I love escaping into a story I know will have a dependably happy ending. I’m an avid reader of cozy mysteries because life is hard. I don’t need my fiction to be a mirror image of the horrors of the daily news. I like puzzling through the clues, trying to solve the mysteries before the characters reach the solution. Series are fun because you really get to know the protagonist and the people in his or her world. They become old friends. The best cozy mystery authors rise above the formula and create unique characters, plots, and settings.
I fell immediately in love with the human characters and the setting despite the cat being a minor player in the story. Hana Keller is Hungarian on her mother’s side of the family. She works at the family’s charming tea house. Grandma Juliana reads tea leaves and is steeped in Hungarian mythology—correct that—grandma’s “tales” are often true to life.
I was engaged with the unique ethnic viewpoint and delighted to learn more about Hungarian culture and food. I devoured the series and have moved on to Buckley’sWriter’s Apprentice series.
Hana Keller serves up European-style cakes and teas in her family-owned tea house, but when a customer keels over from a poisoned cuppa, Hana and her tea-leaf reading grandmother will have to help catch a killer in the first Hungarian Tea House Mystery from Julia Buckley.
Hana Keller and her family run Maggie's Tea House, an establishment heavily influenced by the family's Hungarian heritage and specializing in a European-style traditional tea service. But one of the shop's largest draws is Hana's eccentric grandmother, Juliana, renowned for her ability to read the future in the leaves at the bottom of customers'…
I started studying the tarot ten years ago with no thought that I would ever write about it. I took an introductory class in the back of a local metaphysical shop and went down a rabbit hole of books and teachings. I also enjoy readings myself - from quick fifteen minute reads at sidewalk fairs, to hour long readings in person with renowned readers, from an hour on Zoom with a famous reader, to a reading in a shop in Salem, Massachusetts during the chaos that is October in that town - I’ve benefited from them all. It has been a delight to include this interest in my latest novel.
Coming from a psychological view of the cards, Dore incorporates ideas from different psychological schools of thought such as Cognitive Behavioral Therapy, Dialectical Behavior Therapy, and Acceptance and Commitment Therapy as well as Greek myth, Arthurian legend, folklore, fairy tales, and more.
Dore offers a unique, modern, and very personal approach to the cards and their meanings. A fascinating example for anyone building their own tarot practice and figuring out what tarot means to them on a personal and individual level.
Unlock the transformative power of tarot with this unique investigation into the psychology of its secrets, symbols and stories.
Symbols have been used in modern psychology for generations, from the interpretation of fairy tales to inkblot tests. Although tarot is often thought of as a spiritual tool for divination and fortune-telling, it too contains a set of symbols that can help us better understand our selves and align with our values. In this book, Jessica Dore reveals years of secrets and insights about how to work with tarot to activate your potential.
You'll discover: * the importance of choosing the…
I have been a tarot devotee since my early teens and have offered both training and divinatory sessions using the tarot. My book on the fifteenth-century tarot deck known as the Sola-Busca, The Game of Saturn, was nominated The Best Esoteric Book of the Year and was reviewed in two of the world’s leading academic journals. My non-fiction is published by Inner Traditions and Scarlet Imprint; literary prose and poetry by Corbel Stone Press and Paralibrum. My essays on energy healing appear in the peer-reviewed Paranthropology Journal and the Journal of Exceptional Experiences and Psychology as well as on my academia.edu page.
The famed filmmaker and esotericist, Alejandro Jodorowsky, has poured decades of profound spiritual and divinatory understanding into this text to create one of the most significant systems for using the cards as a divinatory tool. Based on the Tarot d’Marseilles - arguably the stylistic form that constitutes the tarot’s most fundamental iconography - the text includes a comprehensive training system that can be used to provide a foundation for professional divinatory work.
Alejandro Jodorowsky's profound study of the Tarot, which began in the early 1950s, reveals it to be far more than a simple divination device. The Tarot is first and foremost a powerful instrument of self-knowledge and a representation of the structure of the soul. The Way of Tarotshows that the entire deck is structured like a temple, or a mandala, which is both an image of the world and a representation of the divine. The authors use the sacred art of the original Marseille Tarot--created during a time of religious tolerance in the 11th century--to reconnect with the roots of…
I first encountered Spare in my early teens, when I was reading books about the occult, and then forgot about him for a few years. As time went by, I grew more interested in surrealism, psychoanalysis, and Buddhism, but I never quite abandoned magic, and I came to see it’s really the same area. I used to think it was funny that the Dewey library classification system puts Freud and the occult next to each other, but now I see it makes perfect sense. It’s all about exploring the mind and inner experience. And Austin Osman Spare, like Crowley and the surrealists, is among its most interesting figures.
