The most recommended divination books

Tommy Chong is a Canadian-American actor, writer, director, musician, cannabis rights activist, and comedian. He is known for the Cheech and Chong comedy albums and movies along with many other roles. He is a poet and a philosopher and these are his picks for the books that mark his spiritual journey through life.

I am an Initiate of traditional British Old Craft and the Khemetic Mysteries. My own teaching methods and writing draw on historical sources supported by academic texts and current archaeological findings; endorsing Crowley’s view that all magic is an amalgam of science and art, and that magic is the outer route to the inner Mysteries. I have been a member and later Principal of the Coven of the Scales since 2000 having inherited it on the deaths of Bob and Meriem Clay-Egerton and author of some 60 fiction and non-fiction books on the subject of magic and Old Craft in order to shape the reader’s understanding of this particular tradition. 

I began reading Tarot in high school – or at least, trying to. Like most people, I was pretty intimidated starting out. It took several teachers, a stack of books, and a lot of years before I understood that Tarot cards are simply repositories for symbols of the human experience. That’s how they continue to be so popular: they speak to something deep within us all. It was only natural that my art endeavors and my passion for the ancient Minoans would eventually dovetail with my love of Tarot. The end result was The Minoan Tarot, which I’m delighted to share with you along with these excellent Tarot books.

I’ve been a fan of horror since I got sucked into Scooby-Doo as a three-year-old. When I started my academic career, I kind of kept that passion tucked inside as something to be embarrassed about – after all, I wanted to do serious work, and horror movies aren’t serious, right? Graduate school made me rethink that assumption, and pushed me towards seriously considering the engagement of horror and religion. I wrote my dissertation on a chapter of the Book of Numbers as a slasher narrative, and I haven’t looked back since.

I’m an information junkie who loves to dance. I fell in love with folk dancing at age 6, European archaeology at 11, linguistics and cognition at 21—and could never drop any of them. My scientist-father always said, “Follow the problem, not the discipline,” and I began to see how these fields could help answer each other’s questions. Words can survive for millennia—with information about what archaeologists don’t find, like oh-so-perishable cloth. Determining how to reconstruct prehistoric textiles (Women’s Work: The First 20,000 Years) then led me to trace the origins of various European folk costumes, and finally even to reconstruct something about the origins of the dances themselves.

I have been a tarot devotee since my early teens and have offered both training and divinatory sessions using the tarot. My book on the fifteenth-century tarot deck known as the Sola-Busca, The Game of Saturn, was nominated The Best Esoteric Book of the Year and was reviewed in two of the world’s leading academic journals. My non-fiction is published by Inner Traditions and Scarlet Imprint; literary prose and poetry by Corbel Stone Press and Paralibrum. My essays on energy healing appear in the peer-reviewed Paranthropology Journal and the Journal of Exceptional Experiences and Psychology as well as on my academia.edu page.

Gamelit’s a big focus and passion of mine because it is the genre I didn’t know existed nor that I needed when I got started as a writer. I was always a sci-fi and fantasy guy and the most GameLit thing I experienced prior were anime like Sword Art Online or So I’m a Spider So What. Once I found gems like Dungeon Crawler Carl, Cradle, and others, I was reading everything I could in the genre. Not only that, but I’m writing in the space too, with six books out under my name, another five under a pen name, and many more to come.

Fantasy has long been a favorite genre of mine for the way you can explore so many different concepts and ideas, and the freedom it gives you as a storyteller. If you feel like you’ve been transported to that world as the story unfolds, I see that as a successful story. Creating vibrant, diverse, new worlds and real, flawed characters for readers is something I strive towards with every project. As a queer author, I find it especially important to give queer characters the hero roles they deserve. The best thing about fantasy is it can be anything, and anyone, from any background, can be the main character.

As a well-traveled writer who has lived around the world, I’ve visited a tea salon in almost every city I visit. My favorite places are small communities filled with old-timers and well-wrought customs. Our lives are very fast-paced, and books that celebrate slowing down and a simpler life will always be a draw for me. Since I’m primarily a fiction writer, I also like a little mystery and tension in these otherwise idyllic little towns, not to mention the occasional scone and cup of tea.

I have been studying American styles of magic for more than 30 years. Having received a Ph.D. in Religious Studies, I have explored the idea of magic as a natural counterpart to both religious thought and scientific theory. After teaching courses on this subject to college undergraduates, I recommend these books based on what I have found to be the favorites of students and peers as the most accessible, enjoyable, and practical sources for beginners.

