I am interested in the history of people on the move, and in particular how migrants and refugees negotiated the upheavals of war and revolution in the 20th century. Originally, I turned to these topics as a specialist in Russian history, but I have since broadened my perspective to consider the causes and consequences of mass population displacement in other parts of the world. I have just retired from the History faculty at the University of Manchester, where I taught since 1976. In 2019 I was elected a Fellow of the British Academy, the UK’s national academy for the humanities and social sciences.
Berger published this in 1975 at a time when Turkish, Greek, and Portuguese guest workers were arriving in Western Europe, having been recruited by employers to fill vacancies in factories during the years of sustained economic growth. Berger succeeds in humanising these workers, helped by photos taken by his long-term collaborator, the Swiss photographer Jean Mohr. Berger could not anticipate that these young men would later be joined by their families and put down roots. His book speaks of adventure and opportunity, but also of exploitation and humiliation. Numerous memorable vignettes stick in my mind, including his observation about migrant workers from Portugal, governed by the dictatorship of António de Oliveira Salazar:
Before leaving they had their photographs taken. They tore the photograph in half, giving one half to their ‘guide’ and keeping the other themselves. When they reached France, they sent their half of the photograph back to their…
"Why does the Western world look to migrant laborers to perform the most menial tasks? What compels people to leave their homes and accept this humiliating situation? In A Seventh Man, John Berger and Jean Mohr come to grips with what it is to be a migrant worker--the material circumstances and the inner experience--and, in doing so, reveal how the migrant is not so much on the margins of modern life, but absolutely central to it. First published in 1975, this finely wrought exploration remains as urgent as ever, presenting a mode of living that pervades the countries of the…
I’m a professor of Chinese studies, and I’m especially interested in what the close study of culture can reveal about aspects of contemporary Chinese life that are usually dominated by the perspectives of historians, sociologists, anthropologists, and political scientists. I’m fascinated not so much by how cultural practices reflect social change but by how they sometimes make it happen, particularly in societies where overt political action is blocked. As my book picks show, I’m intrigued by the inventiveness and drive of people who create culture, often new forms of culture, under conditions of oppression, exploitation, and duress.
This anthology contains many of the poems that first made me realise that grim working conditions among China’s underclass were producing an extraordinary cultural response.
The writers of these poems are people who’ve left their rural homes behind to seek a living in the nation’s big cities, places that need their labor but grant them only a chilly welcome. Their poetry, superbly translated here, is about the factory floor, the assembly line, the roar of machines: it’s about amputated fingers, fluorescent lights, ID cards, and tower cranes.
It’s also about homesickness, love affairs, lost hopes, and camaraderie. For me, the book’s most powerful poem is its last, written by Xu Lizhi, who worked in a Foxconn factory making parts for Apple, shortly before he committed suicide in 2014:
I swallowed an iron moon
they called it a screw
I swallowed industrial wastewater and unemployment forms
"Iron Moon is a monumental achievement. It redraws the boundaries of working-class poetry for the new millennium by incorporating at its center issues like migration, globalization, and rank-and-file resistance. We hear in these poems what Zheng Xiaoqiong calls "a language of callouses." This isn't a book about the lost industrial past; it's a fervent testimony to the horrific, hidden histories of the 21st century's working-class and a clarion call for a more cooperative and humane future."-Mark Nowak, author of Coal Mountain Elementary
Eleanor Goodman is a writer and translator. Her translation of work by Wang Xiaoni, Something Crosses My Mind,…
Ever since I was a kid, I’ve been more drawn to nonfiction than fiction. I remember spending hour after hour with my mother’s World Book Encyclopedias, memorizing breeds of dogs, US state capitals, and how to sign the alphabet. I loved reading books to learn about all kinds of things, and still do. But when it comes to fiction, unless the words are arranged like musical notes on the page, I struggle to read past chapter three. I need the narrator’s voice to make my brain happy and interested. While reading, I need to feel something deeply—to laugh, cry, or have my thoughts dance so rhythmically I find myself fast-blinking.
I love the narration of this book. It is rich, lush, and vibrant. Each scene is painted like the sky at sunrise. The main character Esperanza’s journey—from riches to rags, from pampered to grateful, from fearful to hopeful—is very satisfying.
Seeing the world through Esperanza’s viewpoint was heart-wrenching and eye-opening. The ending contains a delightful surprise, which, in my opinion, also makes for a great read.
Esperanza Rising joins the Scholastic Gold line, which features award-winning and beloved novels. Includes exclusive bonus content!
