As a girl growing up in the 1960s, I loved books that were set in the past—Anne of Green Gables, A Little Princess, and A Tree Grows in Brooklyn were among my favorites. But those books weren’t historical fiction because they were written back then. So discovering that I could set my own books in the past was a thrill. I love evoking the sights, sounds, and smells of the past. And I especially love describing what my characters wear. Vintage clothes are my passion and being able to incorporate that love into my work is an ongoing delight.
A novel about a young woman who worked on the atomic bomb and fell in love with one of the other scientists on the project who breaks her heart into a million pieces so she abandons her career and takes up as a shop-girl? Add in an FBI agent who is on the tail of the cad and wants her help in finding him? Count me in!
Fields is terrific at creating mood and the 1950s milieu. And the unexpected romance between Rosalind, the one-time scientist, and Charlie, the FBI agent, is both moving and immensely satisfying—these are two wounded souls who manage to find each other and by the end, you’re out of your chair and cheering.
The stunning novel about our fiercest loyalties, deepest desires and the power of forgiveness
'A highly-charged love story' DELIA OWENS, bestselling author of WHERE THE CRAWDADS SING
'This story has everything. Just thinking about it makes me feel that lovely feeling where your heart seems to skip a beat' 5***** Reader Review ________
Chicago, 1950: Rosalind Porter is unfulfilled, heartbroken and angry.
Five years ago her career as a scientist was sabotaged by the man who also broke her heart: former Manhattan Project colleague Thomas Weaver.
Now, out of the blue, Thomas gets back in touch: he urgently needs to…
I've read quite a few Maigret's now, but this is my favourite so far. As a detective, Maigret is the opposite of Columbo. There's never "just one more thing here". In fact, there's rarely any questioning at all.
By his very presence, Maigret seems to invite confessions, for the 'villains' to bottle everything up in fear of interrogation only for themselves to let everything out. It's a tour de force of sustained suspense to keep a novel at that bubbling point, and the plot here is intricate and tragic; essentially, a man who has worked his way up to have everything but through egoism and happenstance can't find the right people to share it with.
And even more tragic, he finds himself harking back to those simpler times, undoing his status. There's much to relate to here, and the prose is knife-edge sharp.
'The father of contemporary European detective fiction' Ann Cleeves Cars drove past along with the trucks and trams, but by now Maigret had realised that they were not important. Whatever roared by like this along the road was not part of the landscape. ... What really counted was the lock, the hooting of the tugs, the stone crusher, the barges and the cranes, the two pilots' bars and especially the tall house where he could make out Ducrau's red chair framed by a window.
Penguin is publishing the entire series of Maigret novels in new translations. This novel has been…
Coates uses rituals carved in wooden furniture and penned on walls to intertwine the past with the present.
In this nail-biting story, 22-year-old Adrienne is nearly homeless. When her deceased Great Aunt Edith, whom Adrienne didn’t even know existed, wills her a dilapidated mansion, Adrienne thinks her prayers have been answered. Turns out, the carvings inside Ashburn House aren’t idle etchings.
If the rituals spelled out aren’t followed, the evil which slaughtered an entire family will awaken. Unfortunately, Adrienne’s learning curve isn’t helping.
Will she catch on before she and her beloved cat fall victim to what lurks in the darkness.
Count on buying a supply of candles and covering your mirrors!
From USA Today bestseller and rising queen of atmospheric horror Darcy Coates comes a haunting story of intrigue, misery, and fear. There's something wrong with Ashburn House... Everyone knows about Ashburn House. They whisper its old owner went mad, and restless ghosts still walk the halls. They say it's the dwelling place of something cruel and sinister. But when Adrienne-desperate and in need of a place to stay-inherits the crumbling old mansion, she only sees it as a lifeline... until darkness falls. Strange messages are etched into the walls. Furniture moves when she leaves the room. There's something here-something powerful,…
Two women, a century apart, seek to rebuild their lives after leaving their homelands. Arriving in tropical Singapore, they find romance, but also find they haven’t left behind the dangers that caused them to flee.
Haunted by the specter of terrorism after 9/11, Aislinn Givens leaves her New York career and joins her husband in Southeast Asia when he takes a job there. She acquires several paintings by a colonial-era British artist that she believes are a warning.
The artist, Elizabeth Pennington, tells her own tumultuous story through diary entries that end when World War I reaches the colony with catastrophic results. In the present, Aislinn and her husband learn that terrorism takes many shapes when they are ensnared by local political upheaval and corruption.
"Aislinn Givens leaves a settled life in Manhattan for an unsettled life in Singapore. That painting radiates mystery and longing. So does Clifford Garstang's vivid and simmering novel, The Last Bird of Paradise." –John Dalton, author of Heaven Lake and The Inverted Forest
Two women, nearly a century apart, seek to rebuild their lives when they reluctantly leave their homelands. Arriving in Singapore, they find romance in a tropical paradise, but also find they haven't left behind the dangers that caused them to flee.
