I am an associate professor of English at the University of Connecticut. I’ve spent most of my career thinking about the role children have played in American culture. Adults, past and present, often overlook the intelligence and resilience of children who have managed to change both their immediate circumstances, and the world around them. I seek out these children and do my best to honor their stories. I’ve written or edited four other books on race and childhood, and have a podcast on children in history.
This book surprised the scholarly community when the manuscript was first obtained at an estate sale. A handwritten memoir that had lain largely unread for over a hundred and fifty years, this narrative depicts the sort of child we rarely see in the history books. A defiant apprentice, a runaway truant, a bartender, a prisoner, and author, Austin Reed offers us one plot twist after another. As a free person of color in the nineteenth century, Reed offers a compelling view into the life of one man who was determined to maintain his own sense of self, even in the face of a quickly growing carceral state that imprisoned him both as a child and as a man.
The earliest known prison memoir by an African American writer—recently discovered and authenticated by a team of Yale scholars—sheds light on the longstanding connection between race and incarceration in America.
“[A] harrowing [portrait] of life behind bars . . . part confession, part jeremiad, part lamentation, part picaresque novel (reminiscent, at times, of Dickens and Defoe).”—Michiko Kakutani, The New York Times
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE
In 2009, scholars at Yale University came across a startling manuscript: the memoir of Austin Reed, a free black man born in the 1820s who spent…
I’m a big-time fantasy reader, and I’ve always loved non-human characters in fiction, whether it was The Little Mermaid or Beauty and the Beast. It never sat right with me that the Beast becomes human when I got to understand his vulnerability in monster form; I hated that Ariel wanted boring human legs. I was a romance novel hater for a long time, too, because I thought they were repetitive (and mostly straight). Finding queer indie romance that embraced these monsters and explored what makes them monstrous caused a huge shift in the way I interpret all relationships in literature, and it definitely influenced my choice to write monster romance.
I couldn’t leave out one of my favorite monsters of all time: dragons. Also, I just love secondary-world fantasy, especially the kind that has important themes like the effects of imperialism and that are set in a shifting palace full of magical rooms.
This book beautifully executes one of my favorite relationship dynamics in fiction: the dragon love interest starts out ice cold and very gradually warms up to the main character as they get closer, and they both overcome their past traumas as their romance grows deeper. That’s the good stuff!
I’ve always been fascinated by American history and have clear memories of celebrating America’s bicentennial as a child. I have twenty-two Revolutionary Patriots in my family history, and I am most proud of my 6x-great grandmother, Anna Asbury Stone, for her bravery and daring during the winter of 1778. I did extensive genealogical research to learn about her, her family, and her circumstances before writing Answering Liberty’s Call: Anna Stone’s Daring Ride to Valley Forge.
Bound is set in the years prior to the American Revolution, and highlights the difficulties faced by girls and women indentured servants. Alice and her family set out for America from England, but when her mother and brothers die during the voyage, Alice’s father decides he cannot keep her and sells her as an indentured servant upon reaching Boston. Alice should have had a middle-class upbringing, but instead, she becomes chattel. The scenes of abuse in this book are stark, but it helps to shed light on the sufferings of the disenfranchised and the helpless. Alice’s determination will inspire.
An indentured servant finds herself bound by law, society, and her own heart in this novel set in colonial Cape Cod from the author of acclaimed The Widow’s War.
Indentured servant Alice Cole barely remembers when she was not “bound”, first to the Morton family, then to their daughter Nabby—her companion since childhood—when she wed. But Nabby’s new marriage is not happy, and when Alice finds herself torn between her new master and her old friend, she runs away to Boston. There she meets a sympathetic widow named Lyddie Berry and her lawyer companion, Eben Freeman. Impulsively stowing away on…
I’ve been writing about women and girls who rock the boat for two decades. I’ve written about it from my own point of view, in award-winning essays, and from imagined points of view, in almost-award-winning women’s contemporary novels. Now, I’ve tackled it in the YA genre. I want to keep on exploring what it means to buck the system and live to tell the tale. We’re still making up for men writing women’s voices, for women’s voices going unheard. I’m trying to do my part to ask, what if we heard about history from the women’s point of view?