This is a marvellous little book that delves into Spare’s engagement with fortune-telling by cards, particularly the story of his 1930s ‘Surrealist Racing Forecast Cards,’ which he sold through a small ad in the Exchange and Mart magazine.
They are quintessentially Spare, perhaps more than the recently discovered Spare tarot (juvenilia, in comparison, from before he went beyond conventional occultism). Along with previously unseen photos and Spare’s own essay "Mind to Mind and How" (“By a Sorcerer”), the heart of the book is Gavin’s "A Few Leaves from the Devil’s Picture Book."
This was a milestone in Spare research, back when what little was known about him was unreliable, and it is also a beautiful piece of writing–I borrowed a line from it to close my own book on him.
I have been studying American styles of magic for more than 30 years. Having received a Ph.D. in Religious Studies, I have explored the idea of magic as a natural counterpart to both religious thought and scientific theory. After teaching courses on this subject to college undergraduates, I recommend these books based on what I have found to be the favorites of students and peers
as the most accessible, enjoyable, and practical sources for beginners.
The title of this book says it all. It is about effective, practical magic with an emphasis on manifestation. Six ways an incantation that is as simple as it is powerful. The book goes into detail about different styles of magic that are available for readers who want to learn more about sorcery, witchcraft, chaos magic, and spirit work. I like this book because it takes one deep into the inner world of magic that exists within the recesses of the mind, opening up the practitioner to spiritual possibilities that have the goal of improving the self. Techniques such as meditation, trance, spiritual cleansing, and dreams are dealt with in an easy and straightforward way.
Six Ways is a handbook of practical skills and methods that help build the foundation of a sound magical practice. Six Ways looks at relationships with allies, sigils, energy work and other simple approaches to magic presented in clear and direct language. It explains how to develop the internal and external skills required for effective practice.
I’ve been a fan of horror since I got sucked into Scooby-Doo as a three-year-old. When I started my academic career, I kind of kept that passion tucked inside as something to be embarrassed about – after all, I wanted to do serious work, and horror movies aren’t serious, right? Graduate school made me rethink that assumption, and pushed me towards seriously considering the engagement of horror and religion. I wrote my dissertation on a chapter of the Book of Numbers as a slasher narrative, and I haven’t looked back since.
Hamori is a fantastic biblical scholar, whose work on divination is standard in the field.
In this book, she turns her attention to monsters, and makes the provocative argument that the biblical forces of good are just as monstrous as the forces of evil. It’s a fascinating way to unsettle what we think we know, and shake up the binary thinking that so often controls how we perceive the world around us.
The Bible is teeming with monsters. Giants tromp through the land of milk and honey; Leviathan swims through the wine-dark sea. A stunning array of peculiar creatures, mind-altering spirits, and supernatural hitmen fill the biblical heavens, jarring in both their strangeness and their propensity for violence--especially on God's behalf.
Traditional interpretations of the creatures of the Bible have sanded down their sharp, unsavory edges, transforming them into celestial beings of glory and light--or chubby, happy cherubs. Those cherubs? They're actually hybrid guardian monsters, more closely associated with the Egyptian sphinx than with flying babies. And the seraphim? Winged serpents sent…
I’m an information junkie who loves to dance. I fell in love with folk dancing at age 6, European archaeology at 11, linguistics and cognition at 21—and could never drop any of them. My scientist-father always said, “Follow the problem, not the discipline,” and I began to see how these fields could help answer each other’s questions. Words can survive for millennia—with information about what archaeologists don’t find, like oh-so-perishable cloth. Determining how to reconstruct prehistoric textiles (Women’s Work: The First 20,000 Years) then led me to trace the origins of various European folk costumes, and finally even to reconstruct something about the origins of the dances themselves.
I chose this book because it is such a wide-ranging compendium of Russian folk beliefs in general (in English!) as well as of Russian customs involved in trying to ensure the fertility and health of crops, farm animals, and women, all desperately needed for the survival of the community. It is these fascinating and picturesque customs that so often get incorporated into dances. Furthermore, the Dancing Goddesses were often pressed into service for divination of the future, especially by young girls worrying about whom they would marry and how many children they would have, or if they would die first. (I accidentally witnessed one of these ceremonies in Danzig in 1993—they have not died!)
The title of this book refers to the classic time and place for magic, witchcraft, and divination in Russia. The Bathhouse at Midnight, by one of the world's foremost experts on the subject, surveys all forms of magic, both learned and popular, in Russia from the fifth to the eighteenth century. While no book on the subject could be exhaustive, The Bathhouse at Midnight does describe and assess all the literary sources of magic, witchcraft, astrology, alchemy, and divination from Kiev Rus and Imperial Russia, and to some extent Ukraine and Belorussia. Where possible, Ryan identifies the sources of the…
We are Witches. Real Witches, doing real magic, casting spells, and weaving webs. We are Amy Torok and Risa Dickens–the co-creators of the Missing Witches project, researching what it means to be a Witch. Together, we have put out almost 300 podcast episodes and published two books and an oracle deck of cards: Missing Witches: Recovering True Histories Of Feminist Magic, New Moon Magic: 13 Anti-capitalist Tools for Resistance and Re-enchantment, and The Missing Witches Deck of Oracles: Feminist Ancestor Magic for Meditations, Divination and Spellwork. Our first book appeared on VICE Magazine’s list: The Best Books for Starting an Occult Library.
