As a novelist, I get a lot of praise for my immersive recreation of time and place – even though I have complete aphantasia. That’s a condition affecting about 0.8% of the population, and it means I can’t form visual mental images. Ask me to close my eyes and visualise an apple, and I will see… darkness. Nothing. I suppose it’s why I’ve always loved novelists who create a picture with words. But truly great descriptive writing is about so much more than just what you can ‘see.’ These writers give you the sounds, smells, tastes, and textures of their worlds too. And they’re all wonderful storytellers.
This is another modern venture into Victoriana, with a love affair straight out of Thomas Hardy, ruined by mutual misunderstanding. Its characters are heartbreakingly real and utterly original, and it closes with one of the most memorable set-piece scenes I’ve ever read. I won’t spoil the surprise because it occurs about 400 pages into this long, seductive novel, but it’s a stunningly sensory and dramatic moment.
Peter Carey's novel of the undeclared love between clergyman Oscar Hopkins and the heiress Lucinda Leplastrier is both a moving and beautiful love story and a historical tour de force set in Victorian times. Made for each other, the two are gamblers - one obsessive, the other compulsive - incapable of winning at the game of love.
Oscar and Lucinda is now available as a Faber Modern Classics edition.
Make-believe is my vocation, calling to me since earliest childhood. Not too surprising, for I was raised in a Southern Gothic household, simmering with mendacity and thwarted desires. Back then, I plotted stories for my dolls and scribbled plays of love and murder for backyard productions with the neighbor girls. Living and schooling were necessary preparation for the next story or play. To this day, while truly embracing my lived-life with passion and wonder, I still make sense of it, in part, through make-believe—an act that is both solitary and collaborative—writing dialogue for actors to interpret and novels for readers to perform in their own active imaginations.
In the plague years of 14th century England, a young runaway priest, Nicholas Barber, hides himself by joining a troupe of traveling players and thereby finds himself a new role in a wider world. Nicholas’s story begins at an inflection point, when the residents in a particular town are more interested in an actual crime of murder than in seeing yet another iteration of the traditional religious Morality play. To captivate and keep their audience, the actors—with Nicholas now one of them—create a play of real life about the town’s murder. Their drama evolves in a series of performances as they discover more details of the mystery, at last leading them to its resolution. A fascinating interplay of history, mystery, theater, and human nature! I love this book.
In medieval England, a runaway scholar-priest named Nicholas Barber has joined a traveling theater troupe as they make their way toward their liege lord’s castle. In need of money, they decide to perform at a village en route. When their traditional morality plays fail to garner them an audience, they begin to stage the “the play of Thomas Wells”—their own depiction of the real-life drama unfolding within the village around the murder of a young boy. The villagers believe they have already identified the killer, and the troupe believes their play will be a…
Romeo and Juliet, Lancelot and Guinevere, Antony and Cleopatra—the greatest love stories in human history are awash with forbidden feels. While I shun the icky taboo, I’m easily reeled in by the rush of healthy forbidden attraction, and the higher the stakes, the better. Of course, everything is more fun when it’s not allowed! What attracts me to forbidden romance isn’t only the complicated dynamics, intense storylines, and angsty drama, but the “we can’t have each other but want each other so badly” burn. Give me all the stolen glances, fleeting touches, and breathless kisses. Nothing does sexual tension like forbidden romance.
Angelo is a Catholic priest, and Eva is a Jew in Nazi-occupied Italy. It doesn’t get much more forbidden than a Catholic priest falling helplessly in love. So is the case in this beautifully written novel by Amy Harmon. Set in WWII Italy, it’s a gripping and at times brutal read about the persecution of Italian Jews by the Gestapo. This powerful setting gives rise to a butterflies-inducing romance between a young priest and his Jewish friend that he tries so desperately to protect. The scenes in which Eva and Angelo begin to succumb to their feelings will leave you breathless, and there is an “I can’t believe I’m kissing you” scene that you won’t want to end.
"Confession: I am nineteen years old, and I’ve been kissed many times. But I’ve never been kissed like that."
Italy, 1943-Germany occupies much of the country, placing the Jewish population in grave danger during World War II.
As children, Eva Rosselli and Angelo Bianco were raised like family but divided by circumstance and religion. As the years go by, the two find themselves falling in love. But the church calls to Angelo and, despite his deep feelings for Eva, he chooses the priesthood.
