Incarceration is a gigantic problem in the US, especially because of its connection to racial injustice. I have no firsthand experience with prison or the system, and yet it looms large in my imagination and my deepest fears. That should not be the case merely because I’m a Black gay American, but here we are. I feel that with the help of my mother and others, I have managed to sidestep a lot of the potential pitfalls of people’s misguided perception of my identity, but I have an active, paranoid imagination and profound survivor guilt, so I gravitate toward stories about people at who are odds with our society in ways that reflect that precarious status which allows me to explore a wide range of human experiences.
This book has a provenance that’s almost like a prison
sentence: released in 1953 under the title Cast the First Stone, it
would have been Himes’ first novel, but its frankness about homosexual
relationships in prison and the fact that a Black writer had written white
main characters, made publishers shit their pants and doctor the life out of it
to make it conform to 50s market expectations. Of course, in the process, they
ruined it.
But in 1998, Old School Books released Himes’ "director’s cut,” a much different, more beautiful, raw, and thoughtful book that’s as much about prison life as it is about the prison of masculinity. Paradoxically, prison
seems to be a place where people indulge homosexual desires, though the
atmosphere somehow remains homophobic.
Reading this book could foster more
compassion for queer desires, whether those of prisoners who identify as
LGBTQIA+, or those who claim…
A classic restored-the complete and unexpurgated text of a great African-American writer's brutal and lyrical novel of prison life. First published in reduced and bowdlerized form in 1952 as Cast the First Stone, Yesterday Will Make You Cry was Chester Himes's first, most powerful, and autobiographical novel. This Old School Books edition presents it for the first time precisely as Himes wrote it, a sardonic masterpiece of debasement and transfiguration in an American penitentiary and one of his most enduring literary achievements.
I’ve known all my life that I am gay. At age 50 I decided to try my hand at writing. After an image of two men kissing in a 1920s vehicle landed in my head, I began writing my Medicine for the Bluestrilogy (Acquaintanceis book one). But knowing nothing about LGBT history, I began a deep dive into gay and lesbian history, into the history of Portland and Oregon, into the era of the 1920s, the KKK, Prohibition, Freud, eugenics, and more. During 20 years of writing the trilogy, I’ve read dozens of books that roiled through my imagination and the information spilled out in the story.
This book was essential background for my trilogy. What I like most is its descriptions of the different sex practices of the different homosexual “types”—lower/working class men (“trade” or “wolves”) preferred anal intercourse with boys or young men (“punks” or “lambs”); upper class men preferred oral sex with “queens” or “fairies.” Focusing on the Pacific Northwest of the USA, Boag does great research into criminal and court records, which were some of the only records of these “aberrant” activities. A bonus is Boag’s tracing of the influence of the Oscar Wilde trial (1895) on attitudes in the Western USA.
At the turn of the twentieth century, two distinct, yet at times overlapping, male same-sex sexual subcultures had emerged in the Pacific Northwest: one among the men and boys who toiled in the region's logging, fishing, mining, farming, and railroad-building industries; the other among the young urban white-collar workers of the emerging corporate order. Boag draws on police logs, court records, and newspaper accounts to create a vivid picture of the lives of these men and youths - their sexual practices, cultural networks, cross-class relations, variations in rural and urban experiences, and ethnic and racial influences.
I fell in love with Italy the first time I visited as a graduate student. Later, as a professor spending extended periods there with my family, I began investigating Italy’s experience of World War II. I was inspired by the diary of Iris Origo, an Anglo-American who lived in rural Tuscany. She reported of civilians bombed by Allied aircraft and strafed by machine guns from the air—even after Italy had surrendered. In my quest to understand the relations between the Allies and Italian civilians, I came upon a trove of great wartime novels, many recently back in print, and I am eager to share my enthusiasm for them.
Like the Catch-22 character, Yossarian, Burns spent part of his time as a soldier censoring prisoner-of-war letters. His own prose was considered transgressive for its time. What struck me was not only his subject matter—who else wrote in 1944 about drunken, gay American GIs hanging out in seedy dives in occupied Naples?—but also his tone.
He pulled no punches in depicting the fraught relations and power differentials between occupiers and occupied, not to mention the resentment of the ordinary soldiers toward their superiors. Still, he captured the resilience of the Neapolitans with evocative depictions of street life, and I especially liked his ear for everyday speech—across a range of social classes among both the Americans and the Italians.
"The first book of real magnitude to come out of the last war." —John Dos Passos
John Horne Burns brought The Gallery back from World War II, and on publication in 1947 it became a critically-acclaimed bestseller. However, Burns's early death at the age of 36 led to the subsequent neglect of this searching book, which captures the shock the war dealt to the preconceptions and ideals of the victorious Americans.
Set in occupied Naples in 1944, The Gallery takes its name from the Galleria Umberto, a bombed-out arcade where everybody in town comes together in pursuit of food, drink,…
I grew up feeling invisible in media, and absent in history. My Iranian history was hidden from me by a culture that believed shielding young people from trauma was the right thing to do, and my queer history was hidden from me by a homophobic time. I’m passionate about the power of seeing yourself represented in storytelling and in history, and have devoted much of my life to telling queer stories, and queer historical stories. As a parent, as a queer Iranian storyteller, as a passionate believer in art as a tool for empathy, these are books I think will both entertain readers and inspire them to love their fellow humans a little more.