Esperanza thought she'd always live a privileged life on her family's ranch in Mexico. She'd always have fancy dresses, a beautiful home filled with servants, and Mama, Papa, and Abuelita to care for her. But a sudden tragedy forces Esperanza and Mama to flee to California and settle in a Mexican farm labor camp. Esperanza isn't ready for the hard work, financial struggles brought on by the Great Depression, or lack of acceptance she now faces. When Mama gets sick and a strike…
I taught for more than 26 years in classes ranging from first grade through college. No matter the age of the students, I used children’s books to introduce topics in history. I never shied away from using a picture book with older students and often found they were more engaged in a picture book than in an article. I also used historical fiction as a hook to lure students into picking up a related non-fiction book. In fact, historical fiction was the gateway that taught this writer of 13 nonfiction children’s books to love non-fiction history.
This nonfiction book is not only dear to my heart, I can also honestly say it changed my life.
It’s about the only Federal Emergency School ever created. Built for the children of farm workers displaced by the Dust Bowl in 1940, it tells of School Superintendent Leo B. Hart’s ingenuity and steadfast devotion to children who faced seemingly insurmountable hardships and discrimination as occupants of the migrant camp outside Bakersfield, California that inspired John Steinbeck’s The Grapes of Wrath.
I taught at this school, now known as Sunset, for many years, and I kept a note in my lesson planner that read What would Leo B. Hart do?
Illus. with photographs from the Dust Bowl era. This true story took place at the emergency farm-labor camp immortalized in Steinbeck's The Grapes of Wrath. Ostracized as "dumb Okies," the children of Dust Bowl migrant laborers went without school--until Superintendent Leo Hart and 50 Okie kids built their own school in a nearby field.
Chasing Eleanor is a heart-wrenching tale of the worst of the Great Depression era and the best in humanity in desperate times. A teen girl trying to keep what is left of her family together and care for them under impossible circumstances keeps you turning the page. The people she meets along the way are quite believable and add poignancy to the story, and of course, the person who inspires the greatest hope and fortitude in her - Eleanor Roosevelt. A great read!
Newly orphaned Magnolia Parker must protect her sick little brothers, but when the authorities send the boys to an unknown orphan asylum, Magnolia calls on her unwavering grit to bring them home. She's lost everything but still has a secret weapon—a promise from Eleanor Roosevelt, the most famous woman in America. Setting out on a cross country quest, she befriends two unlikely travelers: Hop, a migrant worker with a big heart, and Red, a young girl traumatized into silence. Hunger and dust storms aren't the only dangers this found family faces on the rails. After an assault, they're forced to…
The topic of immigration is deeply in my heart because I am an immigrant myself. I came from El Salvador to the United States when I was 14 years old. Now, I am a teacher in an elementary school. Most of my students are immigrants or children of immigrants. Children and families immigrate around the world looking for better opportunities. These books were written by immigrant authors or authors who had lived closely with immigrants. The stories are real and describe the authentic journey, and experiences of children and families traveling from their native countries to the United States.
I like this book because is written as a fairy tale, but the story describes the real journey at the Mexican/ US border. A young rabbit named Pancho eagerly awaits his papa’s return. Papa Rabbit left two years ago to travel far away north to find work in the great carrot and lettuce fields to earn money for his family. When Papa does not return home on the designated day, Pancho sets out to find him and heads north.
In this allegorical picture book, a young rabbit named Pancho eagerly awaits his papa's return. Papa Rabbit traveled north two years ago to find work in the great carrot and lettuce fields to earn money for his family. When Papa does not return, Pancho sets out to find him. He packs Papa's favorite meal-mole, rice and beans, a heap of warm tortillas, and a jug of aguamiel-and heads north. He meets a coyote, who offers to help Pancho in exchange for some of Papa's food. They travel together until the food is gone and the coyote decides he is still…
I am drawn to stories of women who display a fighting spirit, faith in themselves, and the drive to help others. Perhaps this is due to growing up during the women’s rights movement. So many women paved the way for me. Perhaps it was my upbringing. I was raised with six siblings - three brothers and three sisters – and my parents never thought that my sisters and I couldn’t do something just because we were girls. Combine these experiences with the fact that I love history and you can see why I love these stories. Now I get to write and share stories like these with young readers. Lucky me!
I have long been a fan of stories about courageous women and I love it when I discover a book for young readers that brings to life an inspiring story of someone they may not know well (or at all). That’s exactly what Warren does in this book about Delores Huerta. The text works well for even the youngest readers. It promotes empathy by describing the poor living conditions of migrant children and their parents. Its themes are as relevant today as they were in Delores’ time. We need to care, we need to stand up for others, we need to be fair. It’s beautifully illustrated, too.
