Raised in a Mexican-Italian family, I grew up traveling across the Arizona-Sonora borderlands to visit my extended family. As a kid, I took for granted movement across boundaries and cultural and racial mixture, but eventually, I came to see it framed my experience and outlook. In researching the Chinese in northern Mexico, I learned that Mexican women and Chinese-Mexican children followed their expelled men, whether by force or choice, and I became enthralled. I had to find out how these families fared after crossing not just borders but oceans. My passion for reading about how the long presence of Asians in the Americas complicates our understanding of history has only deepened.
This book unfolds in a compelling, nonlinear manner, and crosses genres. A combination of biography and family memoir and journalistic and scholarly research, it traces overlapping stories as the author sets out to discover why her great-grandmother traveled from India to America as a “coolie” at the start of the twentieth century and how this migration shaped future generations. Beautifully written, the book raises thorny issues around gender, race, and nationality, offering insight into the wider journeys of Indian contract laborers to the Caribbean and beyond.
In 1903 a Brahmin woman sailed from India to Guyana as a 'coolie', the name the British gave to the million indentured labourers they recruited for sugar plantations worldwide after slavery ended. The woman, who claimed no husband, was pregnant and travelling alone. A century later, her great-granddaughter embarks on a journey into the past, hoping to solve a mystery: what made her leave her country? And had she also left behind a man? Gaiutra Bahadur, an American journalist, pursues traces of her great-grandmother over three continents. She also excavates the repressed history of some quarter of a million female…
Alexis Coe is a presidential historian and the New York Times bestselling author of You Never Forget Your First: A Biography of George Washington, which was also Audible’s best history book of 2020 and Barnes and Nobel's nonfiction Book of the Month. She was a producer and appeared in Doris Kearns Goodwin's Washington series on the History Channel.
Until Martha Saxton came along, Mary Ball Washington was much maligned by historians--but she’s no Mary Washington apologist. Saxton wrote the first comprehensive book on the first President’s mother with her eyes wide open and no one, not mother or son, gets away with anything.
The Widow Washington is the first life of Mary Ball Washington, George Washington's mother, based on archival sources. Her son's biographers have, for the most part, painted her as self-centered and crude, a trial and an obstacle to her son. But the records tell a very different story. Mary Ball, the daughter of a wealthy planter and a formerly indentured servant, was orphaned very young and grew up in an atmosphere of work, frugality, and piety. She married the older planter Augustine Washington and had five children with him before his death eleven years later. As a widow deprived of…
I’m a professional historian and life-long lover of early American history. My fascination with the American Revolution began during the bicentennial in 1976, when my family traveled across the country for celebrations in Williamsburg and Philadelphia. That history, though, seemed disconnected to the place I grew up—Arkansas—so when I went to graduate school in history, I researched in French and Spanish archives to learn about their eighteenth-century interactions with Arkansas’s Native nations, the Osages and Quapaws. Now I teach early American history and Native American history at UNC-Chapel Hill and have written several books on how Native American, European, and African people interacted across North America.
Alex Myers’s Revolutionary is a novel that conveys the feel of being a soldier in the Continental Army: its hope, its horror, its boredom.
I like to assign novels in my classes, and this is the one I use in my class on the American Revolution. Its central character is Deborah Sampson, a Massachusetts indentured servant who decided to disguise herself as a man and enlist in the Continental Army. The young soldier trained, marched, fought, and made friends, all while pretending to be (and sort of becoming) “Robert Shurtliff.”
As a historian, I’m a fairly harsh judge of historical fiction that misrepresents the past, so I particularly love to find a book like Revolutionary, which is deeply researched and written in a straight-forward prose that fits the eighteenth century.
“A remarkable novel” (The New York Times) about America’s first female soldier, Deborah Sampson Gannett, who ran away from home in 1782, successfully disguised herself as a man, and fought valiantly in the Revolutionary War.
At a time when rigid societal norms seemed absolute, Deborah Sampson risked everything in search of something better. Revolutionary, Alex Myers’s richly imagined and carefully researched debut novel, tells the story of a fierce-tempered young woman turned celebrated solider and the remarkable courage, hope, fear, and heartbreak that shaped her odyssey during the birth of a nation.