In the aftermath of 9/11 and haunted by the specter of terrorism, Aislinn Givens leaves her…
I can recommend this topic because of my interest in anything about WWII and the Nazi horror. It also comes from the recent revival of the ideology, even though the entire world fought to defeat them seventy years ago. I have been haunted by PTSD because of my experiences as a first responder and can speak to that personally. As a former reservist with the Canadian Armed Forces, I also have experience in firearms and munitions. I have recently written my own story, The Home Front, which deals with the rise of the neo-Nazis in the United States through the eyes of a WWII veteran.
Another cautionary story. This story shows that the Nazi movement is growing worldwide and that governments need to keep these organizations under wraps before allowing them to carry out their own agendas.
When a mistake causes an international incident during a US Presidential visit to Norway, Detective Harry Hole is placed out of sight in the Federal Police Department, until matters settle. Unable to sit still, Harry investigates a neo-Nazi group and comes across someone practicing with an exotic rifle that would only be used to assassinate someone. Now he must identify both the target and the killer.
'A page-turner you won't want to put down' Time Out
Harry knows he shouldn't get involved.
A report of a rare and unusual gun - a type favoured by assassins - being smuggled into the country sparks Detective Harry Hole's interest.
Evil is closer to home than he knows.
Then a former WW2 Nazi sympathizer is found with his throat cut. Next, someone close to Harry is murdered. Why had she been trying to reach Harry on the night she was killed?
As Harry's investigation unfolds, it becomes clear that the killer is…
I’m not sure why the dark side of humanity has always fascinated me, as it does so many others. I’ve read mystery and horror stories ever since I was a young boy, gravitating to ever darker books as I aged. I’m a pantser—that means that I don’t totally know where a story is going when I start, so I discover it right along with the characters. I think evoking emotion is key to writing a riveting tale, so I try to imagine what my character is feeling as I chronicle their experience. Part of being able to do this well is reading other writers who can, such as the authors on this list.
USA Today Best-Selling Author Benjamin Franklin Gold Medal Winner National Indie Excellence Award Winner Kidnapped, pregnant teen plots a calculating escape and merciless revenge Imagine a helpless, pregnant 16-year-old who's just been yanked from the serenity of her home and shoved into a dirty van. Kidnapped . . . Alone . . . Terrified. Now forget her . . . Picture instead a pregnant, 16-year-old, manipulative prodigy. She is shoved into a dirty van and, from the first moment of her kidnapping, feels a calm desire for two things: to save her unborn child and to exact merciless revenge. She…
There are, at the moment, a glut of authors writing about England in the 1800’s, but none of them can hold a candle to Laura Shepherd-Robinson.
Her prose is so immersive you are almost instantly transported back in time and place. Settle in for a fantastic experience, exploring the squalid and eye-opening underbelly of London’s ladies of the night.
One of this author’s trademarks is creating full-blown characters who you come to know and love within a few pages of their being introduced. Chief among them, and why I love this book above her other two, is her main character, Caroline Corsham, easily one of my favorite characters.
Caro is everything you want in a hero – smart, tough-minded, persistent in running down the perpetrator of the murders that keep the plot of this book racing along mud-splattered roads. I think about Caro all the time and sincerely hope the…
'The best historical crime novel I will read this year' - The Times
From the pleasure palaces and gin-shops of Covent Garden to the elegant townhouses of Mayfair, Laura Shepherd-Robinson's Daughters of Night follows Caroline Corsham as she seeks justice for a murdered woman whom London society would rather forget . . .
'This is right up there with the best of C. J. Sansom and Andrew Taylor' - Amanda Craig, author of The Golden Rule
London, 1782. Desperate for her politician husband to return home from France, Caroline 'Caro' Corsham is already in a state of anxiety when she…
I’ve always been a bit of a daydreamer and drawn to books that look through a window into the "other world." These novels, often dubbed dystopian, are reflections or exaggerations of our own world, and this always appealed to me. Like the question, "What if?”. The premise of “What if we lived in a world where you had to pay for words?” inspired my first novel, The Qwerty Man. Although I love fiction, I’m more of a nonfiction reader these days and interested in Buddhism (as an education, not religion), geography, and history. I’ve also written travel guidebooks for Lonely Planet and a children’s travel poetry book called Rhyme Travels.
I read this book relatively recently, not at school or when I was in my twenties, but when I was in my late thirties. I had heard of the novel, and the concept of burning books was all-too familiar as I studied a module on Holocaust literature at university. However, the premise of Ray Bradbury’s novel, written in 1953, was so simple yet so powerful.
It echoes with our own reality today, as although books are not being burned, we are seeing the art of writing itself being "burned" or minimized by tools such as AI or social media. The virtual burning of honest reportage or poetry for opinionated views and algorithms is one symptom of today’s fast-paced society.
There were some great quotes in Fahrenheit 451, too; the one that really stuck out was, “Everyone must leave something behind when he dies… A child or a book or a…
The hauntingly prophetic classic novel set in a not-too-distant future where books are burned by a special task force of firemen.
