The most recommended books on the USA Mexico border

In 1973, Smeltertown was razed to the ground. For the vibrant community of Mexican Americans who had lived there for generations, that meant abandoning their homes, their social gathering spaces, and their way of life.

Smeltertown was destroyed because public health research revealed that the industrial smelter around which the town formed was spewing tons of toxic lead into the air and poisoning the developing brains of the Mexican-American children who lived there.

This book tells the heartbreaking story of how that community first took shape on the Texas-Mexico border, how it grew to become a bustling suburb of El Paso, and how the lead poisoning ultimately spelled its destruction. The concept of environmental racism wouldn’t come along until decades later; but in hindsight, this town was a textbook example of how environmental threats to health disproportionately impact communities of color.   

In Debra Thomas’s compassionately rendered Luz, her protagonist’s (Alma) border crossing from Mexico into the United States is relayed in painful, harrowing, and often shocking detail. It is a powerful and, at times, difficult read. Yet an important one. I often forgot that this is a work of fiction, as the story Thomas so deftly portrays is all too common and all too real, especially for a resident of Southern California, which I am. However, it is one filled with hope and determination and the unwavering spirit of a young, passionate girl in search of answers.

Dodson was an officer for the ATF working along the border with Mexico. He stumbled across the scandal behind Operation Fast and Furious, and rather than keeping quiet, he took the risky step of whistleblowing on covert operations by US government agencies in collusion with the drug gangs of Mexico, and the death of Border Patrol Agent, Brian Terry.

This one takes us back to the founding of the Border Patrol to look at its Wild West origins. The first agents were plucked from frontier law enforcement and the Texas Rangers, whose earlier tasks included slave patrols and the violent removal of Native Americans. Lytle Hernandez shows how those racist and violent origins shaped the practices of the early Border Patrol. 

Much of “the line,” as Border Patrol agents and migrants sometimes call the border, is far from big cities and curious journalists. And a lot of what happens there, happens under cover of darkness or behind the secured doors of Border Patrol stations.

As a former Border Patrol agent, Cantú saw what happened when no one else was looking. His memoir shares it with the rest of us.

These stories are all surreal, trippy, and many are quite funny. Sort of a mashup of Márquez, Burroughs, and Bukowski, trying to pin down Flores’ actual style is difficult as it is wholly unique: the ultimate compliment for a writer. One story is about a couple who make a sculpture of a baby using their ear wax while the male partner is a writer who also is paid to be a life coach to other writers of lesser talent. Another story is about two men who are neighbors, one of which owns an extraterrestrial shape-shifting cloth, the other is a philosophizing writer prone to drink too much. This collection of short stories is top-notch as well as bizarre and humorous.

I could have picked almost any of Bowden’s books on the border, for example, the excellent Murder City, but I’m choosing Laboratory of the Future as it’s the first piece of his writing I came across. Bowden, who lived on both sides of the US/Mexican border for many years, was intimate with his subject, and the brutal power of his journalistic writing puts most novelists to shame. He is not afraid to question us or confront us, or hide his anger, but it is never unwarranted. In this book, he, and the thirteen Mexican photographers whose frequently shocking images accompany the text, paints a grim picture of the nature of ultra-capitalism when allowed to run free just south of the border – it is, he says, an experiment: it is the laboratory of our future.

This book was inspired by the author’s family stories of the Mexican Revolution. When government armies destroy twelve-year-old Petra’s village and home, she’s forced to lead her grandmother, younger sister, and baby brother through the trackless desert to survive. They encounter kindly monks, ruthless federales, and a band of Villistas who want Petra to join them, but she never veers from her determination to take her family to safety and freedom. This is a powerful read, and I’m thankful and appreciative for the insight it offers into war’s effect on helpless citizens, and the enormous courage, strength, and determination required of every refugee forced to flee their homeland.

Mixing Faulkner’s gothic language with McCarthy’s sense of history, Blake writes a story of two brothers torn apart by circumstance and their experiences in the Mexican-American War.  Blake captures that sense of aimless wandering that echoes Faulkner’s stories—the rootless characters meandering across the country, not only unsure of their destinations but maybe even indifferent to them. To me, one of the most profound twists in the book is that the brothers don’t seem to care which side of the war they participate in. They are itinerants whose purpose in the world is simply circumstantial; they are instruments of universal forces that they neither question nor understand. 

As a mystery writer myself, I know what it takes to write a great mystery thriller, and L’Etoile has it all.

Police detective Nathan Parker is enmeshed in a web of crime in the desert Southwest. While confronting human trafficking and drug cartels, he comes up hard against his own law enforcement authorities.

Dead Drop is a death-defying journey into the bowels of bad, and Parker’s ability to come through it alive is a testament to his guile, strength of character, and, sometimes, sheer good luck. The thriller is tautly written and straightforward with no added sugar, with a setting as unforgiving as Parker’s ruthless adversaries.

You’re in for a rollercoaster ride, so hold on to your seats.