I am a French writer of Spanish origin. My two grandfathers shared history with Spain’s darkest hours. My maternal grandfather was born in Barcelona and he was a teenager at the time of the war; just like Salvayre’s parents, he had to flee Spain as the bombs were hitting his city. My paternal grandfather, who was in his twenties at the time of the civil war, decided to fight for the “International Brigades” to defend Spain’s freedom. It is to honour their memory and one of the millions of men and women who suffered from those almost four decades of dictatorship that I wrote Blood Song, a historical thriller, the third installment in the Roy and Castell series.
The Sleeping Voice is the most poignant novel about women in the Spanish civil war you will get to read. Those voices are the ones of the women who fought throughout the dictatorship not to be forgotten as the silent soldiers they were. Those voices tell us that the real heroes are very often anonymous. You won’t be able to part with Hortensia, Elvira and Tomasa, the heroines: I can guarantee that they will all stay with you. I actually chose a quote from that book to open Blood Song: it isabout a mother wondering how the sea looks like as her boys are laying in it.
Dulce Chacon's book has had an immense success in Spain, no doubt because the novelist speaks with a just and powerful voice, and because she has allowed women - the most anonymous, the most suppressed, the most silenced - to speak out" Le Monde
It is 1939. In the Ventas prison in Madrid a group of women have been incarcerated. Their crime is to have supported or fought on the Republican side in Spain's cruel and devastating Civil War. Chief among them are Hortensia, who fought with the militia and is pregnant by her husband Felipe - a man still…
I’m a poet, literary critic, translator, and biographer, and I grew up partly in France. I became obsessed with Max Jacob when I was twenty. Max Jacob—mystic, poet, painter, and suffering lover—took hold of me, and I found myself writing poems to him, in his voice, in my sketchbooks. They were among my first published poems: he redirected my life. A few years later I stumbled into writing his biography, never imagining that it would take thirty-five years: it came out from W. W. Norton in 2020, along with my most recent book of poems So Forth. I teach Comparative Literature in the Committee on Social Thought at the University of Chicago.
One of the most moving accounts I know of how literary creation takes place. With extraordinary sensitivity, Steegmuller reveals the mind and soul of the perturbed young bourgeois, Gustave Flaubert, and shows him growing, bit by bit, page by page, into the writer who set new terms for the art of the novel for the next hundred years. Art remains a mystery, but Steegmuller brings us uncannily close to the heart of it.
Francis Steegmuller's beautifully executed double portrait of Madame Bovary and her maker is a remarkable and unusual biographical study, a sensitive and detailed account of how an unpromising young man turns himself into one of the world's greatest novelists. Steegmuller starts with the young Flaubert, prone to mysterious fits, hypochondriacal, at odds with and yet dependent on his bourgeois family. Then, drawing on Flaubert's voluminous correspondence, Steegmuller tracks his subject through friendships and love affairs, a trip to the Orient, nervous breakdown and tenuous recovery, and finally into the study, where a mind at once restless and jaded finds a…
Linda is an award-winning author and travel enthusiast. Her two-book memoir series, French Illusions, is based on her diaries from 1979 and 1980. She has completed an adaption of these books into a screenplay and is currently seeking representation. Originally from Seattle, Linda now resides in Saint Petersburg, Florida with her longtime husband near her youngest daughter and grandchildren. To this day, she tells people that she is thankful for her storybook life.
Written in an engaging style, A Long Way from Paris centers on a young women's experiences living with a small family and working as a goat herder in southern France in 1980. Elizabeth soon discovers that it is hard work dealing with the animals, especially during the frigid winter months. The language barrier between her and the family adds an unwelcome layer of complexity to an already challenging experience.
In this searing, authentic memoir, Elizabeth is hired to herd goats on a remote mountain farm in the South of France where she carves out a life for herself without heat, running water, or even a good grasp of French. Far from her younger life as a New England preppie and Oregon hippie, the challenges of farm work daunt her. She befriends an Australian shepherd, reflects on her spirituality, and muses on the man she left behind. As she grows stronger, Elizabeth faces her self-doubt while maintaining her humor, eking fun wherever she can. When tragedy strikes Elizabeth's adopted family,…
I'm a storyteller and folktale collector. All my jobs have involved telling stories – as a community librarian, in theatre, in education, and since 2006 as a professional storyteller and writer. I work in schools, festivals, and outdoor education with all sorts of people and their animals. I have honed my skills to find the most enjoyable traditional tales that can be shared widely. I live in Scotland, where I encourage families to read and tell their favourite stories together. Storytelling is a living art form that belongs to everyone. More than anything, I love the natural world, and I bring the magnificence of nature into all my work.
These are the funniest folktales in the world. You will be amazed at the intelligent animals and LOL at the ridiculous scrapes the humans get themselves into in these short stories. Discover why dogs are our best friends, learn how to change a cow into a zombie, and meet a shape-shifting, cartwheeling raccoon dog.
Suitable for reading age 7+. This book is perfect for storytime & reading together at bedtime and holidays. These stories will cheer even the grumpiest grandparent up :).