A Jane Addam's Children's Book Award Honor Book for Younger Children
Dolores is a teacher, a mother, and a friend. She wants to know why her students are too hungry to listen, why they don't have shoes to wear to school. Dolores is a warrior, an organizer, and a peacemaker. When she finds out that the farm workers in her community are poorly paid and working under dangerous conditions, she stands up for their rights.
This is the story of Dolores Huerta and the extraordinary battle she waged to ensure fair and safe work places for migrant workers. The powerful…
I picked this book up by chance and found its ability to put a human face on the struggle to get by, especially in the wake of the 2008 market crash, compelling. Before reading it I knew nothing about the migratory workforce, much of it composed of older Americans, who move around the country to work in warehouses and other kinds of seasonal employment.
From the beet fields of North Dakota to the campgrounds of California to Amazon's CamperForce programme in Texas, American employers have discovered a new, low-cost labour pool, made up largely of transient older adults. These invisible casualties of the Great Recession have taken to the road by the tens of thousands in RVs and modified vans, forming a growing community of nomads.
Nomadland tells a revelatory tale of the dark underbelly of the American economy-one which foreshadows the precarious future that may await many more of us. At the same time, it celebrates the exceptional resilience and creativity of these…
I have always been a seeker, fascinated by all cultures, philosophies, and spiritual perspectives. Although the concept is often different—for some, it’s a place of refuge, feeling safe or sheltered from pursuit, danger, or trouble; for others, it’s a state of being, an inner peace, I’ve found that the search for sanctuary—safe-haven—elsewhere—has ancient roots and contemporary reverberations. My novel, Guesthouse for Ganesha, further heightened my interest in this subject, for my protagonist, Esther Grünspan, both deeply wounded and unsafe, was compelled to seek sanctuary. As a first-time novelist with an 18-year journey to publication, I fully immersed myself in this topic’s study and comprehension.
In Debra Thomas’s compassionately rendered Luz, her protagonist’s (Alma) border crossing from Mexico into the United States is relayed in painful, harrowing, and often shocking detail. It is a powerful and, at times, difficult read. Yet an important one. I often forgot that this is a work of fiction, as the story Thomas so deftly portrays is all too common and all too real, especially for a resident of Southern California, which I am. However, it is one filled with hope and determination and the unwavering spirit of a young, passionate girl in search of answers.
Alma Cruz wishes her willful teenage daughter, Luz, could know the truth about her past, but there are things Luz can never know about the journey Alma took to the US to find her missing father.
In 2000-three years after the disappearance of her father, who left Oaxaca to work on farms in California-Alma sets out on a perilous trek north with her sister, Rosa. What happens once she reaches the US is a journey from despair to hope.
Timeless in its depiction of the depths of family devotion and the blaze of first love, Luz conveys, with compassion and…
I’m a professor of Chinese studies, and I’m especially interested in what the close study of culture can reveal about aspects of contemporary Chinese life that are usually dominated by the perspectives of historians, sociologists, anthropologists, and political scientists. I’m fascinated not so much by how cultural practices reflect social change but by how they sometimes make it happen, particularly in societies where overt political action is blocked. As my book picks show, I’m intrigued by the inventiveness and drive of people who create culture, often new forms of culture, under conditions of oppression, exploitation, and duress.
This path-breaking book was a huge inspiration to me as I began to dig deeper into the relationship between culture and labor in contemporary China.
By the time Sun’s book came out in 2014, anthropologists, sociologists, and political scientists inside and outside China had already carried out extensive studies of the largest migration in human history and the scorching inequalities that mass movement of people has generated. But Sun shows in compelling detail that this exodus from the Chinese countryside is a deeply cultural movement, too.
Blending ethnography with probing and compassionate analysis of poetry, videos, photography, and activist protest, Sun argues that culture can be the crucible of political consciousness for working people trapped in the grinder of underclass life. I’ve returned to this book again and again.
Behind China's growing economic and political power is a vast underworld of marginalized social groups. In this powerful and timely book, Wanning Sun focuses on the country's hundreds of millions of rural migrant workers, who embody China's most intractable problems of inequality. Drawing on rich and extensive fieldwork, the author argues that despite the critical role their labor has played in enabling and sustaining the country's remarkable economic growth, workers and peasants have become the nation's "subalterns."
Sun focuses especially on the role of media and culture in negotiating the unequal relationships that exist between various social groups. She shows…
