I've been obsessed with the material aspects of places - and the infrastructures that make them work - since I was a really young boy! (I remember, aged around 7, sitting on a bridge over the M6 motorway near Preston watching the traffic). This obsession was channeled into studying Geography, becoming a qualified urban planner, and completing a Ph.D. on how digital technologies effect urban life. A preoccupation with the subterranean realms of cities is also long-standing; it drove the 'Below' parts of my 2016 book Vertical: The City From Satellites to Bunkers. (I must admit I suffer from both claustropobia and vertigo! So, sadly, a lot of my work is necessarily desk-based!)
This book was pivotal in sparking my fascination for the secretive and mysterious worlds beneath cities.
It is the definitive guide to the vast assemblage of underground spaces, infrastructures, and nooks and crannies beneath the streets of London.
The coverage of the book is remarkable and will really help readers that are new to the theme to appreciate the huge range of spaces and infrastructures that lurk hidden far beneath London’s streets.
The book opened my eyes to culverted and hidden rivers; to sewers, water, and hydraulic pipes and tunnels under the Thames; and to underground transport systems, hidden power and communications grids, and labyrinths of bunkers.
Most important for me were the book’s amazing array of maps, lithographs, and photographs.
A revised edition of a guide covering the latest underground developments in London, such as the substation beneath Leicester Square, underground railways and glass fibre communication together with a gazetteer of places open to the public.
Having arranged to interview Kate Quinn on the Rock, Paper, Swords! podcast, I decided to read one of her most popular novels in preparation. I was worried it might not be my kind of thing and that readint it would be a chore to read. I should not have been concerned. The Alice Network is a gripping, tightly plotted dual timeline thriller set around both 20th century world wars. It kept me gripped all the way from the first page to the explosive final scenes. A triumph!
In an enthralling new historical novel from national bestselling author Kate Quinn, two women-a female spy recruited to the real-life Alice Network in France during World War I and an unconventional American socialite searching for her cousin in 1947-are brought together in a mesmerizing story of courage and redemption. 1947. In the chaotic aftermath of World War II, American college girl Charlie St. Clair is pregnant, unmarried, and on the verge of being thrown out of her very proper family. She's also nursing a desperate hope that her beloved cousin Rose, who disappeared in Nazi-occupied France during the war, might…
I spent two years researching and creating the graphic novel Black Dog: The Dreams of Paul Nash for the 14-18Now Foundations WW1 centenary art commissions, and then touring a live permanence work evolved from the book. We grew up a few miles from each other, and he convalesced after the war where I live now, and I share his sense of place, and we appear to have shared many life experiences, with the obvious exception being his time in the trenches - that was the huge black hole I tried to understand with this work.
This book covers the drama and upheaval of the years leading up to the war to end all wars, and how five young British artist’s lives were changed utterly by their experiences, with all the energy of a great historical novel. All artists hope to find a powerful subject to drive their work, but this generation had to somehow express the madness and horror they found in those fields of Europe. A later generation would learn from these expressionists, futurists and vorticists and conjure international careers out of those lessons, but this very English group, during this century defining decade, did the heavy lifting.
Dora Carrington, Mark Gertler, Paul Nash, Christopher Nevinson, and Stanley Spencer were five of the most important British artists of the twentieth century. From diverse backgrounds, they met at The Slade in London between 1908 and 1910, in what was later described as the school’s ";last crisis of brilliance."; Between 1910 and 1918 they loved, talked, and fought; they admired, conspired, and sometimes disparaged each others’ artistic creations. They created new movements; they frequented the most stylish cafés and restaurants and founded a nightclub; they slept with their models and with prostitutes; and their love affairs descended into obsession, murder,…
My book is fantastical historical fiction about two characters who're wrestling with the monstrosity of their grief.
It takes you into London high society, where Ambrose tries to forget about how much he misses Bennett and how much he dreads becoming as cold as their Grandfather. It takes you to the family's country manor house, where Mattie isolates and old ghosts start to come out of the woodwork.
It's a story about loss and depression; it's a story about friends who don't let you walk through the valley of death alone.
Ambrose Bancroft returns to London society with his younger sister, hoping they'll leave ghosts of memory behind. They have only each other left. While Ambrose attempts to draw Mattie out, dragging her to balls and threatening to seek suitors for her, his sister recoils from his meddling. Finally, when Ambrose compels her to attend art class before she's ready, Mattie paints something horrific enough to banish them from society in public disgrace.
At Linwood Manor, Mattie and Ambrose aren't as alone as they think. Taking advantage of Mattie's desperate need to find freedom, a vanishing room lures Ambrose's sister into…
Maitreyabandhu started attending classes at the London Buddhist Centre (LBC) in 1986. He was ordained into the Triratna Buddhist Order in 1990 and given the name Maitreyabandhu. Since then he has lived and worked at the LBC, teaching Buddhism and meditation, and leading retreats. He has written three books on Buddhism, Thicker than Blood: Friendship on the Buddhist Path, Life with Full Attention: A Practical Course in Mindfulness, and The Journey and the Guide: A Practical Guide in Enlightenment. Maitreyabandhu is also a prize-winning poet having written three poetry collections with Bloodaxe Books. Maitreyabandhu founded PoetryEast in 2010 where he interviews well-known artists and writers, including Antony Gormley, Wendy Cope, and Colm Tóibín. He is the co-founder, with Dr. Paramabandhu Groves, of Breathing Space, the LBC’s health and wellbeing project.