I started studying the tarot ten years ago with no thought that I would ever write about it. I took an introductory class in the back of a local metaphysical shop and went down a rabbit hole of books and teachings. I also enjoy readings myself - from quick fifteen minute reads at sidewalk fairs, to hour long readings in person with renowned readers, from an hour on Zoom with a famous reader, to a reading in a shop in Salem, Massachusetts during the chaos that is October in that town - I’ve benefited from them all. It has been a delight to include this interest in my latest novel.

Books have been an important part of my faith journey. I set aside time each morning to read scripture, and devotional material, to meditate and pray. As I read about the experiences of others my faith increases and I know God better. As a writer I express my own faith through words and invite others to know God better by experiencing Him with time set aside in the mornings. More Love is part of a series of small books that I have created to give readers experiences to connect with God and to know His love. 

Books that make me feel uncomfortable are usually the ones that have stuck with me most over the years. There’s just something so alluring to me about an author who can effectively bring out that feeling in readers. When I started writing stories, I wanted to make my readers squirm – I wanted to layer the guts and gore with underlying psychological themes that made the violence and trauma that much more impactful. These books that I mentioned acted almost as study guides on how to blend shocking violence with themes of loneliness, depression, and rage. If you layer these correctly, you’re going to effectively be able to make your reader uncomfortable and your stories memorable.  

I’m a historian and professor of ancient Mesopotamia. I was born in the UK but have lived in the US for decades, and from childhood I loved ancient history and archaeology (even through a five-year stint as a bass player before and during college). No matter how long the human race exists in future, we have only one shared ancient global past, the remains of which represent a completely non-renewable resource and source of inspiration. There is plenty left to discover, with much evidence already excavated and awaiting interpretation. It’s a joy to analyze and share the words and life-stories of Mesopotamians in my books—in a conversation that stretches across millennia.

When I joined the Peace Corps in the early nineties, I wasn’t allowed to take much luggage. I decided to bring a Tarot deck, figuring I’d finally have time to learn it while parked in an Estonian forest. That Tarot deck opened up a world of Renaissance mysticism and magic, and I’ve been hooked ever since. Tarot cards and readings feature prominently in many of my cozy mystery novels, not the least of which are the Tea and Tarot mysteries. Now my imaginary Tarot reader from that series, Hyperion Night, has recently written his own Tarot guidebook, The Mysteries of Tarot.

I began reading Tarot in high school – or at least, trying to. Like most people, I was pretty intimidated starting out. It took several teachers, a stack of books, and a lot of years before I understood that Tarot cards are simply repositories for symbols of the human experience. That’s how they continue to be so popular: they speak to something deep within us all. It was only natural that my art endeavors and my passion for the ancient Minoans would eventually dovetail with my love of Tarot. The end result was The Minoan Tarot, which I’m delighted to share with you along with these excellent Tarot books.

I’m a poet, tarot muse, and artist whose childhood experiences with vivid night-time dreams and a handful of years on a commune in the cornfields ignited my passion for exploring inner imagery. I read voraciously from science fiction to fairytales to channelings. I discovered tarot in my twenties, using it to read for others, mend my broken heart, and get squared away enough to apply to graduate school for poetry in the heartland at the Iowa Writers’ Workshop. Ever since, tarot is my favorite mirror for self-reflection. Author of two poetry collections, I wrote a workbook to help others apply the tarot in joyful, healing ways through writing and art.

As a fiction writer who prides herself on drowning her stories in a thick marinade of authenticity, I’m a research hound. In preparing to write my Asgard Awakening series, I leaned on my lifelong love of mythology to fuel countless hours of research about Norse cosmology, runes, myths, and gods. I now consider myself an expert on deconstructing Marvel movie plotlines, comparing their Asgardian characters to the Norse gods they’re based on, and womansplaining everything the studio did wrong to any sucker who will listen. ;-)

Since I was a teenager, I have been attracted to astrology, Jungian psychology, synchronicity, symbolism, alchemy, and Jewish esotery. Someone gave me my first Tarot deck as a present. Since then I collect old and new decks from the entire world and created my own Sun and Moon Tarot. I continue to deepen my knowledge of tarot and all the systems associated with it. At times I focus more on the Sefiroth and Kabbalah. Sometimes I’m more interested in different ways of interpreting tarot. I've been illustrating Astrological Learning Cards for a while now, trying to better understand the different astrological archetypes and to make art.