'It's the best present you can give. It never breaks and doesn't need batteries. What is it?'
The answer is inside THIS BOOK!
Eleven of the funniest traditional tales from around the world. Laugh your socks off as you discover why dogs are our best friends, learn how to flummox fairies, and meet a shape-shifting, cartwheeling badger.
I’ve spent most of my career teaching and writing about French history. In the 1990s, it became belatedly clear to me and other French historians that France shouldn’t be understood purely as a European nation-state. It was an empire whose imperial ambitions encompassed North America, the Caribbean, Africa, Indochina, and India. By the twentieth century, and especially after 1945, large numbers of people from those colonial places had emigrated to mainland France, claiming to belong to that country and asserting the right to live there. Their presence produced a great deal of political strife, which I wanted to study by looking at France’s colonial past.
In this superb, prize-winning book, Cooper shows that despite France’s often gruesome treatment of its African colonies, its postwar leaders tried to make amends. After taking power in 1958, Charles de Gaulle gave each of France’s African territories three choices: 1) full departmental status within the French Republic (à la Martinique and Guadeloupe); 2) internal autonomy and democratic self-government in a newly dubbed French Community modeled on the British Commonwealth; 3) complete independence with a cutoff of all financial assistance. Every territory voted for option 2, except Guinea, which chose independence. Although the Community option ultimately fell apart, Cooper shows nonetheless that there was nothing inevitable about the devolution of France’s African empire into a series of independent nation-states.
As the French public debates its present diversity and its colonial past, few remember that between 1946 and 1960 the inhabitants of French colonies possessed the rights of French citizens. Moreover, they did not have to conform to the French civil code that regulated marriage and inheritance. One could, in principle, be a citizen and different too. Citizenship between Empire and Nation examines momentous changes in notions of citizenship, sovereignty, nation, state, and empire in a time of acute uncertainty about the future of a world that had earlier been divided into colonial empires. Frederick Cooper explains how African political…
Annemarie Rawson is a Francophile who lived and worked in France for several years with her husband, Steve, and has traveled to France many times. She loves the cities for the culture, history, and architecture but her heart is in the countryside where beauty is all around and where she met the genuine warmth and generosity of many who have little to give.
If you like to cook and love France this book with its wonderful photography is also a coffee table book. Just looking through it will transport you to the French countryside where I lived and worked and adore. The recipes are not convoluted and are simple and delicious.
With beguiling recipes and sumptuous photography, A Kitchen in France transports you to the French countryside and marks the debut of a captivating new voice in cooking.
"This is real food: delicious, honest recipes that celebrate the beauty of picking what is ripe and in season, and capture the essence of life in rural France." —Alice Waters
When Mimi Thorisson and her family moved from Paris to a small town in out-of-the-way Médoc, she did not quite know what was in store for them. She found wonderful ingredients—from local farmers and the neighboring woods—and, most important, time to cook. Her…
I’m a writer and a teacher of writing who fell in love with France after my first visit fifty years ago. I was lucky enough once to spend a year in a small village about thirty miles west of Avignon in the south where I was able to observe, and eventually participate in, the daily life of this village. I wrote my book, French Dirt, about that experience. I have read intently about the South of France ever since with an eye for those books that truly capture the spirit and character of these people who are the heart of this storied part of France.
M.F.K. Fisher was not only one of our greatest food writers, she was one of our greatest writers, period. Fisher lived for long periods in France, and the result of two of these sojourns is Two Towns in Provence, which is about Marseille and Aix-en-Provence. These two iconic towns are a mere forty miles apart in distance but worlds apart in temperament, character, and spirit. Fisher captures both of their personalities with her exquisite prose, guided by her sympathy and love for these cities and their people. She is especially wonderful at capturing Marseille, a city that has been called mysterious, even unknowable. You cannot have a better guide to two of France’s most renowned and remarkable cities.
This volume brings together two delightful books—Map of Another Town and A Considerable Town—by one of our most beloved food and travel writers. In her inimitable style, here M.F.K. Fisher tells the stories—and reveals the secrets—of two quintessential French cities.
Map of Another Town, Fisher’s memoir of the French provincial capital of Aix-en-Provence is, as the author tells us, “my picture, my map, of a place and therefore of myself,” and a vibrant and perceptive profile of the kinship between a person and a place. Then, in A Considerable Town, she scans the centuries to reveal the ancient sources that…
Dana Thomas is the author of Fashionopolis: The Price of Fast Fashion and the Future of Clothes, Gods and Kings: The Rise and Fall of Alexander McQueen and John Galliano and the New York Times bestseller Deluxe: How Luxury Lost Its Luster. Thomas began her career writing for the Style section of The Washington Post, and for fifteen years she served as a cultural and fashion correspondent for Newsweek in Paris. She is currently a contributing editor for British Vogue, and a regular contributor to The New York Times Style section and Architectural Digest. She wrote the screenplay for Salvatore: Shoemaker of Dreams, a feature documentary directed by Luca Guadagnino. In 2016, the French Minister of Culture named Thomas a Chevalier of the Order of Arts and Letters. She lives in Paris.
