After growing up in South Florida, a longstanding crossroads of Southern, Latin, and Caribbean culture, I became a student of the African Diaspora in the Americas. I learned that Africans preceded the English in the Americas and arrived in greater numbers than Europeans until 1820. As a history professor and researcher, I continually came across the stories of Black men and women, enslaved and free, who started independence movements, fought in revolutions, established schools, businesses, newspapers, and political organizations - men and women who challenged slavery and discrimination and championed freedom at every opportunity. The number of individuals was overwhelming and fundamentally altered how I understand American history and democracy.
During the Age of Revolution, enslaved and formerly enslaved residents of the French Caribbean were among those who most vigorously insisted that the “rights of man” were universal. This book focuses on the colony of Guadeloupe, though Laurent Dubois has written about the Haitian Revolution as well, an event that resulted in the first nation in the Americas to outlaw human enslavement. Enslaved and free Afro-French men and women engaged colonial assemblies and militias to stake their claims to the rights of citizenship. As they endeavored to turn Enlightenment ideals into political realities, Afro-Americans in the Caribbean championed the rise of freedom in the West.
The idea of universal rights is often understood as the product of Europe, but as Laurent Dubois demonstrates, it was profoundly shaped by the struggle over slavery and citizenship in the French Caribbean. Dubois examines this Caribbean revolution by focusing on Guadeloupe, where, in the early 1790s, insurgents on the island fought for equality and freedom and formed alliances with besieged Republicans. In 1794, slavery was abolished throughout the French Empire, ushering in a new colonial order in which all people, regardless of race, were entitled to the same rights. But French administrators on the island combined emancipation with new…
I'm an American historian and former director of UNC-Chapel Hill's Program in Sexuality Studies—and former pizza maker, gas pumper, park ranger, and tour guide at the house in which Louisa May Alcott wroteLittle Women. As a historian, I've spent my career trying to understand the lives of people in early American history who weren't well known at the time. In writing the Sewing Girl's Tale, which focuses on a survivor of a sexual assault, it was especially important to keep her at the center of the story. Ultimately, I wanted to know: What was life in the aftermath of the American Revolution like—not for some Founding Father—but for an ordinary young woman.
This book brings the format of a graphic novel to the subject of women's resistance during enslavement and the trans-Altantic slave trade—and the result is fresh and compelling. As a historian myself, I appreciated the interwtined narratives of Hall's own research quest as a historian following the documentary record—and her reconstruction of the extraordinary revolt of the women held captive in 1772 on the slave-ship Unity. Both the search for truth and the dramatic uprising are conveyed with great skill and emotional power. The account of the Unity revolt calls attention to what we know, how we know it, and what we don't know. But Hall refuses to stop there. Instead, carefully marking speculation as such, Hall offers a fascinating, well-informed, effort to imagine a fuller account of what might have actually happened. We are left with a powerful sense of why this history matters two and a half…
'A must-read graphic history. . . an inspired and inspiring defence of heroic women whose struggles could be fuel for a more just future' Guardian
'Not only a riveting tale of Black women's leadership of slave revolts but an equally dramatic story of the engaged scholarship that enabled its discovery' Angela Y. Davis
Women warriors planned and led slave revolts on slave ships during the passage across the Atlantic. They fought their enslavers throughout the Americas. And then they were erased from history.
In Wake Rebecca Hall, a historian, a granddaughter of slaves, and a woman haunted by the legacy…
I long ago decided that I could contribute to the struggle for the freedom and equality of all people by becoming a historian. My fascination with the history of race has led me on a quest to illuminate the extraordinary efforts of enslaved people and their allies to challenge White supremacy and destroy the institution of slavery. My newest book, Symbols of Freedom: Slavery and Resistance Before the Civil War, examines the role that revolutionary nationalism played in inspiring slave and antislavery resistance.
The determination of an enslaved blacksmith named Gabriel to lead countless Black people in and around Richmond, Virginia, in rebellion has long captured the attention of historians of slave resistance and revolts; however, in Egerton’s hands, the event becomes something unique and different. Read in the context of the French and Haitian Revolutions, as well as the US Presidential Election of 1800 (the so-called Revolution of 1800), Gabriel’s rebellion stems from the issues of politics and class as much, or even more than, race and slavery, in post-revolutionary Virginia.
Gabriel's Rebellion tells the dramatic story of what was perhaps the most extensive slave conspiracy in the history of the American South. Douglas Egerton illuminates the complex motivations that underlay two related Virginia slave revolts: the first, in 1800, led by the slave known as Gabriel; and the second, called the 'Easter Plot,' instigated in 1802 by one of his followers. Although Gabriel has frequently been portrayed as a messianic, Samson-like figure, Egerton shows that he was a literate and highly skilled blacksmith whose primary goal was to destroy the economic hegemony of the 'merchants,' the only whites he ever…
I’m a professor of Roman history who teaches and writes about the social world of the ancient Romans. I’m drawn to the topic of ancient Rome because it seems simultaneously familiar and alien: the people always “feel real” to me, but the many cultural differences between Rome and modern America prod me to contemplate those aspects and values of my own world that I take for granted. I enjoy the high moral stakes of the political machinations as well as the aesthetic beauty of the artistic creations of Rome. And the shadow of Rome still looms large in American culture, so I find the study of antiquity endlessly instructive.
