The most recommended books about the Edwardian era

Be careful what you wish for! This is a book for kids with wild imaginations.

A group of Edwardian kids move from London to the countryside of Kent. There, they meet a wish-granting sand fairy. It's worth reading just for the hilarious ways that the wishes go wrong. That it’s never been out of print proves the enduring amazingness of this novel.

It does not contain a sword.

If you’re like me and a fan of Downton Abbey, then you’ll appreciate the well-researched Edwardian period details found in this charming story, as well as the sweet romance. Julia Foster is not your usual governess, having a remarkable backstory of her own, but the way she cares for the widowed William and his children is heart-warming and will captivate your heart. 

For all of Christie’s clever plotting, her own life is the biggest mystery.

I started reading her around the age of ten and now that I write mysteries myself, I reread her books just to see how she structures plot, plants clues, and misleads the reader. But I have always been fascinated by her life as well.

Laura Thompson’s books weaves together Christie’s life with her fiction for a rich explanation of not only why Christie became a writer, but how her experiences informed her themes, why she created romances under the name Mary Westmacott, and of course tries to unravel the mystery of the eleven missing days in 1926 when she disappeared and was feared dead.

If you are a Christie fan, this book is essential to understanding the woman behind the writer and finding more depth in Christie’s own works through Thompson’s analysis.

It was on the shelf at home (a big red covered book with very small print!) and is very much seen as a classic of working-class literature.

Tressell wrote this semi-autobiographical account of his time as a housepainter and presented the workers as philanthropists who work desperately hard to enable profits for the bosses. The book was rejected by publishers in his lifetime and only published after his death, his daughter having saved the book from his desire to burn it after rejection from several publishers.

I was a teenager the first time I picked up this book. Romance novels weren’t my thing, and considering this one was heavily marketed as such, I nearly overlooked it. But once I got past the swooning, steamy promotional packaging, I realized there was quite more to it. In some ways it planted the seed in my younger self for the storyteller I would eventually become. It tells the story of a woman who has lost hope for her mess of a life, only to be given the rare opportunity to experience past-life-regression and alternate versions of herself in several previous lifetimes. Readers are swept through the centuries in richly told settings as we watch her experience the loves, losses, and lessons that have all led to the circumstances of her current, present-day life. 

I picked up this book on a whim and was lured by the premise, which essentially lays out the story of a woman who marries a successful man at the turn of the century.

It's your standard "wealthy family has everything but they're all miserable" book but with Edwardian vibes. The narrative follows every member of the family, the saga of which I found so riveting. There was a bit of romance and angst and loneliness, specifically around the book's protagonist, Ursula.

This book resonated with me in a way that similar books haven't, which goes to show just what period drama can do, showing you that humans still struggle with the same stuff, no matter the time or place, but with a dash of romantic gothic aesthetic to make it fun.

This fascinating study shows that victim-blaming has a long history and doctors have been part of the problem, playing a significant role in constructing and reinforcing rape myths in the years 1850-1914. The unique focus on age, medical beliefs about puberty, and public concerns about sexual offences and working-class sexuality explains why even children under the legal age of consent might not be seen as sexually innocent. Medicine provided a scientific rationale for deeply entrenched and remarkably stable popular beliefs about ‘real rape’ and ‘victimhood’, contributing to the serious burden that female victims faced in court. 

I read E.M. Forster's long-suppressed novel, Maurice, in college. It was the tale of an aristocratic university student in Edwardian England — the titular Maurice — who falls in love with a poor gamekeeper named Alec. Although Maurice and Alec ended up with each other at the end of the first book, I always questioned how their relationship could survive in repressive England. Alec is a modern sequel that attempts to answer just that.

As a working-class man, Alec enjoys some personal freedom in a society that thinks and expects very little of him. Yet maintaining a secretive gay relationship proves even more complicated when a world war interferes.

Written in an explicitly honest voice, this is probably the book about being gay and British that Forster could never have imagined writing.

This is a brilliantly written fast-paced time travel adventure, mystery, and romance, all rolled into one. Conway’s descriptive writing style brings the characters and settings of 1912 and present-day vividly to life. The history field trip scene reminded me so much of my own university field trip to a local cemetery that I wondered if we’d been on the same course. However, this story is set in Birmingham rather than Liverpool, but the similarities were uncanny.

The author has really done his research too, but where a less skilled author might inform the reader through info-dumping, Conway conveys the sights, sounds, and historical details of Edwardian Moseley through action and dialogue. You feel as though you have travelled back in time with Rachel and Danny and are experiencing the story with them. There are so many twists and turns and unexpected reveals that you can’t help but keep reading. But… show more.

The first book in the Kingston Cycle series, Witchmark is set in a magic-powered Edwardian era just after the end of a World War. I loved the balance of soaring magic and gritty realism as well as the unexpected revelations surrounding each of the characters.

Miles — a witch who is desperate to keep from being used as a power source by mages — has faked his death and lives in hiding as a military doctor. However, when Tristan Hunter brings a dying man to Miles’ hospital, Miles’ secrets are threatened. But Tristan isn’t interested in blackmailing or exposing him. Instead he needs Miles to help him to track down a murderer and uncover an epidemic threatening to destroy all the magic in their world.

Obviously, the setting and premise had me from the start but the real fun of the book was following Miles and Tristan as they tried… show more.