More and more people are drawn to meditation but it’s easy to be confounded by all those books and online teachings. This book is a great way to start. A simple guide to Buddhist meditation – to what it means, and how to do it – it’s practical, clear, helpful, and short.
Provides traditional practices for the readers to learn how to exchange stress and anxiety for calm and clarity of mind, and transform anger and fear into kindness and self confidence. The author guides on meditation with anecdotes and tips, from his experience of teaching meditation of more than 15 years.
Mark Ovenden is a broadcaster, lecturer and author who specialises in the design of public transport. His books include ’Transit Maps of The World’ - an Amazon Top 100 best-seller - and a dozen others covering cartography, architecture, typography, way finding and history of urban transit systems, airline routes and railway maps. He has spoken on these subjects across the World and is a regular on the UK's Arts Society lecture circuit. His television and radio programmes for the BBC have helped to explain the joys of good design and urban architecture. He is a Fellow of the Royal Geographic Society and after many years living in cities like London, Paris, New York and Manchester…now enjoys a more rural life on the Isle of Wight.
With a razor sharp eye Wolmar (author of many other excellent books on railway history) concentrates his focus on the machinations of the establishment of the world's first railway built under the ground. Overcoming the travails of unbuilt fantasy concepts, the Victorians fear of the dark, finances and the problems of running steam trains in tunnels, London's City Solicitor Charles Pearson, managed to get the first route, the Metropolitan Railway, built and opened by January 1863. Wolmar unpicks the struggles to expand the line, private capitals, a rush to build more lines and the eventual nationalisation of the system in 1948.
Revised and updated edition of Christian Wolmar's classic history of the London Underground, with a new chapter on Crossrail.
'I can think of few better ways to while away those elastic periods awaiting the arrival of the next eastbound Circle Line train than by reading [this book].' Tom Fort, Sunday Telegraph
Since the Victorian era, London's Underground has played a vital role in the daily life of generations of Londoners. In The Subterranean Railway, Christian Wolmar celebrates the vision and determination of the nineteenth-century pioneers who made the world's first, and still the largest, underground passenger railway: one of the…
I have lived in London most of my life, and what I love most about it are the wild places, the spots where the city and nature rub shoulders. When reading fiction, ‘place’ matters a lot to me, and if I am familiar with the setting, I like it to be accurate. That said, I love a little fantasy to stretch the boundaries. As well as being a writer and editor, I have worked part-time in bookshops for over forty years, and during that time, I must have read hundreds of novels set in and around London. These are five of my absolute favourites.
I have always liked the idea of living in a houseboat on the River Thames. This wonderful story simultaneously fed my fantasies and made me realise it might not be as idyllic as I imagined.
The houseboats on Battersea Reach are like a small village–each character is an individual yet integral part of the whole, their fortunes rising and falling with the tide. Through these characters, the book paints a picture of sixties London, swinging yet also unforgiving for those who slip between the cracks. Penelope Fitzgerald lived on a barge in Battersea, and I think much of the story is based on personal experience.
What I particularly liked was the sense of the houseboat dwellers not quite belonging, being offshore in more ways than one.
WINNER OF THE BOOKER PRIZE
FEATURED ON BBC'S BETWEEN THE COVERS BOOK CLUB
Penelope Fitzgerald's Booker Prize-winning novel of loneliness and connecting is set among the houseboat community of the Thames, with an introduction from Alan Hollinghurst.
On Battersea Reach, a mixed bag of the temporarily lost and the patently eccentric live on houseboats, rising and falling with the tide of the Thames.
There is good-natured Maurice, by occupation a male prostitute, by chance a receiver of stolen goods. And Richard, an ex-navy man whose boat, much like its owner, dominates the Reach. Then there is Nenna, an abandoned wife…
I went to four different boarding schools when I was younger, which at the time didn’t seem weird but it definitely is. I think boarding schools are peculiar places, full of teenagers with raging hormones, secret homesickness, and a certain sort of reckless swagger that is a recipe for all sorts of drama i.e. the perfect setting for a novel.I was on quite hefty scholarships and know how lucky I was to be there, but whether you have or haven’t been to boarding school, there is an endless fascination with them. I had a lot of fun writing The Islanders, wallowing happily in my nostalgia and reminiscing with old friends about what we got up to.
Marina is another scholarship girl (there’s a theme here) trying to escape her messy family life, but from the get-go, she feels like an outsider at her new boarding school, Coombe Abbey. At this school, everyone’s given a cruel nickname, but even worse is being so invisible you don’t have a nickname at all. Marina doesn’t cope well at all, and one of my favourite hilarious episodes is when she visits the beautiful, drafty, impossibly cool home of her boyfriend and has mortifying sex and a terrifying night-time poo. The ending had me in tears (but from laughter and sadness).