My personal wish is that Americans start reading a whole lot more books from other countries, especially books that shine a light on the queer experience around the world.
Ours is a global community, and we can’t fall into the trap of thinking diversity only exists in our own country and language. Lucas Rocha’s novel tells the story of three Brazilian teens who are dealing with the impact of HIV in their own unique ways. It’s engrossing, tender, and transporting.
Anyone who loves this should also seek out the work of Vitor Martins, and should demand more books in translation so we can travel through literature.
Henrique has had HIV for three years. Ian has just tested positive. Victor got with Henrique last night and thinks he might have it.
Ian, Victor and Henrique must navigate treatment, friendship and love, and eventually learn to trust each other.
Because with judgement and ignorance lurking round every corner, the real challenge isn't the disease - it's other people.
Brazilian author Lucas Rocha unveils the common misconceptions and prejudices that still surround HIV in the twenty-first century, showing how far we've come while shining a light on just how far we have yet to go.
I have spent my life both in the classroom (as a university professor) and out of it as a passionate, committed reader, for whom books are as necessary as food and drink. My interest in poetry dates back to junior high school, when I was learning foreign languages (first French and Latin, and then, later, Italian, German, and ancient Greek) and realized that language is humankind’s most astonishing invention. I’ve been at it ever since. It used to be thought that a writer’s life was of little consequence to an understanding of his or her work. We now think otherwise. Thank goodness.
James Merrill (1926-1995) was a son of Charles Merrill, the man famous for bringing Wall Street to Main Street (Merrill Lynch. et al.).
He grew up in luxury—Manhattan, Long Island, Palm Beach— went to Amherst college, and was a poet born and bred.
A gay man at a time when it was still dangerous to be out, he wrote many superb, deeply moving lyric poems of “love and loss,” and an entire epic poem based on seances around a ouija board, which is still turning heads and bewildering readers.
Merrill’s own life and loves were as rich and varied as anything he produced in his work. Hammer spent 12 years on this book, and it is both long and utterly gripping.
Langdon Hammer has given us the first biography of the poet James Merrill (1926–95), whose life is surely one of the most fascinating in American literature. Merrill was born to high privilege and high expectations as the son of Charles Merrill, the charismatic cofounder of the brokerage firm Merrill Lynch, and Hellen Ingram, a muse, ally, and antagonist throughout her son’s life. Wounded by his parents’ bitter divorce, he was the child of a broken home, looking for repair in poetry and love. This is the story of a young man escaping, yet also reenacting, the energies and obsessions of…
I came to America from Iran when I was five years old. There's something about immigration that's taught me to be a "first-class noticer," which was Saul Bellow's requirement for a writer. Because I always feel a little (or more) outside of things, people, places, and languages hold a wonderful strangeness for me. Writing is where I try to make sense of all that. As an immigrant, I’ve been especially drawn to stories about people whose lives haven’t always been included in literature. For a novelist, history can be an invitation or a provocation. For me, it’s both. Reading about the past pulls me into its mysteries; the mysteries inspire me to invent.
I love novels that pluck figures from the sidelines of history and place them up-front-and-center. In this case, the figure is the real-life Vietnamese-born man who served as Gertrude Stein and Alice B. Toklas’ cook in Paris. Full of atmospheric detail, the writing in this novel is absolutely exquisite. I felt immersed in 1930s Paris, a world that’s long entranced me, but I was seeing it from an entirely new perspective. Truong offers tantalizing glimpses of Bihn’s life in the Stein-Toklas household, but the most memorable scenes happen when he’s alone, walking through the streets of Paris, on his way to meeting a lover, or regaling us with stories of his childhood in Vietnam and his fraught but tender love for his father. It’s a beautiful tale of exile and homecoming.
A novel of Paris in the 1930s from the eyes of the Vietnamese cook employed by Gertrude Stein and Alice B. Toklas, by the author of The Sweetest Fruits.
Viewing his famous mesdames and their entourage from the kitchen of their rue de Fleurus home, Binh observes their domestic entanglements while seeking his own place in the world. In a mesmerizing tale of yearning and betrayal, Monique Truong explores Paris from the salons of its artists to the dark nightlife of its outsiders and exiles. She takes us back to Binh's youthful servitude in Saigon under colonial rule, to his…
I'm a queer author based in Montreal. When I came out in the early 1990s, at the age of 21, I remember feeling concerned about my future. Family has always been important to me, but I couldn’t imagine what mine would look like as I got older. I knew I wasn't going to have a traditional family like my parents, but I didn’t know what else was possible. Thankfully, I found the answer in books… As queer people, we must seek out and learn our traditions and history. We’re not taught them from birth. Finding books that demonstrate and uplift the bonds that queer people share provides a roadmap for those of us seeking community.
There were only three Tales of the City books when I picked up my first copy. There are now nine of them, spanning 40 years.
