I’ve studied and written about the Tudors for many years including a monthly article in Tudor Life magazine, plus I’ve written several successful books looking at the lives of ordinary people in history and now, my first full scale look at the Tudors. The Tudor period is one of the best known in our history and is dominated by so many well-known and fascinating characters but my interest rests with the ordinary folk and how their lives changed so fundamentally in this time. The dissolution of the monasteries changed everyday life for many and marked the end of the medieval period and the beginning of a more enlightened time.
This is an indispensable summary of sixteenth-century English history, but it’s not as short as you might expect (the second edition actually includes greater content). The facts are well-researched, and the details are concise.
If you know nothing of the Tudors this is a good place to start, but being ‘very short’ it will leave you wanting to know more.
The monarchs of the Tudor period are among some of the most well-known figures in British history. John Guy presents a compelling and fascinating exploration of the Tudors in the new edition of this Very Short Introduction.
Looking at all aspects of the period, from beginning to end, he considers Tudor politics, religion, and economics, as well as issues relating to gender and minority rule, and the art, architecture, and social and material culture of the time. Introducing all of the key Tudor monarchs, Guy considers the impact the Tudor period had not only at the time, but also the…
I’m a historical fiction author but have always enjoyed actually making things as well as writing. In the past, I was a theatre designer, so I was often immersed in recreating antique objects for the stage. Our versions weren’t the real thing–but it meant researching old crafts and then imitating them to build a convincing fake version. My research filled me with great admiration and respect for the real craftsmen of the past–their skill and artistry, and I only have to look at our old cathedrals–so lovingly created, to be inspired all over again.
I loved the detail of the craft of gilding in this book, a craft that is little known today. I was interested, too, in the effect that the plague had on the city of Venice. Another plus for me was that Maria’s love interest was a Moor, Cristiano, and this added to the slow-burn tension of the relationship.
For me, this was the sort of historical fiction I don’t read often–immaculately researched with plenty of insider details that could only be known by an expert. Though the story doesn’t move particularly fast, it did make me think and immersed me in the period.
Would you rather sacrifice your livelihood, your lover, or your life?
When the Black Death comes knocking on your door, you'd better decide quickly.
ERIC HOFFER GRAND PRIZE FINALIST
EDITOR'S CHOICE, HISTORICAL NOVELS REVIEW
Venice, 1510. Maria Bartolini wants nothing more than to carry on her father’s legacy as a master gilder. Instead, her father has sent her away from the only home she’s ever known to train as an apprentice to Master Trevisan, a renowned painter.
Maria arranges to leave the painter’s workshop to return to her family workshop and to a secret lover waiting for her back home.…
I'm a retired historian of early Islam and writer of historical fiction set in medieval Iraq, Turkic, and Persian lands. I write and love to read novels that “do history.” In other words, historical fiction that unravels the tangles of history through the lives of its characters, especially when told from the perspectives of those upon whom elite power is wielded. My selections are written by authors who speak from an informed position, either as academic or lay historians, those with a stake in that history, or, like me, both, and include major press, small press, and self-published works and represent the histories of West Africa, Europe, Central and West Asia, and South Asia.
This riveting
Young Adult novel sets the action on a stage in which “East” and “West” are not divided as typically
imagined, but intertwined economically, politically, and culturally. Moses’
staff has been stolen from Topkapi Place and a team of Ottoman janissaries is
sent on a mission through Italy and England to recover it. The team is made of
free and formerly enslaved men and women hailing from rising empires and those
lost. Their struggles offer a searing account of the Ottoman, West and North
African, and European dependence on the trade of enslaved human beings. And
while the theft of the staff of Moses may seem fanciful, its possession confers
imperial power and thus is the perfect object to ask from who was it truly
stolen and to whom should it be returned.
A small undercover unit of hand-picked, trusted warriors is assembled to track down the thieves who have stolen the Staff held by Moses as he parted the Red Sea. They are the `Ruzgar' - the `Wind' - and like the wind, they travel silently and unseen. Awa, the studious daughter of a noble family from the Songhai Empire in West Africa, was kidnapped and enslaved by Moroccans after the disastrous Battle of Tondibi. Awa is a whirling and deadly force when she has a scimitar in her hand. Will, who was snatched from his home in London at the age…
In the Spring of 2006, I went to the south of France searching for troubadours. It was my MA year and my thesis was looking at the influence of the courtly love tradition on Chaucer’s writing. Troubadours (and the female, trobairitz) were nowhere to be found. The closest I came was a café named Le Troubadour. However, evidence of their lyrics was there in the beauty and lushness of Languedoc in spring. I'm always drawn to the poetry, landscapes, and love stories of the past and have experienced how these connections enrich my life. I've completed a PhD in seventeenth-century literature and become an historical fiction novelist and a devotee of history and historical fiction.