I’m a big-time fantasy reader, and I’ve always loved non-human characters in fiction, whether it was The Little Mermaid or Beauty and the Beast. It never sat right with me that the Beast becomes human when I got to understand his vulnerability in monster form; I hated that Ariel wanted boring human legs. I was a romance novel hater for a long time, too, because I thought they were repetitive (and mostly straight). Finding queer indie romance that embraced these monsters and explored what makes them monstrous caused a huge shift in the way I interpret all relationships in literature, and it definitely influenced my choice to write monster romance.
I couldn’t leave out one of my favorite monsters of all time: dragons. Also, I just love secondary-world fantasy, especially the kind that has important themes like the effects of imperialism and that are set in a shifting palace full of magical rooms.
This book beautifully executes one of my favorite relationship dynamics in fiction: the dragon love interest starts out ice cold and very gradually warms up to the main character as they get closer, and they both overcome their past traumas as their romance grows deeper. That’s the good stuff!
I’ve always loved good literary fiction for the opportunity it provides to step into someone else’s life for a brief period. I’ve lived and worked intensely in the medical and health development field for over two decades in many beautiful parts of the great African continent. I’ve come to understand that we all go about our lives with similar goals, concerned with the same universal themes. What a joy it is to find great books by authors who know their African settings. Not only do the characters’ stories move me, but I learn and become more curious about the political history in the background.
Yusuf is a young boy, an indentured servant to an Arab trader, living in a cloistered environment amidst much he doesn’t understand. On a trading trip from the Swahili coast, through the foothills of Kilimanjaro, and on to Lake Victoria, he has the opportunity to see foreign wonders, learn how the trader negotiates, and see the attitudes of the Swahili traders toward the people from the interior, the relatively new Indian immigrants, and the German colonizers. The trip is brutal; descriptions are straightforward and realistic but the author never sensationalizes events. This is an important piece of the incredible variety in the mosaic of African culture and history. The honesty and authenticity the author provides make it clear what he has to offer the literary world and why he was awarded a Nobel prize.
Sold by his father in repayment of a debt, 12-year-old Yusuf is thrown from his simple rural life into the complexities of precolonial urban East Africa. Through Yusuf's eyes, Gurnah depicts communities at war, trading safaris gone awry, and the universal trials of adolescence.
I love reading and writing and I have always loved science fiction and myths and legends. I read my first fantasy when I was around 23, Stephen Donaldson’s Lord Foul’s Bane. I know some people hate that series, but to me, the world he created was so real, so full of interesting things. At that time, I had not read Lord of the Rings so I didn’t realise how closely the world building was to Tolkien. I need to bond with my characters and feel their journey, cry at the end if it is sad, and think about them well after I have finished the story.
I’ve been reading Glenda Larke for years and I beta-read for her a lot. This book is special to me because it was great to give feedback on the draft but also to wonder at her genius and writing process. The great cast of characters adhere to the heart, and I was behind each and everyone. The book also was up for a few awards and when Larke won, I was there to accept an award for her.
'one of the very best Australian writers of fantasy fiction' NEXUS An absorbing new series about the most precious commodity of all - water - from the much-loved author of ISLES OF GLORY terelle, on the run from indentured servitude in a snuggery, finds refuge with a strange old man who paints pictures on water. She is horrified to discover that his floating artworks can fix the future for those portrayed in them. the Cloudmaster and his stormlords keep the land alive with their power over water and rain, but the current Cloudmaster is dying and there is no one…
I love history, and it infuses most of my fiction. Since I first picked up a book, I’ve never stopped learning about the past. Now, I listen to college courses and podcasts and read books both popular and academic. Sometimes this is for my writing or personal travel, but those things are often just excuses for the fun of immersion in a subject. I particularly enjoy reading and writing alternate/secret history because it merges creative imagination with factual scholarship. But I’m picky about the use of history in all media—factual sloppiness bumps me out of a story as quickly as bad physics drives a scientist from an SF movie.
After I quit my law firm and was trying to decide what (if anything) I wanted to write, I read Kushiel’s Dart. This book convinced me that whatever stories I wanted to tell, no matter how extreme, I could tell them within science fiction/fantasy. And it really puts the “alternate” in alternate history.
During the Roman Empire, angels came to earth and mated with mortals in the area of modern France, again producing a race like the biblical Nephilim, only sexier, and with one commandment: “Love as thou wilt.” In this Europe that never knew a dark age, the angels’ descendants pursue love, power, and intrigue, and at the center of their plots is Phèdre, a courtesan spy fighting to save her land from betrayal.
