I’ve had myriad careers in my life but the through-line has always been Shakespeare. I became smitten with the “words, words, words” seeing a production of Twelfth Night in 3rd grade and it’s been a passion ever since. Acting led to being a “Journalist, Editor, Speaker, Spy” but everything I’ve done was to fund my secret joy of being in a dusty old archive, transcribing manuscripts. Even though my first favorite book was Frances Hodgson Burnett’s The Secret Garden (that was already taken here!), I wasn’t that ‘outdoorsy’, but when the wonderful Japanese artist Sumié Hasegawa showed me her Botanical Shakespeare drawings, I got excited about approaching Shakespeare in a totally new way.
A sizzling tale of competition, grandeur, and royal romance—and it’s true! Shakespeare loved writing about court intrigue and this story of Queen Elizabeth and the courtiers & ministers who created spectacular gardens for her has loads of it. People always focus on what was going on behind palace walls & inside castle corridors, but it turns out the real drama is down in the garden. Imagine gilding rosemary bushes so they glitter in the sun. I certainly think the theatricality of the landscape inspired Shakespeare’s work. In addition to being intricate and fascinating, this book impelled me to further investigate Queen Elizabeth’s effect on the green space of the country and seeding the prospect of garden competition. For me, it uncovered an amazing origin story of green desire and the intricate facets of female leadership.
Taking a fresh and original approach to the life and reign of Queen Elizabeth I, this book tells the incredible story of her great passion for gardens, and how the two most powerful men in England during her reign fought a decade-long duel for their queen's affections by creating lavish gardens for her. It chronicles how, in their quest to woo the queen and outdo each other, Robert Dudley, Earl of Leicester, and William Cecil, Baron of Burghley, competed for Elizabeth’s favor by laying out innovative and extravagant pleasure grounds at their palaces for when she came to visit. As…
I’m an American who was taken by his parents to live in England for a year when he was a kid of eleven. The accents? The traditions? The school uniforms? All the traffic tangled up for a day because the Queen was riding to the State Opening of Parliament? It frightened me. It repelled me. I ended up loving it. I wrote my PhD thesis on the Victorian monarchy. A substantial part of all three of my first nonfiction books are about it. My novel on the current Queen of England has been a bestseller. It’s all about setting out to master what first strikes you as incomprehensible.
In the guise of a biography of the current queen, this is one of the best books on the modern British monarchy as an institution. Sarah Bradford talked to all the palace insiders, an amazing feat given how touchy and protective everyone around the queen is. Bradford has the best sense of the strengths of the current queen and her weaknesses. Because Elizabeth II is now the longest-reigning monarch in British history, she epitomizes most of the advantages and disadvantages of the institution in her own single lifetime. You will find out which of the episodes from Netflix’s The Crown are all made up, and which are close to the truth.
A court insider's portrait of Elizabeth II and her eventful and turbulent reign journeys beyond the facade of Buckingham Palace to answer questions about the scandal-ridden royals, relationships among members of her family, her personal beliefs, and future prospects for the House of Windsor. Tour.
Many years ago, when I’d read my first medieval mystery, I decided I wanted to write my own. But mine would be as realistic as I could manage; I wanted the reader to smell medieval London and to be there with me. A lot had been written about Kings and Queens but not much about ordinary life so that became the center of my academic study leading eventually to my Master's Degree in medieval medicine. As well as my novels I now write popular factual books and I’m pleased to say people have taken the time to say how much they enjoy the fine details I share.
Forget Shakespeare. Nicholas Bracewell and Lord Westfield’s Men are a far more intriguing introduction to Elizabethan theatre. I was there, watching the rehearsals, hearing the applause, and enjoying the play as murder was committed, literally, behind the scenes.
With a bit of alchemy, madness, and passion thrown into the mix, if you love the Elizabethan period this is a not-to-be-missed historical mystery as Nicholas pits his wits against the devil himself.
He had the power to assume a pleasing shape, but would he take to the stage . . . ?
The audience was merry indeed when a third devilish imp bounded onstage to join the two that had been written into the script. But backstage all was uproar. The third demon seemed too much like the real thing. Even Nicholas Bracewell, the company mainstay, was shaken when, next time the play was given, only one devil appeared. The second, poor fellow, was now only a little red heap backstage. Murdered.
Before the curtain rose again, Lord Westfield's Men would suffer…
Dr Dee has designs for a British Empire that will dominate the world for ages to come ushering in Revelation, and with the aegis of the Angels, he has the power to make it a reality.
But, two elements are missing, and through blackmail and occult ritual, infamous swordswoman Captain Lament Evyngar and her giant Dutch comrade are forced to journey to the war-ravaged Spanish Netherlands on a quest that will reveal the truth about strange entities that use humans to fight out their eternal conflicts and in doing so alter Lament and the course of history forever.