A mammoth of an historical novel set in the time of the Ottoman Empire.
A unique love story between the elephant keeper (and royal architect) Jahan, his special white elephant, Chota, and the interesting princess Mihrimah. As funny as it is heartbreaking, with characters so compelling they felt like cherished friends mourned and missed at parting, but whom I’ll always remember with deep fondness.
A dazzling and intricate tale from Elif Shafak, Booker-shortlisted author of 10 Minutes 38 Seconds in this Strange World - chosen for the Duchess of Cornwall's online book club The Reading Room
'There were six of us: the master, the apprentices and the white elephant. We built everything together...'
Sixteenth century Istanbul: a stowaway arrives in the city bearing an extraordinary gift for the Sultan. The boy is utterly alone in a foreign land, with no worldly possessions to his name except Chota, a rare white elephant destined for the palace menagerie.
I am a historian and historic buildings consultant with a longstanding interest in 15th and 16th century England. In addition to my own work on memorials, funerals, and the Howard family, I have worked as a researcher and consultant for television and books, including being a production researcher for the BBC adaptation of Wolf Hall.
Rather than examining Henry VIII’s wars as military engagements or part of international politics, this book looks at the impact war had on the English people. How were towns and villages affected by the need to provide men for the royal army? What was the impact of war on trade and agriculture? How were ordinary men persuaded to enact the violence required by war, and what was the physical and mental impact on them? How were wars justified and linked to a sense of Englishness? Originally given as a series of lectures, the chapters are connected but can be dipped into as stand-alone articles.
Henry VIII fought many wars, against the French and Scots, against rebels in England and the Gaelic lords of Ireland, even against his traditional allies in the Low Countries. But how much did these wars really affect his subjects? And what role did Henry's reign play in the long-term transformation of England's military capabilities?
The English People at War in the Age of Henry VIII searches for the answers to these questions in parish and borough account books, wills and memoirs, buildings and paintings, letters from Henry's captains, and the notes readers wrote in their printed history books. It looks…
I’ve studied and written about the Tudors for many years including a monthly article in Tudor Life magazine, plus I’ve written several successful books looking at the lives of ordinary people in history and now, my first full scale look at the Tudors. The Tudor period is one of the best known in our history and is dominated by so many well-known and fascinating characters but my interest rests with the ordinary folk and how their lives changed so fundamentally in this time. The dissolution of the monasteries changed everyday life for many and marked the end of the medieval period and the beginning of a more enlightened time.
Ian Mortimer gives us a fascinating insight into Elizabethan life, and I think this edition of his Time-Traveller’s Guide is as entertaining and informative as the others in the series.
I really enjoyed the details of everyday life, such as what would be in the kitchen or larder, although sometimes the lists were a little long. I enjoy the format of this type of book being written as a travel guide, it is educational as well as easy to read.
'A fresh and funny book that wears its learning lightly' Independent
Discover the era of William Shakespeare and Elizabeth I through the sharp, informative and hilarious eyes of Ian Mortimer.
We think of Queen Elizabeth I's reign (1558-1603) as a golden age. But what was it actually like to live in Elizabethan England? If you could travel to the past and walk the streets of London in the 1590s, where would you stay? What would you eat? What would you wear? Would you really have a sense of it being a glorious age? And if so, how would that glory…
As a history major and artist I noticed a style of illustrations and paintings that popped up in history books, novels, and poetry collections. I found that the paintings and drawings were just scratching the surface. The lives and struggles of the artists known as Pre-Raphaelites were just as intriguing as the art. I have traveled to the many locations that the Pre-Raphaelites frequented to follow in their footsteps. I've even tried to copy their wet white painting style and was awed by the patience they must have had. I appreciate many art styles and enjoy being transported into the lives of the artists by authors as interested in art and history as I am.
As Peter Bruegel stands in the Sistine Chapel admiring Michelangelo’s work he realizes he could never compete with one who works in the heavens – above. He will confine himself to the below – the common man. We follow Bruegel and his friends on his journeys, his daily life, and the inspiration he finds in the everyday world around him. His peasants are peasants. Their daily toil is not romanticized. Their feasts consist of rural fare. Even his religious art is not idealized. It is wonderful to imagine that the author has walked in Bruegel's shoes. Rudy Rucker is a professor of math and computer science but his extensive research has brought to life an artist who left very little of his own life to history.