Now, more than a decade later, Angelo is a Catholic priest and Eva is a woman with nowhere to turn. With the Gestapo closing in, Angelo hides Eva within the walls of a convent, where Eva…
Blind Faith has a
complex interwoven plot that captured my interest from page one.
Each plot piece was a story in itself, and the interconnections provided the correct
mix of intrigue and foreshadowing. My interest was stoked, and I wanted to see
the resolution that brought all of the elements together.
The book is set between Montana and Oregon,
states I have only spent a few days in. Reading this book provided an
understanding of the people who live in these states and a feel for
daily life. The descriptions were so vivid I could picture every scene in my
mind. Yet these details were filtered throughout the story, so I did not
feel I was receiving a geography lesson.
Long-buried secrets come back with a vengeance in a cold case gone red-hot in Agatha Award-winning author Alicia Beckman’s second novel, perfect for fans of Laura Lippman and Greer Hendricks.
For decades, the unsolved murder of Father Michael Leary has haunted Billings, Montana, the community he served. Who summoned the priest late one autumn night, then left his body in a sandstone gully for the ravens and other wild scavengers?
And it’s haunted no one more than Lindsay Keller, who admired and confided in him as a teenager. Compelled by his example to work for justice, she became a prosecutor.…
Willa Cather transports the reader into the savage and unforgiving Southwest terrain, enlightening our senses, enabling us to see the brown and desolate landscape in our minds eye. At times while reading Death Comes for the Archbishop, I felt like I was gazing at a painting. A must read for a person who seeks a glimpse of the stark Southwest, and a well written book.
From one of the most highly acclaimed novelists of the twentieth century—"a truly remarkable book" (The New York Times),an epic—almost mythic—story of a single human life lived simply in the silence of the southwestern desert.
In 1851 Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows—gently, all the while contending with an unforgiving landscape,…
I wrote this book to give my mother an alternate life. She was a mother at age fifteen, mother of five by twenty-seven, and a grandmother by thirty-three. Being a parent defined her life, but she did not enjoy motherhood and was very frank on the subject. Thanks, Universe is my way of giving Mom her freedom and even though she never read anything I wrote, I like to think she would have approved of Pauline and the choices she made.
I adore sweeping family sagas with strong women characters and with tragedy, romance, and heartache set in Australia, The Thorn Birds is a beautiful example of the genre.
Meggie is rebellious and headstrong and makes questionable choices, but we empathize and root for her. All the well-rounded characters each come with their own secrets that will keep you turning pages.
A phenomenal worldwide bestseller since 1977 THE THORN BIRDS is a robust, romantic saga of three generations. It begins in the early years of this century when Paddy Cleary moves his wife and seven children to Drogheda, an Australian sheep station, owned by his autocratic and childless older sister. For more than half a century we follow their fates, particularly those of Meggie, the only Cleary daughter, and the one man she truly loves, Ralph de Bricassart - stunningly handsome, ambitious, and a priest. As background to the Cleary family's lives there is the land itself: relentless in its demands,…
Although I currently write romantic women’s fiction, because I came up in the Literary Fiction community, I frequently have writer friends ask me to recommend well-written Romance. Leaving aside the subjectivity of well-written and the snobbery inherent in the suggestion that Romance—a category they’ve admitted to never having read—isn’t generally well-written, I first have to explain that Romance has rules: While we often associate Romance with sex on the page, technically, it’s not a requirement. There are only two requirements, according to the Romance Writers of America: the love story has to be the central storyline of the book; and there has to be a happily ever after (HEA).
Look. I could tell you it’s a modern-day gothic. I could tell you it wields its heresy to illuminate the true meaning of God. I could tell you she writes with the clarity of an imprisoned martyr watching the pyre being assembled outside her window. But, really, I just want you to know that I read Sierra Simone with a goofy smile on my face, marveling at how she makes the bonkers believable. She’s a surreal realist. There’s an energy here that’s simply unmatched. The book vibrates. And if you make it through Priest, might I suggest her New Camelot trilogy, which tackles the only thing more sacred than the Catholic church: the American presidency.
There are many rules a priest can't break. A priest cannot marry. A priest cannot abandon his flock. A priest cannot forsake his God.
I've always been good at following rules.
Until she came. Then I learned new rules.
My name is Tyler Anselm Bell. I'm twenty-nine years old. Six months ago, I broke my vow of celibacy on the altar of my own church, and God help me, I would do it again.