Infamous swordswoman Captain Lament Evyngar awaits execution in the Tower of London, charged with heresy and attempted regicide, but all is not as it seems. Unwittingly entangled in the schemes of the Angels, she recounts her tale to the Queen's sorcerer, Dr Dee, who is more than a little responsible for her predicament.
Dr Dee has designs for a British Empire that will dominate the world for ages to come, and with the aegis of the Angels, he has the power to make it a reality. But, two elements are missing, and through blackmail and occult ritual, Lament and her…
I’m an author, researcher, and historian writing about Tudor women. As a woman myself, I’m naturally interested in what life was like for those who came before me, and I’m very passionate about writing the lesser-known, forgotten women back into the historical narrative of the period. We all know about Henry VIII’s six wives, his sisters, and daughters, but there were other women at the Tudor court whose stories are no less fascinating.
I love everything by Elizabeth Norton, but this book is one of my all-time favourites.
It tells the story of Elizabeth I’s life before she became queen; the spotlight is on her short stay in the household of Katherine Parr and Thomas Seymour. Fast-paced and evocative, it reads like a thriller.
It’s a narrative based on primary source material, printed and archival, describing the events between Henry VIII’s death in January 1547 and Thomas Seymour’s execution in March 1549.
This book is a lesson in how to create an immersive historical narrative while staying true to the primary sources. An inspiration.
England, late 1547. King Henry VIII Is dead. His fourteen-year-old daughter Elizabeth is living with the king's widow, Catherine Parr, and her new husband, Thomas Seymour. Seymour is the brother of Henry VIII's third wife, the late Jane Seymour, who was the mother to the now-ailing boy King. Ambitious and dangerous, Seymour begins and overt flirtation with Elizabeth that ends with Catherine sending her away. When Catherine dies a year later and Seymour is arrested for treason soon after, a scandal explodes. Alone and in dreadful danger, Elizabeth is threatened by supporters of her half-sister, Mary, who wishes to see…
I was born in rural Bannockburn in Scotland, two fields from the site of the famous Battle (a rare victory over England) of 1314. From the start, the Past has always been very present to me. I have written 22 books: novels, non-fiction memoir, and poetry. In differing ways they all explore aspects of Scotland and being Scottish – our landscape, geology, history, culture, and psyche. I was brought up in East Fife, near St Andrews, and live in Edinburgh and Orkney; my mother was English, as is my wife, novelist Lesley Glaister. Which is by way of saying I am interested in writing the joys, aches, and complexities of being human, in the universal and the local, in our present and the Past that shapes it.
I love this as something quite different – essentially a close encounter with the Border by bicycle. He knows his history, writes well, and brings it all down to ground level, and conveys the lasting atmosphere (lovely, bleak, ruinous, enduring) of these Debatable Lands. A fine piece of historical travel writing by a deeply knowledgeable and astute writer. Makes you want to go and experience for yourself – if you do, take this book in your pannier (preferably waterproof).
An oft-overlooked region lies at the heart of British national history: the Debatable Land. The oldest detectable territorial division in Great Britain, the Debatable Land once served as a buffer between England and Scotland. It was once the bloodiest region in the country, fought over by Henry VIII, Elizabeth I, and James V. After most of its population was slaughtered or deported, it became the last part of Great Britain to be brought under the control of the state. Today, its boundaries have vanished from the map and are matters of myth and generational memories. In The Debatable Land, historian…
I was born within sight of Pembroke Castle, birthplace of Henry Tudor, who later became King Henry VII and began the Tudor Dynasty, so I’ve always had an interest in his story. I found several biographies, but no novels which brought the truth of his story to life. The idea for the Tudor Trilogy occurred to me when I realised Henry Tudor could be born in book one, ‘come of age’ in book two, and rule England as king in book three. Since then, I’ve continued to follow the Tudor ‘thread’ all the way from Owen Tudor’s first meeting with Catherine of Valois, and culminating with the Elizabethan Series.
The third book of The Elizabeth of England Chronicles has Elizabeth finally becoming Queen of England and trying to unite a divided country. A Protestant queen surrounded by Catholic kings, all she has to do is marry well and secure the succession. Gemma Lawrence has a talent for developing convincing characters and evoking a compelling sense of time and place.
The witty, wily princess, Elizabeth Tudor has survived the turmoil of her formative years, and finally, is now Queen of England. Rising to the throne on a wave of popularity, Elizabeth is keen to avoid the mistakes of her siblings, and bring England to a new sense of unity and hope. But in the first two years of her reign, Elizabeth will be tested as in no other. She is seen as scandalous for her faith and sex in the courts of Europe. Untested in power and authority, Elizabeth must use all the weapons at her disposal to survive as…
I’m a literary historian who works on the history of women’s reproductive bodies in the early modern era. I am also a debut novelist who has used my many years of researching the seventeenth century to bring to life the story of a seventeenth-century midwife. My own novel is not a bio fiction in the strictest sense of the term (novels with a named protagonist who was a historical figure) but it is based on the published works of two contemporary midwives, Jane Sharp (fl. 1671) and Sarah Stone who worked in the early part of the eighteenth century. I love reading works where other authors have brought to life figures I both research and teach.
