I grew up on the coast of South Carolina, where many of the Golden Age pirates were welcomed as business associates and charming guests by some of the most influential people of the day. They are, to this day, considered local heroes. I read everything I could lay hands on about them, fiction and histories, and I knew my first book would have to be about the pirate I always pretended I could be, if I’d only been born two hundred years ago.
This one’s a little different – pirates sail the clouds instead of the ocean. In a world where Haiti won its freedom at a devastating cost, a young Black woman wants to earn a place on an airship, but can’t seem to find any way to prove her worth to the sky pirates she longs to join. Until she learns about a weapon called the Black God’s Drums, that someone plans to use to wipe New Orleans off the map. Add in the whispers of an orisha with its own agenda and a possible romantic attraction to the peg-legged Captain Ann-Marie, and you’ve got everything a pirate might want.
In an alternate New Orleans caught in the tangle of the American Civil War, the wall-scaling girl named Creeper yearns to escape the streets for the air - in particular, by earning a spot on-board the airship Midnight Robber. Creeper plans to earn Captain Ann-Marie's trust with information she discovers about a Haitian scientist and a mysterious weapon he calls The Black God's Drums.
But Creeper also has a secret herself: Oya, the African orisha of the wind and storms, speaks inside her head, and may have her own ulterior motivations.
I spent most of my childhood hiding under the table reading science fiction and fantasy books to avoid having to communicate with the weird people claiming to be my family up in the world above. After a while, the local library turned me away saying they had no more books left on those shelves, so I started writing my own. I like a mix of urban themes like in Angie Thomas’s The Hate U Give and dystopias like George Orwell’s 1984. That said, I love most futurist novels that have a love story at their centre, because despite everything I’m a romantic.
This is a bit of a cheat selection because it’s a set of short stories and not all of them are speculative or future-focused. Still, sometimes cheating is worth it.
Okoije has a wonderfully warped imagination and a wide-ranging set of edgy interests that seed her stories with such invention and energy that she expands your idea of what a good story can do.
Fancy some fluorescent, scaly fish wriggling out of mouths? Try ‘Outtakes’. Want to hear from a girl with a long, furry grey tail? Have a read of ‘Animal Parts’. Keen on psychopaths with a penchant for sending unsuspecting women poetry? Then ‘Fractures’ will float your boat.
Why Okoije is not a major literary star I have no idea. But I love her writing the way I love cream cakes.
"Precise and illuminating." - Bernardine Evaristo OBE.
Shortlisted for the Edge Hill Short Story Prize, the Saboteur Awards, the Shirley Jackson Award and the Jhalak Prize.
Lovelorn aliens abduct innocent coffee shop waitresses. Ghosts of errant Londoners haunt the Underground, caught between here and the hereafter. Brave young women seek erotic empowerment... at their own peril.
These are the worlds of Speak Gigantular, the startling debut short story collection from acclaimed author Irenosen Okojie MBE. Understated in her humour and razor-sharp in her observations of humankind, Okojie's eclectic anthology offers an unflinching gaze into the darkest corners of the human…
Paranormal Women’s Fiction is a celebration of books with older heroines. These stories focus on older women with real-life issues (and magical ones, cause paranormal is just cool). Older women kick ass. They know things. They've been there. They are worthy of their own literature category. They also have their own set of issues that they face—empty nests, widows, divorce, menopause, etc.—and these issues deserve to be addressed and embraced in literature. Growing older is a real part of life. Women's friendships matter. Women matter. Our thoughts and feelings matter.
I met Robyn at an author retreat in New Orleans. She's just as fun in real life as she is in her writing. Her paranormal women’s fiction books are hilarious, heartbreaking, magical, and so addictive with an engaging storyline that will captivate readers from page one! Warning, like all of these books on this list, you'll be up all night reading.
Lilian Terry’s background is quite out-of-the-ordinary. Born in Egypt in 1930 to Maltese and Italian parents, she undertook academic studies in Cairo and Florence. Terry studied classical piano until age 17, developing an interest in jazz in her early teens. She participated in a variety of ways with jazz in Europe, beginning in the 1950s. As a singer, she was an active performer and recording artist. At the same time, she produced radio and television shows for Italy’s RAI network, and this activity led to some of her encounters with major figures of American jazz. Seven of these interactions (most of which spanned decades) are the subject of Dizzy, Duke, Brother Ray, and Friends.
Donald Marquis takes you firmly by the hand and leads you into that Wonderland that was New Orleans from 1877, when Bolden was born; then through the brief but extraordinary rise of Bolden’s personality and the powerful sound of his trumpet echoing through the streets of New Orleans. The author brings out Buddy’s tragic descent into mental illness, his entrance into the Insane Asylum of Louisiana, and his untimely death in 1930 at the young age of thirty-three. The book is a very sober tale of life in those times, it is rooted in the political and artistic history of jazz music and a very touching homage to a ghost. Today there are people wondering if Buddy Bolden really did exist?
