I’m a teacher, a student, and a reader by trade (that is, a university professor), and I spend most of my time trying to understand social and political power: why some people have it, and others don’t, how it circulates and changes (gradually or suddenly), why it sometimes oppresses us and sometimes liberates, how it can be created and destroyed. I mostly do this by reading and teaching the history of political theory, which I am lucky enough to do at McGill University, in conversation and cooperation with some wonderful colleagues.
I have spent more time with this book than with probably any other, and I still learn new things from it all the time.
Parts of it are very hard, but that’s because Marx is trying to show how the whole world is put into motion by economic power, money, and competition. But he also knows how to liven up even very technical parts of the argument with dark humor, arresting images, and biting sarcasm.
'A groundbreaking work of economic analysis. It is also a literary masterpice' Francis Wheen, Guardian
One of the most notorious and influential works of modern times, Capital is an incisive critique of private property and the social relations it generates. Living in exile in England, where this work was largely written, Marx drew on a wide-ranging knowledge of its society to support his analysis. Arguing that capitalism would cause an ever-increasing division in wealth and welfare, he predicted its abolition and replacement by a system with common ownership of the means of production. Capital rapidly acquired readership throughout the world,…
Growing up, I was one of “those” horse-crazy girls who devoured every Black Stallion and Marguerite Henry book that I could get my hands on. At sixteen I began working at Atlantic City Racecourse in the summer and after I graduated college with a B.S. in Animal Science, I became a trainer of Thoroughbred racehorses. For thirteen wonderful years, I raced horses in New Jersey, Delaware, and Pennsylvania. Due to my insider’s knowledge of the horse racing industry, I based my book selections on accuracy as well as story.
One look at Ruffian and you knew she was a star. Those long legs, that fire in her eye. And when she ran, it was nothing short of magic. Jane Schwartz captures the heart and soul of the brilliant filly from her wobbly first steps to her devastating last breath. And yes, this book will make you cry.
"A colorful story...Ruffian was nothing if not a heartbreaker. Her story, dramatically recounted by Jane Scwartz, epitomizes both the adrenaline-pumping glory and gut-wrenching ruthlessness inherent in the sport of horse racing." THE WASHINGTON POST BOOK WORLD Here is the story f the exceptional filly, a horse so dominating, she was likened to legend. Beginning with her earliest days in Kentucky, the book follows Ruffian at every stage of her career and through the agony of her final hours--venturing behind the scenes of the racing world, and exploring the politics and personalities that came together to shape this exroardiinary filly's life.
I do what I do for completely self-interested reasons. I am a woman, wife, and mother; a history professor specializing in the Catholic Church and gender; and a Christian (Episcopalian). I used to compartmentalize those roles. I was a Christian at church, a secular scholar at work, etc. It was exhausting. I was frustrated by conflicting messages about gender and faith from my family, profession, and religion. I wanted to be true to all aspects of my identity in all situations, but how? History is full of people who’ve questioned and adapted at the intersections of gender and religion. I learn from their journeys and add another piece of the puzzle.
I don’t always agree with Bart Ehrman, but I do here. Forgeries, heresies, martyrs, even unfamiliar texts featuring women (who was Thecla and why was she hanging around with Paul?) contribute to an engaging read.
Whereas MacCulloch provides the “big picture” of Christian history, Ehrman targets the first centuries of Christianity—those centuries so critical to current debates about gender and lay roles in churches—to help us understand what we don’t understand about holy texts, especially ones that never made it into Christian Bible.
Ehrman takes us into the thought processes of early Church communities to help us see how Christians made decisions that shaped church policies relevant to gendered and lay leadership today.
The early Christian Church was a chaos of contending beliefs. Some groups of Christians claimed that there was not one God but two or twelve or thirty. Some believed that the world had not been created by God but by a lesser, ignorant deity. Certain sects maintained that Jesus was human but not divine, while others said he was divine but not human. In Lost Christianities, Bart D. Ehrman offers a fascinating look at these early forms of Christianity and shows how they came to be suppressed, reformed, or forgotten. All of these groups insisted that they upheld the teachings…
The Great Gatsby meets Catch Me If You Can and the hit Netflix series Lupin in this rollicking true tale of an audacious gentleman crook.