Longlisted for the Man Booker Prize 2013 and the Baileys Women's Prize for Fiction 2014
'I adored Almost English' Nigella Lawson 'I read and ADORED Almost English . . . And now I will read everything she's ever written' Marian Keyes
Home is a foreign country: they do things differently there . . .
In a tiny flat in West London, sixteen-year-old Marina lives with her emotionally delicate mother, Laura, and three ancient Hungarian relatives. Imprisoned by her family's crushing expectations and their fierce unEnglish pride, by their strange traditions and stranger foods, she knows she must escape. But the…
I am the author of five books, including the New Angles Prize shortlisted, Low Country, London’s Lost Rivers and Camden Town: Dreams of Another London. I write about forgotten history, lost places, and strange landscapes in London and on the coast. I have appeared on television (including PBS) and radio and have written for The Guardian and The Daily Telegraph, among others. I also write about music and theatre.
Published in 1957, this book is one of the few comic novels about London, and it is genuinely funny.
In a dead-end suburb, variety entertainment is dying a painful death in a flea-pit cinema that attracts a parade of fantastical characters, from the Falstaffian impresario Sam Yudenow to a pair of Greek caterers and bomb makers.
It makes a lost world seem both alluring and deeply unsavoury.
"One of the great comic novels of the century." - Anthony Burgess
"[A]n exuberant romp with a parcel of grotesques in a truly horrible nor'-nor'-easterly suburb of London . . . great fun." - Manchester Guardian
"Rabelaisian, vigorous, readable, inventive and bizarre." - Simon Raven
"The very best of his works." - Harlan Ellison
In the worst, poorest, most benighted corner of London is Fowlers End, one of the most godforsaken spots on the face of the earth. It is here that young Daniel Laverock, starving and nearly penniless at the height of the Great Depression, takes the only job…
When I talk with many non-romance readers, they’re often surprised to hear that a feminist reads and writes romance. It’s frustrating that so many people still buy into the conventional wisdom that all romance books are inherently anti-feminist, filled with alpha-hole heroes and wilting flower heroines. I challenged that conventional wisdom on my Romance Novels for Feminists review blog and continue to do so now that I’ve turned to writing romance. I’m so passionate about telling everyone I know about romances that feature clear feminist themes. If you share the conventional wisdom about romance, I hope you’ll give one of the books below a try. They’re not your grandmother’s bodice rippers anymore…
I could pick any historical romance by Milan and feel happy giving it a spot on this list. Because Milan’s stories are deeply invested in exploring how social strictures and structures function to keep women in their “rightful” (i.e., subordinate) place.
In my favorite, Mark Turner has recently been knighted by Queen Victoria for his philosophical treatise, A Gentleman’s Practical Guide to Chastity, an honor that makes him a rock star to myriad young Englishmen. When a rival offers a reward to anyone who can prove she’s seduced the morally upright Mark, courtesan Jessica Farleigh takes up the challenge.
While Mark’s fans and neighbors find the virgin philosopher and fallen woman an appalling mismatch, Mark does not shy away from his attraction, simultaneously offering a witty yet biting critique of the double standard on male and female sexual behavior.
Handsome, wealthy and respected, Sir Mark Turner is the most sought-after bachelor in all of Londonand he's known far and wide for his irreproachable character. But behind his virtuous reputation lies a passionate nature he keeps carefully in check...until he meets the beautiful Jessica Farleigh, the woman he's waited for all his life.
Is to ruin the man she loves
But Jessica is a courtesan, not the genteel lady Sir Mark believes. Desperate to be free of a life she despises, she seizes her chance when Mark's enemies make her an offer she can't refuse:…
I write books that I hope will make people laugh and feel better – so far, they are the three Jonathon Fairfax novels and a novella called The Pursuit of Coconuts. I suffer from depression, and have always found the world quite a difficult and confusing place, so – ever since I learned to read – I’ve escaped into books. Reading is so soothing and absorbing, and there’s something oddly intimate about joining an author inside a book. When a book’s genuinely funny, it feels as though – in a flash – it reveals the essential foolish absurdity of the world. I’ve listed five of the books that have worked that little miracle on me.
I’d never read any PG Wodehouse before I found this in a second-hand bookshop on Charing Cross Road. My edition is a huge and ancient green volume that looks like a book of magic – and it is.
It contains all the Jeeves and Wooster stories from the very beginning till the end of their golden age. And they’re in order, so you see the characters and style develop, and watch Bertie follow PG himself to America and back.
It came to me just when I needed it most: I had an absolutely horrible job at the time, the sort where you start dreading Monday morning around about lunchtime on Saturday. Being able to slip away into these stories was like owning a portal to a better world. They contain so many pleasures.
For one thing, PG can construct a sentence that somehow transcends its constituent words to become almost…