The lush epic fantasy that inspired a generation with a single precept: Love As Thou Wilt
The first book in the Kushiel's Legacy series is a novel of grandeur, luxuriance, sacrifice, betrayal, and deeply laid conspiracies. A world of cunning poets, deadly courtiers, deposed rulers and a besieged Queen, a warrior-priest, the Prince of Travelers, barbarian warlords, heroic traitors, and a truly Machiavellian villainess...all seen through the unflinching eyes of an unforgettable heroine.
A nation born of angels, vast and intricate and surrounded by danger... a woman born to servitude, unknowingly given access to the secrets of the realm...
I’m a lecturer at the University of Liverpool who researches 19th century American literature. A year studying in central Pennsylvania sparked my interest in early US writing and led me to a PhD in the subject. I’m fascinated in how American literature of this period both upholds and challenges the founding myths of the nation - liberty, egalitarianism, progress – and how new genres, such as science fiction and the gothic, develop over the century.
Early African American fiction is not as well-known as the slave narrative genre, but the few novels that do exist before the Civil War are sophisticated interpretations and developments of sentimental fiction. Harriet E. Wilson’s Our Nig is a bildungsroman charting the life of free Black servant girl Frado who is exploited and abused by her adopted white family. Wilson challenges the passive and flat portraits of Black men and women in most antebellum fiction, by portraying a complex and multifaceted character in Frado.
"They discussed the expediency of a speedy departure. Seth would first seek employment, and then return for Mag. They would take with them what they could carry, and leave the rest with Pete Greene, and come for them when they were wanted. They were long in arranging affairs satisfactorily, and were not a little startled at the close of their conference to find Frado missing. They thought approaching night would bring her. Twilight passed into darkness, and she did not come. They thought she had understood their plans, and had, perhaps, permanently withdrawn. They could not rest without making some…
I’ve always been fascinated by American history and have clear memories of celebrating America’s bicentennial as a child. I have twenty-two Revolutionary Patriots in my family history, and I am most proud of my 6x-great grandmother, Anna Asbury Stone, for her bravery and daring during the winter of 1778. I did extensive genealogical research to learn about her, her family, and her circumstances before writing Answering Liberty’s Call: Anna Stone’s Daring Ride to Valley Forge.
Bound is set in the years prior to the American Revolution, and highlights the difficulties faced by girls and women indentured servants. Alice and her family set out for America from England, but when her mother and brothers die during the voyage, Alice’s father decides he cannot keep her and sells her as an indentured servant upon reaching Boston. Alice should have had a middle-class upbringing, but instead, she becomes chattel. The scenes of abuse in this book are stark, but it helps to shed light on the sufferings of the disenfranchised and the helpless. Alice’s determination will inspire.
An indentured servant finds herself bound by law, society, and her own heart in this novel set in colonial Cape Cod from the author of acclaimed The Widow’s War.
Indentured servant Alice Cole barely remembers when she was not “bound”, first to the Morton family, then to their daughter Nabby—her companion since childhood—when she wed. But Nabby’s new marriage is not happy, and when Alice finds herself torn between her new master and her old friend, she runs away to Boston. There she meets a sympathetic widow named Lyddie Berry and her lawyer companion, Eben Freeman. Impulsively stowing away on…
What can I say? I’m a hopeless romantic. There’s nothing better than a great romance novel set in the past when chivalry was not dead. I’m a published author of more than twenty-five novels, including a great pirate series. I grew up in Florida and fell in love with the tropics as I sat on the beach and dreamt of handsome pirates. Once I became a Christian, I started reading Christian romances but found many of them moved a little slow to my liking, so I decided to write one myself! I have a BA in Computer Science and have won several awards for my writing.
Reminiscent of the wildness, adventure, and romance of The Last of the Mohicans, Captive Heart sizzles on every page. This is Michelle Griep's best book yet and one that played out before my eyes like an epic movie I kept wanting to watch over and over. The romance is perfect, the adventure nonstop, and the characters really touch your heart.
The wild American wilderness is no place for an elegant English governess
On the run from a brute of an aristocratic employer, Eleanor Morgan escapes from England to America, the land of the free, for the opportunity to serve an upstanding Charles Town family. But freedom is hard to come by as an indentured servant, and downright impossible when she’s forced to agree to an even harsher contract—marriage to a man she’s never met.
Backwoodsman Samuel Heath doesn’t care what others think of him—but his young daughter’s upbringing matters very much. The life of a trapper in the Carolina backcountry…