Arthur Barry, one of the world's most successful jewel thieves, charmed the elite of 1920s New York City, swiped gems worth $60 million today from their posh country estates, and outfoxed the police and private detectives on his trail. His victims included a Rockefeller, an oil tycoon, members of Britain’s royal family, Wall Street bigwigs, and an heiress to the Woolworth five-and-dime store fortune. This tale of wealth, glamor, and deception, a charming and debonair…
A Gentleman and a Thief: The Daring Jewel Heists of a Jazz Age Rogue
This captivating Jazz Age true crime tale about "the greatest jewel thief who ever lived" (Life Magazine), tells the incredible story of Arthur Barry, who charmed celebrities and millionaires while simultaneously planning and executing the most audacious and lucrative heists of the 1920s.
A skilled con artist and one of the most successful burglars in history, Arthur Barry was adept at slipping in and out of bedrooms undetected, even when his victims slept only inches away. He became a folk hero, a gentleman bandit touted in the press as the "Prince of Thieves" and an "Aristocrat of Crime." Think Cary…
My expertise comes through my work and degrees as an undergraduate, Master’s, and Phd student, in history and comparative historical sociology. It is demonstrated mainly in my two books, one on the Spanish, Yugoslav, and Greek Civil Wars, the other on Anti-Leftist Politics, listed above. It also comes through my teaching, which includes the entire world history sequence, in addition to numerous specialized courses and seminars. My passion could be described as a love for the world and its peoples, and a loathing for systems and politics of inequality and injustice.
This book is both a soaring and substantive comparative analysis of early modern social classes and state formation in Europe, the Ottoman Empire, China, and Japan.
For me and many others, it has been indispensable for understanding world power politics and history from the early modern era to the present. Methodologically, it is a genuine tour de force. Anderson’s scholarly output generally is in a class by itself.
Forty years after its original publication, Lineages of the Absolutist State remains an exemplary achievement in comparative history. Picking up from where its companion volume, Passages from Antiquity to Feudalism, left off, Lineages traces the development of Absolutist states in the early modern period from their roots in European feudalism, and assesses their various trajectories. Why didn't Italy develop into an Absolutist state in the same, indigenous way as the other dominant Western countries, namely Spain, France and England? On the other hand, how did Eastern European countries develop into Absolutist states similar to those of the West, when their…
I am an Emeritus Professor of Early Modern History at the University of East Anglia and a Fellow of the Royal Historical Society. I taught history for many years at several UK universities, and I was the Director of Studies in History at Churchill College, Cambridge. I am the author of six books, including Hellish Nell: Last of Britain’s Witches and Witchcraft: A Very Short Introduction. His latest book, The Ruin of All Witches: Life and Death in the New World, will be published in November by Penguin. I live in Cambridge, England, and I am married with three children.
Nearly a century old now, this was one of the first books to open up this subject for me, and to connect witch-beliefs (and trials) in England and colonial America. It’s more of a collection of essays than a coherent monograph, but they’re thoughtful essays, and, crucially, not excessively lofty. Kittredge was at pains to understand witchcraft in the past rather than judging it from the vantage point of an enlightened present.
They are chapters on image magic, shape-shifting, diagnostic tests, witches’ sabbats, and many other subjects – all discursive explorations, drawing in examples from here and there, and presented in the leisurely style of the gentleman scholar. There’s some strong narrative, too, especially in the chapter on James I, which stands up as an account of how changing thinking about witchcraft, and its relationship to politics and religion, affected policy and legal practice. All in all, it’s stuffed with…
There is something so magical about creating art and bringing an idea to life. As a writer and an art teacher, I love watching artists of any age find their own inspiration and joy in creating. I have used these books to launch all kinds of projects, from paintings to pottery, for every age and stage of artist. I hope you will find inspiration in these pages, too!
I love the message of this fun, 3-dimensional book: that what may seem like a mistake can actually become the best part of our art. It’s something my high school art teacher called “serendipity.” Perhaps a drip of paint can actually become a part of the painting you hadn’t even considered before.
The concept of going with the flow and solving problems instead of just reaching for a new piece of paper is such a good reminder for artists of all ages.