Like many others, I have long been fascinated by the story of Spartacus and his fight for freedom (a story that has resonated with many activists and advocates around the world).
Strauss has a wonderful prose style that balances scholarly rigor with clarity for a popular audience. I still picture Kirk Douglas in my mind when I think about Spartacus, but reading this book also gave me a much fuller understanding of the sociopolitical context of this slave revolt.
The story of the most famous revolt of the ancient world, and its legendary leader, Spartacus the Gladiator.
Spartacus was a Thracian gladiator who started a prison breakout with 74 men, armed with kitchen knives. It grew into a full scale rebellion against Rome, the most famous slave revolt in history. With an army of gladiators, ex-slaves and other desperadoes, he managed to defeat a succession of Roman armies and bring the Republic to its knees.
I’m the author of seven novels, including Soul Catcher, a Booksense and Historical Novels Review selection; A Brother’s Blood, which was a New York Times Book Review Notable Book and an Edgar Award Finalist; The Blind Side of the Heart, A Dream of Wolves, and The Garden of Martyrs, a Connecticut Book Award finalist and made into an opera. My historical novel Beautiful Assassin won the 2011 Connecticut Book Award for Fiction. I’ve also published a collection of his short stories, Marked Men, in addition to over 50 short stories in national journals. I was the founding editor of two magazines, American Fiction and Dogwood, as well as the founder and former director of Fairfield University's MFA Creative Writing Program. I’ve just completed a new historical novel set during the 1936 Olympics in Berlin.
A great and controversial novel—aren’t great novels always controversial?—The Confessions of Nat Turner takes as its starting point the mind of a slave, Nat Turner, as he awaits his execution for leading a failed slave rebellion in 1831. Even when it was published in 1967, the novel inspired a strong backlash from the African-American community, who were upset, in part, because of the portrayal of a Black man lusting after a White woman. Written by a Southern White, the novel is a powerful story, powerfully told, one that remains as relevant today as it did when it was first published.
In 1831 Nat Turner awaits death in a Virginia jail cell. He is a slave, a preacher, and the leader of the only effective slave revolt in the history of 'that peculiar institution'. William Styron's ambitious and stunningly accomplished novel is Turner's confession, made to his jailers under the duress of his God. Encompasses the betrayals, cruelties and humiliations that made up slavery - and that still sear the collective psyches of both races.
I long ago decided that I could contribute to the struggle for the freedom and equality of all people by becoming a historian. My fascination with the history of race has led me on a quest to illuminate the extraordinary efforts of enslaved people and their allies to challenge White supremacy and destroy the institution of slavery. My newest book, Symbols of Freedom: Slavery and Resistance Before the Civil War, examines the role that revolutionary nationalism played in inspiring slave and antislavery resistance.
It is hard to think of any book of comparable size that packs a more powerful punch. In less than 150 pages, Camp reveals how in the antebellum South enslaved women resisted their oppression in ways that were both visible and invisible. By challenging slave owners’ control and conception of space, they carved out a “rival geography” where they, along with their friends and families, enjoyed a modicum of freedom despite longstanding and widespread oppression. Camp’s description of late-night plantation frolics, stolen dresses, and the interior walls of slave cabins redefines slave resistance in a way that highlights the efforts of enslaved women to improve the lives of themselves and their loved ones in the face of almost insurmountable odds.
Recent scholarship on slavery has explored the lives of enslaved people beyond the watchful eye of their masters. Building on this work and the study of space, social relations, gender, and power in the Old South, Stephanie Camp examines the everyday containment and movement of enslaved men and, especially, enslaved women. In her investigation of the movement of bodies, objects, and information, Camp extends our recognition of slave resistance into new arenas and reveals an important and hidden culture of opposition. Camp discusses the multiple dimensions to acts of resistance that might otherwise appear to be little more than fits…
From the time I heard of the 2010 earthquake in Haiti that killed over 200,000 people, my heart was drawn to that country. From 2012 to 2017 I lead five mission trips to Cap Haitian, where we toured mission work, helped Haitians build an elementary school, and met so many of these beautiful people. I ate the great cooking of “Mama Jo” who, along with her husband, hosted us. I gave “horsey” rides to children at a Port-au-Prince orphanage; and shared in prayer and singing with churches near Cap Haitian. In short, I fell in love with these people. How could I notwrite a novel of hope about them?
