Robert Lacey is credited with changing the way that people read and write about the British monarchy. In 1977 his tell-it-how-it-is Majesty: Elizabeth II and the House of Windsor overturned the clichés of the traditional ‘royal book’, hitherto the preserve of ex-nannies and obsequious court correspondents. As a Cambridge-trained historian of the first Elizabethan age – his biographies Robert, Earl of Essex and Sir Walter Ralegh won critical acclaim – the young journalist added the investigative techniques of his work on the Sunday Times to portray the monarchy in a fresh and analytical fashion. Robert is today Historical Consultant to the Netflix TV series The Crown.
"I really don’t know what we’re going to do with Margaret, Crawfie!" declared Lilibet anxiously to the original nanny diarist. "Poor Lil," responded Margaret, when rumours of her sister’s romance with Philip hit the papers. "Nothing of your own. Not even your love affair!" In the US, this first inside account of life with the modern royals boosted the circulation of the Ladies’ Home Journal magazine by half a million. But in Britain, Buckingham Palace complained that the letters quoted from the princesses breached royal copyright and insisted they be removed. Lilibet never forgave Crawfie for the betrayal embodied in this sickly, but oh-so-revealing tome.
Originally published in 1950, The Little Princesses was the first account of British Royal life inside Buckingham Palace as revealed by Marion Crawford, who served as governess to princesses Elizabeth and Margaret.
A twenty-two year old teacher recruited to look after the Duke and Duchess of York’s young daughters in 1931, Marion Crawford―affectionately known as “Crawfie” by her charges―spent sixteen years with the Royal family as the children’s governess. From King Edward VIII’s abdication of the throne in order to marry American divorcée Wallis Simpson and King George VI’s subsequent crowning, through World War II, and all the way to…
I write historical fiction some of which is set during the Wars of the Roses - a period that has always fascinated me. My two series, Rebels and Brothers & the Craft of Kings span the whole topic. But underlying the fiction there is a wealth of knowledge because I have studied or taught about this period for the best part of fifty years. I have also produced in recent years over forty podcasts on the subject which have been very well received by listeners – including students currently wrestling with the sometimes labyrinthine complexities of the topic.
Despite the prominence of the Woodville family throughout the Wars of the Roses, there are few books about any of them. Often references to them are lifted from dubious and unsubstantiated sources and repeated on the internet and, I’m afraid, elsewhere too, as fact. Few scholars of the period have really given the family close scrutiny but that is what Susan Higginbotham has done. She has truly lifted a veil from the Woodvilles and her book is essential reading for anyone who wants an unbiased take on this very important group of people.
In 1464, the most eligible bachelor in England, Edward IV, stunned the nation by revealing his secret marriage to Elizabeth Woodville, a beautiful, impoverished widow whose father and brother Edward himself had once ridiculed as upstarts. Edward's controversial match brought his queen's large family to court and into the thick of the Wars of the Roses.
This is the story of the family whose fates would be inextricably intertwined with the fall of the Plantagenets and the rise of the Tudors: Richard, the squire whose marriage to a duchess would one day cost him his head; Jacquetta, mother to the…
Growing up in the Honest Toun of Musselburgh near Edinburgh, I was surrounded by bloody battlefields, haunted castles, ruined abbeys and palaces. In particular, Scotland during the turbulent 16th century Reformation and the tragic reign of Mary, Queen of Scots fired my imagination. I was curious to know more about the lives, loves, and destinies of these fascinating historical characters. I wanted to delve deeper, go beyond dates and events–what happened when–to explore why and how people acted. I’m passionate about writing historical fiction as it involves researching the tiniest details about everyday life–clothes, food, methods of travel, language, beliefs–to bring people from the past to life for the reader.
Reams have been written about the tragic life of Mary, Queen of Scots, from the magisterial biographies by Antonia Fraser and John Guy to those focusing on her relationship with her sister queen, Elizabeth Tudor. Crown of Thistles by historian Linda Porter plugs a gap in Mary’s history by exploring the background to the prolonged rivalry and dynastic complications between the Stewarts of Scotland and the Tudors of England.
Dr. Porter’s book was an invaluable resource which I mined for lots of fascinating nuggets and incisive comments not found elsewhere.
This is an excellent, highly readable introduction for anyone wishing to know more about the violent history of the ancestors who shaped Mary’s destiny.
The struggle between the fecund Stewarts and the barren Tudors is generally seen only in terms of the relationship between Elizabeth I and her cousin, Mary Queen of Scots. But very little has been said about the background to their intense rivalry. Here, Linda Porter examines the ancient and intractable power struggle between England and Scotland, a struggle intensified during the reigns of Elizabeth and Mary's grandfathers. Henry VII aimed to provide stability when he married his daughter, Margaret, to James IV of Scotland in 1503. But he must also have known that Margaret's descendants might seek to rule the…
Many years ago, when I’d read my first medieval mystery, I decided I wanted to write my own. But mine would be as realistic as I could manage; I wanted the reader to smell medieval London and to be there with me. A lot had been written about Kings and Queens but not much about ordinary life so that became the center of my academic study leading eventually to my Master's Degree in medieval medicine. As well as my novels I now write popular factual books and I’m pleased to say people have taken the time to say how much they enjoy the fine details I share.
