We’re obsessed with the Tudors, but the ordinary people of
sixteenth-century England are all too often left out of the picture.
Mark
Stoyle’s book invites us to reconsider a dimly remembered moment in time when
commoners demanded to be heard. In the summer of 1549, a large popular rebellion
against the religious changes of the Reformation erupted in Devon and Cornwall
and threatened to shake the foundations of the state.
It is a compelling and
tragic story, which ended with slaughter and retribution on an immense scale.
Stoyle’s telling of it is a triumphant demonstration that meticulously
researched historical scholarship can also be enjoyably readable and
emotionally engaging.
Have been devouring these Romantasy books from KMM. They quite simply DELIVER. Hot men, intelligent women, and passion that makes the storyline race along.
Enjoyed the Scottish castle setting for this volume.
The world-building spans multiple series (battle between good and evil in the world of the Fae) and I'm here for it.
He would defy the boundaries of time for one night in her arms . . .
He was a mighty Scottish warrior who lived in a world bound by ancient laws and timeless magic. But no immortal powers could prepare the laird of Castle Brodie for the lovely accursed lass who stood before him. A terrible trick of fate had sent her 700 years back in time and into his private chamber to tempt him with her beauty—and seduce him with a desire he could never fulfill. For this woman he burned to possess was also the woman he had…
As a history major and artist I noticed a style of illustrations and paintings that popped up in history books, novels, and poetry collections. I found that the paintings and drawings were just scratching the surface. The lives and struggles of the artists known as Pre-Raphaelites were just as intriguing as the art. I have traveled to the many locations that the Pre-Raphaelites frequented to follow in their footsteps. I've even tried to copy their wet white painting style and was awed by the patience they must have had. I appreciate many art styles and enjoy being transported into the lives of the artists by authors as interested in art and history as I am.
As Peter Bruegel stands in the Sistine Chapel admiring Michelangelo’s work he realizes he could never compete with one who works in the heavens – above. He will confine himself to the below – the common man. We follow Bruegel and his friends on his journeys, his daily life, and the inspiration he finds in the everyday world around him. His peasants are peasants. Their daily toil is not romanticized. Their feasts consist of rural fare. Even his religious art is not idealized. It is wonderful to imagine that the author has walked in Bruegel's shoes. Rudy Rucker is a professor of math and computer science but his extensive research has brought to life an artist who left very little of his own life to history.
Peter Bruegel's paintings - a peasant wedding in a barn, hunters in the snow, a rollicking street festival, and many others - have long defined our idea of everyday life in 16th Century Europe. In sixteen chapters Rucker brings Bruegel's painter's progress and his colourful world to vibrant life doing for Bruegel what GIRL WITH A PEARL EARRING did for Vermeer. We follow the artist from the winding streets of Antwerp and Brussels to the glowing skies and decaying monuments of Rome.
When I was in 6th grade, and homeschooling, I discovered Ancient Egypt. That year I had some health problems, which ended up essentially cancelling school for that year, and I was allowed to do whatever I wanted. I spent the entire year studying Egypt. My passion for history spiralled from there, and I've spent the interveaning years studying periods of history from Ancient Egypt to the Italian Rennaisance. I always wanted to be a writer and discovering that Historical Fiction as a genre was eye-opening for me. Since then I hardly read anything else (except fantasy) and all my personal works are Historical Fiction.
As with most of my books, I came across these entirely by accident. I don't remember how or where, but I picked one up and then I was on the hunt for the other two. These books are fun, historical with a twist of the fantastic, with secrets, intrigue, and some very interesting and subtle romantic plotlines woven in. I've read these a couple of times now and whenever I glance at my shelf I remember that I want to read them again, to see if I can find something new once more.
When Tudor explorers returned from the New World, they brought back a name out of half-forgotten Viking legend: skraylings. Red-sailed ships followed in the explorers' wake, bringing Native American goods--and a skrayling ambassador--to London. But what do these seemingly magical beings really want in Elizabeth I's capital?
Mal Catlyn, a down-at-heel swordsman, is seconded to the ambassador's bodyguard, but assassination attempts are the least of his problems. What he learns about the skraylings and their unholy powers could cost England her new ally--and Mal his soul.
