The best books on Elizabeth I

I was born in Clifton, in the city of Bristol, England. Clifton is known for its elegant Georgian and Regency architecture. Growing up in these surroundings gave me an impression of what life might have been like for the people who lived there, the families upstairs and servants belowstairs. In front of a few houses on some streets, there are still stone blocks at the curb, worn smooth from countless feet entering and exiting their carriages. I have used Clifton as a setting in some of the books I have written, hoping to make those scenes more realistic and bring history alive for my readers. 

I was born in rural Bannockburn in Scotland, two fields from the site of the famous Battle (a rare victory over England) of 1314. From the start, the Past has always been very present to me. I have written 22 books: novels, non-fiction memoir, and poetry. In differing ways they all explore aspects of Scotland and being Scottish – our landscape, geology, history, culture, and psyche. I was brought up in East Fife, near St Andrews, and live in Edinburgh and Orkney; my mother was English, as is my wife, novelist Lesley Glaister. Which is by way of saying I am interested in writing the joys, aches, and complexities of being human, in the universal and the local, in our present and the Past that shapes it.

By day, I am a freelance grant writer for impactful nonprofits…but by night I indulge a passion for the Tudor era I have harbored since I was eight years old and my parents let me stay up late to watch The Six Wives of Henry VIII and Elizabeth R. My Seymour Saga took me deep into one of the era’s central families – and now I am working on my follow up Regina trilogy, exploring Elizabeth’s journey from bastard to icon. I also run a blog where I post interesting takes on the Tudors – I need somewhere to share all the fascinating tidbits I can’t cram into my books!

I have always been fascinated with stargazing, bird-watching, photography, and microscopy, and consequently vintage telescopes, binoculars, cameras, microscopes, and optical and scientific instruments in general. I began my career in an optics laboratory at the Royal Aircraft Establishment, Farnborough, and went on to become a Chartered Engineer. After a successful career in science and engineering, spanning more than three decades, I left the corporate world to make stringed instruments and write fiction and non-fiction. Brass and Glass: Optical Instruments and Their Makers is my first non-fiction book. My novels include An Accident of Birth, and Galactic Alliance: Betrayal. I live in Kent, England with my wife, Margo, and our cat.

While I taught Shakespeare’s plays all my teaching career, I stayed in my lanes: Hamlet, Othello, The Merchant of Venice, King Lear. As a poetry teacher, I used his sonnets as examples of metaphor and form, but never did I consider myself an expert. However, when the idea for my novel popped into my head, I realized I had some serious reading to do. Not only did I study the facts, I delved into the fiction. While some of these books came out during my writing and others after, I didn’t lose my interest, picking up whatever new Shakespeare book appeared. These are some of my favorites.

Madina Papadopoulos is a New Orleans-born, New York-based freelance writer and author. She is currently working on the sequel to The Step-Spinsters, the first in the Unspun Fairytale series, which retells classic princess stories set in the late Middle Ages. She studied French and Italian at Tulane University and received her MFA in screenwriting at UCLA. After teaching foreign languages at the university level, as well as in childhood and elementary school programs, she developed and illustrated foreign language coloring workbooks for preschoolers. As a freelance writer, she focuses on food, drinks, and entertainment.

As a long-time teacher of Shakespeare’s plays who’s performed in and directed amateur productions and written spin-off plays myself, I love all aspects of William Shakespeare. Before writing my own books set in his era I did intensive research into its theatre and politics, but the more imaginative approach of novelists offers different delights. I like shedding our reverence for The Bard and looking at the man, his relationships, and what contributed to his plays beyond his sources. Rather than real or fictional biographies of Shakespeare, my list features creative stories for both pleasure and learning. 

As a poet and a dreamer, I believe in a world where we live in harmony with other people, nature, and the Divine. During the completion of my Master of Arts degree, I discovered a love of poetry: the lyrical cadences of the romantic poems reminded me of the sung psalms of my youth. No life is without sorrow, and the gift of poetry — both writing and reading it — has offered me hope through many a dark time, inspiring me to push on towards a new dawn. My wish for you is that, in these poetry collections, you too find a light during these turbulent times that we’re living in.

While I taught Shakespeare’s plays all my teaching career, I stayed in my lanes: Hamlet, Othello, The Merchant of Venice, King Lear. As a poetry teacher, I used his sonnets as examples of metaphor and form, but never did I consider myself an expert. However, when the idea for my novel popped into my head, I realized I had some serious reading to do. Not only did I study the facts, I delved into the fiction. While some of these books came out during my writing and others after, I didn’t lose my interest, picking up whatever new Shakespeare book appeared. These are some of my favorites.

Robert Lacey is credited with changing the way that people read and write about the British monarchy. In 1977 his tell-it-how-it-is Majesty: Elizabeth II and the House of Windsor overturned the clichés of the traditional ‘royal book’, hitherto the preserve of ex-nannies and obsequious court correspondents. As a Cambridge-trained historian of the first Elizabethan age – his biographies Robert, Earl of Essex and Sir Walter Ralegh won critical acclaim – the young journalist added the investigative techniques of his work on the Sunday Times to portray the monarchy in a fresh and analytical fashion. Robert is today Historical Consultant to the Netflix TV series The Crown.