Forget Shakespeare. Nicholas Bracewell and Lord Westfield’s Men are a far more intriguing introduction to Elizabethan theatre. I was there, watching the rehearsals, hearing the applause, and enjoying the play as murder was committed, literally, behind the scenes.
With a bit of alchemy, madness, and passion thrown into the mix, if you love the Elizabethan period this is a not-to-be-missed historical mystery as Nicholas pits his wits against the devil himself.
He had the power to assume a pleasing shape, but would he take to the stage . . . ?
The audience was merry indeed when a third devilish imp bounded onstage to join the two that had been written into the script. But backstage all was uproar. The third demon seemed too much like the real thing. Even Nicholas Bracewell, the company mainstay, was shaken when, next time the play was given, only one devil appeared. The second, poor fellow, was now only a little red heap backstage. Murdered.
Before the curtain rose again, Lord Westfield's Men would suffer…
When I was a child, I was forever drawing pictures of princesses in elaborate medieval and early modern dress. I devoured history books—especially those containing artworks that helped me visualize the people whose names rang out from their pages. Inexplicably, I was passionate about France and French language and culture from my primary school years. Then, in my early twenties, I stumbled onto Umberto Eco’s, The Name of the Rose, which appeared in English translation around 1983. History has been, and remains, my passion (as do whodunits). I have been passionately obsessed with in my research for over two decades—uncovering the truth that lies beneath the spin and the ashes.
Carole Levin’s magisterial work has now appeared in its second edition, a testament to its importance. Carole explores the myriad ways the unmarried, childless Elizabeth represented herself and the ways members of her court, foreign ambassadors, and subjects represented and responded to her as a public figure. Like her recently deceased successor, Elizabeth II, Elizabeth Tudor understood that she had to be seen to be believed. She fashioned herself into both the Virgin Queen and the mother of her people. Carole interrogates the gender constructions, role expectations, and beliefs about sexuality that influenced her public persona and the way she was perceived as a female Protestant ruler and points us to paths along which can travel to investigate other female monarchs regardless of time period and on a global scale.
In her famous speech to rouse the English troops staking out Tilbury at the mouth of the Thames during the Spanish Armada's campaign, Queen Elizabeth I is said to have proclaimed, "I may have the body of a weak and feeble woman, but I have the heart and stomach of a king." Whether or not the transcription is accurate, the persistent attribution of this provocative statement to England's most studied and celebrated queen illustrates some of the contradictions and cultural anxieties that dominated the collective consciousness of England during a reign that lasted from 1558 until 1603.
In The Heart…
Christopher Andrew’s books are usually not intended for the general public but are primarily written for intelligence professionals, scholars of intelligence history, and journalists.
This particular book, however, will also be an eye-opener and a treasure trove for those who are interested in espionage as a literary subject. In his new work, Professor Andrew and his co-author cover a new topic: complex relations between the people of art and literature and secret services. And, as usual, it is beautifully written and contains a great deal of entirely new material that you simply cannot get from any other source.
A vastly entertaining and unique history of the interaction between spying and showbiz, from the Elizabethan age to the Cold War and beyond.
'A treasure trove of human ingenuity' The Times
Written by two experts in their fields, Stars and Spies is the first history of the extraordinary connections between the intelligence services and show business.
We travel back to the golden age of theatre and intelligence in the reign of Elizabeth I. We meet the writers, actors and entertainers drawn into espionage in the Restoration, the Ancien Regime and Civil War America. And we witness the entry of spying…
I’m a literary historian who works on the history of women’s reproductive bodies in the early modern era. I am also a debut novelist who has used my many years of researching the seventeenth century to bring to life the story of a seventeenth-century midwife. My own novel is not a bio fiction in the strictest sense of the term (novels with a named protagonist who was a historical figure) but it is based on the published works of two contemporary midwives, Jane Sharp (fl. 1671) and Sarah Stone who worked in the early part of the eighteenth century. I love reading works where other authors have brought to life figures I both research and teach.
This is such a good biofiction of Lady Arbella Stuart (1575-1615), niece to Mary, Queen of Scots, who was for many years presumed to be the natural successor to Elizabeth I. She lived under the strict rule of grandmother Bess of Hardwick, at the many-windowed palace, Hardwick Hall, the glass tower of the book’s title. As a bonus in this novel, we meet Aemilia Lanyer again. The two women’s paths cross in a most unexpected way.
Lost in history . . . losing her self. Uncover Tudor heroine Arbella Stuart's incredible story, reimagined by Elizabeth Fremantle in this tense, historical thriller.
Hardwick Hall, sixteenth-century England. Formerly a beacon of wealth and power. Now a gilded prison.
