I’m a professional historian and life-long lover of early American history. My fascination with the American Revolution began during the bicentennial in 1976, when my family traveled across the country for celebrations in Williamsburg and Philadelphia. That history, though, seemed disconnected to the place I grew up—Arkansas—so when I went to graduate school in history, I researched in French and Spanish archives to learn about their eighteenth-century interactions with Arkansas’s Native nations, the Osages and Quapaws. Now I teach early American history and Native American history at UNC-Chapel Hill and have written several books on how Native American, European, and African people interacted across North America.
Alex Myers’s Revolutionary is a novel that conveys the feel of being a soldier in the Continental Army: its hope, its horror, its boredom.
I like to assign novels in my classes, and this is the one I use in my class on the American Revolution. Its central character is Deborah Sampson, a Massachusetts indentured servant who decided to disguise herself as a man and enlist in the Continental Army. The young soldier trained, marched, fought, and made friends, all while pretending to be (and sort of becoming) “Robert Shurtliff.”
As a historian, I’m a fairly harsh judge of historical fiction that misrepresents the past, so I particularly love to find a book like Revolutionary, which is deeply researched and written in a straight-forward prose that fits the eighteenth century.
“A remarkable novel” (The New York Times) about America’s first female soldier, Deborah Sampson Gannett, who ran away from home in 1782, successfully disguised herself as a man, and fought valiantly in the Revolutionary War.
At a time when rigid societal norms seemed absolute, Deborah Sampson risked everything in search of something better. Revolutionary, Alex Myers’s richly imagined and carefully researched debut novel, tells the story of a fierce-tempered young woman turned celebrated solider and the remarkable courage, hope, fear, and heartbreak that shaped her odyssey during the birth of a nation.
Alexis Coe is a presidential historian and the New York Times bestselling author of You Never Forget Your First: A Biography of George Washington, which was also Audible’s best history book of 2020 and Barnes and Nobel's nonfiction Book of the Month. She was a producer and appeared in Doris Kearns Goodwin's Washington series on the History Channel.
Until Martha Saxton came along, Mary Ball Washington was much maligned by historians--but she’s no Mary Washington apologist. Saxton wrote the first comprehensive book on the first President’s mother with her eyes wide open and no one, not mother or son, gets away with anything.
The Widow Washington is the first life of Mary Ball Washington, George Washington's mother, based on archival sources. Her son's biographers have, for the most part, painted her as self-centered and crude, a trial and an obstacle to her son. But the records tell a very different story. Mary Ball, the daughter of a wealthy planter and a formerly indentured servant, was orphaned very young and grew up in an atmosphere of work, frugality, and piety. She married the older planter Augustine Washington and had five children with him before his death eleven years later. As a widow deprived of…
I love history, and it infuses most of my fiction. Since I first picked up a book, I’ve never stopped learning about the past. Now, I listen to college courses and podcasts and read books both popular and academic. Sometimes this is for my writing or personal travel, but those things are often just excuses for the fun of immersion in a subject. I particularly enjoy reading and writing alternate/secret history because it merges creative imagination with factual scholarship. But I’m picky about the use of history in all media—factual sloppiness bumps me out of a story as quickly as bad physics drives a scientist from an SF movie.
After I quit my law firm and was trying to decide what (if anything) I wanted to write, I read Kushiel’s Dart. This book convinced me that whatever stories I wanted to tell, no matter how extreme, I could tell them within science fiction/fantasy. And it really puts the “alternate” in alternate history.
During the Roman Empire, angels came to earth and mated with mortals in the area of modern France, again producing a race like the biblical Nephilim, only sexier, and with one commandment: “Love as thou wilt.” In this Europe that never knew a dark age, the angels’ descendants pursue love, power, and intrigue, and at the center of their plots is Phèdre, a courtesan spy fighting to save her land from betrayal.
The lush epic fantasy that inspired a generation with a single precept: Love As Thou Wilt
The first book in the Kushiel's Legacy series is a novel of grandeur, luxuriance, sacrifice, betrayal, and deeply laid conspiracies. A world of cunning poets, deadly courtiers, deposed rulers and a besieged Queen, a warrior-priest, the Prince of Travelers, barbarian warlords, heroic traitors, and a truly Machiavellian villainess...all seen through the unflinching eyes of an unforgettable heroine.
A nation born of angels, vast and intricate and surrounded by danger... a woman born to servitude, unknowingly given access to the secrets of the realm...
I’ve been writing about women and girls who rock the boat for two decades. I’ve written about it from my own point of view, in award-winning essays, and from imagined points of view, in almost-award-winning women’s contemporary novels. Now, I’ve tackled it in the YA genre. I want to keep on exploring what it means to buck the system and live to tell the tale. We’re still making up for men writing women’s voices, for women’s voices going unheard. I’m trying to do my part to ask, what if we heard about history from the women’s point of view?