I didn’t even know that indentured servitude to the police could be a thing for young women. Sure, sure, we’re talking about another place, another era—1800s Korea—but the immediacy with which Hur tells this story puts it right there for me.
She weaves exacting detail and information throughout this gripping mystery: If the premise didn’t already hook me, I’d be pulled in by the way this mystery rapidly turns personal for Seol, our heroine.
I have a mouth, but I mustn't speak; Ears, but I mustn't hear; Eyes, but I mustn't see.
1800, Joseon (Korea). Homesick and orphaned sixteen-year-old Seol is living out the ancient curse: "May you live in interesting times." Indentured to the police bureau, she's been tasked with assisting a well-respected young inspector with the investigation into the politically-charged murder of a noblewoman.
As they delve deeper into the dead woman's secrets, Seol forms an unlikely bond of friendship with the inspector. But her loyalty is tested when he becomes the prime suspect, and Seol may be the only one capable…
I am a retired history teacher with 36 years of teaching experience in high school and college. I am also a passionate world traveler and for over four decades led students on overseas tours. In 2012 (the year I retired from teaching) I released my first novel, Widder’s Landing set in Kentucky in the early 1800s. One of my main characters came from a family of Irish Catholics—and he is featured in Rebels Abroad. Ireland has always fascinated me and in my nine trips to the country, I smelled the peat fires, tasted the whiskey, listened to the music and the lyrical tales told by the tour leaders—and came to love the people.
Much of Ireland’s history involves the struggle for freedom of religion—a subject of real interest to me.
James Michener reveals England’s mistreatment of Catholics through strict laws and brute enforcement in an era known as the Protestant Ascendancy. This continued in the American colonies.
When I read about the New World colony of Maryland, I could instantly draw comparisons—the plantation owners very much resembled the lords of English and Irish manor houses; slaves and indentured servants were treated much like the Catholic underclass in the Old World.
I am a historian, and this book opened a new window into the past.
The central scene of Michener's historical novel is that section of Maryland's Eastern shore, hardly more than 10 miles square. To this point come the founders of families that will dominate the story.
Kathleen Grissom, New York Times bestselling author of the highly anticipated Glory Over Everything, established herself as a remarkable new talent with The Kitchen House, now a contemporary classic. In this gripping novel, a dark secret threatens to expose the best and worst in everyone tied to the estate at a thriving plantation in Virginia in the decades before the Civil War.
Orphaned during her passage from Ireland, young, white Lavinia arrives on the steps of the kitchen house and is placed, as an indentured servant, under the care of Belle, the master’s illegitimate slave daughter. Lavinia learns to cook,…
I’m a lecturer at the University of Liverpool who researches 19th century American literature. A year studying in central Pennsylvania sparked my interest in early US writing and led me to a PhD in the subject. I’m fascinated in how American literature of this period both upholds and challenges the founding myths of the nation - liberty, egalitarianism, progress – and how new genres, such as science fiction and the gothic, develop over the century.
Early African American fiction is not as well-known as the slave narrative genre, but the few novels that do exist before the Civil War are sophisticated interpretations and developments of sentimental fiction. Harriet E. Wilson’s Our Nig is a bildungsroman charting the life of free Black servant girl Frado who is exploited and abused by her adopted white family. Wilson challenges the passive and flat portraits of Black men and women in most antebellum fiction, by portraying a complex and multifaceted character in Frado.
"They discussed the expediency of a speedy departure. Seth would first seek employment, and then return for Mag. They would take with them what they could carry, and leave the rest with Pete Greene, and come for them when they were wanted. They were long in arranging affairs satisfactorily, and were not a little startled at the close of their conference to find Frado missing. They thought approaching night would bring her. Twilight passed into darkness, and she did not come. They thought she had understood their plans, and had, perhaps, permanently withdrawn. They could not rest without making some…
Raised in a Mexican-Italian family, I grew up traveling across the Arizona-Sonora borderlands to visit my extended family. As a kid, I took for granted movement across boundaries and cultural and racial mixture, but eventually, I came to see it framed my experience and outlook. In researching the Chinese in northern Mexico, I learned that Mexican women and Chinese-Mexican children followed their expelled men, whether by force or choice, and I became enthralled. I had to find out how these families fared after crossing not just borders but oceans. My passion for reading about how the long presence of Asians in the Americas complicates our understanding of history has only deepened.