Staying in the early modern era, this is an imaginative retelling of the story of Aemilia Lanier (1569–1645), a gifted writer in her own right but is often best remembered as a candidate for Shakespeare’s ‘dark lady’. This means some believe her to be the inspiration for the bard’s passionatesonnets. Born Aemilia Bassano she was the daughter of a musician in the court of Elizabeth I. Lanier published Salve Deus Rex Judaeorum (Hail, God, King of the Jews) in 1611. This biofiction brings her to life in new ways.
A TALE OF SORCERY AND PASSION IN SEVENTEENTH-CENTURY LONDON―WHERE WITCHES HAUNT WILLIAM SHAKESPEARE AND HIS DARK LADY, THE PLAYWRIGHT'S MUSE AND ONE TRUE LOVE
The daughter of a Venetian musician, Aemilia Bassano came of age in Queen Elizabeth's royal court. The Queen's favorite, she develops a love of poetry and learning, maturing into a young woman known not only for her beauty but also her sharp mind and quick tongue. Aemilia becomes the mistress of Lord Hunsdon, but her position is precarious. Then she crosses paths with an impetuous playwright named William Shakespeare and begins an impassioned but ill-fated affair.…
I was utterly uninspired by history at school—couldn’t see the point of it at all—but then I discovered Jean Plaidy’s books and realised history was about people, real people. Dorothy Dunnett propelled me headlong into a fascination with sixteenth-century Europe, a period full of larger-than-life characters and an unusually high number of strong women. Mary Queen of Scots, Elizabeth I, Catherine de Medici, Mary of Guise, Hurrem Sultan (wife of Suleiman the Magnificent): they wielded real power. And Mary Queen of Scots was so young—it makes her the perfect starting point to interest young readers in history. I hope I’ve done her story justice.
This is a great introduction to Mary’s story for young readers. I love the clever way it centres the whole story of Mary’s life on her true, action-packed escape from Loch Leven Castle, helped by a young boy called Will Douglas. It’s beautifully illustrated and written. This is how to get ‘em interested in history at an early age!
The true story of the daring escape of Mary, Queen of Scots from the island castle in Lochleven is well-known throughout Scotland and the world.
Multi-award-winning author Theresa Breslin, who has carefully researched Mary's life, has adapted this famous adventure into a picture book for children.
Through stunning illustrations and a gripping story, both packed with historical detail, children will feel the tension of Mary's imprisonment and the excitement of her escape plans, gaining insight into this fascinating period of Scottish history.
A full and engaging historical tale for children from a fabulous Scottish storyteller.
I’m the author of the Peter Pike private eye series. Pike is a beat-up Middle Eastern veteran-turned private eye who finds himself embroiled in mysteries, usually with lost treasure involved: in the huge, sophisticated Indian civilizations that were here before us; in Lincoln’s murky sexuality; in a lost Faberge egg and the downfall of the Romanovs; and with Peter Pike and the Silver Shepherd, some rather nasty (and one nice) Nazi war dogs.
Speaking of ancient hell hounds, where does the myth of the demon dog – you know, black, huge, gnashing jaws ravenous for human flesh, glowing red eyes, the most famous example being Sir Arthur Conan Doyle’s The Hound of the Baskervilles—come from? Hell hounds pop up in legends and stories from all over the world: Cerberus from Greek mythology; almost every single European country including Garmr from Norse mythology and ye fierce blacke dogges of English folklore; all over Latin America; China; Japan; India; Arabia; Russia; even the United States.
This account of a demon dog stalking English churches in the time of Shakespeare and Queen Elizabeth I is the earliest account I’ve found in English. The full title is A straunge and terrible wunder wrought very late in the parish church of Bongay, a tovvn of no great distance from the citie of Norwich, namely the fourth of…
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One thing that makes a book great is its uniqueness.
This story of a Turkish physician who finds himself in the court of Queen Elizabeth I and who becomes involved in the intrigue concerning the success of James I is unlike anything I’ve read before. It felt thoroughly authentic and compelling.
While thephysician's charactern is fictional, the period’s conflict between Protestants and Catholics is very real and was an added, informative element of the novel.
Queen Elizabeth’s spymasters recruit an unlikely agent—the only Muslim in England—for an impossible mission in a mesmerizing novel from “one of the best writers in America” (The Washington Post)
“Evokes flashes of Hilary Mantel, John le Carré and Graham Greene, but the wry, tricky plot that drives it is pure Arthur Phillips.”—The Wall Street Journal
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND THE WASHINGTON POST
The year is 1601. Queen Elizabeth I is dying, childless. Her nervous kingdom has no heir. It is a capital crime even to think that…