The beginnings of jazz and the story of Charles ""Buddy"" Bolden (1877- 1931) are inextricably intertwined. Just after the turn of the century, New Orleanians could often hear Bolden's powerful horn from the city's parks and through dance hall windows. Despite his lack of formal training, his unique style- both musical and personal- made him the first ""king"" of New Orleans jazz and the inspiration for such later jazz greats as King Oliver, Kid Ory, and Louis Armstrong.
For years the legend of Buddy Bolden was overshadowed by myths about his music, his reckless lifestyle, and his mental instability. In…
I am not a historian. I am a retired entomologist with a love for history. My first real experience with history was as a child, reading about Ernest Shackleton's Antarctic adventure on the Endurance—a story I must have re-read 50 times. I have come to recognize that much of the history I learned growing up was either incomplete or was just plain wrong. I am drawn to the arcane aspects of historical events, or that illustrate history from a different angle—which is shown in my list of books. The Silken Thread tells about the history that occurred because of, or was impacted by, just five insects.
Yellow fever, like many feared diseases, conjures up an image of faraway, steamy rain forests. At one time, yellow fever really was found there. But the disease—and the mosquito that carries it—didn't stay there. I was surprised to learn how prominent and feared yellow fever was in early Colonial America and that it persisted in the United States through the early 20th Century. Crosby provides background on the disease from Africa, its path to the Americas, and routine epidemics in New Orleans, but the book's primary focus is the account of the Yellow Fever Epidemic of 1878 that decimated Memphis, Tennessee, and other towns along the Mississippi River. I liked this book for filling in the blanks in my awareness and understanding of this American plague.
In this account, a journalist traces the course of the infectious disease known as yellow fever, “vividly [evoking] the Faulkner-meets-Dawn of the Dead horrors” (The New York Times Book Review) of this killer virus.
Over the course of history, yellow fever has paralyzed governments, halted commerce, quarantined cities, moved the U.S. capital, and altered the outcome of wars. During a single summer in Memphis alone, it cost more lives than the Chicago fire, the San Francisco earthquake, and the Johnstown flood combined.
In 1900, the U.S. sent three doctors to Cuba to discover how yellow fever was spread. There, they…
I started to garden seriously when we had three young kids and little income. We had limited space and had to be ingenious about how and what we grew. A flock of chickens soon joined the effort, adding fresh eggs, compost-fueling manure, and plenty of entertainment. As we moved, we always had a garden, adding structures like sheds, trellises, tomato cages, fencing, and chicken coops. My work writing books and articles about backyard homesteading gave me the chance to meet resourceful people with expertise miles beyond my own. I always came away from those encounters loaded with new ideas to incorporate into next year’s garden.
One November evening in 1831, Rebecca and John Burlend, three children in tow, stepped off a riverboat. Emigrants from England, they had reached Phillip’s Ferry, Illinois, the end of a dangerous journey. But instead of the village they expected, they found only forest. They burst into tears.
The couple eventually buys land and clears it by “girdling”—stripping bark so trees die and drop their leaves, letting in enough sun for growing crops. Those include “Indian” corn whose stalks support beans. Indoors, a rag strip in a dish of lard burns with enough light to sew by. But farm life is perilous: While harvesting, a pregnant Rebecca rests by a sheaf, from which a startled rattlesnake crawls out. She kills it with her rake.
I’ve read this book several times. It’s a saga worth relishing.
On a frosty day in November 1831, Rebecca Burlend and her husband, John, and their five children debarked at New Orleans after a long voyage from England. They took a steamboat up the Mississippi to St. Louis and from there went to the wilds of western Illinois. It was a whole new world for a family that had never been more than fifty miles from home in rural Yorkshire.
Rebecca's narrative, written with the help of her son, was first published in 1848 as a pamphlet for people of her own class in England who might be considering migration to…
I’ve been fascinated by how ordinary people can change the course of their own lives since I was a child. However, I had no idea until later in life that there were entire fields of study devoted to understanding how this process works historically. When I discovered “new labor history” many years ago, I knew I wanted to be part of it. It was the privilege of a lifetime to study under some of the best labor historians in the world at the University of Chicago. And I can’t describe how I felt when my dissertation won the Herbert Gutman Prize in Labor History. I hope these books spark your interest!
New Orleans has always been one of my favorite cities to visit.
Beyond the beignets and parades, did you know this gorgeous city also has a colorful and vibrant labor history that united Black and white waterfront workers in solidarity against wealthy capitalists? I didn’t know until I read Arnesen’s masterful book.
I remember staying up all night to finish it in grad school and being forever shaped by the dynamic stories of immigrants, Black migrants, and their children performing the waterfront labor that kept the cotton, sugar, and other goods flowing at the New Orleans port. I keep this biracial, waterfront labor movement in my heart right alongside the beignets and jazz.