While not strictly a book on fashion in Paris, it is a wonderful exploration of all things French after World War II, and one of those things was the Christian Dior couture house. Karnow arrived in Paris in 1947 to study, and soon landed a gig writing for Time magazine. One of his assignments was a cover story on Christian Dior, whose company, in less than a decade, had become so successful it was known as the General Motors of Fashion. In the Dior chapter, Karnow beautifully evokes the mechanisms and machinations of a French couture house, and shows how fashion and Paris were deeply intertwined at the time. The rest of the book is a rollicking good read, too.
In July 1947, fresh out of college and long before he would win the Pulitzer Prize and become known as one of America's finest historians, Stanley Karnow boarded a freighter bound for France, planning to stay for the summer. He stayed for ten years, first as a student and later as a correspondent for Time magazine. By the time he left, Karnow knew Paris so intimately that his French colleagues dubbed him "le plus parisien des Américains" --the most Parisian American.
Now, Karnow returns to the France of his youth, perceptively and wittily illuminating a time and place like none…
I am a historian of the early Americas, and while I often teach courses such as “The U.S. to 1865,” my real passion lies in the Caribbean. As the first site of encounter between the Indigenous inhabitants of the place we came to call the "Americas," Africans, and Europeans, this, to me, is where "American" history began, yet the history of the Caribbean—particularly in the era surrounding European arrival—remains relatively little known. As a Canadian teaching American history at a university in the U.S., I try to disrupt familiar historical narratives by showing my students that American history also unfolded beyond the borders of the modern nation-state.
Boucher’s book was one of the first to look beyond initial Indigenous-European contact in the Greater Antilles to focus on interactions between colonizers and the people they called “Caribs”: the mobile, multiethnic inhabitants of the smaller islands of the Lesser Antilles.
Boucher convincingly shows that far from being reduced to slavery or extinction, the Lesser Antilles’ Indigenous inhabitants remained important military and political players, particularly during the seventeenth century, on which much of the book focuses.
He further explores how Indigenous actions influenced European stereotypes of the region’s inhabitants, giving rise to exaggerated depictions of fierce cannibals.
Philip Boucher analyzes the images-and the realities-of European relations with the people known as Island Caribs during the first three centuries after Columbus. Based on literary sources, travelers' observations, and missionary accounts, as well as on French and English colonial archives and administrative correspondence, Cannibal Encounters offers a vivid portrait of a troubled chapter in the history of European-Amerindian relations.
For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.
I read Death Comes for the Archbishop when I was fifteen. It was my first encounter with literary prose that was not assigned by a teacher, and it changed my life for the better by giving me a better understanding of myself and the human drama. I thought at the time: This is the best book I ever read. I re-read the novel in 2017 and thought: This is the best book I ever read. There’s no sex in it, but it’s a love story between two men. Cather’s novel has guided my work as a writer for more than sixty-five years.
From one of the most highly acclaimed novelists of the twentieth century—"a truly remarkable book" (The New York Times),an epic—almost mythic—story of a single human life lived simply in the silence of the southwestern desert.
In 1851 Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows—gently, all the while contending with an unforgiving landscape,…
I teach history at The Ohio State University. This project began when I listened in 1976 to a radio broadcast in which Jack Eddy, a solar physicist, speculated that a notable absence of sunspots in the period 1645-1715 contributed to the “Little Ice Age”: the longest and most severe episode of global cooling recorded in the last 12,000 years. The Little Ice Age coincided with a wave of wars and revolution around the Northern Hemisphere, from the overthrow of the Ming dynasty in China to the beheading of Charles I in England. I spent the next 35 years exploring how the connections between natural and human events created a fatal synergy that produced human mortality on a scale seldom seen before – and never since.
I first met Simon Schama in 1963, when he joined me as an undergraduate reading History at Christ’s College Cambridge. Both of us decided to undertake research on the Low Countries, but in an international context: in my case, Spain and the Netherlands between 1550 and 1650; in Simon’s case, France and the Netherlands between 1770 and 1815, leading to his brilliant first book, Patriots and Liberators (a study of what the expansion of Revolutionary France meant for an occupied country.) This led him to analyse the social and cultural history of the country before occupation, using visual as well as written sources to recreate the mental state of a complex society. The embarrassment of Riches tells of bloody uprisings and beached whales, of the cult of hygiene and the plague of tobacco, of thrifty housewives and profligate tulip-speculators. It shows how the Dutch celebrated themselves and how they were…
This is the book that made Simon Schama's reputation when first published in 1987. A historical masterpiece, it is an epic account of Dutch Culture in the Golden Age of Rembrandt and van Diemen.
In this brilliant work that moves far beyond the conventions of social or cultural history, Simon Schama investigates the astonishing case of a people's self-invention.
He shows how, in the 17th-century, a modest assortment of farming, fishing and shipping communities, without a shared language, religion or government, transformed themselves into a formidable world empire - the Dutch republic.