We all make mistakes - grown-ups and children alike. But little kids sometimes have trouble dealing with their mistakes, whether it's a piece of artwork they've torn by accident, or juice they've spilled on their favorite drawing. In this book, every page begins with a 'mistake' that ultimately unravels, lifts out, or pulls up to become a surprising work of beauty. Kids see firsthand as they go through the book that any smudge, smear or stain can lead to something absolutely marvelous - with a little imagination. Inspiring and inventive, this interactive board book teaches a valuable lesson: 'When you…
Of all my university courses, the one that had the greatest impact on me was called "Informal Logic." Accurate, but misleadingly dry and academic. One of the assignments in that course—and the one I remember most, of all my university assignments—was to prepare a "Crapbook": a collection of ten bits of crap—ads, arguments, whatever—that were full of crap (essentially, incorrect reasoning/logical fallacies). I loved it. So when, twenty years later, I was hired by a small university to teach Critical Thinking …
Although many critical thinking texts include some analysis of bits from popular culture, I wanted to include this book on my list because, as its title indicates, it focuses on popular culture—which is good because most of us immerse ourselves in popular culture and so it influences our thinking in a huge way. There's a whole chapter. There's a whole chapter dedicated to "Analyzing American Television," another dedicated to "American Advertising and the Subtle Art of Manipulation," and one dedicated to "Popular Culture in Speeches."
Wendy Hamand Venet is an emeritus professor of history at Georgia State University. She is the author or editor of three books about Atlanta, Sam Richards’s Civil War Diary: A Chronicle of the Atlanta Home Front (edited work); A Changing Wind: Commerce and Conflict in Civil War Atlanta; Gone but not Forgotten: Atlantans Commemorate the Civil War.
The 1895 Cotton States and International Exposition, a seminal moment in Atlanta’s history, is best remembered as the setting for Booker T. Washington’s opening day address in which he suggested that the races could be “as separate as the fingers” in “all things social.” Theda Perdue considers the white supremacist attitudes of the fair’s organizers and the ways in which people of color were represented. The designated Negro Building allowed Black educators and artists to showcase their accomplishments in a segregated setting, but exhibits about Native Americans by the Smithsonian and Office of Indian Affairs treated them as ancient cultures of the past and not as vibrant cultures of the present.
The Cotton States Exposition of 1895 was a world's fair in Atlanta held to stimulate foreign and domestic trade for a region in an economic depression. This uses the exposition to examine the competing agendas of white supremacist organizers and the peoples of colour who participated.
To stop us from reopening a school for girls, a mob of angry and well-armed Pashtun men threatened to shoot my workers. I surprised myself. “If you are going to shoot my workmen, you will have to shoot me first!” My wife, Janna, and I bred cattle in outback Australia. On the weekends we played tennis. Yet, in 1984 we began a twenty-four-year adventure battling corruption, injustice, and disadvantage in the deserts, mountains, and cities of Pakistan and Afghanistan. I dug wells, built schools, and helped restore the eyesight of thousands of Afghans; until I myself became blind.
Did the British learn anything from Napoleon’s fatal retreat from Moscow in 1812? Exactly three decades later the greatest debacle in British military history occurred in Afghanistan, the graveyard of conquerors. William Dalrymple serves up a satisfying slice of history, complete with spies, counter-espionage, intrigue, hubris, and folly, and provides context for the emergence of the Taliban. The wise will heed the timeless saying, “The only time Pashtuns stop fighting, is when they go to war.”
'Dazzling' Sunday Times 'Magnificent' Guardian 'Sparkling' Daily Telegraph
In the spring of 1839, Britain invaded Afghanistan for the first time. Nearly 20,000 British and East India Company troops poured through the high mountain passes and re-established on the throne Shah Shuja ul-Mulk.
On the way in, the British faced little resistance. But after two years of occupation, the Afghan people rose in answer to the call for jihad and the country exploded into violent rebellion. The First Anglo-Afghan War ended in Britain's greatest military humiliation of the nineteenth century: an entire army of…
When I was a young man reading my first books about the Second World War I was struck by the dimensions of Germany’s war in the East. Battles at El Alamein, Monte Cassino, and Normandy were familiar to me, but suddenly there emerged dozens of new battlefields in the East, most dwarfing the Anglo-American experience of the war, which I’d never heard of. My curiosity drove my reading and, as the saying goes, the more I knew, the more questions I had. Thirty years on, and ten books under my belt, has not yet satisfied that curiosity, but at least, thanks to Shepherd, I can share some of it.
No list of best books about Operation Barbarossa war would be complete without at least one title from David Glantz— the grandee of scholarship about the war in the East. Many of his titles are known for their great size and forensic detail, but this book is an exception. It is highly readable and, unlike Megargee’s book (above), it covers both the German and Soviet experiences of the war. Photos and maps abound and there is also an appendix with wartime orders and official directives. It is the best overview of the Nazi-Soviet war in 1941.