This is an account of the New Orleans dockworkers and their formation of an inter-racial labour movement from 1880 to 1894, and again from 1901 to 1923. After the Civil War, Louisiana had no social group that exercised a clear and sustained cultural and political hegemony over the others, and sharp conflicts over racial and class issues marked the struggle for political control. This was particularly acute in New Orleans, which had what was in effect a long-standing black middle class. These free people of colour, along with ex-slaves under their guidance, fostered legislation that dismantled the segregated streetcar system…
I'm an author of dark fiction from Wales, UK, who, for many years, taught primary school children. In my own writing I often gravitate towards the child’s point of view, and the same can be said of the fiction I choose to read. As a teacher I dealt with children’s issues on a day-to-day basis, and sometimes you wonder how these kids survive, or at least you understand the trauma they carry for the rest of their lives. But what about those who manage to rise above it? Those are the characters whose stories I love to read. The child lurks in all of us, and we must never lose sight of that fact.
This is a short read, one you'll devour in just a few sessions, as it will hold your attention from start to finish. This is real-life horror, not make-believe. Yes, there are some graphic descriptions, but this tale does not set out to shock. There is no gore for the sake of it.
As horrific as Denny's (M.C.) situation is, there are beautiful, tender moments that will tug at your heart.
I don't know if it was because the whole of my career was spent teaching kids of Denny's age, but I found myself fully engaged in his story. Denny's situation resonated deeply, and I wanted to take him home.
The characters were so well drawn and the neighborhood vibe was spot on, too. Highly recommended.
A neglected 12-year-old boy does nothing to report the death of his mother in order to compete in a spelling bee. A tragic coming-of-age tale of horror and drama in the setting of a hot New Orleans summer.
"Original, touching coming of age."—Jack Ketchum, author of The Girl Next Door
"With "Of Foster Homes and Flies" Lutzke is firing on all cylinders. It's a lean mean emotional machine. Coming-of-age presented in a fresh direction. Bearing tremendous emotional weight and heart. It made me cry. "—John Boden, author of Jedi Summer and Dominoes
"Disturbing, often gruesome, yet poignant at the same…
Steven Ramirez is a lifelong fan of the movies—especially gripping thrillers and nail-biting horror. An award-winning author, he wrote the supernatural suspense series, Sarah Greene Mysteries, and the horror-thriller series, Tell Me When I’m Dead. His latest novel is Faithless, a thriller. A former screenwriter, Steven lives in Los Angeles with his family. He enjoys Mike and Ikes with his Iced Caffè Americano, doesn’t sleep on planes, and wishes Europe were closer.
What I love best about this novel is how adept the author is at combining the traditional elements of a serial killer story with those of supernatural tales such as Peter Straub’s terrifying Ghost Story. And trust me, the combination works. If you’re in the mood to be scared, then touched by the tortured yet loyal and loving Trinity LeDoux, I suggest you stop what you’re doing and acquire The Curse She Wore.
Trinity LeDoux, homeless on the streets of New Orleans, has nothing to lose when she hands a wealthy, yet reclusive clairvoyant a cursed vintage necklace.
During one of Hayden Quinn's rare public appearances, he is unexpectedly recruited into Trinity's perilous mission-a journey back through time to the exact moment of death for two very different victims.
Hayden and Trinity, two broken people with nothing but death in common, pursue the dangerous quest to stop the murderer emulating the grisly works of a notorious serial killer. Trespassing on Fate's turf comes with a price-one they will never see coming.
I am a mother, wife, sister, teacher, artist, officer, and writer. I retired from the USAF after serving active duty and as a reservist as a C-130 navigator, executive officer, and maintenance officer for over 20 years. Currently, I teach physical science in northern California. My main passions have always centered around story-telling, and I have been a lifelong dabbler in writing fiction. With my experiences in male-dominated fields like military aviation and my love of science, I feel particularly drawn to tales involving women striving to overcome obstacles in a male-dominated culture. I enjoy traveling, art, and, most of all, lounging on my sofa and reading.
Anne Rice is a wonderful poet disguised as a novelist who creates dreamy and eerie landscapes in this book. She paints backdrops of multiple settings and weaves those landscapes with the mood of her characters: modern and bustling San Francisco to mysterious and moody New Orleans.
The plot involves an analytical science girl who is suddenly immersed in a mysterious past that includes witches and other supernatural beings. It explores the roots of societal misogyny by recapping the history of the Mayfair clan and an unleashed demon spirit that haunts the family, all with a romance lurking in the subplot.
It is written like a dark fairy tale that weaves a contemporary world with supernatural elements. Don’t miss this!
SOON TO BE A MAJOR TV SHOW, FROM THE NETWORK BEHIND THE WALKING DEAD
'[W]hen I found Rice's work I absolutely loved how she took that genre and (...) made [it] feel so contemporary and relevant' Sarah Pinborough, bestselling author of Behind Her Eyes
'[Rice wrote] in the great tradition of the gothic' Ramsey Campbell, bestselling author of The Hungry Moon
On the veranda of a great New Orleans house, now faded, a mute and fragile woman sits rocking. And the witching hour begins...
Demonstrating once again her gift for spellbinding storytelling and the creation of legend, Anne Rice makes…