Drawing on vivid “coolie” testimonies and slave narratives, this book shows how Chinese contract laborers worked alongside African slaves in the final decades of slavery in the nineteenth century, forming cross-cultural ties and engaging in bitter rivalries as well as other experiences in between. The book features the voices of both sets of groups, including complicated commentary by slaves on the lot of so-called coolies. A powerful read, it brings to life the personal experiences of members of these groups of people during a brutal era of history.
I write historical and biographical novels, and have had a fascination with the Salem witch trials since childhood. With my first visit to Salem, I felt a strong connection to my surroundings and its history. When I walked through the House of the Seven Gables for the first time, I felt I’d been there before. Three past-life regressions brought me back to 17th century Salem. In my biographical novel For The Love Of Hawthorne, I delved deeply into the soul of my favorite author, his devoted wife, and the shame his family suffered at the hand of his ancestor Judge Hathorne. The story came from my heart, as I lived their story along with them.
Whatever your level of interest in the Salem Witch Trials of 1692—you will learn much, and be entertained at the same time. It captured my interest because I’ve always been fascinated with the Salem witch trials and Salem history. It is the true story of Mehitabel Braybrooke of Ipswich, an ancestor of Donna’s. She recreated Mehitabel’s difficult life in painstaking detail, after digging deep to retrieve authentic court records, facts about Mehitabel’s family life as the illegitimate daughter of an indentured servant, and serving time in the Ipswich jail on a witchcraft accusation. She eventually married the man she loved (a rarity in 1692 Salem and Ipswich) and had children, living into her 70s. This story brought me back there as if I’d been transported. Donna did a masterful job of writing authentic dialogue and showing (not telling) us how perilous life was in the 17th century, for these…
In 1692, the residents in Salem and Ipswich live with stories of witchcraft, religious extremism, and false accusations. Mock trials lead to questionable convictions and speedy executions. Most of the condemned are women, all but one are hung. Others, including two infant children, die in prison.
For Mehitabel Braybrooke, life began as the illegitimate child of a prosperous landowner. Now her stepmother is convinced the girl is a pawn of the Devil. During a time when women have few rights and even fewer allies in the courts, what will become of the falsely accused?
I’m a closet historian who’s always been fascinated by the power of novels to enable readers to travel in time and space and stand in the shoes of historical characters–blending imagination and enlightenment. As a scholar, I’ve worked to uncover women’s unknown and secret histories–histories of subversion, disruption, and humor. As a South African who grew up under apartheid, I passionately believe that if we don’t confront history, we’re doomed to repeat its nastier passages. As a writer, I’ve published a sequel to Jane Austen’s Pride & Prejudice that showed me how immersion in another historical era can enable us to grapple with truths about our current societies.
Few know that thousands of villagers from India were shipped to various colonies as indentured laborers after slavery ended in Britain’s territories.
Lured by promises of rich earnings they could send home, they replaced slaves and worked in similar conditions of hardship. In South Africa’s Colony of Natal, Indian indentured laborers did backbreaking work on sugar plantations, and their stories have seldom been told. In particular, no one has revealed the hidden stories of women plantation workers. In this heartbreaking yet lyrical novel, Joanne Joseph (tracing her own grandmother’s history) breaks the mold with her story of Shanti, who runs away from an arranged marriage and finds herself apparently powerless in a foreign land. How she indeed exercises her will, forges friendships, and finds love and peace makes for a riveting story.
Vividly set against the backdrop of 19th century India and the British-owned sugarcane plantations of Natal, written with great tenderness and lyricism, Children of Sugarcane paints an intimate and wrenching picture of indenture told from a woman's perspective.
Shanti, a bright teenager stifled by life in rural India and facing an arranged marriage, dreams that South Africa is an opportunity to start afresh. The Colony of Natal is where Shanti believes she can escape the poverty, caste, and the traumatic fate of young girls in her village. Months later, after a harrowing sea voyage, she arrives in Natal and realises…