I was utterly uninspired by history at school—couldn’t see the point of it at all—but then I discovered Jean Plaidy’s books and realised history was about people, real people. Dorothy Dunnett propelled me headlong into a fascination with sixteenth-century Europe, a period full of larger-than-life characters and an unusually high number of strong women. Mary Queen of Scots, Elizabeth I, Catherine de Medici, Mary of Guise, Hurrem Sultan (wife of Suleiman the Magnificent): they wielded real power. And Mary Queen of Scots was so young—it makes her the perfect starting point to interest young readers in history. I hope I’ve done her story justice.

I’m an American who was taken by his parents to live in England for a year when he was a kid of eleven. The accents? The traditions? The school uniforms? All the traffic tangled up for a day because the Queen was riding to the State Opening of Parliament? It frightened me. It repelled me. I ended up loving it. I wrote my PhD thesis on the Victorian monarchy. A substantial part of all three of my first nonfiction books are about it. My novel on the current Queen of England has been a bestseller. It’s all about setting out to master what first strikes you as incomprehensible.

I fell in love with Russian history as a college sophomore, when I realized the place was like a movie series, all drama and extremes. I completed a doctorate at Stanford in early modern Russia and later published The Domostroi: Rules for Russian Households in the Time of Ivan the Terrible. Because so few people in the West know about the contemporaries of the Tudors and Borgias, I set out to write a set of novels, published under a pseudonym, aimed at a general audience, and set in sixteenth-century Russia. I interview authors for the New Books Network, where I favor well-written books set in unfamiliar times and places.

I was utterly uninspired by history at school—couldn’t see the point of it at all—but then I discovered Jean Plaidy’s books and realised history was about people, real people. Dorothy Dunnett propelled me headlong into a fascination with sixteenth-century Europe, a period full of larger-than-life characters and an unusually high number of strong women. Mary Queen of Scots, Elizabeth I, Catherine de Medici, Mary of Guise, Hurrem Sultan (wife of Suleiman the Magnificent): they wielded real power. And Mary Queen of Scots was so young—it makes her the perfect starting point to interest young readers in history. I hope I’ve done her story justice.

Growing up in the Honest Toun of Musselburgh near Edinburgh, I was surrounded by bloody battlefields, haunted castles, ruined abbeys and palaces. In particular, Scotland during the turbulent 16th century Reformation and the tragic reign of Mary, Queen of Scots fired my imagination. I was curious to know more about the lives, loves, and destinies of these fascinating historical characters. I wanted to delve deeper, go beyond dates and events–what happened when–to explore why and how people acted. I’m passionate about writing historical fiction as it involves researching the tiniest details about everyday life–clothes, food, methods of travel, language, beliefs–to bring people from the past to life for the reader.

Robert Lacey is credited with changing the way that people read and write about the British monarchy. In 1977 his tell-it-how-it-is Majesty: Elizabeth II and the House of Windsor overturned the clichés of the traditional ‘royal book’, hitherto the preserve of ex-nannies and obsequious court correspondents. As a Cambridge-trained historian of the first Elizabethan age – his biographies Robert, Earl of Essex and Sir Walter Ralegh won critical acclaim – the young journalist added the investigative techniques of his work on the Sunday Times to portray the monarchy in a fresh and analytical fashion. Robert is today Historical Consultant to the Netflix TV series The Crown.

I’ve loved the theater ever since I first stepped on stage in a high school production of You Can’t Take It With You. I had one line and was hooked! And as for Shakespeare–I fell in love with the Bard when I was 13 and saw Franco Zeffirelli’s Romeo and Juliet. My best friend and I spent hours reciting the lines (I still remember whole speeches). So, when I was looking for an artsy subject (I love the arts) for my third novel, I naturally turned to the theater. I have a Master of Arts in Drama from the University of Toronto and when I’m not writing, I run Art In Fiction, a website showcasing 1700+ novels inspired by the arts.

I’m an engineer-turned-mystery-writer, and my taste in fiction is as unconventional as my career. I love books set in obscure periods of the past, with underdog characters who rise to the occasion through cleverness and grit. I write the kind of books I love to read, which explains why I set my novels in ancient Rome. The engineer side of my brain thrives on doing historical research while my creative side imagines quirky, imperfect characters who find unconventional ways to solve tricky mysteries. I hope you enjoy my list of clever, spunky sleuths from various periods who solve murders in unique ways. 

Mihoko and Anne first met at the University of Miami, where Mihoko was a specialist in early modern England and Anne, in early modern Spain. Sharing their interests in gender studies, literature, and history, and combining their expertise, they team-taught a popular course on early modern women writers. Anne’s publications range from studies of women in Cervantes’ Don Quixote, female rogues, and religious women to early modern Habsburg queens. Mihoko has published on the figure of Helen of Troy in classical and Renaissance epic; and women and politics in early modern Europe, especially in the context of the many civil wars that upended the political and social order of the period.

I’m a literary historian who works on the history of women’s reproductive bodies in the early modern era. I am also a debut novelist who has used my many years of researching the seventeenth century to bring to life the story of a seventeenth-century midwife. My own novel is not a bio fiction in the strictest sense of the term (novels with a named protagonist who was a historical figure) but it is based on the published works of two contemporary midwives, Jane Sharp (fl. 1671) and Sarah Stone who worked in the early part of the eighteenth century. I love reading works where other authors have brought to life figures I both research and teach.