Peter Bruegel's paintings - a peasant wedding in a barn, hunters in the snow, a rollicking street festival, and many others - have long defined our idea of everyday life in 16th Century Europe. In sixteen chapters Rucker brings Bruegel's painter's progress and his colourful world to vibrant life doing for Bruegel what GIRL WITH A PEARL EARRING did for Vermeer. We follow the artist from the winding streets of Antwerp and Brussels to the glowing skies and decaying monuments of Rome.
I am a Lecturer in English Language and Literature at the University of Oxford, where I specialize in early modern drama (including Shakespeare) and book history. Since my undergraduate degree, I have been fascinated by historical drama, poetry, prose, and the often-porous boundary between ’truth’ and fiction during the sixteenth and seventeenth centuries. Most of my research–including a major project on ‘Wartime Shakespeare’ that produced two books and a public exhibition at The National Army Museum in London–explores the profound impact of the stories we tell about the past and what they reveal about concerns and interests in the present.
Shapiro’s work is often a model of the kind of writing that I would like to attempt. This book, which focuses on a single year in Shakespeare’s life–1599–and its historical, political, and theatrical events (including performances of Henry V and Julius Caesar), brings its material to life.
It is a deeply researched book, with a wealth of resources listed in its bibliographical essay, but its handling and style are still so captivating and accessible that I couldn’t put it down when I first read it!
When we write about early modern literature and history, we construct narratives that draw on invention and imagination. Shapiro’s book reflects that vital mix of rigorous historical research, insightful interpretations of literary texts, and its own acts of storytelling.
What accounts for Shakespeare’s transformation from talented poet and playwright to one of the greatest writers who ever lived? In this gripping account, James Shapiro sets out to answer this question, "succeed[ing] where others have fallen short." (Boston Globe)
1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who…
Nancy Blanton is an American author of Irish descent. She’s written three award-winning Irish historical novels and has a fourth underway. A former journalist, her focus on the 17th century derives from a history lesson about Oliver Cromwell, weariness of Tudor stories, decades of enlightening research, and a little help from supportive friends in County Cork.
Notorious for its violence, the 17th century is also a time of sweeping change. Change ignites resistance. When I first started researching Irish history, I was well aware of Cromwell’s march, and soon discovered much more and perhaps worse. How could people survive under constant threat and fear? How could humans justify such cruelty? This book examines several horrific events, the people and the policies that allowed them to happen—in the interest of learning from history that which we should never repeat.
This book examines one of the bloodiest epochs in Irish history. Part one covers the 16th century, revealing how efforts by the Tudor monarchy to curb the powers of the autonomous Irish lords degenerated into a bitter cultural and sectarian conflict characterized by summary killings and massacres. The second part pays particular attention to the 1641Ërebellion and the Confederate Wars.
I have been fascinated with Queen Elizabeth I and Shakespeare since I was a child and read a kid biography of the queen and saw a Shakespearean comedy. The two topics are completely intertwined—Elizabeth saw Shakespeare’s plays at court and the strong women in Shakespeare’s plays reflect the queen. Elizabeth and Shakespeare have been both my passion and my profession. I have loved teaching and writing about them. One of my favorite things to do is to go see Shakespeare plays and to see portraits of the queen at museums. This passion has so enriched my life. The queen and the playwright have been very good to me.
Today concerns over madness and disability are very much with us, especially if they connect with issues of power and masculinity. This was also true in the age of Shakespeare. Christina Gutierrez-Dennehy’s collection of essays on the topic of mad kings on the Renaissance stage is very readable and interesting, and tie in with contemporary issues. The book is divided into three sections: distracted kingship, fractured masculinity, and performed madness. The plays under discussion include Shakespeare’s King Lear, Hamlet, Macbeth, Richard III, Henry VI, and All’s Well That Ends Well. Gutierrez-Dennehy brilliantly and explicitly brings the topics raised in the collection into the twenty-first century.
This book provides a fascinating study into the history of kingship, madness and masculinity that was acted out on the early modern stage. Providing students of early modern history, theatre and performance studies and disability studies with interesting case studies to inform their upper level seminars and research.
Throughout the volume the authors engage with the field of disability studies to show how disability and mental health were portrayed and what that tells us about the period and the people who lived in it. Showing students, a new dimension of early modern Europe.
