demonstrates, such as in her introductory chapter’s discussion of modern references to the ancient conflict between Cicero and Catiline, the continuing relevance of Roman history to our understanding of politics today.
In SPQR, an instant classic, Mary Beard narrates the history of Rome "with passion and without technical jargon" and demonstrates how "a slightly shabby Iron Age village" rose to become the "undisputed hegemon of the Mediterranean" (Wall Street Journal). Hailed by critics as animating "the grand sweep and the intimate details that bring the distant past vividly to life" (Economist) in a way that makes "your hair stand on end" (Christian Science Monitor) and spanning nearly a thousand years of history, this "highly informative, highly readable" (Dallas Morning News) work examines not just how we think of ancient Rome but…
Like many others, I have long been fascinated by the story of Spartacus and his fight for freedom (a story that has resonated with many activists and advocates around the world).
Strauss has a wonderful prose style that balances scholarly rigor with clarity for a popular audience. I still picture Kirk Douglas in my mind when I think about Spartacus, but reading this book also gave me a much fuller understanding of the sociopolitical context of this slave revolt.
The story of the most famous revolt of the ancient world, and its legendary leader, Spartacus the Gladiator.
Spartacus was a Thracian gladiator who started a prison breakout with 74 men, armed with kitchen knives. It grew into a full scale rebellion against Rome, the most famous slave revolt in history. With an army of gladiators, ex-slaves and other desperadoes, he managed to defeat a succession of Roman armies and bring the Republic to its knees.
Nero always seems to pique the curiosities of every generation of modern readers, and I have likewise been drawn to his story. Was he one of history’s most corrupt monsters, or was he just a failed politician whose reputation was maligned by his enemies?
This book does a responsible job of looking at the ancient sources (quite lurid though their accounts often are) to compose a life of the emperor, so that the reader will (like I was) be entertained without being led astray by sensationalism. I especially appreciated the chapter-length study of the Great Fire of Rome in 64 AD, which was full of fascinating details.
A striking, nuanced biography of Nero—the controversial populist ruler and last of the Caesars—and a vivid portrait of ancient Rome
“Exciting and provocative . . . Nero is a pleasure to read.”—Barry Strauss, author of The War That Made the Roman Empire: Antony, Cleopatra, and Octavian at Actium
The Roman emperor Nero’s name has long been a byword for cruelty, decadence, and despotism. As the stories go, he set fire to Rome and thrummed his lyre as it burned. He then cleared the charred ruins and built a vast palace. He committed incest with his mother, who had schemed and…
One of my areas of scholarly interest is Roman intellectual history; I am curious about how Romans thought about their world and how this thinking changed over time (often through the introduction of new concepts or terms).
This interest allows me to examine the ways in which the Romans, at a cognitive level, simply understood information differently from how we do today. Riggsby analyzes various forms of information technology (maps, lists, tables, etc.) that seem basic and obvious, yet he reveals how rare it was for the Romans to deploy them (and usually in quite context-specific ways, such as military duty rosters).
This book really helped me question my assumptions about information literacy and how minds organize data, so that I am more aware of the cultural factors at work.
Today's information technology often seems to take on a life of its own, spreading into every part of our lives. In the Roman world things were different. Technologies were limited to small, scattered social groups.
By examining five technologies-lists, tables, weights and measures, artistic perspective, and mapping-Mosaics of Knowledge demonstrates how the Romans broke up a world we might have imagined them to unite. That is, the recording, storage, and recall of information in physical media might be expected to bind together persons distant in time and space. More often than not, however, Roman instances serve to create or reinforce…
I think this is the single best edition of Julius Caesar’s original compositions: the footnotes, maps, battle diagrams, and appendices offer a treasure trove of information for the Roman history buff without overwhelming the casual reader.
(I had a particular interest in Appendix C, on “Roman Calendars, Dates, and Time,” where I learned that the main reason winter operations rarely occurred in ancient warfare was the inability to feed their animals.)
The translations struck me as contemporary sounding yet never sacrifice accuracy for clarity. I recommend this book as a perfect gateway for the fan of ancient Rome to enter the realm of authentic ancient Roman literature.
The Landmark Julius Caesar is the definitive edition of the five works that chronicle the military campaigns of Julius Caesar. Together, these five narratives present a comprehensive picture of military and political developments leading to the collapse of the Roman republic and the advent of the Roman Empire.
The Gallic War is Caesar’s own account of his two invasions of Britain and of conquering most of what is today France, Belgium, and Switzerland. The Civil War describes the conflict in the following year which, after the death of his chief rival, Pompey, and the defeat of Pompey’s heirs and supporters,…
I examine Rome in the first century BCE to glimpse the rhetoric of periodization, exploring how the ancient Romans developed a novel sense of time to construct their views of the past future. The Roman general Sulla first sought to portray himself as the inaugurator of a new age of prosperity, and through him Romans adopted the term saeculum to refer to a unique era of history. Romans went on to deepen their investment in periodization by linking notions of time to moments of catastrophe, allowing them to conceptualize their own epoch and its conclusion. Periodization further introduced the idea of specific agents of change that were foundational to narratives of progress and decline. Saeculum describes an intellectual revolution that reorganized the meaning of history.
Unlike the typical tales of a flawless fighting unit, this story follows Commander Kami Trenn and her ragtag squad of mixed-race space marines.
Dog Squad fights a mysterious adversary whose presence remains shrouded in secrecy. The fate of the universe hangs in the balance, but will they be able to make enough of a difference?
Can they hope to uncover the enemy’s plans for galactic dominance before the Alliance falls? Maybe. If they can stop fighting each other.
Across the void formed by two galactic spiral arms, vast forces face each other.
The tenuous Alliance, sixty civilizations united only by fear of invasion, prepare to resist the encroachment of their as-yet unseen enemy, known only as the Creeps.
The Void has become a battleground. Three thousand light years across, and populated by a scattering of ten thousand ‘dark’ worlds, it is the Alliance’s last chance to protect their way of life. Self-destructive, robotic drones pour across the Void in ever-increasing numbers, testing the Alliance fleets to breaking point.