As I prepared to write my own novel on Haiti, I searched for a novel of merit already written as part of my preparation. I found this work of Madison Smartt Bell, which was nominated for the National Book Award. This author proved to be a master of the language. I admired his ability to bring Toussaint alive, as well as picturing the culture of the time, and the complexities of a war that changed history.
"A serious historical novel that reads like a dream." --The Washington Post Book World
"One of the most spohisticated fictional treatments of the enduring themes of class, color, and freedom." --San Francisco Chronicle
NATIONAL BOOK AWARD FINALIST PEN/FAULKNER AWARD FINALIST
This first installment of the epic Haitian trilogy brings to life a decisive moment in the history of race, class, and colonialism. The slave uprising in Haiti was a momentous contribution to the tide of revolution that swept over the Western world at the end of the 1700s. A brutal rebellion that strove to overturn a vicious system of slavery,…
I am a historian of slavery and resistance in early America and in the Atlantic world, and I have long been passionate about how enslaved people refused to accept the chattel system and the many creative ways they found to resist their status. It has also become a central goal of mine to tell their stories and make sure we know more about how slave resistance influenced U.S. society in the past and how it shapes the world in which we live today.
In this massive study of one of the most radical movements in U.S. history, Manisha Sinha extends the story of Abolition to the 18th century and on the international stage, forcing us to rethink what we thought we knew about the movement’s trajectory and who its central figures were.
By telling the broader story, Sinha demonstrates who central Black rebels were for moving the cause along and for creating an interracial alliance that would eventually succeed in 1865.
A groundbreaking history of abolition that recovers the largely forgotten role of African Americans in the long march toward emancipation from the American Revolution through the Civil War
Received historical wisdom casts abolitionists as bourgeois, mostly white reformers burdened by racial paternalism and economic conservatism. Manisha Sinha overturns this image, broadening her scope beyond the antebellum period usually associated with abolitionism and recasting it as a radical social movement in which men and women, black and white, free and enslaved found common ground in causes ranging from feminism and utopian socialism to anti-imperialism…
I’m a legal historian with a particular interest in eighteenth-century Britain and the United States. My research has investigated the history of arbitration, historical connections between law and politics, and changing attitudes to the rule of law. Since 2018, I’ve been a professor at Notre Dame Law School, where I teach courses in legal history, civil procedure, conflict of laws, and the rule of law.
The Seven Years’ War was a pivotal event in the formation of the British Empire, but histories of the conflict often omit a crucial battleground: Jamaica.
Starting in 1760, enslaved West Africans in Jamaica organized to throw off their captivity. Tacky’s Revolt, as the uprising became known, was the greatest slave rebellion the Atlantic world had yet seen. It was also linked to other, global struggles, both in Africa and between European empires.
In Tacky’s Revolt, Vincent Brown links these hyper-local and imperial stories. I found it particularly useful for understanding the complexities of race and ethnicity in the eighteenth-century British Caribbean.
Winner of the Anisfield-Wolf Book Award Winner of the Frederick Douglass Book Prize Winner of the Elsa Goveia Book Prize Winner of the James A. Rawley Prize in the History of Race Relations Winner of the P. Sterling Stuckey Book Prize Winner of the Harriet Tubman Prize Winner of the Phillis Wheatley Book Award Finalist for the Cundill Prize
A gripping account of the largest slave revolt in the eighteenth-century British Atlantic world, an uprising that laid bare the interconnectedness of Europe, Africa, and America, shook the foundations of empire, and reshaped ideas of race and popular belonging.
I am a social historian of the African Diaspora. I am passionate about writing stories that have never been told. The stories I uncover detail the lives, struggles, and resistance of enslaved people. I am interested in and have written about such overlooked topics as African resistance to the transatlantic slave trade; Maroons in the American South; the experience of African Muslims enslaved throughout the Americas; and the lives of the people deported on the Clotilda, the last slave ship to the US. Much still needs to be unearthed to help form a more comprehensive history of the people who, in countless and remarkable ways, fought against their subjugation.
This book is predominantly about Caribbean runaways and Maroons, with some brief forays into South America and the United States.
I found Thompson’s approach quite enlightening. Rather than studying marronage by country, as is usually the case, he chose an encompassing thematic approach across territories. He studies the topic in four major parts: the ideological bases of marronage, its origin and development, maroon organization, and the question of accommodation and revolution.
This panoramic view, which also offers a lot of details, helps point out commonalities but also differences between communities.
African slavery in the Americas has left indelible marks on the geographical, political, economic, social and cultural landscapes of the Americas. An important part of that indelibility is marronage that involved both flight from slavery and the establishment of free communities. This book is about the struggles of enslaved Africans in the Americas who achieved freedom through flight and the establishment of Maroon communities in the face of overwhelming military odds on the part of the slaveholders. Incontestably, Maroon communities constituted the first independent polities from European colonial rule in the hemisphere, even if the colonial states did not accord…