I didn’t even know that indentured servitude to the police could be a thing for young women. Sure, sure, we’re talking about another place, another era—1800s Korea—but the immediacy with which Hur tells this story puts it right there for me.
She weaves exacting detail and information throughout this gripping mystery: If the premise didn’t already hook me, I’d be pulled in by the way this mystery rapidly turns personal for Seol, our heroine.
I have a mouth, but I mustn't speak; Ears, but I mustn't hear; Eyes, but I mustn't see.
1800, Joseon (Korea). Homesick and orphaned sixteen-year-old Seol is living out the ancient curse: "May you live in interesting times." Indentured to the police bureau, she's been tasked with assisting a well-respected young inspector with the investigation into the politically-charged murder of a noblewoman.
As they delve deeper into the dead woman's secrets, Seol forms an unlikely bond of friendship with the inspector. But her loyalty is tested when he becomes the prime suspect, and Seol may be the only one capable…
What can I say? I’m a hopeless romantic. There’s nothing better than a great romance novel set in the past when chivalry was not dead. I’m a published author of more than twenty-five novels, including a great pirate series. I grew up in Florida and fell in love with the tropics as I sat on the beach and dreamt of handsome pirates. Once I became a Christian, I started reading Christian romances but found many of them moved a little slow to my liking, so I decided to write one myself! I have a BA in Computer Science and have won several awards for my writing.
Reminiscent of the wildness, adventure, and romance of The Last of the Mohicans, Captive Heart sizzles on every page. This is Michelle Griep's best book yet and one that played out before my eyes like an epic movie I kept wanting to watch over and over. The romance is perfect, the adventure nonstop, and the characters really touch your heart.
The wild American wilderness is no place for an elegant English governess
On the run from a brute of an aristocratic employer, Eleanor Morgan escapes from England to America, the land of the free, for the opportunity to serve an upstanding Charles Town family. But freedom is hard to come by as an indentured servant, and downright impossible when she’s forced to agree to an even harsher contract—marriage to a man she’s never met.
Backwoodsman Samuel Heath doesn’t care what others think of him—but his young daughter’s upbringing matters very much. The life of a trapper in the Carolina backcountry…
I’ve always been fascinated by American history and have clear memories of celebrating America’s bicentennial as a child. I have twenty-two Revolutionary Patriots in my family history, and I am most proud of my 6x-great grandmother, Anna Asbury Stone, for her bravery and daring during the winter of 1778. I did extensive genealogical research to learn about her, her family, and her circumstances before writing Answering Liberty’s Call: Anna Stone’s Daring Ride to Valley Forge.
Bound is set in the years prior to the American Revolution, and highlights the difficulties faced by girls and women indentured servants. Alice and her family set out for America from England, but when her mother and brothers die during the voyage, Alice’s father decides he cannot keep her and sells her as an indentured servant upon reaching Boston. Alice should have had a middle-class upbringing, but instead, she becomes chattel. The scenes of abuse in this book are stark, but it helps to shed light on the sufferings of the disenfranchised and the helpless. Alice’s determination will inspire.
An indentured servant finds herself bound by law, society, and her own heart in this novel set in colonial Cape Cod from the author of acclaimed The Widow’s War.
Indentured servant Alice Cole barely remembers when she was not “bound”, first to the Morton family, then to their daughter Nabby—her companion since childhood—when she wed. But Nabby’s new marriage is not happy, and when Alice finds herself torn between her new master and her old friend, she runs away to Boston. There she meets a sympathetic widow named Lyddie Berry and her lawyer companion, Eben Freeman. Impulsively stowing away on…
I write historical and biographical novels, and have had a fascination with the Salem witch trials since childhood. With my first visit to Salem, I felt a strong connection to my surroundings and its history. When I walked through the House of the Seven Gables for the first time, I felt I’d been there before. Three past-life regressions brought me back to 17th century Salem. In my biographical novel For The Love Of Hawthorne, I delved deeply into the soul of my favorite author, his devoted wife, and the shame his family suffered at the hand of his ancestor Judge Hathorne. The story came from my heart, as I lived their story along with them.