Hidden away, forgotten, one young woman seeks escape.
But to do so she must trust those on the outside. Those who have their own motives...
Discovery means death. But what choice has any woman trapped in a man's world?
Imprisoned by circumstance, Arbella Stuart is an unwilling contender for the throne. In a world where women are silenced, what chance…
I was born in Clifton, in the city of Bristol, England. Clifton is known for its elegant Georgian and Regency architecture. Growing up in these surroundings gave me an impression of what life might have been like for the people who lived there, the families upstairs and servants belowstairs. In front of a few houses on some streets, there are still stone blocks at the curb, worn smooth from countless feet entering and exiting their carriages. I have used Clifton as a setting in some of the books I have written, hoping to make those scenes more realistic and bring history alive for my readers.
I really did not like history when I was at school because other than 1066 (the Norman invasion of Britain) and 1492 (Columbus sailed the ocean blue) I could not remember the dates. I was not interested in the succession of kings or what countries made alliances through marriages. And then I read this book about Edward IV’s reign and the subsequent chaos which resulted in the Wars of the Roses between the houses of Lancaster and York. I was hooked. What made it more realistic for me was walking Bosworth Field, the site of the last great battle of that era. Stirring stuff.
Reckoned by those about him to be the most handsome man in the country, Edward the fourth has risen to the throne with the help of Warwick, the kingmaker. But even Warwick's trusted advice cannot convince the King to ignore his passion for the beautiful widow, Elizabeth Woodville - and when she refuses to become his mistress the two are married.
Beloved of the people, Edward proves himself to be a strong king, but his love of luxurious living soon begins to impact on his royal duties. Despite his mistresses, Elizabeth is loyal to the illustrious king, providing him with…
Madina Papadopoulos is a New Orleans-born, New York-based freelance writer and author. She is currently working on the sequel to The Step-Spinsters, the first in the Unspun Fairytale series, which retells classic princess stories set in the late Middle Ages. She studied French and Italian at Tulane University and received her MFA in screenwriting at UCLA. After teaching foreign languages at the university level, as well as in childhood and elementary school programs, she developed and illustrated foreign language coloring workbooks for preschoolers. As a freelance writer, she focuses on food, drinks, and entertainment.
It’s often said that the golden rule for storytelling is “thou shalt not bore.” While as a history buff, I get a kick out of historical fiction even when it might read more non-fiction than fiction, the genre risks falling prey to having to balance fact over fun. This is not the case with esteemed historical fiction author, Philippa Gregory. For those who like their history with a touch of steam and can forgive historical “embellishments,” Gregory delivers heavily researched stories that put character arcs and plot twists front and center. These tempting books follow the women in power behind the scenes of the War of the Roses. As a prolific writer, Gregory bestows upon us a bounty of six books in this series, carrying the reader on more of a year abroad than just a quick vacation.
The inspiration for the critically acclaimed Starz miniseries The White Queen, #1 New York Times bestselling author Philippa Gregory brings to life the extraordinary story of Elizabeth Woodville, a woman who rises from obscurity to become Queen of England, and changes the course of history forever.
Elizabeth Woodville is a woman of extraordinary beauty and ambition. Her mother is Jacquetta, also known as the mystical lady of the rivers, and she is even more determined to bring power and wealth to the family line. While riding in the woods one day, Elizabeth captures the attentions of the newly crowned King…
As a ghostwriter, I’m asked to turn my hand to many genres. Yet the one I keep returning to is Renaissance Adventure. Having always been a fan of adventure, in films, TV, or books, for my English Degree at Exeter University, I dedicated my dissertation to the genre, and the fascination shows no sign of fading. I love all these books, but there is one difference between these and my series. That is the heroes here are all men. Bring on more adventure in this era with women! I hope you enjoy the books on this list – they are a fantastic way to spend your evenings with your pulse racing.
Part of the Shakespeare family? Working for Walsingham in the height of the spy era? Who wouldn’t want to read about John Shakespeare!
There are many books in this series, but I’ve picked Martyr in particular as it’s the first, and what an introduction. With the threat of war imminent, and Mary Stuart about to be assassinated, a dark world is created here where it feels like every day that Shakespeare wakes up, he might struggle to keep breathing. What danger!
Once more, Rory Clements creates a world of intrigue that isn’t solely placed at the royal court but opens our eyes to the darker underbelly of the city. This book first got me into this genre many years ago. I could not recommend it enough as a first dip.
*****Part of the bestselling John Shakespeare series of Tudor spy thrillers from Rory Clements, winner of the Ellis Peters Historical Fiction Award*****
'Does for Elizabeth's reign what CJ Sansom does for Henry VIII's' Sunday Times
England is close to war. Within days the axe could fall on the neck of Mary Queen of Scots, and Spain is already gathering a battle fleet to avenge her.
Tensions in Elizabeth I's government are at breaking point. At the eye of the storm is John Shakespeare, chief intelligencer in the secret service of Sir Francis Walsingham. When an intercept reveals a plot to…