I’ve had myriad careers in my life but the through-line has always been Shakespeare. I became smitten with the “words, words, words” seeing a production of Twelfth Night in 3rd grade and it’s been a passion ever since. Acting led to being a “Journalist, Editor, Speaker, Spy” but everything I’ve done was to fund my secret joy of being in a dusty old archive, transcribing manuscripts. Even though my first favorite book was Frances Hodgson Burnett’s The Secret Garden (that was already taken here!), I wasn’t that ‘outdoorsy’, but when the wonderful Japanese artist Sumié Hasegawa showed me her Botanical Shakespeare drawings, I got excited about approaching Shakespeare in a totally new way.
A sizzling tale of competition, grandeur, and royal romance—and it’s true! Shakespeare loved writing about court intrigue and this story of Queen Elizabeth and the courtiers & ministers who created spectacular gardens for her has loads of it. People always focus on what was going on behind palace walls & inside castle corridors, but it turns out the real drama is down in the garden. Imagine gilding rosemary bushes so they glitter in the sun. I certainly think the theatricality of the landscape inspired Shakespeare’s work. In addition to being intricate and fascinating, this book impelled me to further investigate Queen Elizabeth’s effect on the green space of the country and seeding the prospect of garden competition. For me, it uncovered an amazing origin story of green desire and the intricate facets of female leadership.
Taking a fresh and original approach to the life and reign of Queen Elizabeth I, this book tells the incredible story of her great passion for gardens, and how the two most powerful men in England during her reign fought a decade-long duel for their queen's affections by creating lavish gardens for her. It chronicles how, in their quest to woo the queen and outdo each other, Robert Dudley, Earl of Leicester, and William Cecil, Baron of Burghley, competed for Elizabeth’s favor by laying out innovative and extravagant pleasure grounds at their palaces for when she came to visit. As…
I am a historian of early modern Britain, with particular interests in the cultural and religious history of the English Reformation, as well as in the fields of historical memory and time. I enjoy pursuing these subjects not only through research and reading, but also teaching. I am currently the J. H. Plumb College Lecturer in History at Christ’s College, University of Cambridge.
This is not just a book about the destruction, dispersal, and re-organisation of medieval libraries after the Reformation; it also encourages us to interrogate the very nature of the collections upon which historians rely.
From Jennifer Summit, I learnt that it is misguided to think of early modern libraries and archives as neutral spaces; rather, they shape and change the meaning of the works displayed on their shelves.
In her book, we come to see such libraries, including the foundational collections of the British Library and the Bodleian Library, as distinctively post-Reformation in character, paving the way for accounts of the triumph of Protestantism across the centuries.
In Jennifer Summit's account, libraries are more than inert storehouses of written tradition; they are volatile spaces that actively shape the meanings and uses of books, reading, and the past. Considering the two-hundred-year period between 1431, which saw the foundation of Duke Humfrey's famous library, and 1631, when the great antiquarian Sir Robert Cotton died, "Memory's Library" revises the history of the modern library by focusing on its origins in medieval and early modern England. Summit argues that the medieval sources that survive in English collections are the product of a Reformation and post-Reformation struggle to redefine the past by…
I was born and raised in Sevilla, Spain, a city with profound ties to Spain’s colonial past in the Americas. Since college I've been fascinated by colonial history. Being a little contrarian, while most Latin American colonial scholars I knew focused on Mexico and Peru (the richest Spanish colonies in the so-called “New World”) I decided to focus my attention on their polar opposite: less prosperous colonies (from the perspective of the crown anyway), island societies, and places that were relegated to the margins. I love learning about the men and women in these colonial societies and trying to tell their stories to the best of my abilities.
A multiple award-winning book that has given new wings to the field of early Caribbean history. Wheat’s insightful book forces to reckon with the extraordinarily close links between the Spanish Caribbean and the African slave trade in which Portuguese merchants played a crucial role. Even though local and peninsular Spaniards ruled, Afrodescendant men and women did most of the labor, cultivated most of the land, defended the colonies against other European powers, and constituted an overwhelming majority of the population, both enslaved and free. The early Spanish colonization of the region started a pattern of profound African cultural influence in the Caribbean that endures until today.