First written as a newspaper serial, the collected Tales explore the lives and loves of a diverse group of folks living in the same boarding house at 28 Barbary Lane in San Francisco. Among them is landlord Anna Madrigal, an early trans icon, and gay everyman Michael ‘Mouse’ Tolliver, a hopeless romantic looking for love in the Castro.
The book is an easy read with short chapters, lots of dialogue, and zany plot twists. What I love most is how much these characters – some of whom are estranged from their biological families – start to feel like close friends whose lives you get to follow.
NAMED AS ONE OF THE BBC'S 100 MOST INSPIRING NOVELS
Now a Netflix series starring Elliot Page and Laura Linney . . .
'It's an odd thing, but anyone who disappears is said to be seen in San Francisco.' Oscar Wilde
Mary Ann is twenty-five and arrives in San Francisco for an eight-day holiday.
But then her Mood Ring turns blue.
So obviously she decides to stay. It is the 1970s after all.
Fresh out of Cleveland, naive Mary Ann tumbles headlong into a brave new world of pot-growing landladies, cut throat debutantes, spaced-out neighbours and outrageous parties. Finding a…
I grew up in a family of chefs and restaurant owners, so it’s probably no surprise that food plays a major role in my debut novel, All Stirred Up. (The two main characters are, in fact, chefs and restaurant owners. You write what you know!) Cooking plays a major part in my life as well—I’m always making something for family and loved ones. It’s probably no surprise that I love a good food book as well, whether it be fiction, memoir, or history. On my list are just five of my favourites.
I like to branch out into different genres, and I’ve recently started getting into Manga. This is a really wonderful series about a gay couple—one of whom loves to try out new dishes the other is always eager to try—whose relationship deepens over the meals they enjoy together. It’s something that really touched a chord in me, as someone who also uses food as a love language.
From award-winning author Fumi Yoshinaga comes a casual romance between two middle-aged men and the many meals they share together.
A hard-working middle-aged gay couple in Tokyo come to enjoy the finer moments of life through food. After long days at work, either in the law firm or the hair salon, Shiro and Kenji will always have down time together by the dinner table, where they can discuss their troubles, hash out their feelings and enjoy delicately prepared home cooked meals!
I had so many questions as I grew up. Why was I so different to other boys. Then, some 20 years ago, I started to find and talk to others like me. I realised I was transgender, ‘born in the wrong body’ as the saying goes. From that point on I began to work for the LGBTQ+ community as I also negotiated the personal and difficult path of transitioning from male to female. My passion for activism continues to this day, shown in my role as Chair of Dublin LGBTQ+ Pride and delivering workshops, presentations, and lectures to multinational companies and government bodies where I encourage everyone to see the beauty in diversity.
I was taken down a rabbit hole, exploring other aspects of 19th and 20th-century Irish and British gay culture.
This very comprehensive biography of Ireland’s leading playwright whose many amusing quotes are now part of everyday language deals predominantly with his sexuality, going into considerable detail in parts. Wilde was, as per his name, pretty wild!
His life was a true roller-coaster, from the height of his fame with many books, poetry, and stage productions making him a household name worldwide. Yet he was a troubled soul and the author of the biography has researched his subject intensively and has delivered possibly the ultimate work about this notable gay icon.
In The Secret Life of Oscar Wilde, Neil McKenna provides stunning new insight into the tumultuous sexual and psychological worlds of this brilliant and tormented figure. McKenna charts Wildes astonishing odyssey through Londons sexual underworld, and provides explosive new evidence of the political machinations behind Wildes trials for sodomy. Dazzlingly written and meticulously researched, The Secret Life of Oscar Wilde offers a vividly original portrait of a troubled genius who chose to martyr himself for the cause of love between men.
After writing a novel about the toll true crime can take on victims’ loved ones and the risk it runs of glamourizing killers while overshadowing victims, I’ve been on the hunt for true crime books that don’t fall into these traps. The titles on this list showcase beautiful writing and tell compelling stories without dehumanizing the victims or glamourizing the perpetrators.
In 1991, a maintenance worker at a Pennsylvania rest area discovered a man’s head in a trash barrel.
Even though he hadn’t touched blood, people suggested the worker should take an AIDS test. Green’s exceptional book opens with this moment, dropping the reader into early ‘90s AIDS panic and the brutal murders of a string of gay and bisexual men from Manhattan.
Green fleshes out the victims’ lives, showing how homophobia was their constant companion, even in the way the police and media treated their eventual murders. Diligently researched and compassionately written, Green’s book is a page-turner that never dehumanizes its victims or glorifies their killer.
**WINNER OF THE EDGAR® AWARD FOR BEST FACT CRIME**
A "terrific, harrowing, true-crime account of an elusive serial killer who preyed upon gay men in the 1990s." -The New York Times (Editor's Pick)
"In this astonishing and powerful work of nonfiction, Green meticulously reports on a series of baffling and brutal crimes targeting gay men. It is an investigation filled with twists and turns, but this is much more than a compelling true crime story. Green has shed light on those whose lives for too long have been forgotten, and rescued an important part of American history." -David Grann, #1…