In this book, Christopher Marmalejo entranced us with a singular take on investigating tarot cards through a queer and Indigenous lens. Exploring cartomancy as a mirror to understand lived experience, Christopher brings to light a practice that is unafraid to confront, listen, critique, and unveil.
We love how Christopher’s personality shines through this thoroughly academic yet approachable description of tarot cards and their uses. Reading it filled us with hope for a future of liberation and ideas of how we can make that happen.
Designed to be used with any deck, Red Tarot is a radical praxis and decolonized oracle that moves beyond self-help and divination to reclaim tarot for liberation, self-determination, and collective healing.
For readers of Postcolonial Astrology and Tarot for Change
Red Tarot speaks to anyone othered for their identity or ways of being or thinking—LGBTQIA2S+ and BIPOC folks in particular—presenting the tarot as a radical epistemology that shifts the authority of knowing into the hands of the people themselves.
Author Christopher Marmolejo frames literacy as key to liberation, and explores an understanding of tarot as critical literacy. They show how…
Since I was a teenager, I have been attracted to astrology, Jungian psychology, synchronicity, symbolism, alchemy, and Jewish esotery. Someone gave me my first Tarot deck as a present. Since then I collect old and new decks from the entire world and created my own Sun and Moon Tarot. I continue to deepen my knowledge of tarot and all the systems associated with it.At times I focus more on the Sefiroth and Kabbalah. Sometimes I’m more interested in different ways of interpreting tarot. I've been illustrating Astrological Learning Cards for a while now, trying to better understand the different astrological archetypes and to make art.
When you delve into different facets of the tarot, you come across quite a few different models or systems with different assignments of numbers, Hebrew letters, paths, astrological signs…which can be very confusing! I was quite confused myself when I was looking for the correspondence between the 4Tarot ‘suits’ and thoseof a regular card game and find different contradictory correspondence with the pips of regular playing cards.
In a lecture, Isabelle explained to me very clearly with many examples how the 4 elements or colour symbols of the 4 suits in the regular card game originatedand changed over the years and how they evolved in different systems of the tarot cards.
Isabelle Nadolny has done a lot of research working as a historian in the National Library of France and has compiled her findings, based on multiple references and documented resources, in this thick and very richly…
L’histoire du tarot est fort méconnue. Si de nombreux livres abordent sa pratique ou ses significations, les rares publications historiques existantes circulent peu en dehors du cercle des chercheurs. Isabelle Nadolny entend y remédier en proposant au grand public un vaste panorama du tarot à travers les siècles. Cette présentation est assortie d’illustrations issues des fonds de la Bibliothèque nationale de France, de collections privées ou publiques, qui, pour certaines, sont publiées ici pour la première fois. Toute personne ayant prêté attention à ces cartes à la fois simples et mystérieuses est naturellement amenée à se poser quelques questions :…
I've always been interested in fortune telling, and how the mysteries of life are revealed. I was especially interested in ancient Greece and the oracle of Delphi. When I was 17, a neighbor in Chicago read my tarot cards. Everything the cards indicated came true! So I got a tarot deck and started playing around with the cards. When I moved to California 10 years later, people asked me to read their cards. I obliged, it was fun, and my tarot business was born. When asked to teach tarot, I started classes. The class notes became my book Introduction to Tarot.
Over the years, when I taught tarot classes, there were always a few students who were interested in the divination aspect of tarot, but tarot was just not the right oracle for them. For animal lovers, I recommended the simpler and more direct Medicine Cards: The Discovery of Power Through the Ways of Animals by Jamie Sam's and David Carson because animal totems resonated with them.
I recall a student who was of Norwegian ancestry who found tarot overwhelming, but the right oracle for him was The Book of Runes by Ralph H. Bloom. Even if tarot is your path, it's interesting to know of the many forms of divination that can be available to everyone.
Anyone can practice divination. You don't need to be psychic, or believe that a higher power controls the cards. Anyone can learn to predict the future using the methods described in this book. Learn how to choose the methods that works best for you, and ask the right questions so you get accurate answers. Discover the secrets of a wide variety of methods, from Tarot cards and the I Ching to crystal gazing, palmistry, and even reading signs and omens in the world around you.
The real value of divination is in planning and prevention. If you like the answers…