This work resituates the Spanish Caribbean as an extension of the Luso-African Atlantic world from the late sixteenth to the mid-seventeenth century, when the union of the Spanish and Portuguese crowns facilitated a surge in the transatlantic slave trade. After the catastrophic decline of Amerindian populations on the islands, two major African provenance zones, first Upper Guinea and then Angola, contributed forced migrant populations with distinct experiences to the Caribbean. They played a dynamic role in the social formation of early Spanish colonial society in the fortified port cities of Cartagena de Indias, Havana, Santo Domingo, and Panama City and…
I have been fascinated by the lives of women in the Renaissance for as long as I can remember – growing up I devoured biographies of Lucrezia Borgia, Mary Stuart, and Elizabeth Tudor. Now, as a professor, author, and researcher, I feel lucky to have turned my passion into my profession! Along with writing about Renaissance women, I edit a series dedicated to women’s global history. I love books that explore the richness and complexity of the female experience, and which help us to understand how women in other historical eras dealt with questions of autonomy, power and gender inequality – issues that are still with us today.
This older, quieter novel by Sarah Dunant has stayed with me over the years. It tells the story of a young Italian woman forced into a convent after a clandestine love affair. This was the fate of thousands of Renaissance women, whether or not they had a religious vocation: convents were repositories for “surplus” women who couldn’t be respectably married off.
I appreciate how this book focuses on the surprising complexity of the cloister, from the friendships and enmities among the nuns to their incredible knowledge and expertise in music and medicine.
Dunant’s books about Renaissance Italy are always well-researched, and she has a flair for integrating small details that bring this hidden world to life.
1570 in the Italian city of Ferrara. Sixteen-year-old Serafina is fipped by her family from an illicit love affair and forced into the convent of Santa Caterina, renowned for its superb music. Serafina's one weapon is her glorious voice, but she refuses to sing. Madonna Chiara, an abbess as fluent in politics as she is in prayer, finds her new charge has unleased a power play - rebellion, ecstasies and hysterias - within the convent. However, watching over Serafina is Zuana, the sister in charge of the infirmary, who understands and might even challenge her incarceration.
I fell in love with history when I saw how it led to alternative ways of seeing the world – ways of understanding things that are now largely abandoned. I do not believe in “dangerous spirits.” But I know that people much smarter than me once took them for granted and thought carefully about their various activities. My work tries to recreate this lost intellectual landscape. In books like Strange Histories and The Devil: A Very Short Introduction, I have done my best to map out this landscape for general readers. This complements my academic role as Professor of Early Modern History at the University of Worcester.
A neglected classic of popular history. This book taught me things about the history of magic that now seem so obvious and important that I wonder how I missed them before. Ryrie tells the story of the fraudulent magician Gregory Wisdom, whose deception of a Tudor nobleman led to allegations of attempted murder by witchcraft. More broadly, he reveals a world in which the widespread acceptance of occult phenomena made counterfeit magic alluringly credible, and charlatans co-existed with “genuine” practitioners of magic. I know of no other book that describes the twilight world of fake and real sorcery with such vividness and insight.
An earl's son, plotting murder by witchcraft; conjuring spirits to find buried treasure; a stolen coat embroidered with pure silver; crooked gaming-houses and brothels; a terrifying new disease, and the self-trained surgeon who claims he can treat it.
This is the world of Gregory Wisdom, a physician, magician, and consummate con-man at work in sixteenth-century London. In this book, Alec Ryrie uses previously unknown documents to reconstruct this extraordinary man's career. The journey takes us through the cut-throat business of early modern medicine, down to Tudor London's gangland of fraud and organized crime; from the world of Renaissance magi and…
While I don’t usually read historic novels, I selected this
book because it was loosely based around a bizarre true event that happened in
1518, when women in Europe danced manically, not stopping to rest even when
their feet bled.
I was intrigued to find out how the author would spin this
into a novel. The story took me to places and times I knew nothing about, and
the world was so richly described I could imagine the events and the people in
their day-to-day lives witnessing these strange spectacles.
At its heart, a
tragic story which will touch many women who identify with aspects of the
story, from a bleak marriage, difficulty with conception, struggles with a patriarchal
society, and lost love.
Set in an era of superstition and hysteria, and inspired by the true events of a doomed summer, The Dance Tree is a story of family secrets, forbidden love, and women pushed to the edge. The gripping, historical novel from Kiran Millwood Hargrave, as seen on BBC Two's Between the Covers.
'Brilliant' - Marian Keyes
'I absolutely loved this book' - Elodie Harper, author of The Wolf Den
Set in an era of superstition and hysteria, and inspired by the true events of a doomed summer, The Dance Tree is a story of family secrets, forbidden love, and women pushed…