Over 1 million copies sold in the UK.
Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.
I’ve been obsessed with political thrillers since reading All The President’s Menwhen I was far too young to understand it all. What I didknow was that at the upper echelons of society there were often shadowy conspiracies at play, and brave souls fighting to expose the truth. Something about Woodward and Bernstein’s quiet heroism and bravery in investigating a story that everyone told them to drop really stayed with me. That’s why I write political thrillers: in an attempt to tip the scales back in favour of good versus evil. And to make heroes of those who risk it all to tell truth to power.
This one was a game-changer for me, taking thinly-disguised characters and events from real life – an obvious Tony Blair-type, fleeing prosecution for war crimes in a clear nod to the Iraq War – Harris wisely ushers us into the world of high-stakes politics via the innocent and unnamed Ghost Writer, hired to write a disgraced Prime Minister’s memoirs.
It’s a brilliant and clever mechanism that makes the reader feel at home. And when murder appears, puts you squarely in the shoes of a terrified man on the run.
As a technical piece of thriller writing, it’s stunning stuff. Harris’s decision to base a fantastical conspiracy around real-life events and characters was inspiring – and it’s something I use in every book.
'An unputdownable thriller about corrupt power and sex' Sunday Telegraph
'Guaranteed to keep you awake' The Times
A body washes up on the deserted coastline of America's most exclusive holiday retreat. But it's no open-and-shut case of suicide. The death of Robert McAra is just the first piece of the jigsaw in an extraordinary plot that will shake the very foundations of international security.
For McAra was a man who knew too much. As ghostwriter to one of the most controversial men on the planet - Britain's former prime minister, holed up in a remote ocean-front house to finish his…
My first books were set in and around San Francisco, an area I knew well and with plenty of opportunities for crime stories. When we moved to Montana twenty years ago, people asked when I’d write one there. I resisted setting dark stories in my own city, where my kids were growing up. Reading about the Bakken Oil Formation in North Dakota, a boom of wealth and expansion and a subsequent bust, offered a perfect storm—the kind that drives desperation, where locals conflict with newcomers, where money—new and old—drives people to make bad decisions. After a visit to the area, the fictional town of Hagen, North Dakota, and the Badlands Thriller Series was born.
Pines, book 1 of the Wayward Pines trilogy is a tense thriller with an irresistible dystopian twist.
When Secret Service agent Ethan Burke is sent to Wayward Pines, Idaho, he’s charged with finding two agents who went missing from this peaceful-seeming town a month prior. Upon arrival, Burke is involved in an accident and when he wakes in this hospital, his possessions—ID, phone, suitcase, are all missing.
Worse, no one believes him when he tells them who he is and he can’t reach the outside world. Then there is the matter of the scary electric fences that surround Wayward Pines. Are they keeping something out? Or in? This one was a propulsive read, wrought with twists and rising stakes. Such a fun read.
The one-million copy bestseller that inspired the Fox TV show.
Secret service agent Ethan Burke arrives in Wayward Pines, Idaho, with a clear mission: locate and recover two federal agents who went missing in the bucolic town one month earlier. But within minutes of his arrival, Ethan is involved in a violent accident. He comes to in a hospital, with no ID, no cell phone, and no briefcase. The medical staff seems friendly enough, but something feels...off. As the days pass, Ethan's investigation into the disappearance of his colleagues turns up more questions than answers. Why can't he get any…
We live in a bizarre era of Elon Musk stans who seem certain that if you work hard you’ll be rewarded not only with ‘fuck you’ money, but ‘fuck everyone’ money. I think any writer worth their salt should at some point tackle the issues of their age in their writing. In our era racism, sexism, climate change, and a range of other social justice issues are all exacerbated through the improper distribution of wealth. You could give a man a fish, and he might eat for a day. Or you could eviscerate the rich, share their wealth, and throw the whole world a parade!
McGahan is one of my all-time favourites for numerous reasons. When I was a baby writer just getting started, I was so excited to have McGahan writing about my home city of Brisbane, showing all its scars and burn marks. He has an incredible knack for writing across genres, something that I think more writers should aspire to. In this case he turns his hand to an elegant take on the supernatural thriller. The supernatural elements here are uniquely and beautifully presented. There are no vampires or magic, just nature in a primal and anthropomorphic capacity. Many books are described as ‘man vs nature,’ but that relationship has never been more savagely explored than in this book. It also has the most bittersweet author’s note I’ve ever read. Gets me every time.
In the freezing Antarctic waters south of Tasmania, a mountain was discovered in 1642 by the seafaring explorer Gerrit Jansz. Not just any mountain but one that Jansz estimated was an unbelievable height of twenty-five thousand metres.
In 2016, at the foot of this unearthly mountain, a controversial and ambitious 'dream home', the Observatory, is painstakingly constructed by an eccentric billionaire - the only man to have ever reached the summit.
Rita Gausse, estranged daughter of the architect who designed the Observatory is surprised, upon her father's death, to be invited to the isolated mansion to meet the famously reclusive…