Whatever your level of interest in the Salem Witch Trials of 1692—you will learn much, and be entertained at the same time. It captured my interest because I’ve always been fascinated with the Salem witch trials and Salem history. It is the true story of Mehitabel Braybrooke of Ipswich, an ancestor of Donna’s. She recreated Mehitabel’s difficult life in painstaking detail, after digging deep to retrieve authentic court records, facts about Mehitabel’s family life as the illegitimate daughter of an indentured servant, and serving time in the Ipswich jail on a witchcraft accusation. She eventually married the man she loved (a rarity in 1692 Salem and Ipswich) and had children, living into her 70s. This story brought me back there as if I’d been transported. Donna did a masterful job of writing authentic dialogue and showing (not telling) us how perilous life was in the 17th century, for these…
In 1692, the residents in Salem and Ipswich live with stories of witchcraft, religious extremism, and false accusations. Mock trials lead to questionable convictions and speedy executions. Most of the condemned are women, all but one are hung. Others, including two infant children, die in prison.
For Mehitabel Braybrooke, life began as the illegitimate child of a prosperous landowner. Now her stepmother is convinced the girl is a pawn of the Devil. During a time when women have few rights and even fewer allies in the courts, what will become of the falsely accused?
I’ve never read a story like this. A young boy withstands excruciating setbacks and vicious bigotry in seventeenth-century Virginia simply because of what he looks like, yet never feels an ounce of self-pity or explodes in righteous anger.
Rather, to sustain himself he holds onto the memory of his mother’s love. What an extraordinary portrayal, gripping and original, one that makes me examine my own life.
Meet Tony: the first Indian to set foot on American soil.
Among the settlers, slaves, and indentured servants that travel across the Atlantic to the New World in the early 1600s, there is also Tony. As a child, his home in India becomes a trading outpost for the English; as an orphaned teenager, he is kidnapped in London and bound to servitude on a Virginia plantation. But Tony is not giving up on his dreams just yet. Under the rule of a sadistic plantation owner, he forms a tender bond with a young…
As a parent, I’ve been struck by the fierce sense of justice my children have, from the unfairness of one getting more screen time to bigger injustices, like bullying or discrimination. Kids have an innate sense of what’s right, of what’s fair, but they can also lack a sense of nuance and have rather Byzantine notions of what justice requires. I wrote Wayward Creatures to explore a different way of thinking about justice and accountability. Restorative justice practices seek to bring the offending party together with the people hurt by their actions to acknowledge the harm caused and find a solution together. These five books explore other aspects of what it means to seek justice.
Amal’s story asks the question of how to fight for justice against seemingly impossible odds. In rural Pakistan, Amal faces responsibilities to her family that force her to leave school, seemingly crushing her dreams of becoming a teacher. After a run-in with the son of the village’s landlord, Amal finds herself forced into indentured servitude. Injustice upon injustice weigh against her, but through her intellect and ingenuity, she finds a way to escape her service and free her town by bringing the corrupt landlord to justice.
Amal has big dreams, until a nightmarish encounter . . .
Twelve-year-old Amal's dream of becoming a teacher one day is dashed in an instant when she accidentally insults a member of her Pakistani village's ruling family. As punishment for her behavior, she is forced to leave her heartbroken family behind and go work at their estate.
Amal is distraught but has faced setbacks before. So she summons her courage and begins navigating the complex rules of life as a servant, with all its attendant jealousies and pecking-order woes. Most troubling, though, is Amal's increasing…
I’m a closet historian who’s always been fascinated by the power of novels to enable readers to travel in time and space and stand in the shoes of historical characters–blending imagination and enlightenment. As a scholar, I’ve worked to uncover women’s unknown and secret histories–histories of subversion, disruption, and humor. As a South African who grew up under apartheid, I passionately believe that if we don’t confront history, we’re doomed to repeat its nastier passages. As a writer, I’ve published a sequel to Jane Austen’s Pride & Prejudice that showed me how immersion in another historical era can enable us to grapple with truths about our current societies.
Few know that thousands of villagers from India were shipped to various colonies as indentured laborers after slavery ended in Britain’s territories.
Lured by promises of rich earnings they could send home, they replaced slaves and worked in similar conditions of hardship. In South Africa’s Colony of Natal, Indian indentured laborers did backbreaking work on sugar plantations, and their stories have seldom been told. In particular, no one has revealed the hidden stories of women plantation workers. In this heartbreaking yet lyrical novel, Joanne Joseph (tracing her own grandmother’s history) breaks the mold with her story of Shanti, who runs away from an arranged marriage and finds herself apparently powerless in a foreign land. How she indeed exercises her will, forges friendships, and finds love and peace makes for a riveting story.
Vividly set against the backdrop of 19th century India and the British-owned sugarcane plantations of Natal, written with great tenderness and lyricism, Children of Sugarcane paints an intimate and wrenching picture of indenture told from a woman's perspective.
Shanti, a bright teenager stifled by life in rural India and facing an arranged marriage, dreams that South Africa is an opportunity to start afresh. The Colony of Natal is where Shanti believes she can escape the poverty, caste, and the traumatic fate of young girls in her village. Months later, after a harrowing sea voyage, she arrives in Natal and realises…