Mystery fiction was one of my favourite book genres growing up. I especially enjoy reading mysteries taking place in remote locations, since it narrows down the suspects to only the people present there. Having the cast isolated from the rest of the world creates a special kind of pressure on them to find out who committed the crime. These mysteries also often involve ensemble casts and deep and complicated relationships between characters that are fun to keep track of. Reading these mysteries, including the ones in this list, inspired me to write my own! I’ve written and self-published two amateur sleuth murder mystery books, and I’m currently writing my third one!
Devious might bit a bit heavy-handed with the religious references, but it makes sense given its location and the types of murders occurring in this book.
I enjoyed how the author worked those references into the overall mystery with not just the location, but the clues and other discoveries along the way. There also is a big twist behind the true killer in this book that I really enjoyed reading, too.
I wish I could explain it in more detail, but that would give away major spoilers!
Fans of Karen Rose and Nora Roberts will love Lisa Jackson's chilling new novel about a killer striking in the holiest of places.
Sister Camille, a troubled novice, is found garrotted in St Marguerite's cathedral. Bentz and Montoya discover this case is close to home - Montoya knew Camille previously as his brother's girlfriend and they even know the prime suspect: the priest Frank O'Toole, father of Camille's unborn child.
When more nuns are brutally slaughtered by someone who seems to know their darkest secrets, Bentz is sure Father O'Toole is their man. But…
I’m an economist, now in my fiftieth year as a professor at Harvard. While much of my work has focused on economic policy – questions like the effects of government budget deficits, guidelines for the conduct of U.S. monetary policy, and what actions to take in response to a banking or more general financial crisis – in recent years I’ve also addressed broader issues surrounding the connections between economics and society. Several years ago, in The Moral Consequences of Economic Growth, I examined the implications of our economy’s growth, or stagnation, for the social, political, and ultimately moral character of our society. My most recent book explores the connections between economic thinking and religious thinking.
One of the most significant episodes in the influence of religious thinking on economic thinking in America was the emergence of the Social Gospel, in the last two decades of the nineteenth century and the early decades of the twentieth. And one of the most powerful advocates of the Social Gospel was the Baptist minister and university theologian Walter Rauschenbusch. Evans’s biography vividly tells the story of the Social Gospel movement as well as Rauschenbusch’s leading role within it. Of the many clergymen about whom I write about in my own book, Rauschenbusch is perhaps the one whose ideas I most admire.
Given the 2005 Award of Merit by Christianity Today, Christopher Evans' The Kingdom is Always but Coming follows the life and career of American theologian Walter Rauschenbusch, the preeminent spokesperson at the center of the social gospel movement. Perceptive, well-informed, and ably written, Evans' biography is a superb introduction to both Rauschenbusch's life and his thought.
I’ve been a lover of historical mysteries ever since I realized it’s possible to read mystery fiction and learn history at the same time. Every time I pick up a mystery set in the past, whether it’s the ancient past, the more recent past, or somewhere in between, I know I’m going to be intrigued and challenged by a great story and come away with a greater understanding of the people, culture, customs, and events of that time period. It’s a win-win. I write historical mysteries because I want to share with readers what I’ve learned about a particular time or place in a way that’s compelling and engaging.
This first-in-series book is set in Regency London, a place I would love to see via time machine (but only to visit—not to live there—because I like my creature comforts way too much).
The two main characters, Charlotte Sloane and the Earl of Wrexford, are from different sides of the tracks, so to speak, but there is some evidence that Charlotte may have experienced affluence at one time. Charlotte and Wrexford team up to solve a murder for which Wrexford stands accused. Their witty dialogue, disparate strengths, and willingness to overlook the other’s shortcomings make this a great read.
In Regency London, an unconventional scientist and a fearless female artist form an unlikely alliance to expose a cold-hearted killer . . .
The Earl of Wrexford possesses a brilliant scientific mind, but boredom and pride lead him to reckless behavior. So when pompous, pious Reverend Josiah Holworthy publicly condemns him for debauchery, Wrexford unsheathes his rapier-sharp wit and strikes back. As their war of words escalates, London’s most popular satirical cartoonist, A.J. Quill, skewers them both. But then the clergyman is found slain in a church—his face burned by chemicals, his throat slashed ear to ear—and Wrexford finds himself…
